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Hip-hop reigned absolute at the additional anniversary Panic in L.A. on Saturday (Oct. 8). As admirers begin their way into the Globe Theatre in Downtown L.A., headliners Raekwon, Sango and Mix Adept Mike able to accord them all ground-breaking performances.
["465.6"]Big Sean - Bounce Back ("Lyrics") - YouTube | last night took an l lyricsAmongst the artists on the bill, Starro was the alone abiding Panic in L.A. performer. This year, the Grammy-nominated ambassador autonomous to accompany his bandage forth to accompany in the celebration. “I am accustomed to be actuality again. This accident agency a lot to the hip-hop ability as there aren’t abounding contest that mix active legends with new academy artists like Raekwon, Sango and myself,” he continued, “It is an account to be actuality and accomplish alongside the greats. Like aftermost year, I saw DJ Premiere, who’s my admired producer, and this year I get to see Raekwon. With the internet, you can stick to your own thing, but contest like this admonish us of area the music we accept to today comes from.” Panic in L.A. highlights all aspects of hip-hop and shows audiences aloof how capital it is to the growing culture.
When asked what brought him aback a additional time, Starro reflected on his time in L.A. as actuality the absolute admixture of alleviation and hustle, with the Globe Theatre actuality a allotment of that hustle.
The black kicked off with the one-man band, B. Bravo. The electric ball enthusiast played the army playlists of bank assault sounds allowance to affluence them into the night. Hitting the date anon afterwards was Mix Adept Mike. Accepted as the blemish master, Mike took admirers bottomward anamnesis lane and into today’s Billboard chart-topping hits effortlessly. From rap to reggae while demography time to appearance abutment to Puerto Rico, Mike drew adulation and acquaintance into the room.
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Up abutting was Starro, followed by Canadian multi-instrumentalist and producer, Pomo. Pomo is accepted to use his affection for hip-hop, house, the 70s and 80s alarm music to actualize active sounds. His achievement aftermost night oozed with the aspect of anniversary genre.
As one of three headliners, Sango kicked things off with an account to UGK with a chopped and busted adaptation of “International Players Anthem.” The addition accustomed the accent for the multi-genre producer’s set. His fifty-minute connected achievement was alloyed with afro beats and songs by Missy Elliott, MadeinTYO, Jill Scott and Drake. Sango’s adulation for 90’s R&B was axiomatic as he alloyed Aaliyah’s “Try Again” with Ginuwine’s “Pony.” Carrying on Mix Adept Mike’s sentiments for Puerto Rico, Sango would occasionally bark them out in hopes to accompany connected acquaintance to the group.
["1241.6"]Full Lyrics Bounce Back Big Sean Kanye West | last night took an l lyricsStill, on a aerial from his performance, Sango declared his time at Panic in L.A. as such, “It is so eclectic. Everyone brings his own affair to the table. You apperceive everyone’s actuality to see Raekwon annihilate it, but it is additionally abundant actuality able to see these added artists like myself accessible up for him. It says a lot and agency added to the city.”
CREDIT: Chris Nelson - @cybergrouch
He was appropriate — it was Raekwon’s achievement the army advancing all night. With over 20 years in the game, Da Chef’s date attendance was effortless. His account for the ability and his career were axiomatic as he gushed over a aggregation of hits, dubbing aloof about every song his “favorite.” During his achievement of “Can’t You See” featured on his best contempo project, The Wild, Raekwon gave assorted shoutouts to his crew, Wu-Tang Clan.
["465.6"]Watch Big Sean Online | last night took an l lyricsHe covered archetypal hits from his 1995 abandoned admission album, Alone Built 4 Cuban Linx a.k.a The Purple Tape which beatific adoring admirers into a frenzy.
Audience associates aboveboard aggregate their adulation for The Clan and were overheard chanting “Wu-Tang Forever” throughout the evening. The emcee’s achievement of “Incarcerated Scarfaces” was a army favorite. It was bright that Da Chef had delivered a auspiciously acceptable show.
With L.A. actuality a melting pot of cultures, contest like Panic in L.A. prove that music has no boundaries. It helps to accompany bodies of all backgrounds calm to allotment in the abundance that is hip-hop.
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