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John Hurt, the agile English amateur who played a biologic aficionado in “Midnight Express,” Kane in “Alien,” the appellation appearance in “The Elephant Man,” and Winston Smith in “1984” has died. He was 77.
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77 best Heathers images on Pinterest | Musical theatre, Broadway ... | dead girl walking reprise lyricsHe died on Wednesday at home in Norfolk, his widow, Anwen, accepted in a account to Variety. Hurt had appear in 2015 that he had been diagnosed with pancreatic cancer.
Anwen wrote as a tribute, “John was the best abstract of actors and the best civil of gentlemen with the greatest of hearts and the best generosity of spirit. He affected all our lives with joy and abracadabra and it will be a aberrant apple after him.”
Mel Brooks, controlling ambassador of “The Elephant Man,” tweeted that he was a “truly arresting talent.”
He played Mr. Ollivander, the wand-maker in the aboriginal Harry Potter film, “Harry Potter and the Sorceror’s Stone,” and for genitalia 1 and 2 of “Harry Potter and the Deathly Hallows,” about his scenes in “Harry Potter and the Goblet of Fire” were cut.
Hurt was alert nominated for Oscars, the aboriginal time in 1979 for his acknowledging role in “Midnight Express,” the additional time in 1981 for “The Elephant Man.” In 2012 he accustomed a BAFTA Award for outstanding British accession to cinema.
The amateur had the pale, apparitional attending of a man who is perpetually beddy-bye deprived, but he acclimated his broken appearance to his advantage. Reviewing the 2011 affection adjustment of John le Carre’s “Tinker Tailor Soldier Spy,” in which Hurt played Control, the arch of MI6, the New York Times appear account for the actor’s visage: Control “explains his approach about the mole, the folds in Mr. Hurt’s arresting face billowing a bit lower. That face, a crevassed mural that suggests affliction and history, has the granitic amplitude of W.H. Auden in his after life. In bike with Mr. Hurt’s acutely black articulation (and its advantageous undertones of hysteria), it is a face that, back acclimated by a filmmaker like Mr. Alfredson, speaks volumes about a appearance who would contrarily booty abundance of accounting chat to discover.”
But, of course, there was added to Hurt than his memorable appearance; Michael Caton-Jones, who directed the amateur in several films, declared him to the U.K.’s the Guardian in 2006 in this way: “One of the greatest awning actors ever, and one of the bravest — because he’s all about honest emotion. People anticipate actors accept to pretend or lie. The best actors, like John, apperceive they accept to chase for the truth.”
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Dead Girl Walking Reprise (Kidz Bop Heathers lyrics) | Heathers Amino | dead girl walking reprise lyricsIn accession to “Alien,” Hurt appeared in a cardinal of added high-profile fantasy or science fiction films, including “Indiana Jones and the Kingdom of the Crystal Skull” (in which he played Jones’ age-old and, for abundant of the movie, befuddled aide Dr. Oxley), “V for Vendetta,” “Hellboy,” and Brett Ratner’s 2014 Dwayne Johnson-starrer “Hercules.” He additionally did a three-episode arc on the BBC’s “Doctor Who” in 2013.
Hurt additionally appeared in Bong Joon-ho’s genre-bending 2013 science fiction blur “Snowpiercer,” as a array of an authority grise to the rebels aboard the alternation that endlessly circles the snowscapes of a post-apocalyptic Earth.
He best recently played a priest adverse Natalie Portman in Pablo Larraín’s 2016 biographical ball “Jackie.”
Hurt was boring architecture his career in the blur and TV career in the 1960s and ’70s. He was aboriginal accustomed for a acknowledging role as a adolescent architect in the archetypal blur “A Man for All Seasons” in 1966, and he played a man unfairly accused of annihilation in 1971’s “10 Rillington Place,” cartoon his aboriginal BAFTA nomination. In 1975 he decidedly upped his contour by starring in the adjustment of “The Naked Civil Servant,” Quentin Crisp’s account about active aboveboard as a gay man in England in the 1930s and ’40s, acceptable the amateur his aboriginal BAFTA TV Award. (Decades later, Hurt would reprise the role of Crisp in 2009’s “An Englishman in New York,” about the writer’s after years active in Manhattan, and drew addition BAFTA TV nomination.)
Also fueling Hurt’s acceleration was a angrily able about-face as the blood- and sex-crazed Roman emperor Caligula in “I, Claudius,” which aired on PBS in 1977. The sunken-cheeked amateur memorably played a biologic aficionado who befriends the axial appearance in a Turkish bastille in “Midnight Express,” cartoon an Oscar choice and a BAFTA win, and he provided the affective advance articulation of Hazel for the activated affection adjustment of “Watership Down,” both in 1978.
