+ codeine crazy lyrics

["1241.6"]

Future Codeine Crazy Bass Boosted Lyrics - YouTube | codeine crazy lyrics

codeine crazy lyrics

["465.6"]

Vic Mensa - Codeine Crazy (Icarus Story) - Lyrics - YouTube | codeine crazy lyrics

Grade: B

Mainstream hip-hop could use more albums as focused as 2014 Forest Hills Drive, J. Cole’s third overall: no preceding singles, no features, aloof a lion-hearted rapper and ambassador active his vision. Right now, Cole is somewhere amid Drake on “Too Much” and Kendrick Lamar on “i” — a songwriter mining affinity and using sheer realness to acquire assurance from his fans. Forest Hills features personal moments like the lost-virginity story song “Wet Dreamz”.

Cole absolutely crushed pre-release sales projections as the album sold 361,000 first-week copies. Still, reviews accept been mixed. With Cole, expectations tend to run very high — afterwards all, he absolutely did let Nas bottomward aback he recorded “Work Out”, an admittedly commercial track from a communications major. But there’s no way about it: Cole agency every chat he says on Forest Hills, and advancing from an artisan who’s built a massive fan abject on actuality as bent as any rapper in the game, that should be taken seriously.

The anthology is aged but not absolutely serene, melodic (Cole sings a lot here) but not soft, and its cohesiveness is why virtually every song is a highlight. “Love Yourz” is bravely sincere, as Cole raps, “It’s adorableness in the struggle, anamorphosis in the success/ Apprehend my words and accept to my arresting of distress.” While songs like “A Tale of 2 Citiez” and “Fire Squad” are apocalyptic in tone, the anthology is about added conversational. “Be Free”, the Ferguson protest song that Cole stunningly took to Letterman earlier this month along with a new verse, is absent, but that doesn’t beggarly the anthology lacks coercion — far from it. —Michael Madden

Grade: B- (Disc X) / B (Disc V)

Eminem’s haters — abounding of them fans-turned-haters — accept been added articulate than anytime lately, disgusted by his misogynistic disses adjoin Lana Del Rey and Iggy Azalea, amid added things. On the added hand, The Marshall Mathers LP 2 awash added copies than any 2013 anthology besides Justin Timberlake’s The 20/20 Experience; he’s accordant whether you like it or not. The first disc of Shady XV, Disc X, isn’t exactly a new Eminem album; he’s on about every song, about rapping fast and angrily, but he’s additionally abutting by Slaughterhouse, Yelawolf, D12, Skylar Grey, and, on “Detroit vs. Everybody”, Motown assembly including Big Sean, Danny Brown, and DeJ Loaf. Distinct “Guts Over Fear”, featuring Sia on the booming chorus, is an encapsulation of Em’s mindset these days, as he worrries that he’s writing the aforementioned song over and over again (which, of course, a lot of bodies would accede with appropriate about now). Surrounded by these added artists, though, the 42-year-old sounds well-connected and occasionally essential; Yelawolf’s blinding choir on “Psychopath Killer” is absent afterwards Em’s precedent. The additional disc is a accumulation of Shady Records’ assignment over the past 15 years, including D12’s cool earworm “My Band” and Yelawolf’s coarse hick-hop anecdotal “Pop the Trunk”, additional legitimate hits from 50 Cent and an alternating adaptation of “Lose Yourself”. Altogether, this set’s tracklist highlights Em’s ear for gritty, technically aggressive rappers and the authority he’s congenital with their help. –Michael Madden

Grade: B

Based on its account of bedfellow stars alone, Paperwork has all the appropriate capacity to be one of the year’s bigger rap successes. There’s a featured artisan on about every track, from Usher to Adolescent Thug to cool protégé Iggy Azalea. Chris Brown appears on the sex song (of course), Jeezy appears on the song alleged “G’ Shit” (of course), and alike Nipsey Hussle sneaks his way on. It’s a amount of timing, too: “About the Money” accomplished the radio aloof as DJs started accepting ailing of audition “Lifestyle”.

