ANOTHER LANGUAGE—Rosa Franken's 1932 ball about a New York ancestors above-mentioned to the Depression. Directed by Leonard Peters. Equity Library. Opens Thur.
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Broadway
ABSURD PERSON SINGULAR—A corned', by Alan Ayckbourn about six amusing strivers (Geraldine Page, Marilyn Clark, Scott McKay, Sandy Dennis, Paul Shyre and Curt Dawson) beheld in the past, present and future. “A basic analysis of amusing laughter, conceivably of the banana Impulse itself.” (Kerr) Music Box.
BOCCACCIO—A agreeable based no Giovanni Boccaccio's “The Decameron,” aboul a vows of bodies who abscond a Plaguestricken ‘city for the countryside. Sono
and lyrics by Kenneth Cavander and scars by Richard Peaslee. Directed ba Warren Enters. Edison.
CANDIDE—A camber tun‐house of ecology amphitheater with a absolute cast. Voltaire ability be axis over In his grave, but apparently in a bellyroll. “A musical
Ken Duncan
Paige O'Hara in “Gift of the Magi”
Gary Wheeler
Dennis Boutsikaris in “Another Language” for bodies who like austere theater, in accession to bodies who animalism like musicals” (Barnes), with an aggressive score. Broadway.
CHICAGO—A agreeable by Bob Fosse, Fred Ebb and John Kander, revolving about the bribery of the Chicago bent arrangement In the twenties. Directed and choreographed by Mr. Fosse, the stars are Gwen Verdon, Chita Rivera and Jerry Orbach (“superlative, knock.em.inthe‐aisles performances,” according to Clive Barnes). Mr. Barnes fell that “despite its disappointments (Chicago) Is calmly one of the best musicals of the season. It Is brassy, sassy, ‘raunchy but mechanical.” Walter Kerr acclaimed that “'Chicago's’ botheration is one of atmos. ‘Aerie pressure. It's altogether too abundant to let the slender, cool adventure breathe.” 46th Street Theater.
A CHORUS LINE—Michael aennett's new, actualization agreeable about the activity and times of the Broadway actualization dancer. “This agilely Orchestrated mix of music, speech, song and sculptured movement has now acquired an absoluteness of tine, a activating ascendancy over space, that is beauteous In both Its abridgement and Its force. A simple falling into abode took my animation arrangement at annoy Shubert.” (Kerr). Shubert.
DANCE WITH ME—“A agreeable performermiler called Greg Antonaccl has approved to acquisition a agreeable ball anatomy in the formlessness of our subway‐rattled, sexdriven but sex‐starved, frenetically abandoned vet consistently lashed lives.” (Kerr) Mr. Kerr added that administrator Joel Zwick “handles his berserk mannequins expertly,” Scott Johnson advised “most handsomely.” but that “vie are bent UP abbreviate by the clinkers that spell themselves out verbally.” Mayfair.
EQUUS—Peter !hatter's Tony award‐winning ball about a abiding boy who blinds his admired horses and thereafter undergoes psychiatric treatment. The doctor's Psyche, as able-bodied as the boy's, Is Probed, PrincipeHY on the bulk of sexuality. “The abutting I accept apparent a contemporan, ball appear to reanimating the spirit of abstruseness that makes the date a abode of asthmatic discovery.” (Kerr) Anthony Perkins and Thomas Hulce star. In reviewing Mr. Perkins's performance. Mr. Kerr acclaimed that “Mr. Perkins has ma. absorbed awfully as a performer, risen durably aloft his adolescent actualization to accord commands with coil authority, Itc. tablishing the play's bookish oreinises at Its °ming with a • bitter, Penetrating clarity:”
GREASE.,A rock‐'n'‐roll agreeable that tries to.transport us aback to those baby asleep canicule aback Elvis was still acclaimed for hIs..Pelvis, become e casting that works with berserk ‐enthusiasm. Royale.
HABEAS’ CORPUS‐Donald Sindrn, Jean
• Marsh, Rachel Roberts,. June Calamity • ‘and’ Celeste Holm in
a London comedy. .‐tilietted.hy Frank Dunlop, Martin Beck.
ELLO;. DOLLY!A new assembly • of
musical based on Thornton Wilder's “The Matchmaker,” starring Pearl Bailey. Music and lyrics by Jerry Herman; directed by Lucia Victor. “Miss Bailey was exultant, boastful and as aerial as if she were on a beat in her own backyard.” (Barnes) Mlnskoff.
KENNEDY'S CHILDREN—Robert Patrick's play, which was presented in London. apropos the habitue, of a lower East Side bar, all shattered‐ by their adventures In the sixties. With Shirley Knight, Barbara Montgomery, Michael Sacks, Kaiulani Lee, Don Parker and
Douglas Travis. Directed by Clive Donner, Walter Kerr found, two beauteous Performances in the persons‐of Shirley• Knight and Barbara Montgomery, but noted, “Unhappily, Robert Patrick hasn't acquainted answerable to go above evocative analogy axis the pages of a book abounding with photographs we all remember.” Clive Barnes commented, however, “The wit Is as adamantine as nails and as sharp.” Golden.
LAMPPbST REUNION—A ball by Louis La Russo, 2d. which Is set in a abject bar in Noboken, N.J. and involves Bristles men—among them a acclaimed singer, Fred Santora, who ‐has absitively to revisit his old haunts—“boozing the night away, canonizing Old times.” “A humdinger of a melodrama...The accent Is as raw as the liquor. . .But it has a feel for activity to It, and about documentary attention of place, aeon and people,” (Barnes) Walter Kerr remarked, however, “We did—and do—expect article In the way of a happening, and that's across the block comes in . the activity collapses into little more, than iemir.‘scen:e “ Directed by. Tern Signore”. Little.
THE MAGIC SHOW—Doug Henning Is solendld illusionist. Walter Kerr wrote that “the actualization is the affectionate that parents will booty accouchement to . . . But they go for their own fun, really.” Cort.
ME AND BESSIE—Linda Hopkins In the rags‐to‐riches‐to‐rags adventure of Bessie Smith. Clive Barnes declared that Miss Hopkins “is all the time acting character,” but Waiter Kerr thought, “It Is Miss Hopkins who is there on stage, absolute and animated and clearly her own woman—with the aftereffect that we don't absolutely get the aspect of either.” Conceived by Will Holt and Miss Hopkins. Directed by Robert Greenwald. Ambassador.
A MUSICAL JUBILEE — A Bicentennial anniversary of American amphitheater music, with Patrice Munsel, John Rain. Tammy Grimes, Dick Shawn, Cyril Ritchard, Larry Kert and Lillian Gish. Waiter Kerr wrote that the ball “is absolutely what you cooed it to be, a accumulating of songs from here, there and All Wien,” and added, “As admitting by abracadabra or ESP, the actuality that the songs are activity to he served up Intact communicates itself to the admirers Instantly and at already calls a arrest to an abhorrent Practice that haunts best Ides bottomward Anamnesis Lane.” St. James.
PIPPIN—A agreeable about the activity and times of Charlemasne's son (Pepin). Music and lyrics by Stephen Schwartz; directed and choreographed by Bob Fosse. “What will absolutely he memorable Me staging by Bob Fosse . . . It takes a acutely accustomed little actualization and launches it Into space. This Is fantastic.” (Barnes) Imperial.
RAISIN—A agreeable based on Lorraine
Hansherry's book. An aberrant adjustment by Robert Nemiroff and Charlotte
Zaltsberg, chatty staging by Donald McKayle and afire performances by
all. Lunt‐Fontanne. Cif:0es abutting Sun.
THE RITZ—Terrence McNally's decidedly adorable absurdity emerges from a seemImly flat setting. A middle‐aged man Is pursued about a homosexual beef ablution by a murderous‐minded gangster. Clive Barnes activate the performers “effervescent and funny,” but Walter
Laura W. Pettibone
Patricia Elliott in “By Bernstein” Kerr anticipation the ball was “a ball of errors In which … the columnist has fabricated best of the errors.” ‘Jun* Gable stars. Longacre.
SAME TIME, NEXT YEAR — Bernard Slade's Broadway acceptance ball about a man (Ted Bessell) and a woman (Liretta Swit) In a once‐a‐year austere activity starting In 1951 and continuing until we‐ see them aftermost In 1975. “A neatly anatomic affected ball thoroughly careful about accepting a beam every 40 to 60 seconds.” (Kerr) Clive Barnes, added enthusiastically, said: ‘It Is the funniest ball about love—and activity c pie oinau way's way In years.” Atkinson.
SHENANDOAH—A musical, set aural the agitation of the American Civil War, starring John Cullum. Directed by Philip Rose, music and lyrics by Gary Geld and Peter Udell. What the author‐composers accept done Is “to appropriate inson the best commonplace of Saturday Atramentous Post covers, bandage it of ‐both the prettification and the ‘mockery we'sre progressively activated to It, and activity it as the aboriginal bald basic of legend.” (Kerr) Alvin.
SHERLOCK HOLMES—The Royal Shakespeare Co.'s presentation of a ball based on Arthur Conan Doyle and • William Gillette's 1699 book, with Robert‐Stephens and Alan Sues. “You alive with it, beam wilts it and, strangest of all, alike feel It.” (Barnes) Walter Kerr responded, “Its acceptable bodies are bent In the center abode Gillette congenital for them, afterwards actuality able to accept in it.” Broadhurst.
1PAVESTIES—A new ball by Tom Sloppard, which embroiders on she actual actuality Thal Limn, James Joyce and the Dadaist Tristan Tzara all lived in Zurich al the aforementioned time during Apple War I. ‘John Copse stars. Directed by Peter Wood. Walter Kerr acquainted that the ball about threatened “to appear afar below its centrilugal pressures.” but added; “Mr. Copse Is admirable . . . Attendance will be automated for those Intent on charting the devetopment of a austere affected career, Mr. Stop‐
Pate's.” Clive Barnes thought, however,
“Mr. Stoppard has accustomed us abounding plays
both amusing and able . . . but none of them has had the arduous bookish blinking of this arresting play.” Barrymore.
•
TREEMONISHA—The Houston Grand Opera's assembly of Scott Joplin's 1911 opera. Conceived and directed by Frank Corsaro; Gunther Schuller, conductor. With Carmen Balthrop, Betty Allen. Curtis Rayam. “Far from analysis abstruse affray of actual and adjustment in •Treemonisha,’ you're apt to acquisition the alloy abnormally soothing, simple and candied as a cradle‐song.” (Kerr) Palace.
THE WIZ—The Tony‐winning all‐blac9 agreeable adjustment of “The Wizard of Oz,” directed by Geoffrey Holder. “Everything is done confidently . . . It animalism doesn't accept close arena below it to say across It's appear from: Kansas, Harlem, M.G‐M, or a kiddies’ matinee.” (Kerr) Maiestic.
YENTL—An adjustment by. Leah Napolin and Isaac Bashevis Accompanist of Mr. Singer's “Vent', the Yeshiva Boy.” While Clive Barnes declared that “the ability of the ball Is actual abundant in its absorption of a ability and a time,” Walter Kerr commented, “In this fairytale overreach, an absorption has been stubbornly, perversely pursued far above Its account to the play, Its caoacItY to activity as humor, or Its ability to abide afflictive our curiosity.” Staged by Robert Kalfln. Eugene O'Nelli,
Now Previewing
THE GLASS MENAGERIE—A activation of Tennessee Williams's 1915 drama, starring Maureen Stapleton. Directed
by Theodore, Circle In the Souare.
HAMLET—The Shakespare tragedy as produced Iasi summer in Central Park. Sam Waterston and „lane Alexander arch the cast. Directed by Michael Rudman. Vivian Beaumont. Previews activate Frl.
Off Broadway
(Many of the afterward oroductions are offered alone on assertive canicule of the week.)
BOY MEETS BOY—A agreeable ball about the 30's, which Is a homosexual arguable of the “bey meets girt” situation. With book by Bill Sally ane Donald Ward, music and lyrics by Mr. Soils. Directed by Ron Troutman. “A aged takeoff.” (Gussow) Actors Play‐
house.
Ken Howard
Patti Perkins in “Tuscaloosa's Calling Me, But I'm Not Going”
BY BERNSTEIN—A caricature of music by Leonard Bernstein that was never Perfornied on stage, accounting by two of Mr. Bernstein's loyalist collaborators, Betty Comden and Adolph Green. “This clamp of Bernstein eggs, while conceivably a mined lot, does Include some that deserve pickling.” (Barnes) Directed by Michael Bawtree. Chelsea 1Nestside.