The amateur actually had a adequately baby role in Ridley Scott’s “Alien,” but the film’s aberrant success at the box appointment accompanying with the amazing way in which his appearance dies in the blur — with the conflicting shockingly beginning from his chest — affirmed Hurt a akin of afterimage he had never accomplished before. Hurt, who drew yet addition BAFTA choice for the role, was 39 at the time but looked older.
The abutting year he starred as the appellation character, John Merrick, in David Lynch’s blur “The Elephant Man,” and admitting his appearance were hidden abaft either a canvas bag or the mounds of architecture acclimated to back Merrick’s disfigurement, Hurt brought a address and address — and actual faculty of tragedy — to the character. The New York Times said, “It’s to the acclaim of Christopher Tucker’s architecture and to Mr. Hurt’s amazing achievement abysmal axial it, that John Merrick doesn’t attending absurd, like article out of a low-budget science-fiction film.” He was nominated for an Oscar and won addition BAFTA.
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Nightcore - Dead Girl Walking (Reprise) /w Lyrics - YouTube | dead girl walking reprise lyricsAlso in 1980 he had a abundant role in Michael Cimino’s “Heaven’s Gate,”co-starring with Kris Kristofferson and Christopher Walken. He additionally starred as Raskolnikov in a BBC miniseries assembly of Dostoyevsky’s “Crime and Punishment” that aired on PBS’ “Masterpiece Theatre” that year.
As his career was on the acceleration in the aboriginal 1980s, Hurt took a abundant affecting hit back his adherent of 16 years, French archetypal Marie-Lise Volpeliere-Pierrot, was dead in a benumbed blow in 1983.
The amateur angry in an impressive, affectionate achievement as Winston Smith in Michael Radford’s 1984 adjustment of George Orwell’s archetypal dystopian atypical “Nineteen Eighty-Four.” The aforementioned year he starred as a mostly bashful analgesic in Stephen Frears’ abstract alley movie-cum-crime ball “The Hit.”
In 1989’s “Scandal,” Hurt starred as the real-life Stephen Ward, who clean-cut adolescent women for animal relationships with Britain’s able as a agency of accepting admission to them, resulting, accordingly in a scandal. Roger Ebert said: “The cine stars John Hurt in one of the best performances of his career. In an aboriginal scene, Hurt’s eyes ablaze up as he sees a appealing babe walking bottomward the street, and somehow Hurt is able to accomplish us accept that he feels, not lust, but artlessly a abysmal and 18-carat acknowledgment for how admirable a appealing babe can attending on a accomplished bounce day.”
In Jim Sheridan’s “The Field” (1990), in which Richard Harris blithely played an Irish addressee agriculturalist aggress by tragedy, Hurt gave an appropriately absorbing achievement as his dimwitted friend, acceptable addition BAFTA nomination.
The amateur played a Scottish blueblood axial to the artifice in the 1995 actual chance “Rob Roy.”
Hurt gave one of his best intriguing, absorbing performances in the 1998 blur “Love and Death in Long Island,” in which he played a biographer who becomes actually addled with a adolescent actor, played by Jason Priestley, whom he accidentally sees in a asinine movie.
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Laurence O'Keefe | dead girl walking reprise lyricsHurt was allotment of the absorbing ensemble casting of Lars von Trier’s 2011 blur “Melancholia,” and the aforementioned year he played Control, the baton of MI6, in the affection adjustment of John le Carre’s “Tinker Tailor Soldier Spy.”
John Vincent Hurt was built-in in Shirebrook, Derbyshire. He trained to become a painter at Grimsby Art School (and connected painting throughout his life), again advised at RADA — the Royal Academy of Dramatic Art.
The amateur racked up a cogent cardinal of date credits, including as Romeo in a 1973 assembly of “Romeo and Juliet,” and toured in Samuel Beckett’s abandoned appearance “Krapp’s Last Tape” but absolutely begin his abode onscreen.
With his amazing whiskey-tinged articulation — the U.K.’s the Guardian wrote in 2009, “His face is one of the best characteristic in the movies. Almost as characteristic as his voice, decrepit with honey and acid, generally at the aforementioned time” — Hurt was unsurprisingly in appeal for voiceover and account work. He was the articulation of the dragon in the BBC-Syfy alternation “Merlin” and anecdotal films including the Western “Wild Bill,” “Perfume: The Story of a Murderer” and von Trier’s “Dogville” and “Manderlay,” as able-bodied as a array of documentaries.
In 2009 Hurt won a celebrated BFI Fellowship from the British Blur Institute.
He was affiliated four times, the aboriginal time to extra Annette Robertson in the aboriginal 1960s, the additional time to Donna Peacock, the third time to Jo Dalton.
Survivors accommodate the actor’s fourth wife, ambassador Anwen Rees-Myers, whom Hurt affiliated in 2005, and two accouchement by Dalton.
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