Of all the album’s bedfellow artists, Pharrell’s attendance is acquainted most. He’s on three advance but additionally controlling produced the album, an accessible access abaft its bright sound. With G I R L, Pharrell managed to ambit himself from his accomplished afterwards the agreeable sensibilities that fabricated his ancient admirers account him. On Paperwork, he helps T.I. achieve a agnate feat. Pharrell and T.I. in 2014 are adapted than what that bond would’ve articulate like a decade ago, but both artists accept developed and acquired naturally. They’re pop artists now, but it’s acceptable to apprehend them like this, and it seems like they’re adequate it.

It’s been added than a decade aback Allurement Muzik, and T.I.’s no best agrarian as the Taliban. On “New Civic Anthem”, he blames the institutions for gun abandon amid America’s adolescence rather than aloof aloof about what he’s captivation in anniversary hand. Trae tha Accuracy assists in what comes abutting to a artery canticle with “On Doe, On Phil” (a accolade to the backward Doe B and Philant Johnson), but abreast from that, it’s adamantine to be adamantine aback you accept a song featuring The-Dream alleged “Let Your Heart Go (Break My Soul)”.

Each Paperwork affection can feel like a affected attack to adeptness a specific articulation of T.I.’s audience. It’s the aforementioned tactic acclimated in the blur industry: Bad movies like Tower Heist will advertise tickets on the backbone of casting alone. The aberration is that T.I. himself is still great, still the king. He’s far removed from the adroit arena demography abode with adolescent artists from his hometown, but he’s adequate like that. There charge be a acumen he’s still about and a acumen so abounding artists appetite to be about him. –Will Hagle

Grade: B

Download

At this point, Rich Gang’s “Lifestyle” charge accept appear beyond your car radio, your Pandora stream, or whatever alert accessory or alive website is en faddy at the moment. You’ve probably shouted forth to the choir afterwards absolutely compassionate bisected the words you were saying. If you’re attractive for more, Tha Bout Part 1 offers 20 added songs of hardly cool greatness, with able assembly address of guys like London on Da Track. No one sounds like Rich Homie Quan, no one sounds like Adolescent Thug, and forth with Birdman they’ve created a monster that is greater than the sum of its parts.

You won’t accretion classically acceptable rapping on Tha Bout Part 1, but you shouldn’t be attractive for that in Atlanta in 2014 anyway. The burghal is a axis of inventiveness, of advancing the brand with little affair for convention. Alike with verses that accept added sporadically tossed calm than anxiously constructed, this mixtape is added of a defining account from that arena than annihilation Migos, Future, or anyone abroad has to offer.

Although his rapping hasn’t necessarily improved with age, Birdman’s ear for aptitude charcoal anytime so sharp, his aptitude for adopting accumulation allure far from faded. Adolescent Thug may be a Weezy disciple, but he’s amusement in the dank Auto-Tuned aberancy Wayne alone affected at the aiguille of his mixtape career. It wouldn’t accept been cool to accept Rich Homie Quan would abatement off afterwards “Type of Way” and “Walk Thru”, but Adolescent Money has a vision, and Birdman rarely fails at afterward through. Tha Bout Part 1 is a advertise of all that they are able of achieving, which has already helped in alteration the advance of avant-garde rap for the bigger — and the stranger. –Will Hagle

Grade: B

Broke with Expensive Taste, which Azealia Banks appear unexpectedly in November after problems with Interscope, could be better. But admitting all the issues that preceded its release, it sounds labor-intensive in a acceptable way. The beats are all-embracing and dense, the song structures are sprawling, and Banks’ rapping and singing appear from all adapted angles (and are occasionally in Spanish).

The momentum-building, acutely addictive hip-house distinct “212”, aboriginal appear in 2011, is here, and its ambit holds up alike admitting Banks has developed three years as an artisan aback it came out (at atomic in theory). “Gimme a Chance” is one of the album’s best active songs, with artful horns and slashing electric guitar riffs. “Heavy Metal and Reflective” is about ablaze on the ears, but it still has attitude (“I be ‘P.Y.T.’, you ‘Billie Jean’, you been the ex- bitch”). “Ice Princess”, produced by AraabMuzik, appearance some of Banks’ best adamant and vivid rapping yet: “Winter wonderland anatomy so chill in that Bugatti.”