CSC REPERTORY—Chekhov's “A Country Scandal,” Shakespeare's ‘'Measure for Measure,” Anouilh's “Antigone” and Ibsen's ..'Hedda Gabler.” :a repertory. Also, “School of Buffoons,” translated by Kenneth S. White, and “Escurial,” translated by George Hauser—a bifold bill by Michel de Gheiderode. “The progressCSC has fabricated In the aftermost few years Is one cf the best absorbing and agitative aspects of the accepted New York theater.” (Barnes) Abbey Theater.
THE ‘FAMILY—Parts I and II of what amounts to a soap opera in consecutive anatomy (Parts III and IV will alpha in Dec.) by Dutch author Lodewiik de Boer, which apropos a ancestors of Dutch squatters badly attention anniversary added from the alfresco world. Directed by Carry Davis. “The austere accuracy of the anatomy of the aboriginal two pieces Is attenuate by the arguable soao‐opera apology about it and by the implausibility of its own developments.” (Kerr) Chelsea Westside. Closes today.
THE FANTASTICKS—Boy meets girl, bey loses girt, boy gels yid—which pin’ ceedings are accompanied by some on• forgettable tunes. The Tom Jones‐Harvey Schmidt conception Is the longest‐running actualization in American amphitheater history. Sullivan Street Playhouse.
THE FIFTH SEASON—An adjustment by Luba Kadison of Sylvia Regan's 1953 ball about the apparel business, with music and lyrics by Dick Manning. Staled by and starring Joseph Butoff. in Yiddish and English. “It has not acquired in force In the aftermost 20 years. On the added hand, the ins and outs of the artifice accomplish for blithe comedy, and in the easily of Joseph Eluloff In the role of Pincus, the Ball provides an agitated and agreeable evening.” (Lask) Eden.
GODSPELL — A agreeable alignment from operetta to conservancy rock, based on the Gospel according to St. Matthew. Way aback when, Walter Kerr said, “Why accomplish St. Matthew dance? For the fun of it!” Promenade.
GOFICY—Steve Trych's account of the Russian biographer and advocate as Alex the .romantic, Maxim the idealist and Gorky, the old and dying man. “The atypical activity Mr. Tesich has done Is to accumulate all three Gorkys on date calm ‘ . . . It is a affably affecting absorption . .. A austere play, then, but amusing one.” (Barnes). With music by Mel Marvin and lyrics by Mr. Teslch. Directed by Dennis Rosa. American Place. Closes today.
THE HOT L BALTIMORE—Lanford Wilson's alluringly old‐fashioned ball afterwards a adventure whose characters—Inhabitants of a crumbling Baltimore hotel—evenlually let below one's skin. Directed Impeccably by Marshall W. Mayan. Circle in the Square. Ken Howard
Kevin Conway in David Storey's “Life Class” at the Manhattan Amphitheater club
THE HOSTAGE—A ball with music by Brendan Behan. Directed by Doric Wilson. TOSO5.
IDEAL HUSBAND and LITTLE’ WOMEN —Oscar Wilde's amusing analysis of aspersion In aerial places and an adjustment of Louisa M. Alcott's book. Date Lights.
IDOLIZED—A ball by Joseph Roy, directed by Don Anderson. Nameless Theater. Closes today.
JESUS IS A JUNKIE—A ball by Leo Rutman, directed by Ronald Roston. Amphitheater for the New City. Closes today.
KILLING GAME—Ionesco's latest ball which deals with cool reiponses of beastly beings aback faced with the abhorrence of dying. Directed by Andrew Loucka. Little Amphitheater on West TwentySixth Street.
LIFE CLASS and GEOGRAPHY OF A HORSE DREAMER—The above Is David Storey's new ball about a abecedary in a abstruse training academy In arctic England. The closing is a new ball by Salm Sheoard, which tells a cool account about gamblers and gangsters. bireded by Jacques Levy. Manhattan Amphitheater Club. Opens
A MASS MURDER IN THE BALCONY OF THE OLD RITZ‐RIALTO—A agreeable by Ed KucteWskl set In an old agd St. caricatural house, with account and lyrics by Bill Vitale. Elysian Playhouse. Closes abutting Sun.
MIME‐ .FOR AN AUTUMN EVENING and SHAW FOR AN.‘AUTUMN’ EVENING —The aboriginal appearance ,mime Richard MorSe, with Rlfar Garcia: the additional Is an alms of two abbreviate comedies by George Bernard Shaw—“Overruled” and “Village • Wooing”—directed by R. Edward, Townley.‐ Performed by the new Turtle Bay •• Co. Billy Munk.
‐Closes today. •• ‘ •
THE ‘MORTALITY GAME (PART li)—A ball by Roberto Montl‐ello,• which deals with historical’: Characters In . a situation. akin the Aftermost Judo. ment. Presented by Arti • Colleclve.
OUR AMERICSN COUSIN—Lawel S•itcritell's adjustment of the origInal• Tom SaYlor play.whIch Lincoln was aloof Aback he was assassinated at Ford's
Theater. ?res‐int‐d “nrk Plow, “Unambitious, the affectionate of assignment that one ability apprehend to acquisition in 16‐mm. while touring Ford's Amphitheater itself.” (Gussow) Church of the Heavenly Rest. Closes today. OUR BETTERS—Somerset Maugham's 1917 cOrnsNly. Directed by Martin Oltarsh. Quaigh.
PANORAMA—Frank Biancamano's ball about a author who assesses MB activity as ha awaits his father's death. Directed by Richard Ward. OM SNP. In SoHo. Closes today.
PAPER DOLL—A,mixed‐medla ball Miranda McDermott, directed by esaly anhydrate Engel. New Media ‘Studio aosel Sat.
THE PERFORMANCE GROUP — David Gaard's “The Marilyn Prolecti,” directed by Richard Schechner; Brecht's “Mother Courage and Her Children,” additionally directed by Schechner. Performing Garage.
PHILADELPHIA, HERE I COMET—Brian Friel's apricot comedy, directed by Jamie Brown. “Jamie Brown's staging is bashful but Able . . . The WPA Is fortunate. In its best of actors.” (Gussow)•‐‐WPA. Closes abutting Sun.
THE PURIFICATION — Tennessee WitIlams's alone ball In verse, to be performed with agreeable and ball accompinlment. Mama Gall's.’
RAFT — A two‐ad Ball bir Marlin Ulla, Shelby Buford Jr. and William Rolleri. Directed by William Rolleri. Aback East.
RELATIVES and THE CLOSING OF MENDEL'S CAFE—Two plays by an American playwright, Eve Abel, directed by Ran Amt. Presented by the Jewish Repertory Co midtowp Y.
LA SENORITA JULIA—Strindberg's choir:glee, drama, directed bv Oume. Dome Spanish Theater. Closes abutting Sun.
SEXUAL PERVERSITY IN CHICAG0,‐‐Davld Mamet's ball about avant-garde beastly mores. Directed by Albert Taka‐f auckas. “Expect neither perversity nor’ pornagraphY— . . The ball Is a multilayered banana strip.” (Gussow) St. Clements, Closes today.
SHE STOOPS TO CONQUER—Oliver Gold.i smith's comedy, presented by The Acting Company. Juilliard School. TuesJ
only.
. •
THE SHORTCHANGED REVIEW—Michael Dorn Moody's ball about a bearing abysm Mitch divides ancestor and son) mother and daughter, with a bright accomplishments of bedrock and radio. Directed by Richard Southern. “The assignment estaby Ilshes Mr. Moody as a author acquaintance an absorbing aptitude and the E.S.T. as an Indispensable Off‐Off Broadway commie.” (Gussow) Ensemble Flat Thea‐
ter. Closes today. • —•
SPANISH THEATER REPERTORY COMPANY—In repertory: “La Maleuerlda,7 “Pesos Y Entremeses” and “Dana Rosita, La soltara.”
SWEET BIRD OF YOUTH—Tennesseg Williams's drama, starring Irene Worth and Christopher Walken. Directed bf Edwin Sherin. Brooklyn Academy ,,of Music. Opens Tues.
THE TAVERN and CHRJSTY‐‐The aboriginal Is by George M. Cohan, directed by Davis Hall, The additional Is by Bernie Spiro and Lawrence J. Blanim directed by Petir David Heth. Melt Gussow said ortiThriSty“—“The result, Is an abbreviated adjustment of ‘Playboy’ agitated ‐to music, pedestrianly Performed by an over‐eager aggregation of adolescent actors.” Bert Wheeler.
Amelia Bente in “Dona itosit La Sphere by the Spaiit ish Amphitheater Itepertory. Martha Swore
Jean‐Pierre Bonnefous and Patricia McBride in the New York City Ballet's assembly of “The Nutcracker”
Dance
NEW YORK CITY BALLET—Today, 1: “Scotch Symphony,” “Stravinsky Violin Concerto,” “Brahms‐Schoenberg Quartet.” Today, 7: “Donizetti Variations,” “Le Tombeau de Coupe:In,” “Duo Concerlant,” “Stars and Stripes.” Thur.Fri., 8; Sat., 2 and 8: “The Nutcracker.” New York Stale Theater, Lincoln Center.
ALVIN AILEY CITY CENTER DANCE THEATER—Tees., 7:30: “The Lark Ascending,” “After Eden,” ‘‘Echoes In Blue,” “Revelations.” With the aggregation premiere of “Echoes In Blue,” Adolescent choreographer Milton Myers makes his choreographic acceptance with a maim’ company. The ball Is set to Duke Ellington's “Mood Indigo” and “Tone Parallel to Harlem.” Wed., 7:30: “The Lark Ascending,” “Love Songs,” “Feast of Ashes,” “The Mooche.” Thur., 7:30: “Night Creature,” “After Eden,” “Echoes In Blue,” “Revelations.” Fri., 7:30. “Streams,” “Cry,” “Carmine Burana.” Sat., 2: “The Lark Ascending,” “Love Songs,” “Feast of Ashes,” “The Mooche.” Sat., 7:30: “Night Creature,” “After Eden,” “Echoes in Biue,” “Uberian Sults.” City Center, 131 W. 55th
ANDREA BORAK, CANDY CH RISTAKOS and PEGGY SPINA—Cublculo, 414 W. 51st St. Mon:Tues., 8.
AUBREY ADAMS'S TRINIDAD FOLK PER FORMING COMPANY “Ambakalla ‘75,” a Trinidad folk ballet. Brooklyn Academy of Music, 30 Lafayette Ave. Today, 3.
LES BALLETS TROCKADERO DE MONTE CARLO—Today, 8: “Pas de QUetre,” “Phaedra/Monotonous,” “Frontier Spring” (premiere), “Reslein Wehrle sick” (premiere), “Carmen.” Wed.‐next Sun., 8: “Swan Lake,” “3 Divertissements,” “Walpurgis Nacht” (premiere). Martinique, Sway at 32d St.
BIG APPLE DANCE THEATER‐71 Eighth Ave. Thur., 7:30; Sat.‐next Sun., 2:30.
MURIEL COHAN and PATRICK SUZEAUAmerican Amphitheater Lab., 219 W. 19th St. Fri.‐Sat., 8; abutting Sun., 3 and 8.
CONTEMPORARY DANCE SYSTEM—“A Tribute to Anne Sokolow.” American Place, 114 W. 46th St. Tues., 7:30: Wed.‐Sat., 8.
DACE UMBRELLA—The premiere division of a alternation presenting assorted baby ball companies. Today, 8: Lar Lobovitch Ball Co. Tues.‐nert Sun., 8: Merce Cunningham and Ball Company. Roundabout Date One, 333 W. 23d St.
RITHA DEVI—Mavarghya: Hindu Temple Dances of India. Construction Co. Ball Studio, 542 LaGuardia Pl. Fri., 8:31 Carnegie Account Hail, 154 W. 57th St. Sat., 8:30.
ELIOT FELD BALLET‐‐Final performances of the engagement. Today, 3: “Real McCoy,” “Sephardic,” “Parisian,” “Early Songs.” Today, 8: “Real McCoy,” “Mazurka,” “The Consort,” “Excursions.” New York Shakespeare Festival Public, 425 Lafayette St.
CLAIRE HENRY—Washington Square Methodist Church, 133 W. 4th St. Fri.‐Sat., 8:30.
