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While Ms. Baker’s songs are alluringly somber, the accompanist was airy and affecting above a bistro table. “It feels like the frayed wire of my academician is aggravating to accompany bristles altered capacity at once,” she said. “It’s apparently because I had three cups of coffee this morning.”

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We met at Bistro Coco, a 24-hour abode a few accomplish abroad from a long-running Nashville club, the Exit/In. With no makeup, cutting a gray T-shirt and atramentous pants abbreviate abundant to acknowledge a boom — “Out into the ether” — aloft one ankle, Ms. Baker could accept been an undergraduate amid classes. A laminated canyon abashed from her belt for concerts organized by Smith7, a Memphis characterization that additionally puts on drug- and alcohol-free shows for teenagers. It active the post-punk bandage that Ms. Baker formed back she was 14, initially called the Star Killers and currently Forrister.

Coffee and chewing gum are the alone habits Ms. Baker allows herself afterwards a amplitude of addictive behavior with cigarettes, booze and drugs in her boyhood — adventures that amount in the songs on both of her albums. For the interview, she ordered her fourth coffee of the day: organic, iced, with almond milk.

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When Ms. Baker initially appear the songs from “Sprained Ankle” online in 2014, she was a apprentice at Middle Tennessee State University, autograph music she alone accepted a few accompany to hear. The recordings, fabricated in three days, were abrupt abandoned advance with a scattering of overdubs; they generally acclimated alone a few best guitar addendum tolling abaft her voice, as she sang troubled, at times baleful thoughts. But the absolute characterization 6131 apparent the songs, active her and issued the album, in baffled form, in October 2015. By the end of the year, Ms. Baker had accomplished admirers nationwide. Jon Caramanica of The New York Times chose “Sprained Ankle” as one of the best albums of 2015.

“Sprained Ankle,” was a abstinent cry in the wilderness, a beverage of aloof despair. Just two years later, “Turn Out the Lights” is the assignment of a songwriter who has resonated with an all-embracing admirers and who is affective above the apocalyptic arrogance of adolescence. It’s the attenuate additional anthology that, admitting new self-consciousness, stretches above an dependable admission to ability for alike bigger things, with all its affection intact.

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“Once we accomplished recording it, in January, there was a lot of all-overs for me,” Ms. Baker said. “Is it too similar? Is it too different? How can you be abashed of both of those things at the aforementioned time?” She laughed. “But I somehow was.”

Her newer songs abide to convenance what Ms. Baker calls “radical vulnerability.” But area “Sprained Ankle” was absolutely focused on the singer’s abutting turmoil, “Turn Out the Lights” has a added perspective. Ms. Baker is bent to at atomic accede some abroad achievability of hope. “I apperceive that it’s not gonna about-face out all right/but I accept to accept that it is,” she sings in “Appointments.” And through abundant of the album, her lyrics admit added characters abundant to appoint them in arguments and pleas: “You’re aggregate I appetite and I’m all you dread,” Ms. Baker sings in “Sour Breath.”

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“To apprehend that you’re not the best important thing, that you’re not alike abutting to the best important thing, is absolutely comforting,” Ms. Baker said. Touring consistently with the songs from “Sprained Ankle” fabricated her assay them anew. “I anticipation not only, ‘Do I appetite to accumulate autograph songs like this?’, but ‘Do I appetite to accumulate active my activity primarily anxious with my aching and absorbed to it?.’ A lot of bodies that I know, I anticipate we’re absorbed to the assurance of our hurt. And it’s alarming and accessible to achievement because there’s the accident that we’ll get disappointed.”

The anthology additionally has an broadcast agreeable palette, accomplished but not cluttered. Ms. Baker produced it herself at Ardent Studios, a Memphis institution, in six 12-hour days: time abundant to braid in added of her own piano, guitar, agency and voice. Half of the songs additionally accept atmospheric cord genitalia from Camille Faulkner, who will be touring with Ms. Baker in the United States.

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On Friday, Ms. Baker marks the absolution of “Turn Out the Lights” with a concert at Town Hall, the affected 1,500-seat amphitheater in midtown Manhattan. It’s orders of consequence beyond than her New York City admission in August 2015 for “about 20 people” at the now-defunct Cake Shop. “Fun fact,” she offered. “I usually don’t apperceive the capacities of the venues, because I’ve asked not to know, because it freaks me out. Sometimes I apprehend how abounding bodies are activity to be at a appearance and I think, ‘Oh my gosh, I can’t comedy to that abounding people!’ But it gets easier every time.”

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