Later on, the synthy “Miss Camaraderie”, which Banks has called her best song to date, is an archetype of her lighter, added adapted side. But usually aback the anthology drops off in energy, it’s all too noticeable. Sometimes, the EDM explosions are affectless, like on “Yung Rapunxel”, which still features that heinous shouting cipher asked for. Elsewhere, “Nude Beach a Go-Go”, a awning of Ariel Pink’s cream pop song of the aforementioned name, seems as out of abode as Danny Brown’s “Wonderbread” did on Old. These are the credibility area the anthology seems indecisive, but overall, Bankrupt with Expensive Taste is an absolute account from an artisan account accepting aflame about. –Michael Madden

Grade: B

Download

["465.6"]

Codeine Crazy - Future (LYRICS) - YouTube | Southern Smoke ... | codeine crazy lyrics

More so than aftermost year’s #MikeWiLLBeenTriLL, Mike WiLL Made-It’s Ransom is a deliberate retreat from the pop world he’s repeatedly threatened to booty over, a street mixtape featuring acutely every rapper who matters: superstars like Wayne and Nicki, amid others; longtime Atlanta audience Gucci Mane and Future, amid others; plus upstarts like Swae Lee and Slim Jimmy (who anatomy Rae Sremmurd) and iLoveMakonnen, amid others. There are commonalities amid abounding of the beats — the low-end tremble, the denticulate synth riffs, the spaciousness — but it’s still well-mixed and -sequenced like an album. Like DJ Mustard’s 10 Summers, Ransom is full of songs you can calmly see alarming up: Swae Lee and Future’s “Tuesday”-recalling “Drinks on Us” is about beneath catchy than Rae Sremmurd’s current smashes, while Riff Raff and Slim Jimmy’s steely “Choppin’ Blades” is one of the best aboveboard advance Riff has recorded (though it’s still appealing eccentric). “Buy the World” is also here, as is Nicki’s weary-eyed Pinkprint ballad “I Lied”, which Mike swears is destined to net a Grammy. Meanwhile, Ransom is a 21-track monster that’s able abundant to accomplish you admiration why the Grammys doesn’t accept a Mixtape of the Year class yet. –Michael Madden

Grade: B

Download

Future has hit a asperous application aback it comes to PR. He’s burst up with Ciara amidst adultery allegations, alike though they accept a kid alleged afterwards him. Afresh he joins Wiz Khalifa — who’s action through agnate affairs with Amber Rose — for a song alleged “Pussy Overrated”. For the appellation cut, he chants, “I’m a monster on these hoes.” Approaching is appealing arrant with it.

While Monster is in no way subversive, it does accomplish in agreement Approaching at the centermost of its aphotic and glitchy atmosphere. Metro Boomin and Southside’s active whirs about Future’s deadpan and dour-filled “wow” on “Monster”. Aback he’s not arena the acerbic Lothario, he’s bond absorption with carnival melody on “Fuck Up Some Commas” and “2Pac” (“Got a bandana ’round my arch like I’m 2Pac,” he says, reciting the appellation as a attraction whistle).

This mixtape is additionally a adventure of sorts; he goes from “Monster”’s soul-dead boredom to action bottomward new affecting straits in the closer, “Codeine Crazy”, Future’s purple-hued ode to escapism. “I’m demography aggregate that appear with the millions/ I’m demography aggregate that appear with my children,” he rattles afore hitting the hook’s falsetto. See? But alike admitting he doesn’t absolutely appear off as sympathetic, Approaching is still as alluring as he was on his accomplished two albums.

But, save for the bleaker atmospherics, you’re not accepting abundant from the assembly ancillary of Monster, and afar from the percussive atrociousness of “Wesley Presley”, you’re action to accept a adamantine time putting a name to anniversary of these beats. If anything, the staleness diverts added absorption to Future’s versatility, which is absolutely complete here. –Brian Josephs

Grade: D

It’s difficult to bethink the canicule aback Bold was one of the best audacious adolescent talents in hip-hop, and that’s because the beef-happy absoluteness TV brilliant so infrequently stirs those memories. On Blood Moon: Year of the Wolf, the Compton rapper comes beyond as absinthian and bent to accost his above celebrity through name-dropping and vicious vagaries. He comes out of the aboideau bubbles on “Bigger Than Me”, disturbing bottomward his haters afore annoyed into a banal consequence of a chainsaw.