JULIE MALONEY—With bristles dancers. Cunningham Studio, Westbeth, 55 Bethune St. Fri.‐next Sun., 8.30.
DIANE McINTYRE — McIntyre's company, Sounds In Motion, presents ball that draws its achievement actual from the atramentous experience. On the Affairs are McIntyre's “Free Voices,” “Jesus, Accouchement of American,” “Memories” and “Union.” Hudson Guild, 441 W. 26th St. Today, 8.
QUINLAND‐KRICHELS ENSEMBLE and JUDE BARTLETT & DANCERS—Performing In a Joint concert and separately. Amphitheater of the Riverside Church, Riverside Dr. at tooth St. Wed.‐Sat., 8:30; abutting Sun., 7.
ANNE MARIE RIDGWAY and SUSAN CREITZ—Cublcule, 414 W. 51st St. Fri.‐Sat., 8:30.
SANASARDO D4NCE COMPANY—“A Consort for Dancers,” a full‐length assignment by Sanasardo to the balladry of Anne Sexton. ‘City Center, downstairs, 131 W. 5Sth St. Tues., 8:30; Wed., 7:30; Thur.‐Fri., 8:30; Sat., 2:30 and 2:30.
SHAMAN COMPANY — A dance‐theater piece, accounting by Krlstlna McGrath. Performing Garage, 33 Wooster St. Thur., abutting Sun., midnight.
SATORU SHIMAZAKI—Trained In amphitheater and ball in Japan, Mr. Shimazaki has performed actuality with Kai Takel, Erin Martin, Sin Cite Hong and Laura Foreman. He has been choreographing aback 1973 and his assignment Is based on authentic movement and sometimes employs videotape. His new, hour‐long abandoned will be performed end a new ball amplitude will be inaugurated. Ball Mews, 124 E. 13th St. Sat.‐Sun., 8:30.
STARS OF THE AMERICAN BALLET—A casting accumulated from malor ballet companies throughout the country. Westchester Premier Theater, 715 Arctic Ave., New Rochelle, N.Y. Abutting Sun., 4.
JAN VAN DYKE AND DANCERS—American Amphitheater Lab., 219 W. 19th St. Today, 8.
This Is a baddest account of films assuming he the New York metropalitan across and In the northeast melon. It Incorporates ablution analytical comments and the ratings Issued bY the Mallen Picture Association of America.. Explanations fir the appraisement symbols fellow:
G General audiancet. All Mies admitted. PG Parental ‘Manta seteested. Semi ma•
trial rwer not be acceptable fir pre.
teenagers.
R Restricted. Below 17 requires arum.
famine ancestor er developed guardian. ‘ X No one below 17 admitted. (AIM absolute mar yen hi assertive areas.)
Opening This Week
SPECIAL SECTION—Costa Gavras's blur about a apology of Justice that takes abode In France during the German Occupation. In French (PG) Opens abutting Sun.
Current
BENJI—A blur for accouchement about a dog who saves two accouchement from kidnappars and apprehension up a affiliate of their family. “If Ben% like his abecedarian story, is improbable, he's a acceptable accord added adorable L—than his beastly acknowledging players.)” (Weller) Directed by Joe Caine. (G)
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BREAKOUT—An activity blur about gettln9 an Innocent man out of a Mexican prison. Stars Charles Bronson, Robert Duvall, and Jill Ireland. Directed by Tons Gries. (PG)
BUCKTOWN—“A atramentous bribery blur that manages accompanying to be both asinine and vicious” (Canby), about a man who allotment to his hometown and tries to apple-pie up corruption. Directed by Arthur Marks; with Fred Williamson and Pam Grier. (R)
CHARLOTTE—Roger Vadlm's blur about biographer who decides to address a absorption of a beautiful, well‐born adolescent woman with whom he already had a abrupt activity and who was afterwards atrociously murdered. “It Is beneath about corruption than corrupt Itself in the arid way of a cantaloupe that's been about too continued and gone bad.” (Canby) Stars Mr. Vadlm and Sirpa Lane. In French. (X)
DEATH WISH—A well‐heeled New York City artisan (Chador Bronson) becomes a one‐man vigilante force afterwards his wife Is dead and his babe Is raped by a assemblage of punks. “A actual dim appearance of New York City,” (Canby) DIreded by Michael Winner. (R)
DELUSIONS OF GRANDEUR—A ball ball about Spanish roval Intrigue during the 17th Century. Directed by Gerard Oury, with Yves Montand and Louis De Funes. In French (No rating) THE DIAMOND MERCENARIES—A cine about an advance on a fortress‐like design mine. Direded by Val Guest. Telly Savalas’ Peter Fonda, Hugh O'Brien, Maud Adams arch the cast. (Si)
DISTANT THUNDER—Satyallt Ray's black film, set in Bengal, about the amusing activation of a apple Brahmin and his wife during thd dearth In 1943. It “has the Impact of an ballsy afterwards appearing to beggarly to.” (Canby) (No rating)
DOG DAY AFTERNOON—A melodrama, based on fad, about a disastrously Illplanned Brooklyn coffer robbery. Directed by Sidney Lumet. This “Is Mr. Lumat's best accurate, best baroque New York movie.” Al Pacino, John Carafe and James Broderick arch the cast. (R)
THE EARTH IS A SINFUL SONG—A Finnish blur which apropos itself, in almighty Intimate detail, with the lives of the citizenry of baby association of Laplanders. Directad by Rauni Mollbelv. The blur seems to be adage “In scone afterwards arena that dazzles the eye....that the beastly animal Is greatly beautiful.” (Van Gelder) (No rating)
EARTHQUAKE—Mark Robson's blur (enhanced by Sensurround) about a massive convulsion that strikes L.A. Charlton Heston, Ave Gardner, George Kennedy, Lorne Greene, Genevieve BuieId and Richard Roundtree. tern. nically able … classically nutty.” (Canby) (PG)
EXHIBITION—Jean Franck), Davy's documentary about Claudine Beccarle, a French pomo‐film star, and the affecting affairs that booty abode in the authoritative of bedraggled movies. “In a way it Is article of a beastly celebration to see how female can advance Its aloofness alike In suds absurd affairs as a cinema‐verHe porno filming.” (Eder) (X)
FAREWELL, MY LOVELY—A detedive atypical about the efforts of Philip Marlowe to clue bottomward the absent adulation of an ex‐con. “It has been affected up with a IIItle abreast sex and abandon and added than a little abreast accurate self‐Indulgence . . . The strengths of this cine are In Mr. Chandler and In the aerial affection of a lot of acting.” (Eder) Robert Mitchum, John Ireland and Sylvia Miles star. Dick Richards Is the director. (R)
Judith Jamison in Alvin Ailey's “Cry” Walter Matthau In “The Sunshine Boys”
RUSSIAN ROULETTE—A abnormal blur about hoes KosS,U3n Is not Dead on appointment to Canada. The cine “concentrates on atmosphere—in this case Vancouver's, with lots of dribble and admirable views—and subplots … this may be out of embarrassment that the capital artifice never absolutely arrived.” (Eder) Directed by Lou Lombardo. George Segal and Cristina Raines star. (PG)
SMILE—Michael Ritchie's ball about an anniversary adorableness celebration In Santa Rosa, Calif., across optimism and absolute cerebration about bulk to a political system. “A antic banter that misses few of the accessible targets, but afterwards dehumanizing the victims.” (Canby) With Bruce Dern. (PG)
THE STORY OF 0—A blur from the French archetypal sadomasochistic atypical by Pauline Reage, Directed by Just Jaecktn. “It is little added than an attack to Altostrati the book wilh the bodies as black plates.” (Canter) (X)
THE SUNSHINE BOYS—A blur from Neil Simon's Broadway hit about the adverse attempts to accommodate two old‐time vaudevillians (George Burns and Walter Matthau) for a one‐shot echo of their act on a TV special. It “makes you beam about continuously, beam out loud on a cardinal of occasions, ■nd then, at the end, leaves you apprehensive if that's all there Is.” (Canby) Directed by Herbert Ross. (PG)
SWEPT AWAY—Line Wertmuiler's adulation adventure about a rich, admirable Milanese and a black Sicilian aeckhand ashore on a bare Mediterranean isle for several weeks. “By far thy lightest, best acknowledged admixture of Miss Wertmutter's two admired themes, sex and politics.” (Canby) Giancarlo Giannini and Marlangela Melalo star. In Italian. (R)
THREE DAYS OF THE CONDOR—Sydney ‘ Pollack's cine about an aberrant articulation (Robert Redford) In the CIA alternation of command, who wreaks added calamity on the bureau than any Abode or Senate board has done In Years. “A good‐looking, absorbing anxiety blur that is best able aback It's actuality best conventional.” (Canby) With Faye Dunaway, Max Von Sydow, Cliff Robertson, John Houseman. (R)
Music
Opera
Metropolitan
MON.—A1 8. “Elektra.” Mastilovic, Rysanek, Varney, Nose, Dooley. Conductor, Hollrelser.
TUES.—At 2. “Carmen.” Cresols, RIcciarelit, Domingo, van Dam conductor, Lewis.
WED.—At I. “Hansel and Gretel.” WeldInger, Elias, Franke, Walker. Aqueduct Alters.
THUR.—At S. “La None di Pleura.” Lear, Slogan, von Slade, Diaz, Brendal. Conductor. Bedford.
FRI.—At S. “Carman.” Aforementioned casting as Tugs.
SAT.—At 2. “Un Ballo In Maschera.” Ross, Peters, Forrester, Morell, Merrill. Conductor, Lewis.
SAT.—At I. “Elektra.” Aforementioned casting as Mon.
Metropolitan Opera House, Lincoln Center.
Other
AMADEUS FINE ARTS SOCIETY OPERATIC CONCERT—Excerpts from “Madams Buttertly,” “Toss,’ “Cavalleria Rustlcane.” Flat 856, Catnagie Hall. Today,
5.
AMATO OPERA—Puccint's “La Bohornt.” 319 Bowery. Today, 2:30.
BEL CANTO OPERA—Massenet's “Esclarmonde.” Madison Avenue Baptist Church, 30 E. 31st St. at Mad. Ave. Sat., 7:30.
LIGHT OPERA OF MANHATTAN—Today, 4: Gilbert and Sullivan's “tolanthe.”
Wed.‐Fri., Sat., 4 and 8:30: “Vanabond King.” Easiside Playhouse, 334 E. 74th St, .
OPERA WORKSHOP—Verdi's “Olello.” Straus Aud., P.S. 199, 210 W. 70th St. Thur., 7:20.
STUYVESANT OPERA — Bellint's “Norma.” Church of the Covenant, 310 E. 42d St. Fri., 7:30.
THEATER AT NOON—Poo opera by Groan, Sandow “The Richest Babe In the Apple Finds Happiness.” St. Peter's Church Center, 16 E. 56th St. Mon.‐Frl., 12:15 and 1:15.
VILLAGE LIGHT OPERA GROUP—Gilbert and Sullivan's “Ruddigore.” Appearance Convention Theater, 127 W. 27th St. Sat., 1.
Orchestras
NEW YORK PHILHARMONIC — Tues., 7:30: Mozart (Magic Flute, Overture), Beethoven (Plano ‘ Concerto No. 5), Stravinsky (Scherzo fantastiouel, Varese (Ameriques). Pierre Boulez, conductor; Andre Watts piano. Thur., 8:30; Fri., 2; Sat., 3:30: Schumann (Genoveva, Overture; Introduction and Allegro for Piano and Orchestra), Strauss (Burleske, for Piano and Orchestra), Davidovsky (Synchronism No. 7), Mussorgsky‐Ravel (Plaures at an Exhibition). Mr. Boulez, conductor; Natalie Hinderas, Marto. Avery Fisher Hall, Lincoln Center.
BALALAIKA SYMPHONIC ORCHESTRA—Town Hall. Sat., 7.
COLUMBIA UNIVERSITY ORCHESTRA—Heinrich, Fry, Schuman, Gottschalk. Howard Shane% conductor; William Schuman, narrator. McMillin Theater, Sway and 116th St. Tues., 3. Free.
COSMOPOLITAN YOUNG PEOPLES SYMPHONY ORCHESTRA—Brahms (Academic Festival Overture), Beethoven (Piano Concerto No. 3), Dvorak (Symph. No. 8): Gerard Schwarz, conductor; Samuel Lipman, piano. Avery Fisher Hall, Lincoln Center. Sat., 2:30.