The bulletin Bold is aggravating to accelerate is that he is aloof as alarming as he was aback he ripped through “300 Confined and Runnin’”, but on Blood Moon, he’s beneath acceptable than ever. This is abnormally ambiguous aback he’s abounding nonsense like “If gay is happy, I’m Tyler Perry in this mafucka” on “Married to the Game” or balladry “boner” with “sauna” in a ballad about animal advance on “Bloody Moon”. There’s additionally a absurdity area a woman performs fellatio on a wolf, arch Bold to exclaim, “I didn’t apperceive wolves could cum, my nigga.” Inane moments like these attenuate Game’s attempts at ruthlessness, and by this point it’s not alike fun to watch him demolition himself. Admitting Blood Moon’s bloated-to-shit guestlist (which Bold is sometimes able to adumbrate in), his abhorrent referential appearance still lurks like a acquainted soundboard, reminding us in the best acrimonious and aged way accessible that he acclimated to be a prodigy. –Jerard Fagerberg

Grade: B

Download

A$AP Ferg owes a lot to his faculty of humor. He’s thuggish aback he wants to be, which is often, as he’s abstruse added from Memphis than A$AP Rocky has. But, endlessly horny, he’ll additionally blithely exclaim, “I appetite all the girls on my erection!” in the most gleeful way you can possibly say such a thing. Ferg Forever has that hilarious/hard dichotomy action for it, and it would still be account the iTunes amplitude alike if it was Three 6 Mafia adoration and annihilation more. “Fergsomnia” is the highlight, with arrant horns that arm-twist annihilation so abundant as “La Cucaracha”, not to mention a august Twista verse. “Doe-Active”, produced by Stelios Phili, is analogously bananas, a gear-grinding allurement bang for the 22nd century. Ferg Forever has a actual austere bedfellow account as well, including M.I.A. (on the absolutely assaultive “Reloaded Let It Go 2”), Big Sean (the plinky “JA Rule”), and YG (the accurate “This Side”), but none of the features can distract from the berserk Ferg. He has too abundant brilliant attendance to be advised a Pippen any longer. –Michael Madden

Grade: C At atomic in 2014 — a abounding decade afterwards his crunk debut, M.I.A.M.I. — a Pitbull anthology is a Pitbull album. Globalization, his aftereffect to 2012’s Global Warming, does accept all-embracing sounds and energies, but it’s not absolutely ambitious: Anniversary song is built for partying. That agency he makes accessible decisions (like enlisting Juicy J for one track, “Drive You Crazy”) and banal ones (see the about bluegrass “Day Drinking”). On one level, Pitbull is allowed to criticism, which is what happens aback an artisan is this cellophane — music doesn’t get added bartering than this. On accession level, aback anniversary and every anthology has the aforementioned gravity, it’s added like he’s action through the motions. Mr. Worldwide is now worlds abroad from the 24-year-old who accustomed with far added ache 10 years ago. I’ll accept that Jason Derulo’s stuttering, digitally adapted “Drive You Crazy” angle drives me crazy in a acceptable way, but whenever one of these songs isn’t that catchy, it aloof sounds ordinary. –Michael Madden

Grade: C

Brooklyn’s Bobby Shmurda, who was recently accusable on gun and biologic accuse in a major NYPD investigation, didn’t accept to popularize the Shmoney ball to draft up everywhere, but it helped, alike if it additionally hurt. With guys like Soulja Boy peaking as anon as they accustomed on the civic scene, some say Shmurda will be a one-hit bust. True, he’s in no way a virtuoso, at atomic not yet; however, he’s alone 20, with a adroitness for the best aboriginal ancillary of rap. On the five-song Shmurda She Wrote EP, “Hot Nigga” is slotted amid “Worldwide Nigga” and “Bobby Bitch”, and it no longer stands out as decidedly alarming — that affectionate of steeliness is aloof the complete Shmurda likes. Both of those advance get the job done, with “Worldwide” aural abundantly accurate and “Bobby” continuing out admitting its all-encompassing trap-rap structure. It’s still adamantine to acquaint area Shmurda is headed as an artist, though, because Shmurda She Wrote will acquaint you about annihilation about him that you can’t apprentice from “Hot Nigga” or aftereffect distinct “Bobby Bitch”. –Michael Madden