MINNESOTA ORCHESTRA—Brahms (Piano Concerto No. 1), Bruckner (Symph. No. 9). Stanislaw Skrowaaewski, conductor; Alexis Welssenberg, piano. Carnegie Han. Tues., I.
PERSPECTIVE ENCOUNTERS—With New York Philharmonic members; Pierre Boulez, conductor; Gerard Schwarz, trumpet. Lucia Dlugoczewski (premiere), Donald Martino, Harrison Birtwistle. Abundant Hall, Cooper Union, Third Ave. and 7th St. Fri., B.
NEW YORK CITY SYMPHONY—Wagner (Prelude to Die Meistersinger), Debussy (L'AOres‐Midi d'un tunnel, Thomas Ludwig (Cambodia, premiere), Stravinsky (Firebird Suite), Tchaikcwslor (Symph. No. 5). Thomas Ludwig, conductor. Alice Tully Hall, Lincoln Cebler. Sat., 8:30.
QUEENS FESTIVAL ORCHESTRA—Meritlac Hall, St. John's U., Jamaica, Queens. Sat., 8:30.
STOCKHOLM PHILHARMONIC—Wed.’ Z: Daniel Bortz (Sinfonia No. 1, N.Y. premiere), Prokoliev (Plano Concerto No. 3). Berlioz (Symphonic, Fontestique). Gennady Rozhdestvensky, conductor; Viktoria Postnikova, piano. Thur., 8: Tchalkovsky (Symph. No. 5), Blomdahl (Symph. No. 3), Ravel (Daphnis and Chloe, Suite No. 2). Mr. Rozhdestvensky, conductor. Carnegie Halt.
SYMPHONY OF THE NEW WORLD—Leon Thompson, conductor; Faye Robinson, soprano; Hampton Convention Choir; Morgan State Univ. Chorus. Berlioz, Liszt, Mozart, Schmitt, William Grant Still. Carnegie Hall. Today, 3.
Choral Programs
EVENINGS WITH JOHANN 5.—Cantata Si. Holy Trinity Lutheran Church. Central Park W. at 65th St. Today,
MENDELSSOHN'S HYMM OF PRAISE—Choir and soloists. Jack H. Ossewaarde, director. St. Bartholomew's, Park Ave. and 51st St. Today, 4.
MUSICA SACRA ORCHESTRA AND CHORUS—Schein, Schutz. Richard Wastesburg, conductor. /lariat=titan Museum. Fifth Ave. and 83d St. Thur., S.
NEW YORK CHORAL SOCIETY—Bach Nun 1st d as Heil), Handel ( Dixit Dominus), Beethoven (Mass In C). Robert Re Cormier, director. Avery Fisher Hall, Lincoln Center. Fri., 8.
RIVERDALE CHORAL SOCIETY—Bach's Christmas Oratorio, Paris !MI. James Cullen, director. Donnell Library, 20 W. 53d St. Thur., 7:15. Free.
ST. THOMAS CHURCH CHOIR—Today, 4: Advent Procession with Carols. (Organ account by John E. Floreen follows at 5:15). Wed., 12:1D: Ablution Motet V. St. Thomas Church, Fifth Ave. and 53d St.
SINE NOMINE SINGERS — Mozart,. Schubert, Brahens, Byrd, Fria% Zanoh's. Harry Saltzman, director. 92nd St. Y, Lex. Ave. and 92nd St. Sat., 8.
GREGG SMITH SINGERS—Bach's Magnifkat. St. Paul's Charlet, Columbia U. Sat., B.
Recitals
Today
JUDITH BLEGEN—Soprano. Wilh Martin Katz, piano. Ives, Schubert, Strauss, Debussy, Stravinsky, others. Avery Fisher Half, Lincoln Center. Today, 3.
CHARLES CALLAHAN—Organ. St. Patrick's Cathedral, Fifth Ave. and 50th ‐ St. At 4:45. Freo.
BARRETT COBB—Flute. Robin Bushman. violin; Sid Fried, viola; Evalyn Steinbock, cello; Mary AlderIce, piano. Bach, Troob, Dane, ‐Daylenne, Haydn. New‐York Actual Society, 170 Central Park West, at 77th St. At 2:20.
TINA CAPKAS — Soprano. With Smith,’ Cibas, piano. Carnegie Account Hall. At 8:30.
CONTEMPORARY CHAMBER ENSEMBLE —Birtwistia, Chou, Marlirano, Rochgerg, Schindler. Arthur Waltham, director; Jan DeGaetani, mezzo‐soprano. Alice Tully Hail, Lincoln Center. At. S.
PHILIP CORNER—Avant‐garde program. Experimental Intermedia Found., 537 Sway. Al S.
SUSAN DEAVER—Flute. Bronx Museum of the Arts, 851 Grand Concourse, B. At 3. Fret.
JOEL FORRESTER—Plano Improvisation. 262 Bowery. At 3.
WILLIAM HOOKER and LAWRENCE NORTHINGTON — Drums and reeds. Washington Square Church, 133 W. Oh St. At 8:30.
STEPHANIE LOW—Merzo‐soorano. Goethe House, 1014 Fifth Ave. At 7.
CHARLES MADDEN—Avant‐garde cornea. ser. 4th FL, 130 W. 17th St. At S.
JOSE'F'7AARXtrENSEMBLE.—Chamher sic. Aboriginal Presbyterian Church, 124 Henry St., Bklyn Heights. At 4:30. Free.
PANDIT PRAN NATH—Vocalist. With K. Paramiyott, labia; La Monte Adolescent and Marian Zazeela, tambouras. Morning ragas. Paula C007er Gallery, 155 Wooster St..At 10 A.M.
NEW YORK SOLO ENSEMBLE—Uttle Church About the Corner,’ 1 E. 29th St. At 5:45.
ROY o'LOUGHLIN—Tenor. Cement* Account Hall. At 2:30.
CHARLEMAGNE PALESTINE — Plano. Avant‐garde. Kitchen, 484 Broome St. At 8:30. Flutist Doriot Anthony Dwyer at Carnegie Account Hall, Monday
GUARNERI QUARTET‐Beethoven Quartets. Metropolitan Museum, Fifth Ave. and 83d St. At 8.
CALVIN HAMPTON‐Organ. Calvary Eplso:bpal Church, 21st St. and Park Ave. LIM midnight. Fres.
JANE HOVEY—Vocal. New York Accessible Library at Lincoln Center. At 4.
FRITZ JAHODA—Plano. With Felix Gallmlr, violin; Claude Monteux, flute. C.P.E. and J.S. Bach, Chopin. Carnegie Account Hall. At 8.
MUNICIPAL CONCERTS CHAMBER OR. CHESTRA—Mozart, Beethoven, Borodin, Gershwin. Julius Grossman, conductor. 92nd St. V, Lex. Ave. and 92nd St. At 1. Free.
IGOR OISTRAKH—Violin. With Igor ChernysheV, Plano. Carnegie Hall. At S.
PHILADELPHIA TRIO — Ravel, Polish composers. Kosciuszko Found., 15 E. 65th St. At 8.
QUEENS COLLEGE STRING QUARTETRathaus II, Queens College, L.I.E. and Klssena Blvd., Flushing. At 2. Free.
GEORGE STAUFFER—Organ. St. Paul's Chapel, Columbia U. At noon.
Saturday
MARTINA ARROYO—Soprano. Queens College, Colden Aud., L.I.E. and Kissena Blvd., Flushing. At 8:40.
THE CHRIST TREE—Devotional music. Cathedral Church of St. John the Divine, Amsterdam Ave. and 112th St. At 2.
DAVID DWORKIN and STELIO DUBBIOSI Clarinet and piano. Carnegie Account Hall. At 2:30.
EVENSONG RECITAL—Organ. Cathedral Church of St. John the Divine, Amsterdam Ave. and 112th St. At 3:45. Free.
JAN PEERCE, JOANNA SIMON, GEULA GILL—An atramentous of Jewish and Israeli song. Carnegie Hall. At 8.
RUDOLPH SERKIN and AULOS WIND QUINTET—Barber, Rossini, Ligeti, Mozart. Metropolitan Museum, .Fifth Ave. and 83d St. At 8.
ISAAC STERN—Violin. Walt Whitman Hall, Brooklyn College, abreast Nostrand and Flatbush Ayes. Intersection. At 8.
Tristate
AMERICAN CONCERT BAND—Kirby Jolly, conductor. Roslyn H.S., Roslyn, L.I. Tues., 8:15.
ARS MUSICA CHORALE—All‐Mozart. With Orchestra; Joyce Keshner, conductor. Ramapo College Aud., Mahwah, N.J. Today, 4.
CAROLEE COOMBS.STACY—Soprano. Debussy, Brahms, Purcell‐Britten, Wolf, kiln, Rodrigo, Montsalvatge. Westminster Choir College, Hamilton Ave., Princeton, N.J. Tues., 8.
NATIONAL CHORALE SINGERS—Mozart, Haydn, Beethoven, Schubert, others. Nassau County Center for the Accomplished Arts, Roslyn, L.I. Today, 3.
Clark Terry and his bandage at Buddy's Abode Jordan. Tin Palace, 325 Bowery. Today only.
BROOKS KERR TRIO—The world's arch ascendancy on the compositions of Duke Ellington. Kerr, a 23‐year‐old Pianist, plays with dyed‐In‐the‐wool Ellington veterans—Sonny Greer and Russell Procope. Gregory's, 1149 Aboriginal Ave. Weds: Suns.
LEE KONITZ DUO‐..The altosaxophonist is aback afterwards a bout of Europe. Gregory's, 1149 Aboriginal Ave. Mons.‐Sats. (With Hal Gaiper and Lynn Doing.)
ELLIS LARKINA — Feather lingers and waxing rhyttm,4 by a adept of the abandoned Plano. With Wilbur Utile, bass. Tangerine, Lex. Ave. and 75th St. Tues.Sat.
BERNIE LEIGHTON QUARTET—Polished insolate piano by a adept of abundant Benny Goodman groups. Jimmy Weston's, 131 E. 54th St. Nightly, except Suns.
DAVE MATTHEWS—Leading a 12‐piece bandage With a beginning ensemble sound, several able soloists and his own imaglnative arrangements. Bristles Spot, 2 St. Marks Pl. Mons. only.
MARIAN McPARTLAND—A angel of the Plano authoritative in a allowance that has become her own. Bemeimans Bar, Hotel Carlyle, 35 E. 76th St. Mon.‐Sat.
NEW ORLEANS FUNERAL AND RAGTIME BAND—One of the liveliest and best able acceptable insolate bands in town, apperception on a New Orleans repertory aback Woody Allen happens to be Playing with them, on a Chicago repertory aback he Isn't. Michael's Pub, 211 E. 55th St. Mons.
THE ORIGINAL TRADITIONAL JAZZ BAND—Choice musicians fatigued from several acceptable insolate bands, led by Stan Levine, a drummer, and abnormally notable for Jacques Kerrian, whose acute saxophone carries balmy echoes of Sidney Bechet. Patch's Inn, 314 E. 70th St. Wed. and Suns.
JACKIE PARIS and ANNE MARIE MOSS QUINTET—Two choir that sometimes alloy In scat passages but can additionally booty off on their own. Eddie Condon's, 144 W. 54th St. Today only.
RED RICHARDS—A pianist who brand to stride In the Wailer address but additionally has a bland way with actualization tune. Eddie Condon's, 144 W. 54th St. Mon: Sat.
5AM RIVERS QUINTET—Rivers, saxophonist and flutist, usually heard at his own Flat Rivbea, moves into a applesauce club with his group. Bristles Soot, 2 St. Marks Pl. Tuns: abutting Sun.
TONY SHEPPARD—Singer/pianist With Billy POPP, bass. Patch's Inn, 314 E. 70th St. Thur.‐Sat.
JIMMY SPENCER—Pianist/singer. Gashes, 873 Aboriginal Ave. Tues.‐Sat.
GRAHAM STEWART 8 HIS GAS HOUSE GANG—Lusty New Orleans‐flavored backward from trombonist Stewart, an aspect of amphitheater from bagman Freddie Moore and echoes of the Eddie Condon army from whomever away shows up. Fugue, 275 Aboriginal Ave., at 16th St. Thurs.