Grade: B-

Download

One of the best absorbing developments of 2014 has been Chief Keef’s apathetic segue into rap production. Sometimes it about acquainted like a foregone cessation accustomed the architecture of his aesthetic, one that puts added weight on bouncy sonics than concepts. Aback the tracklist for Aback from the Asleep 2, the aftereffect to Keef’s 2012 blemish mixtape, was released, the arduous aggregate of self-produced advance anon bankrupt the news. The tape, which has been met with added alarum than his contempo Gucci Mane accord Big Gucci Sosa and this week’s abandoned anthology Nobody, serves as an official accession to this new ancillary of the Chicago built-in — and what an absorbing ancillary it is. BFTD2 is accent by its believing access to beatmaking, one that doesn’t subscribe to acceptable constraints, instead opting for a added anomalous appearance that tinkers with apparatus of assignment but ignores adamant rap structuring. He hasn’t absolutely ample it out yet — aback “Dear” rides into the Adolescent Chop-produced “Stupid”, you apprehend the aberration — but with songs like “Faneto”, “Where’s Waldo”, and the cagey “The Moral”, it’s bright he’s authoritative strides. –Sheldon Pearce

Grade: B

["388"]

Future – Codeine Crazy Lyrics | Genius Lyrics | codeine crazy lyrics

Download

DeJ Loaf runs artery anthems through a Radio Disney filter, and it’s that alluring bond that acquired her to go viral with “Try Me”. She additionally raps like a rapper’s rapper whenever she’s interested. There’s article appropriate about her crooning acquiescently about communicable bodies, abnormally aback she’s angle syllables at her leisure, but her accurate accomplishment lies in article beneath tangible: her charisma. Her blemish hit, the infectious, candied action cry “Try Me”, possesses abundant lyrics that’d accomplish Kool G Rap blush, yet it still feels like article you can comedy on the radio. She’s already a star, added or less.

It comes as no surprise, then, that aback she opens Advertise Sole with beeline raps she brings that aforementioned energy. The abstruse to her success isn’t her dank candied artery confections; it’s her presence. Whether she’s singing or rapping, she makes admirable statements, and she puffs out her chest so far you accept no best but to accept them. “These niggas talkin’ like they killers, I aloof alarm ‘em pretenders/ I’m accepting money with my niggas, I don’t appetite y’all about me,” she spits on “Bird Call”, as if she’s already got the juice. “Ain’t alone a anthology in two years, these dummies thinkin’ I absent it/ They done active me alive; I’m ‘bout to ascend out this coffin,” she continues, and with analgesic cuts like the aloof “We Be on It” and the shouty “Problem”, that account is beneath adumbrate and added breaking news. –Sheldon Pearce

Grade: B

Flatbush Zombies and The Underachievers, affiliated actuality as Clockwork Indigo, are co-headlining a awakening in the Brooklyn hip-hop scene, so affiliation the two crews assimilate a distinct article alone makes sense. What’s more, Clockwork Indigo shows that the bristles New Yorkers are apprenticed by added than geography. Admitting the actuality that the five-song EP was affected as a promo for their Electric Koolade Experience bout (see “Benefit Concert”), the Beast Coast accomplice exhibits a seamless alikeness built-in from a accepted accent on acutely abstruse acerbic rap. ”Butterfly Effect”, the seven-minute opener, is the EP’s account track, with Issa Gold and AK organically trading verses alongside FBZ’s Meechy Darko and Zombie Abstract over Erick the Architect’s atmospheric beat. The Underachievers’ steezy addict sound carries the EP, admitting the ZOMBiES do not addled their teeth on any of their contributions. It’s not a alliance of convenience, though, and the activating enhances all involved, as apparent on “XYNO”. Erick the Architect’s bland blow creates apocalyptic moods that both groups army over with a cypher-like quality. Clearly these bodies bell at a stylistic level, and that makes Clockwork Indigo alike bigger than the sum of its parts. –Jerard Fagerberg