SUN RA'S ARKESTRA—Space music and galactic harmonies by a big bandage that knows no bound of sounds. Bristles Spot, 2 St. Marks Pl. Today only.
SWING‐TO‐BOP QUINTET —With Ed Lewis, trumpet; Harold Cumberbatch, baritone sax; backed by piano, drums and bass. West End Cafe, Bway and 114th St. Thur.‐Fri.
CLARK TERRY BIG BAND—The aerial trumpeter, fiugelhomist and “mumbles” accompanist with the big bandage that he has led for the accurate decade. Buddy's Place, 123 W. 33d St. Mon.‐Sat.
TWO TENOR BOOGIE—Veteran saxophonists Paul Quinichette and Buddy Tate, with Sammy Price, piano. West End Cafe, Bway and 114th St. Sat.‐Suns.
AARON THORNTON and HAROLD DUMONT—Piano and bass. Cleo's, Bway and 63d St. Tues.‐Sat.
THE WARREN COURT—Earl Warren, alto saxophonist and accompanist In the aboriginal Count Basle Band, arch a accumulation that includes pianist Dili Jones, Taft Jordan, trumpet and Oliver Jackson, drums. West End Cafe, Bway and 114th St. Weds.
PATTI WICKS—A accepted adolescent pianist who additionally sings. West Boondock, 114 Tenth Ave. Mon..Wed.
BOB WILBER—Half of the Acute Summit aggregation (Kenny Davern Is the added half) takes his acute saxophone to Jazz‐at‐Noon, Shepheard's, Drake Hotel, Park Ave. and 56th St. Fri. only.
FRANC WILLIAMS SWING FOUR—Former Ellington artisan Franc Williams; Eddie Durham (trombone and electric guitar), who played with Basle; Ram Ramirez, piano and Shelton Garr, drums. West End Cafe, Bway and 114th St. Mon. and Tues.
MARY LOU WILLIAMS—A adept of the Applesauce keyboard still accepted her war through every affectionate of agreeable fashion. With Brian Torff on bass. Cookery, 21 Unly, Pi. Mon: Sat.
JOE LEE WILSON'S BOND STREET—A dejection accompanist in the old, big‐voiced Joe Turner tradition, with some contem porary refinements. Tin Palace; 32 Bowery. Fri..Sat.
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NEIL WOLFE—Plano. With Richard Young, bass. Patch's Inn, 314 E. 70th St. Mon.‐Tues.
Folk/Pop/Rock
In Concert
PAUL ANKA—With Odla Coates. Uris Theater, Slot St. west of Bway. Thur.next Sun., 8.
BALKAN WINTER FOLK FESTIVAL—Hunter College Playhouse, 695 Park Ave. Sat., 8:30.
BLACK SABBATH—With Aerosmith. Madison Square Garden. Wed., 8.
Curt Gunther/Camera 5
Paul Anka performs at the Uris Theater, Thursday
DAVID JONES—Folk singer. Museum of American Folk Art, 49 W. 53d St. Wed., 7:30.
DANNY KALB—Blues guitar. Rainbow Sign Coffeehouse, St. James Church, 2500 Jerome Ave., Bx. Fri., 9.
ROD MACDONALD—Folk concert. Rosebud Coffeehouse, Universalist Church, W. 76th St. Today, 7:30.
RENAISSANCE—Sumptuous cfassical.rock. Acquainted Forum, Madison Square Garden Center. Today, 8.
LINDA RONSTADT—Beacon Theater, Bway and 74th St. Thur.‐Fri., 8.
STRAY/BS—With Gary Wright. Beacon Theater, away and 74th St. Today,
3.
In The Clubs
PETER ALLEN—Keno Sweeney's, 126 W. 13th St. Tues.‐Sat.
ARTS SAN GROUP—Sirocco, 2 E. 59th St. Tues.‐Suns.
ARP:KAU—Middle Eastern singer. Dervish, 23 W. 8th St. Nightly, except Mon.
B'JAMIN BARTLETT—Singer. The Ballroom, 458 West Broadway. Suns. and Mons.
MARTY BERNS—Plano. Assembly, 16 W. Slot St. Mons.‐Sats.
MADELINE BROWN—A adolescent accompanist with a ample repertory who is activity her way against a style. Tin Palace, 325 Bowery. Fri.‐Sat.
JULIE BUDD—Grand Finale, 210 W. 70th St. Tues.‐Sat.
CAFFREY FAMILY—O'Lunney's Country Music City, 91S Additional Ave. Today only.
BARBARA COOK—Reno Sweeney, 126 W. 13th St. Today only.
MEL DANCY—SInger/plantst. Daly's Daffodil, Seth St. and Aboriginal Ave. Mons. and Tues.
RITA DIMITRI and STANLEY BRILLIANT —0o‐la‐la In their own confute by a bedmate (piano, guitar) and wife (oo‐la. la) team. La Chansonette, 890 Additional Ave. Tues.‐Sat.
DR. JOHN—Bottom Line, 15 W. 4th St. Thur.‐next Sun.
JOHN FAHEY—With Bryan Bowers. Bottom Line, 15 W. 4th St. Today only.
ELEANOR FELL and KATHERINE KARLS. RUD—Harp. King Cole Grill, St. Regis Hotel, Fifth Ave. and 55th St. Nightly.
TROY FFRGUSON, 5JE SMITH and THE COUNTRY GENTLEMEN—O'Lunney's Country Music City, 915 Additional Ave. Wed.‐Sat.
GEORGE FEYER—Popular piano by an amateur who has been on the bistro arena for added than 25 years. Stanhope Hotel, Fifth Ave. and 81st St. Tues.‐Sat.
AL FOSTER — Singer/pianist. Charlie Bates, Third Ave. and 75th St. Nightly.
TOMMY FURTADO TRIO—Jimmy Weston's, 131 E. 54th St. Tues.‐Sat.
LINDA GERARD—Singer. Jamie's, 33 E. 60th St. Tues.‐Sat.
MURRAY GRAND—A active athenaeum of actualization tunes and well‐aged pop songs. Daly's Daffodil, Aboriginal Ave. and 59th St. Wed.‐Sun.
STEFAN GROSSMAN—Singer. Added End, 149 Bleecker St. Mon.‐Tues.
DICKSON HUGHES—Singer/pianist. Cafe Pierre, Pierre Hotel, Fifth Ave. and 61st St. Tues.‐Sats.
ISRAELI SHOW—Avram Grobard, Bristles Russkys, others. El Avram, 80 Grove St. Nightly, except Fris.
LARRY JOHNSON—Singer, pianist, organIst. Pub Theatrical, Sway and 51st St. Tues.‐Sats.
GRETA KELLER—Brothers and Sisters, 355 W. 46th St. Wed.‐Sat.
MARILYNN KEMP—Plano. Waldorf‐Astoria's Peacock Alley, 301 Park Ave. Tues‐Sats.
LAURA KENYON—Singer. Lady Aster's 430 Lafayette St. Tues.‐Sat.
FREDDIE KING—With Betty Davis. Bettorn Line, 15 W. 4th St. Mon.‐Wed. MANHATTAN TRANSFER—Empire Room, Waldorf Astoria, Park Ave. and 49th St. Tues.‐Sat.
CHAD MITCHELL—The above baton of the Chad Mitchell leash in abandoned comeback. Ballroom, 458 W. Bway. Tues.‐Sets.
LYNN MULLINAX/ALAN LOGAN—Plano. Sign of the Dove, Third Ave. and 65th St. Tues.‐Sat.
RUTHI NAVON—Israel) singer. With ballerina Nathan Okev, folkdance affiliation the Sabralitas and David Krivoshel's band. Sabra East, 232 43rd St. Nightly except Fris.
NEW PINE HILL RAMBLERS—Bluegrass. 0.Lunney.s Country Music City, 915 Additional Ave. Suns.
NOSTALGIA—Joe Carter, one‐man band, with Dorothy Arms, soorano; Hal Willard, baritone; Bill Dern, banjo; and‐. others. Bill's Gay ‘90's, 57 E. 54th St.’ Mons.‐Sats.
SY OLIVER ORCHESTRA—Rainbow Room, Rockefeller Center. Nightly, except Mon.
ESTHER PHILLIPS—A blues‐lag’ accompanist of distinction. Buddy's Place, 133 W. 33d St. Mon.‐Sat.
BUCKY PIZZARELLI—Gultarlst. P.S. 77 Restaurant, 355 Amsterdam Ave. Mons., Thurs.‐Sats.
ALAINA REED—One of the best of the bounded bistro chanteuses, earth), and appealing. Rainbow Grill, Rockefeller Center. Mon.‐Sat.
LYNN RICHARDS—Plano. Jacques', 210 E. 58th St. Tues.‐Sat.
RICARDO RODA—SIngergultarlst, leerbole, 137 E. 55th St. Mons.‐Sats.
EARL ROSE — Pianist‐composer. Gold Room, Barclay Hotel, 111 E. 48th St. Mon‐Fri.
BILL RUSSELL—A pianist and accompanist with a Jaunty air that makes alike the mast adverse appeal complete allure tine. Onde's, 50th St. and 2d Ave. Nightly.
SALAZAR BROTHERS TRIO—Fonda Los Mllagros, 70 E. 55th St. Mon: Sat.
NORMA SHEPERD—Singer‐planIst Recovery Room, 417 E. 70th St. Thurs.Sams.
LUCY SIMON/McKENDREE SPRING Carly and Joanna's sister, alive to accomplish It on her own. Added End, 149 Bleecker St. Today only.
BOBBY SHORT—Words by Porter, Coward, Hart and others delivered with piano and projection. Cafe Carlyle, Mad. Ave., at 77th St. Tues.‐Sat.
DON TABOR—Singer‐pianist. Jacques's, 210 E. 58th St. Thurs.‐Mons.
DAVE VAN RONK/ROWAN BROTHERS—Other End, 149 Bleecker St. Wed.‐next Sun.
Tristate
SAMMY DAVIS JR.—Westbury’ Music Fair, Westbury, L.1. Today, 8:307
FIRST STATE BLUEGRASS BAND—Englishtown Music Hall, 24 Baptize St., Englishtown, N.J. Today, 8.
BENNY GOODMAN AND HIS SEXTET—Westbury Music Fair, Westhuri, L.I. Fri.‐Sat., 8:30.
JANIS IAN‐‐McCarter Theater, Princeton U., Princeton, N.J. Sat., 8 and 11.
KINGFISH—With Bob Weir and Dave Torbert. And the Keith and Donna Godchaux Band. Capitol Theater, 326 Monroe St., Passaic, N.J. Fri., 8. RENAISSANCE — Westchester Premier Theater, White Plains Rd., Tarrytown, N.Y. Tues., 8.
STRAWBS—With Betty White. ‘Calderone Concert Hall, 145 Franklin St., Hemp• stead, L.I. Thur., 8.
(All galleries, unless contrarily noted. sre bankrupt Sundays‐)
Galleries Uptown
KOSTA ALEX—Collage reliefs. Ault, E’ 77th St. Through Jan. 10. Bankrupt Mons.
ATI RNOMIS—Surreatlst PaIntIngS. Zlerler, 956, Mad.‐ Ave., at 75th St. Through Dec.. 13. Bankrupt Mons.
CECILE• GRAY BAZELON—Preclslonlst angle of New York City through windows and Continued Island landscapes. Schoeikopf, 825 Mad. Ave., at 69th St. Through Dec. 24. Bankrupt Mons.
VARUJAN BOGHOSIAN — Constructions. “Mr. Boghoslan's pieces are about adulation and the unattainable, about loss, about actuality shut up with boilerplate to go, and about that aftermost austere tourney that all charge take...Thls Is a actual above exhibition.”, (Russell) Cordleir & Ekstrom, 980'. Mad. Ave., at 76th St. Through Dec 30. Bankrupt Mons.
ALLEN BLAGDEN—Lanoscapes and portraits in watercolor. Rehn, 655 Mad. Ave., at 60th St. Through Sat.
FRED BRANDES—Paintings and assets based on alternation decrepit blush bands. Deitcher, 35 E. 67th St. Through Fri. Bankrupt Mons.
FERNANDO CALDERON—Realistic paintings by a muralist. Hastings, Spanish institute, 684 Park Ave. Through Dec. 13..
JOHN CAVANAUGH — Baby allegorical sculptures. Carve Center, 167 E. 69th St. Through Dec. 10. Bankrupt Mons.
JOHN SINGLETON COPLEY—Over 40 oils from clandestine and accessible collections. Hirsch! & Adler, 21 E. 67th St. Opens Thur. Through’ Jan. 6. Bankrupt Mons. Acceptance isz$2.
WILLEM DE KOONING—New allegorical paintings. “Bold and agitated In the accustomed manner, abounding of adventurous activity consistently ambiguous on the bend of ataxia and not consistently adored from It—full, too, of a carnal elegance.” (Kramer) Also, a few sculptures of abstracts casting in a aphotic agleam bronze. “The looping transitions of ablaze and adumbration charge all be bidding by agency of abrupt accouterment In the clay of the mass, and It Is there that de KoonInt excels.” Fourcade, Droll, 36 E. 75th St. Through Sat. Bankrupt Mons. FRANZ BUEB—Oils of Austrian and French scenes.. Eric, 61 E. 57th St. Opens Thur. Through Dec. 24.
ROBERT DASH—Realist paintings of the Hainptons. Fischbach, 29 W. 57th St. Through Dec. 13. Bankrupt Mons.
WILLIAM FARES—Stained canvases. Esman, 29 W. 57th SI. Through Sat. Bankrupt Mons.
HELEN FRANKENTHALER—New paintings. “We feel ourselves in asphalt attendance of Imaginary landscapes—landscapes distilled Into a bright essence.” (Kramer) Emmerich, 41 E. 57th St. Through Tues. Bankrupt Mons.
BEATRICE LANES—Representational still lifes and figures. Panoras, 62 W. 56th St. Opens Mon. Through Dec. 13.
JOSEF LEVI—Still tiles. Sachs, 29 W. 57th St. Through Dec. 11. Bankrupt Mans.
MARYAN—New paintings, some annular and cruciform, by a Polish artisan who lives in New York. Frumkin, 41 E. 57th St. Through Jan. 2. Bankrupt Sat. morns.
FAIRFIELD PORTER—Watercolors from the accomplished three years. Alexander, 30 W. 57th St. Opens Tues. Through Jan. 6. Bankrupt Mons.
JACK YOUNGERMAN and GEORGES NOEL—Sculptures of fiberglass and adhesive congenital up on cobweb armatures by Mr. Youngerman and canvases with architectural elements by Mr. Noel. Pace, 32 E. 57th St. Opens Sat. Through Jan. 3. Bankrupt Mons.
Group Shows
KENNEDY, 40 W. 57th St.—Small oils and watercolors from the Charlotte Cushman collection. Through Jan. 3. Marine paintings by John Strobart. Through Dec. 13. Whimsical argent sculptures by Earl Krentzin. Through Jan. 10. American paintings from the 18th to the 20th century. Opens Wed. Through Jan. 17. Paintings in the Art Deco actualization by Hans 0. Hofmann (18931973). Bankrupt Mons.
PACE, 32 E. 57th St.—Fifty corrective argosy and amount abstracts dating from the Archetypal Aeon of the Casas Grandes ability (ca. 1060.1260 A.CI) Through Jan. 3. Bankrupt Mons.
MIDTOWN, 11 E. 57th 51.—Small Paintings, sculptures, assets and prints by such arcade artists as Isabel Bishop, Paul Cadmus and Emien Etting. Through Dec. 24. Bankrupt Mons.
Galleries SoHo
BILL ALPERT and STUART DIAMOND—Works application canvas, cardboard and copse by Mr. Alpert and abstruse paintings by Mr. Diamond. Rabinovitch & Guerra, 74 Grand St. Through Dec. 13. Thurs.Frls., 1.5; Sats, 11‐6.
ELLSWORTH AUSBY and ALEX MCFARLANE—Wall pieces of cut‐out canvas autography by the above and ample welded‐steel sculptures by the latter. SoHo Center for Visual Artists, 110.114 Prince St. Through Dec. 13. Tues.‐Fris., 1‐5; Sets, 11.5.
LYNDA BENGLIS—Wax paintings, metallized knots and metal sculptures with foliage. “Much of this exhibition has a attendant air, giving abiding anatomy to Ideas aforetime declared In added decaying materials.” (Kramer) Conner. 155 Wooster St. Through Dec. 10. Bankrupt Mons.
CHRISTIAN BOLTANSKI — Photographic pieces. Sonnabend, 420 W. Bway. Opens Sat. Through Jan. 3. Bankrupt Mons.
MICHAEL BOWEN—Paintings and prints, aggressive by the artist's campaign in Southeast Asia, Mexico, India and Nepal. Vernal, 465 W. Bway. Through Dec. 30. Bankrupt Mons.; accessible Suns.. 1‐6.
SCOTT BURTON and PAMELA GENRETTE—Two armchair pieces by the above and abstruse paintings by the latter. Artists Space, 155 Wooster St. Opens Sat. Through Dec. 27. Bankrupt Mons.
PETER CARELLA—Paintings of New York cityscapes. Aboriginal Street Gallery, 118 Prince St. Through Fri. Tues.‐Sats., 1‐6.
STEPHEN T. CHAPIN and MARK RENDLEMAN — Bank sculptures of wood, metal and acrylic by the above and Realist oils of rocks and baptize be the latter. Lamagna, 38o W. Bway. Opens Sat. Through Dec. 27. Bankrupt Mons.
JEANETTE CHUPACK—Paintings of flat interiors with mural angle through the windows. Green Mountain, 135 Greene St. Opens Fri. Through Jan. 1. Tues.‐Sats., 12‐6.
ALAN COTE—Large abstruse paintings. Cuningham Ward, 94 Prince St. Through Dec. 23. Bankrupt Mons.
ROBERT FELDGUS and DALE CLARK—Paintings by the above and metal paintings and sculptures be the latter. Westbroadway, 431 W. Bway. Through Dec. 11. Bankrupt Mons.
HARLEY FRANCIS—Paintings and assets with fabulous figures. Solway, 139 Spring St. Opens Fri. Through Jan. 10. Bankrupt Mons.
CHARLES GINNEVER—Abstract sculptures In torten steel. Carve Now, 142 Greene St. Through Dec. 31. Bankrupt Mons.
SAM GOODMAN (1919.1967)—Abstract Expressionist paintings from the fifties. Buecker 8 Harpsichords, 465 W. Bway. Through Dec. 27. Weds.‐Sats., 12‐6.
STEVE HODGES—Paintings and assets of figures, Interiors, still Wes. Aboriginal Street Gallery, 118 Prince St. Opens Fri. Through Dec. 31. Tues.‐Ws 1‐6.
PETER HUTCHINSON—Conceptual assignment in the anatomy of photos, belletrist and a new copy of the artist's sketchbook. Gibson, 392 W. Bway. Through Dec. 20. Bankrupt Mons.
RICHARD KARWOSKI—Large paintings, mixed‐medium sculptures and assets of boots and shoes. Terrain, 141 Greens St. Through Dec. 11. Tues.‐Sals., 1‐6.
STEVE KELEMEN—Abstract paintings. Razor, 466 W. Bway. Through Wed. Bankrupt Mons.
EUGENE LEAKE—Maryland landscapes. Green Mountain, 135 Greene St. Through Thur. Tues.‐Sats., 12‐6.
KIM MACCONNEL—Wall hangings of bolt strips sewn together. Solomon, 392 W. BWaY. Through Dec. 11. Bankrupt Mons.
JOHN MCNALLY—Four awe-inspiring constructions. 14 Sculptors, 75 Thompson St. Through Dec. 10. Bankrupt Mons.
V=RNITA NEfnEC and CA1OL PECK—Sculptures of cloth, photographs and bits from the artist's Journals bY Miss Nemec and paintings with modular units on a filigree by Miss Peck. SoHo 20, 99 Spring St. Opens Sat. Through Dec. 31. Tues.‐Suns., 12.6.
DON NICE and JOHN OKULICK—PaIntinns of animals by Mr. Nice and bank sculptures suggesting three‐dimensional oblects by Mr. Okulick. Holtman, 429 W. Bway. Opens Sat. Through Jan. 7. Bankrupt Mons.
KENNETH NOLAN D—“A apple-pie breach with the ellipsoidal formats that accept absent him for about 10 years. The bands of blush that accept been streaking angular beyond the canvas or folding aback beyond one addition are accustomed variations of breadth, administration and texture.” (Russell) Emmerich, 420 W. Bway. Through Sat. Bankrupt Mons.
PATSY NORVELL—Constructions of assorted materials, acting as enclosures or barriers. A.I.R., 97 Wooster St. Opens Sat. Through Dec. 31. Bankrupt Mons.
PIRY RAME—Abstract paintings. Pleiades, 152 Wooster St. Opens Tues. Through Dec. 21. Bankrupt Mons.; accessible Suns.
MARLENE SCOTT V and AL DILAUROAn ecology activity ambidextrous with spatial acumen by Miss Scott and illusionistic collages by Mr. DILauro. Lamagna, 380 W. Bway. Through Tues. Bankrupt Mons.
KIMBER SMITH—Abstract drawings. Caldwell. 383 W. Bway. Through Dec. 24. Bankrupt Mons.
JACK TWORKOV—Paintings congenital up with gentle, back‐and‐forth acclamation of color. “For addition who Is 75, and who was associated with one of the best aboveboard and anarchic of all movements In avant-garde art, these paintings breach new arena In means we may acquisition to be absolutely touching.” (Russell). Hoffman. 429 W. Bway. Through Thur. Bankrupt Mons.
PAUL WALDMAN—Paintings. Casten!, 420 W. Bway. Through Dec. 20. Bankrupt Mons.
STELLA WAITZKIN and ROBERT ANDERSON—Wall pieces and sculptures of books by the above and amount Paintings by the latter, Yu, 393 W. Bway. Through . Wed. Bankrupt Mons.
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GRACE BAKST WAPNER—Sculptures rep. resenting rocks. 5$ Mercer Street. Through Dec. 10. Bankrupt Mons.
Group Shows
CLOUD, 152 Wooster St.—Lynda Burbank, Carol Depasquale, Pat Henricksen, Jane Paso, Irene Reilly. Through Dec. 15. Bankrupt Mons.; accessible Suns.
DUFFY & SONS, 157 Spring SL—Tantric diagrams from the 17th, 18th and 19th centuries. Through Dec. 27. Bankrupt Mons.
HANSEN, 70‐72 Wooster St.—Photo‐montage works by D. James Dee, abstruse paintings by Audrey Code, Ink assets be Mime! Kraus and a grou, actualization of paintings. Through Dec. 14. Bankrupt Mons.; accessible Suns., 1‐6.
KNOWLTON, 153 Prince St.—“Art In Boxes,” Including works by Louise Neveison, Ernest Trove and Lucas Samaras. “You will acquisition some 18-carat curiosities (a box be Agnes Martin, for Instance) calm with added works that are bald hit‐or‐miss accumulations.” (Russell) Through Dec. 24. Bankrupt Mons.
LANDMARK, 469 Broome St.—Landscapes by eight artists, additional assets by Tom Bolls. Through Dec. 18. Bankrupt Mons.
112 GREENE STREET—Jack) Apple, Alice Aycock, Rita Myers, Martha Wilson. Through Dec. 18. Bankrupt Mons.
PRINCE STREET GALLERY, 106 Prince St.—Realist paintings and sculptures. Opens Fri. Through Dec. 30. Tues.‐5ats., 1.5.
PRINTS ON PRINCE STREET, 410 W. Bway—Graphics by Fahlstrom, Marisol, Segal and Wesselman. Through Dec. 24. Bankrupt Mons.
PROTETCH, 157 Spring St.—Marcel Broodthaers, Jackie Ferrara, Joel Fisher, Jan Groover, Sot LeWitt, Robert Mangold, Robert Roman. Through Dec. 31. Bankrupt Mons.
WARD‐NASSE, 131 Prince St.—Abstract Paintings by Herbert Bennett; marble, animate and aluminum sculptures by Stuart Krisel; landscapes by Rostland Miller; canvases which are studies for stained‐glass windows by Louis Ponderosa. Through Dec. 19. Bankrupt Mons.
WEBER, 420 W. Bway—Works In array of mediums by a dozen artists. Opens Wed. Through Dec. 24. Bankrupt Mons.
WOMEN IN THE ARTS FOUNDATION, 435 Broome St.—Works by Janet Culbertson, Tanya Duane, Leah Friedman, Dorothy Kaltman and Jacqueline Skiies. Opens Sat. Through Dec. 31. Tues.‐Sals., 2‐5.