Grade: B

Download

Having unironically said his dream accord would be with John Mayer, Dillon Cooper doesn’t affliction what you anticipate about his tastes — he’s action to accompany every whim he can. Afterwards all, the Brooklyn rapper’s aberrant accomplishments (he advised guitar achievement at Berklee) able him to accomplish a few appropriate choices. On his green X:XX, alleged afterwards his October 20 birthday, he affably indulges himself with a assembly of well-studied old-school boom-bap, assorted references to Allen Iverson’s “practice” rant, and a scattering of skits. Like Joey Bada$$, a adolescent NYC adolescent gun bringing aback the “real hip-hop” complete of the ’90s, Cooper excels at allotment soulful beats for his still developing flow, but his agog personality sets him apart. There are alone a scattering of bedfellow spots, best conspicuously Denzel Curry and Azizi Gibson on “Eyes of the World”, but Cooper is added than able of captivation it bottomward himself — see the aftermost two tracks, “Shadows (92 Mix)” and “Salute”. –Josh Terry

Grade: B

Download

Three 6 Mafia (now Da Mafia 6ix) aboriginal lady Gangsta Boo and Houston viral-phenomenon-exploiter BeatKing are the latest abrupt rap duo, an odd coupling for sure, one not necessarily artificial out of call or alike stylistic similarity. They’re both Southern, and that’s about area the parallels end. In fact, the two accept never alike met: They put this absolute mixtape calm over the internet. Yet aback they accompany armament for Underground Cassette Band Music, a 15-track horrorcore, chopped-and-screwed Southern bequest that takes you from Beale Artery to VLive and aback again, you would affirm the two accept been in a accumulation for the aftermost bisected decade. The Achievement N Dozier-produced advance (“Come Off Dat”, “Ain’t Shit Changed”, and “Dollar Signs”) are all dark, able gems, and the bounded reps run amuck (8Ball, Paul Wall, and Riff Raff). The best agitative of them, Lil Flip, adds an added band of ambience for the revivalist “Like a Pimp 2015”. –Sheldon Pearce

Grade: B

After a alternation of Frank Sinatra-inspired mixtapes, Logic’s admission album, Under Pressure, is area the Maryland rapper shows aloof how abysmal his adeptness goes. Logic has basically aggregate a hip-hop fan can want: a faculty of purpose, academic technicality (he shouts out OutKast on the opener), and a able ear for beats (from the brand of DJ Dahi and 6ix as able-bodied as controlling ambassador No I.D.). You may know him as the rapper whose earlier brother acclimated to advertise able to his father, and in interviews, he commonly mentions actuality decidedly appreciative of “Gang Related”, the two-perspective adventure song about the ancestors furnishings of assemblage activity. Basically, he has a lot of ball to cull from, yet Under Pressure is hardly a sad-sack album. “Won’t allege on my coffer account/ So abounding commas I’d accept to pause/ And I can’t allow to aloof decay the bars,” he raps on “Till the End”. That just about sums it up: Logic will present admirers with the ups and downs of his life, but that doesn’t beggarly he can’t stunt, too. –Michael Madden

Grade: B-

Brooklyn’s Theophilus London is hardly a rapper at all; his repertoire as a diva is too ample for him to break in one place, with his singing articulation bringing to apperception Bloc Party’s Kele Okereke (and not aloof because he sounds vaguely British, although there is that). The highlight on Vibes, his additional album, is the gliding, brilliant “Can’t Stop”, which appearance Kanye in refreshingly acceptable spirits. The blow is aloof as beautiful but added dance-oriented. Kanye controlling produced, and his adeptness to accompany out the pop abeyant of adapted genres (all here: hip-hop, R&B, and electro) is basic to the album’s success. That’s not to say London needs Yeezy, as songs including the chastened “Do Girls” (as in “She told me that she alone do girls”), the accessible “Smoke Dancehall”, and the electropop “Need Somebody” (featuring Leon Ware, who’s additionally on opener “Water Me”) appearance that London has developed his songwriting adeptness aback 2011’s Timez Are Awe-inspiring These Days. Whereas that anthology was beneath attenuate and beneath memorable, he’s now pumping out bluff articulate hooks and about aural smoother and added able in his verses. –Michael Madden

Grade: B-

From his affair agitation on P.O.S.’ We Don’t Alike Alive Actuality to the lightning he bottled on the group’s 2011 No Kings, Doomtree powerpack Mike Mictlan brings blowing no added affiliate of the wings and teeth has in their portfolio. That’s what fabricated SNAXXX, his aftermost abandoned album, so fun — it was ghoulishly base and cool to the point of euphoria. Demography its name from the best abandoned and anthemic clue from SNAXXX, HELLA FRREAL is Mictlan’s best absolute adventure to date, alienation any ups from his active crew, but that leaves the MPLS-via-L.A. MC in an afflictive vacuum. “SUPER’MERICA”, an ode to late-night gas base aberancy that sneers at uber-patriotism, is the blazon of slime-slicked firecracker Mictlan is belled for, but instigators like “so so STRAYNGE” and “CLAPP’D” abort to alive up to their all-caps billing. Ironically, HELLA FRREAL is arch in its collaborations. Ceschi Ramos’ motor-mouthed address on “SELL OUT” harmonizes with Mictlan’s alert agreeable style, and Aby Wolf’s accession to “LESS’TALK” gives the tracklist benevolence Mictlan fails to alloy in abroad (“THA BRINK”). But overall, HELLA FRREAL lacks the signature action Mictlan has larboard in the past. –Jerard Fagerberg

Grade: B-

Download

Finding themselves in Twitter beef afterwards Twitter beef (most conspicuously with Chief Keef and his Glo Gang associates, admitting the parties accept afresh reconciled), it seems any time Migos booty to amusing media it impacts their aggregate activity expectancy. This ball is well-documented beyond the Rich Nigga Timeline, Quavo, Takeoff, and Offset’s mixtape aftereffect to No Label 2. From the attempted annihilation in Miami (“Can’t Accept It”) to home aggression (“Nawfside”) and asleep aggregation (“Rich Nigga Timeline”), the leash let us all apperceive their lyrics access from a abode of aching truth. The coercion is palpable; Migos are benumbed this aerial through all its built-in turmoil. But RNT isn’t a dis record, and that allows the ancestors associates to aggrandize their focus. Quavo hits with those trending leash drills while Offset delivers with a awful textured agreeable barrage. The leash accept confused on bound from “Versace” and the industry awaits for what Migos collab ancestor next. –Derek Staples

["310.4"]

Codeine Crazy - Future (LYRICS) - Kharasach | Latest Video News ... | codeine crazy lyrics

Grade: B

Download

“I’m a country grammar gal/ But my name ain’t Nelly,” raps New York/L.A. MC Mykki Blanco on “Baby’s Got Big Plans”. As a multidisciplinary achievement artisan who loves to toy with the ragged edges of gender and identity, Blanco’s way added absorbed in pieces that don’t fit calm than cutting her assignment into a complete whole. Her vibrant, blowzy mixtape Gay Dog Food appearance anarchism grrrl avant-garde Kathleen Hanna (Bikini Kill, Le Tigre, The Julie Ruin), who lends vocals to the audacious and buzzy stomper “A Moment with Kathleen”. Amid that song and “Moshin in the Front”, which appearance Memphis internet rapper Cities Aviv, Gay Dog Food is the fiercest, punkest absolution Mykki has alone yet — and it’s advancing from an artisan who’s been gnashing her teeth every footfall of the way. –Sasha Geffen

Grade: B-

DJ Quik’s adeptness The Midnight Activity opens with an ambitious artisan allurement the gangsta rap fable what the bold needs. Quik responds in his typical, aboveboard address afterwards a moment’s hesitation: “Hip-hop? Nigga I anticipate hip-hop charge a banjo in it.” Abiding enough, his ninth flat anthology bliss off with a banjo anon afterwards the analytical rapper writes him off as crazy. That’s a appealing solid apple of Quik’s underrated late-career renaissance: He does article weird, and admirers address it off as crazy or discount it entirely.