Other
CLOCKTOWER, 108 Leonard St., at Sway — Allotment IV of “Collectors of the Seventies,” which deals with affairs and accompanying art movements from the fifties to the present. Through Dec. 13. Thurs.‐Safs., 1‐6.
DORSKY, Ill Fourth Ave., at 11th St.—Welded‐steel sculptures by Richard Hunt. Through Dec. 27.
FEIDEN, 51 E. 10th St.—A actualization adulatory the gallery's expansion, includ.ng Will Barnet, Chaim Gross, Al Hirschfeld and others. Through Dec. 31. Oats., 12‐6.
GRAND CENTRAL, Biltmore Hotel, 40 Vanderbilt‐Ave.—Paintings of ski slopes, by Cecile Johnson. Opens Tues. Through Dec. 13.
NATIONAL ACADEMY, 1063 Fifth Ave., Jt Beth St.— .^.1lied Artist: of America. Opens Fri. Through Dec. 21. Daily, 1.5.
NOHO, 542 LaGuardia PL—Humorous paintings by Tom Laidman and paintings based on landscapes, Additional sculptures, be Libby Robinscn, Through Dec. 17. Tues..Sats., 1‐6; Suns., 1‐5,
NYU, 100 Washington SQ. E.—“Irish Directions of the Seventies,” Including 38 paintings, sculptures and tapestries. Through Dec. 23. Mons.‐Thurs., 11‐6; Sats., 12‐4.
PRATT GRAPHICS CENTER, 831 Bway, at 13th St.—Nearly 50 cartoon by Albrecht Durer and his copyists. Through Dec. 10. Bankrupt Sat, moms.
ROKO, 90 E. 10th St.—Miniature paintings, photos, prints, assets case sculptures. Through Jan. 3. Also, accoutrement and metal bank hangings and sculptures by Dennis Fritz. Through Dec. 13. Tues.‐Sats. 12‐6.
TOUCHSTONE, 37 E. 4th St.—Paintings by Leonard Rosoman. “His absolute specialty Is the dramatization of incidents that the anecdotal painters of an beforehand generatiaon would accept alone as ridiculous.” (Russell) Through Dec. 31. Weds.‐Sats., 11.5.
VISUAL ARTS, 209 E. 23d St.—“Formative Years: Aboriginal Works by Prominent New York Artists,” amid them Morris Louis, Ellsworth Kelly and Richard Serra. Through Dec. 16. Mons.‐Thurs., 12‐9; Fris., 114:30.
WESTBETH, 155 Coffer St.—A accumulation show, additional bowl masks by Joachim Themal. Opens Fri. Through Dec. 28. Frls., 5‐8; Sats.‐Suns., 2.6.
WOMEN'S INTERART CENTER, 549 W. W. 52d St. — A hundred and fifteen womec from bank to CORM, Canada and abroad, In an invitational actualization advantaged “Color. Ablaze and Image.” Through Jan. 30.
Museums
AFRICAN ‐ AMERICAN INSTITUTE, 833 U.N. Plaza, Aboriginal Ave. at 47th 58.—“Art From Zaire; 100 Masterworks from the National Collection,” Including art altar from 26 indigenous groups, none of which accept been apparent in America before. Through Jan. 31. Mons.‐Fris.. 9‐5: Sets.. 11.5. Bankrupt holidays.
AMERICAN ACADEMY AND NATIONAL ‘INSTITUTE OF ARTS AND LETTERS. Sway at 155th St.—Paintings by abreast Americans from which a alternative will be bought by the Academy's ChiIde Hassam Purchase Fund, apparent accordingly with a accumulation of paintings Purchased amid 1945 and 1973 and lent by museums and galleries to which they were given. ‘Through Jan. 4. Daily, except Mons., 1‐4.
•
AMERICAN MUSEUM OF NATURAL HISTORY, Central Park W. at 79th St.—A multi‐media actualization absolute how hats are acclimated by vople ON over the apple to reflect their position In life. Through Jan. 31 Mons.‐Sats. 10‐4:45: Suns. and holidays, 11‐5.
BROOKLYN MUSEUM, Eastern Parkway and Washington Aye.—Oyer 100 brand and butt seals from the Abreast East, from the account 4th millennium B.C. to the end of the Sasanlan Dynasty in the Ith aeon A.D. Through abutting May. “01 Men Only,” a s;;ow of added than 3D3 items of AmerVan and European Macho attire, from 1750 to the present. Through Jan. 18. Twenty:five pleces of adorning its ‘tom the museum's collection. Through Jan. 18. Weds.‐Sats., 10‐5; Suns., 12‐5; holidays, 1‐5. Bankrupt Mons. and Tues.
CENTER FOR INTER‐AMERICAN RELATIONS, 630 Park Ave., at 68111 St.—More than 50 paintings, on accommodation from museums and clandestine collections. In a attendant of the assignment of Leonora Carrington a Mexican artist. Through Jan. 4. Daily, 12‐6.
CHINA HOUSE, 125 E. 65th St.—“Art of the Six Dynaslicz: Centuries of Change and Innovation,” an affectation spanning the years 220 A.D.‐589 A.D. and emphasizing the civil or mortuail arts. Through Feb. 1. Mons.‐Fris., 10.5; Oats., 11‐5; Suns., 2‐5.
THE CLOISTERS. Fort Tryon Park—The Abiding collection. Tues.‐Sals., 104:45; Suns., 1‐4:45.
FRICK COLLECTION, 1 E. 70th St.—A abiding accumulating housed in the rest. dente of Henry Clay Frick 0849‐19191. Tues.‐Sats., 10‐6; Suns., 1‐6. Bankrupt Mons.
GROLIER CLUB, 47 E. 60th St.—“Chess: The Bibliophile's View.” adherent to the hisiory of chess in the western apple from the .14th aeon to the present and including books, manuscripts and memorablia. Through Sat. Mons.‐Fris., 10‐5; Sats., 10‐3.
GUGGENHEIM MUSEUM, 1071 Fifth Ave. —A ret.ospedive of Frantisek Kupka,a avant-garde of abstraction, Including about 180 paintings and works on cardboard loaned by the National Arcade in Prague, the Museum of Avant-garde Art In Paris and added collections “He belonged to abundant era, and he contributed article capital to Its development, but he not one of the abundant abstracts of that era. Robert Ryman end prints blind on strings by Richard Smith. Closes today. A alternative of altar acquired aback 1973, emphasizing assignment by such craftsmen as Gaudi and Tiffany. Through Jan. 25. Mons.‐Tues., Fris.‐Suns., 11‐6; Thurs.. 11‐9; bankrupt Weds.
NEW‐YORK HISTORICAL SOCIETY, 170 Central Pare West, at 77 St. — “Tho Sword of Rebellion Is Drawn: New York In the American Revolution,” a actualization depicting the battlefields, forts, land,marks and bodies of the “War of American Independence in New York,” including photography, maps and manuscripts. Baby altar fabricated by Shakers in Watervhet and New Lebanon, N.Y. Bilis of book of the 19th and 20th centuries, which acknowledge gastronomic and amusing history of he perm ‘. An affectation of newspapers appear 200 years ago. The Fordham U. accumulating of assets hr John Trumbull (1756‐1843), which contains account sketches and studies for his actual paintings. “The assets In themselves are about slight, but they add essentially to our ability of Trumbull.” (Russell) Through Dec. 31. A calibration archetypal of “Mount Pleasant,” the celebrated Beekman abode congenital In 1763‐64 forth the East River. Tues.•Fris., and 10‐S.
NEW YORK PUBLIC LIBRARY AT LtN• COLN CENTER—“Wolfgang Roth:‐ His Assignment In American Actualization Business, 1940.1975.” Through Feb. 9. Mons.‐Frts., 10‐6, and Mon. and Thur. eves. until 9; Sats., 12‐5.
QUEENS MUSEUM, N.T. City Bldg.. Flushing Meadow‐Corona Park—Painters, Printmakers and Photographers from Queens. Through Jan. 4. Tues.‐Sats., 10‐5; Suns., 1‐5.
SOUTH STREET SEAPORT MUSEUM.. 16 Fulton St.—Paintings and assets , depicting berth and anchorage scenes of New York. Through Mon. Daily. 12‐6.
STATEN ISLAND MUSEUM, 75 Stuyvesant Pl. — “George Washington: Icon for America,” a affectation of prints, stamps, paintings and posters, ceramics and medals and added objects. Through Jan. 4, Also, aboriginal assets for assorted cartoons. Through Jan. 4. Tues.‐Sats., 10‐5: Suns., 2‐5. Bankrupt holidays.
TIBETAN MUSEUM, alarm Ave., Staten Island—The Jacques Marchats collection. Sets. and Suns., 24.
WHITNEY MUSEUM, 945 Mad. Ave. at 75th St.—A hundred and three sculptures and 41 assets accoutrement the aeon 1904 through 1931 In the career of Elle Nadetman, a Polish artisan who was allotment of the Paris avant garde in the aboriginal years of this aeon and emigrated to the United States. “Few exhibitions In contempo anamnesis accept been as admirable as this one, and those who see It will Cherish the acquaintance for a lifetime. … The arctic bank of the Whitney's thirdfloor gallery, across Nadeiman's corrective copse abstracts are lined up… affords an acquaintance like no added In the history of avant-garde sculpture.” (Kramer) Closes today. A miniature bazaar created by Alexander Calder over SO years ago. Through Feb. 6. A attendant of the works of sculptor Mark di Severe. Through Feb. 12. A assuming of Alexis Smith's works. “What she does is to booty a text. . and add an Image actuality and there that ventilates, credibility up and about enlarges aloft the acceptation of what Is actuality said. The assignment Is best acute aback there Is either a assorted alternation of advertence … or animalism a distinct shaft of wit that goes off like an arrow from a bow.” (Russell) Through Dec. 14. Mons.‐Sats., 11‐6; Tees, eves until 10 (free admission);
WHITNEY DOWNTOWN MUSEUM, 55 Baptize St.—Twenty‐five paintings and sculptures by abreast artists who activity new aoaroaches to the still life. Through Wed. Mons.‐Frls., 11‐3. YESHIVA U., Amsterdam Ave, at 185th St.—“Life of the Old Jewish Shteti” apparent in paintings by Polish artisan Ilya Schor (1904.1961). Through Jan. 30. Suns., 124; Tues. and Thurs., 11.5.
Tristate Region
ALDRICH MUSEUM, 253 Capital St., Ridgefield, Conn.—“A Change of View,” • actualization of paintings and sculptures from the museum's accumulating and on loan. Through Dec. 14. Sots., Suns., 2.5.
LYMAN ALLYN MUSEUM, 100 Mohegan Ave., New London, Conn.—Sculptures by Suzanne Benton. Through Dec. 14. Tues.. Sets., 1‐5; Suns; 2‐S.
WILLIAM BENTON MUSEUM OF ART, U. of Conn., Storrs — “The Shin of ,he Leopard Beaded Art of Cameroon.” through Dec. 20. Mons.‐Sats., 10‐4:30; Suns., 14.
HECKSCHER MUSEUM, Prime Ave, Huntington, L.I.—Third Anniversary Holiday Exhibition and Safe, by abreast LI., artists. Closes today, Tues:Fris., 10‐5; Sets: Suns., 1‐6.
MONTCLAIR ART MUSEUM, 3 S. Mountain Ave., Montclair, N.J.—A attendant of Vactav Vytlacil, additional works by acceptance of the artist. Through Jan. 25. Thies.‐Sats, 10‐5: Suns., 2‐5:30.
NEUBERGER MUSEUM, College at Purchase, N.Y.—Theater constructions by Cletus Johnson. Through Dec. 7. A arrangement of 14 paintings by Cleve Gray. Through March. Corner paintings by Ben Cunningham. Through Jan. 11. A “Woodstock Environment” by Clarence Schmidt, Through Dec. 28: Tues.Sets., 11‐5; Sums., 1‐5.
NEWARK MUSEUM, 43‐49 Washington St., Newark, New Jerser—“Wlfaling Canicule In New Jersey,” a Bicentennial exhibition of documents, photos and logbooks. Through Dec. 31. “Silk, Tea and Porcelain: Trade Goods from the Orient,” a actualization of adorning altar from about the world. Mons.‐Sats., 12‐5; Suns. and holidays, 1‐S.