The Midnight Activity doesn’t absolutely apathy Quik’s gangsta rap past; instead, it channels its action into article beneath advisedly audacious and added bracing. In the afterglow of his career, the West Coast avant-garde is still aloof attractive to do article new, but there’s consistently an Easter egg for the old heads, too. Whether it’s the ablaze bell assembly on “Shine” and “Bacon’s Grove”, the bawl alternation horns of “Trapped on the Tracks”, or the R&B accordance of the pseudo-eulogy “Pet Semetary”, DJ Quik mends two ancestors by accomplishing what others won’t. –Sheldon Pearce

Grade: B

Download

Atlanta’s Rome Fortune has been operating at a actual aerial akin in a actual easygoing way, but he’s abreast for one of the bigger breakouts in the rap apple if he keeps convalescent with anniversary mixtape. He alone his Beautiful Pimp 2 in February, and he’s closing it out with the alike stronger Small VVorld. Rome’s breeze is a apathetic burn, applicable altogether with the beats he uses, which usually angular against the avant-garde end of the spectrum: “4 Seasons” sounds like it was recorded central a canteen of Promethazine, a befuddled clue absolute for a 3:30 a.m. blunt. Really, all these songs are attuned to a “sitting alongside at a 24-hour cossack house” feeling, bleared and extensive some aerial places. Recruiting some of the best agitative producers alive today absolutely doesn’t hurt, with Blood Diamonds, Suicideyear, and Bassnectar all accidental — alike Four Tet stops by for a benefit track. Few rappers assignment with such arresting names and don’t accept above recognition, so it’s not adamantine to see a approaching area Rome Fortune is advised amid the best Atlanta exports in contempo years. –Pat Levy

Grade: A-

Long Beach’s Vince Staples is amid the ranks of adolescent and airy West Coast MCs who accord active and oftentimes austere accounts of street life. So far, the 21-year-old Def Jam accretion has afflicted with his Shyne Coldchain mixtapes and appearances on Earl Sweatshirt songs including “Hive” and “Centurion”. His Hell Can Wait EP serves as a admission of sorts and, added importantly, a account of a ascent aptitude advancing into his own. Here, Staples coldly explores the realities of crime, death, and violence. On opener “Fire”, he proclaims, “I’m apparently finna go to hell anyway,” while “Hands Up” is an anti-police-brutality canticle that doesn’t accept to be aloof about Ferguson. On “Blue Suede”, he does his best Public Enemy over Hagler Tyrant’s siren-like conflicting bleat of a beat, one of the year’s best instrumentals. Staples’ breeze is beatnik — it’s adamantine to altercate that he spits — but his clearheaded lyrics and categorical atmosphere-building cede those complaints irrelevant. Hell Can Wait is a aural success, and for an artisan ahead accepted added for his accomplished features, it’s action to ballista him into accepted acceptance as a force of his own. –Josh Terry

— B.o.B.’s eight-song, as-racially-charged-as-it-sounds New Black mixtape.

— Boosie Badazz (aka Lil Boosie)’s gritty but meditative Life Afterwards Deathrow tape, his aboriginal aback his absolution from bastille in March.

— Da Mafia 6ix’s horrorcore bloodletting of a tape, Hear Sum Evil, which precedes March 3rd’s Watch What U Wish album.

— E-40’s Aciculate on All 4 Corners: Corner 1 and Corner 2, the Bay Area legend’s danceable, sometimes alarming brace of new albums — and his first since actualization on Big Sean’s “I Don’t Fuck with You”.

— Kevin Gates’ Luca Brasi 2 tape, the alike tougher follow-up to 2013’s alpha version.

— Montana of 300’s Cursed with a Blessing, the admission abandoned band from Chicago’s toughest assignment baker — his beauteous “Chi-Raq” remix appears as a benefit track.

— OG Maco’s boisterous, 15-track self-titled “EP.”

— PRhyme (DJ Premier and Royce Da 5’9″)’s lyrical conditioning PRhyme.

— Absolutely Blessed, the heavily Auto-Tuned admission anthology by Chief Keef hanger-on-turned-potent-hook-writer SD.

— Shy Glizzy’s melodic, aerial Law 3: Now or Never tape.

— Cool Band Vol. 2, Jaden Smith’s high-energy latest project.

— Your Old Droog’s classicist, richly textured self-titled album.

["465.6"]