Photography
ANGELA ASCHAUER—Photos anxious with the worlds of music, appearance and theater. Fourth Street Photo. 67 E. .4th St. Opens Tues. Through Dec. 31. Suns.‐Thurs., 1‐8: Fris.‐Sats, 3‐71.
EUGENE ATGET—Approxlmately 100 photos printed by Berenice Abbott, additional a alternative of best Prints. Within, 243 E. 60th St. Through Sat. Bankrupt Mons.; accessible Thur. eves. until 8.
EUGENE BUECHEL—Rosebud and Ping Ridge oholograPhs. 1922 to 1942. Museum of Avant-garde Art. 11 W 53d St. Through Feb. 8. Mons.‐Tuei., Fris.Suns., 11‐6; Thurs., 11‐9.
ALFRED‐LUCKY CHECKLEY JR.—photoPraPhIC series. Camera flub, 37 E. 60th St. Through Dec. 8. Mons.‐Frls., 2‐6.
ROGER FENTON—CalOtypes from the Crimean War. ScheeWlf, 825 Mad. Ave., at 69th St. Opens Tues. Through Dec. 24. Bankrupt Mons.
ERNST HAAS — “An American Experience,” including 62 blush mints by a Viennese Photographer who accustomed In this country in 7949. Additionally a accumulation of black‐and‐white photos possibly attributable to Lewis W. Hine. International Center of Photography. 1130 Fifth Ave.. at rath St. Through Jan. 11. Daily, except ‘Ions., 11‐S.
JIM ANDER—Black‐and‐white photos
of Palaeolithic and Neolithic cavern paintings. engraVIn9S and bas‐reliefs. Hollander. .435 W. BwaY. Through Dec. 7.
LOU LANZANO—Black and‐white prints. FoM, 492 Broome St. Through Dec. 21. ROGER MERTIN and GARRY WINO. GRAD — Black‐and‐white pictures of copse by Mr. Martin and a alternative of assignment from a book to be appear this month, advantaged “Women Are Beautiful.” by Mr. Winograd. Light., 1018 Mad. Ave., at 79th St. Through Dec. 6. Bankrupt Mons.
ROBERT MONROE and DARRYL JONES—“Rearrangement of Forms” by Mr. Monroe and “New Angle of the Old World” by Mr. Jones. Neikrug, 224 E. 68th St. Through Jan. 11. Thum., 1‐8; FrIs.‐Sats., 1‐6; Suns., 2‐5.
DIANORA.N ICCOLI N I—Photos of the macho nude. Third Eye, 17 Seventh Ave. 5. Through Dec. 18.
6‐9; Sats.‐Suns., 1‐8.
FRED TAYLOR—Photos taken on a see boating In 1905. South Street Seaport Museum, 16 Fulton St. Through Dec. 8. Daily, 12‐6.
HARRY WILSON — Photographs which started as a bluff of the snapshot and the ancestors album. Focus 2, 163 W. 74th St. Through Dec. 15. Accessible eves. alternation 1.
Group Shows
JANIS, 6 W. 57th St.—An actual analysis of women In photography. Through Jan. 3.
EMILY LOWE GALLERY, Hofstrs U., Hempstead, N.Y —Fashion Photography: Six Decades,” from 1911 to the present. Through Dec. 14. Mons.‐Fris., 10‐5, and Wed. and Thur. eves., 6‐9; Sats. and Suns., 1.5.
MIDTOWN Y, 344 E. 14th St.—Work by 13arty Eckstein, Jim Jowers and Joan Llftln. Through Dec. 7. Suns.Thurs., 12‐84 Frio., 12.4.
NEW‐YORK HISTORICAL SOCIETY, 170 CPW, at 77th St.—Contemporary photog‐ raphers attending at New York as it an. pears In the Bicentennial decade. Tues.Fris., Suns., 1‐5; Sets., 10‐5.
NEW YORK PUBLIC LIBRARY AT LINCOLN CENTER, 111 Amsterdam Ave.—The Roger Pryor Dodge Accumulating of Nilinsky photographs. Through Jan. 3. Mons., 10‐9; Tues.‐Fris., 10‐6, and Thur. eves. until 9; Sato., 12‐6.
SOHO PHOTO, 30 W. 13th St.—lwars Abe, Robert Borsuk, David Chalk. Through Tues, Tues., 7‐9 P.M.; FrIs.Suns., 1‐6.
For children
AMERICAN TOTAL THEATER—The openlee of the ‘:ountee Cu,len Abundant Storyteller's Series. Circle in the Square, Bway at 50th St. Wed., 10:30 A.M.
BIG APPLE PUPPETS—“Folk Tales From Amend the World.” Museum of the Cite of NeW York, Fifth Ave. at 10111 St. Sat., 1:30. Chilthen below bristles charge be accompanied by an adult.
BIL BAIRD MARIONETTES—A agreeable adjustment of Lewis Carroll's “Alice In Wonderland.” BII Baird Theater, 59 Barrow St. Today, Sat., abutting Sun., 12:30 and 3:30.
CHILDREN'S CABARET—Entertainers on. der the one of 16, with Andy Kaufman as adept of ceremonies In a connected actualization from cafeteria until banquet time. (Adults accepted alone if accompanied by a child.) Improvisation Cafe, 358 W. 44111 St. Suns.
FILM—“The Seven Little Foys” (1955). Museum of Modem Art, 11 W. 53d St. Sat.‐next Sun., 12.
FLOATING HOSPITAL PUPPET PLAYHOUSE—“The Sly Fox” and “Roots.” South Street Seaport, Pier 15. Sats., II, two, 4; suns., t:Ju, 4.
HEIGHTS PLAYERS—“The Sleeping Beauti.” 26 Willow Pl., Bklyn. Sat.‐next Sun., 2:30.
JAZZ PUPPET SHOW—A actualization advised to Introduce accouchement to the history and ancestry of lays. Ern::Ire Hotel, Bway at 636 St. Sat., 2.
MERI MINI PLAYERS—“Plnocchlo,” presented by this all‐child company. Hotel Opera, downstairs, 2166 Sway, at 76th St. Sat., 2:30.
MERI MINI TEEN COMPANY—“Alice Through the Looking Glass.” Hotel Opera, downstairs, 2166 Sway, at 76th St. Sun., 1 and 3.
0.0.5. BAND COMPANY—An adjustment of Dickens's “A Christmas Carol.” 18th Street Playhouse, 145 W. 18th St. Sats.. Suns., 1 and 3.
PENNY JONES it CO.—“Mother Goes. Tales” and “The Three Bears” Puppet shows. Studio‐on‐Ilth‐St. School, 215 W. 11th St. Today, 1:30, 3.
PLAY/MATES COMPANY—“Pip and Polly Patches,” a ball with music, about rag dolls who ache to be absolute people. St. Peter's Episcopal Church, 346 W. 20th St. Sats. and Suns., 1 and 3.
THE TEMPEST — A children's assembly of an adjustment of Slqdrespeare's play. Little Amphitheater on West fwentv‐sixth St., 150 W. 26th St. Sats. and Suns., 1.
TIME IL SPACE LTD.—An adjustment of Beattie Potter stories. Universalist Church, 4 W. 76th St. Sat., 11.
Miscellany
AD LIB—“War Babies,” performance. by a 10‐person Improvisational group. Improvisation Cafe, 358 W. 44th St. Mons., 11 P.M.
AMERICAN POLITICAL FILMS—Hunter College, 69S Park Aye. Tues., 6. Through Dec. 9.
CHRISTMAS CRAFTS FAIRE AND COLONIAL MARKETPLACE — Madison Sq. Garden. Fri., 12‐10; Sat., 11‐10.
FILMS FROM THE GERMAN DEMOCRATIC REPUBLIC—Museum of Avant-garde Art, 11 W. 53d St. Through Doc. 29.
GUILD OF BOOK WORKERS—Presenting added than 100 examples of accomplished duke bookbinding, apology and attention techniques, and calligraphy and hand‐decorated papers. New York Botanical Garden, Bx. Through Jan. 16. Daily, 104.
LABOR THEATER—Films on the gabled of alive people. Henry Street Settlement, 466 Grand St. Weds. Through Dec. 17.
LONG ISLAND ANTIQUE SHOW & SALE AND 1ST ANNUAL COIN SHOW Nassau Coliseum, Hempstead Turnpike, Uniondale, L.I. Thur.‐Fri., 1.10; Sat., 1‐11.
NEW AMERICAN FILMMAKERS SERIES —Through Tues.: A affairs of four shorts. Daily 12, 1:30, 3, 4:30; Tues., also, 6:15 and 8. Starting Wed.: “Dope” (1968), by Sheldon Rochlin. DaIly, 12, 2, 4; Tues. also, 6:15 and 8. Whitney Museum, Mad. Ave. at 76th St.
PICCOLO CABARET — A new cabaret featuring an Italian acting troupe, accompanist Rob Jackson, ache Miriam Lehmann•Haupt, pianist Buddy Barnes and others. 1221> Additional Ave,at 64th St. Nightly except Mons., 9 and 11.
TRAVEL FILM SERIES—Color films anecdotal by exploring cinematographers In England, Singapore, Israel, Yugoslavia. Toren Hall. ThurS., 5:30.
VIVA LAS GIRLS—A Vegas•st,e revue, conceived and directed by Joe Cavalier. Little Hippodrome, 227 E. 56th St. Tues.‐Suns., 10 and 12 P.M.
Lectures
ARCHITECTURE—“Spec. Is the American Mediator, or the Blocks of Ithaca: a Speculation,” by Peter Smithson. Architectural League of N.Y., 10 W. 40th St. Wed., IL
ART — At the 92d St. Y, Lox. Ave. at 92d St.: Robert Rosenblum will allege on Picasso. Wed., 6:15. At 114 Prince St.: “Cast Iron In Salto,” with a console chastened by Donald P ricer. Fri., 9. At Carve Center, 167 E. 69th St.: “Lost Lead Casting Process” by John Cavanaugh. Thur., B. Free.
CLASSICS—Dr. Charles R. Bays on Venoll's “Aeneid.” Lehman College, Bedford Park Blvd. W., Be. Tues., 2. Free.
THE COMING OF AGE OF AMERICAN JEWRY 1920‐1975—A address by Malcolm H. Stern. Congregation Emanu‐Et, 10 E. 66th St. Today, 4.
DIALOGUE ‘75—A address by Elle Wiesel, Poet of the Holocaust. Congregation B'Nal Jeshurun, 88th St. west of BWaY. Mon., 8:30. Free.
EVOLUTION OF A YOGI AND ILLUSION OF SEPARATENESS—A address by Ram Dass, additional a film. Caravan House, 132 E. 65th St. Fri. 7. Free.
FILM—Marcel Ophuls will altercate his documentary, “The Sorrow: and the Pity.” 92d St. Y, Lex. Ave. at 92d St. Mon. 8.
INTERLUDES—Bel Kaufman will sop* anecdotally of her grandfather, Sholom Alelchem, and adduce from his works and letters. Boondocks Hall. Wed., 5:45.
JOURNALISM TODAY—“The Ability of Selection,” by Fred Hechinger. 92d St. Y, Lex. Ave. at 92d St. Tues., 11.
MUSIC—Fritz Kramer will altercate works to be Performed• In the aHernvon by the New York Philharmonic. Avery Fisher Hall, Lincoln Center. Fri., I.
NEW DIMENSIONS OF THE MIND—“Healing — Continuing Consciousness,” by Judith Skutch. 924 St. Y, Lox. Ave. at 92u St. Tues., 8.
PHOTOGRAPHY—A address on photography and addition in America, by Per Bunnell. Cooper Union, Seventh St. and Third Ave. Wed., 8. Free.
Poetry Readings
MICHAEL DENNIS BROWNE and SIV CEDERING FOX—Dr. Generosity's, Additional Ave. at 73d St. Sat., 3.
SUZI MEE and PEGGY GARRISONChumiey's, Bedford and Barrow Sts. Sat. 2. Free.
MEMORIAL READING—Poems by Rainer Marla Rlike, apprehend In English and German. St. Luke's Episcopal Church, Hudson St. Thur., 4. Free.
CHARLES PLYMELL, JUDY ROCK, VIRGINIA SCOTT, GERALD STERN—Focus 2, 163 W. 74th St. Thur. 8.
ADRIENNE RICH—Reading and discussing the balladry of Emily Dickinson. Donnell Library, 20 W. 53d St. Tues., 7:30. Free.
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