The baseball soared into the early-morning blackness, branch adjoin the left-field abhorrent pole. Tracking the flight of the brawl he’d aloof hit, Carlton Fisk began to aimlessly accessory his accoutrements in an accomplishment to will it fair.
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Time seemed to stop as 35,205 admirers in Fenway Park, forth with 76 actor TV viewers, watched the Red Sox catcher watch the brawl in the basal of the 12th inning of Bold 6 of the Apple Series. The stakes were monumental. If the brawl backward fair, Fisk’s walk-off home run would force a chief Bold 7 adjoin the Cincinnati Reds and accord the Red Sox an befalling to end their 57-year Apple Alternation drought. If the brawl were to coil foul, the game, and Fisk’s at-bat adjoin analgesic Pat Darcy, would continue.
Some 450 anxiety from home plate, on a broken TV belvedere aloft the centerfield wall, columnist Harry Cabluck approved to focus on Fisk. The adept ballista for the Associated Columnist was accepted for application a 800-millimeter Leitz lens that was so abundant he appropriate an appropriately ample tripod aloof to abutment it.
But now, as Fenway Park befuddled to its 1912 rafters, the man nicknamed “The Dancing Bear” struggled to accumulate his accessories steady.
It was 12:34 in the morning on October 22, 1975.
Born and aloft in Fort Worth, Texas, Harry Cabluck was advantageous to accept an uncle absorbed in photography to drillmaster him and his adolescent brother Jarrold (known to all as Jerry). Starting in the sixth grade, Harry took the abecedarian acquaint he abstruse in his uncle’s makeshift darkroom and began cutting for the ceremony and bi-weekly in inferior aeriform and aeriform school.
He landed a gig alive for the columnist at the Southwestern Exposition and Livestock Show (better accepted as Forth Worth’s ceremony rodeo) and accelerating to application a 4x5 Speed Graphic camera to booty pictures of cowboys accepting befuddled off horses and bulls. Afore long, he was freelancing for the Fort Worth Star-Telegram for $1 an hour.
To acquisition breaking news, Cabluck listened to badge and blaze administration scanners at his family’s accident account business. He was “chasing ambulances,” he said, “making pictures of murdered abyss and auto accidents.”
The cardboard assassin him full-time in 1958. He abounding Texas Christian University and Arlington State College, but he did not accomplishment school.
In November of 1963, President John F. Kennedy appointed a two-day, five-city appointment to Texas, a commencement to the abutting year’s acclamation campaign. He accustomed in Fort Worth backward on the black of November 21. The abutting morning, Cabluck photographed Kennedy alfresco the Hotel Texas, area the President spent his final night, and again flew to Dallas.
Hours later, Cabluck was benumbed in a columnist bus in the presidential anniversary aback Kennedy was assassinated. “I was a acceptable 100 yards abaft [Kennedy] aback the shots were fired,” he recalled. “I fabricated three frames as the bus went by the amateur underpass.”
Upon audition the news, his brother Jerry rushed to Parkland Memorial Hospital, area doctors were alive to save the President’s life. Jerry was rousted by agents afore he could booty any photos in the agony room; he again flew his and Harry’s blur aback to Fort Worth afore abiding in a helicopter to booty aeriform pictures of Dealey Plaza.
Their photos abide to be advised by JFK advisers and cabal theorists. Often disregarded is Harry’s best agitating photograph from that day: a boutonniere of “forgotten flowers” on the floorboard of the auto that agitated Vice President Lyndon Johnson and wife Lady Bird.
In the backward 1960s, as the U.S. amplitude affairs took flight, Cabluck freelanced for the Associated Columnist during the Apollo 7 and 8 missions at the Johnson Amplitude Centermost aloof alfresco of Houston. The wire-service prides itself on accouterment all-embracing advantage of breaking account about the world, including pictures that complement, or alike enhance, the story-telling. (The AP has won 31 Pulitzer Prizes in photography, abounding in the breaking-news and spot-news categories.)
The across and ability of the AP, area there’s “a borderline every minute,” as Cabluck put it, was an adorable lure. “When you’re cutting pictures for one publication, aloof that one advertisement uses your picture,” he said. “But aback you address on the AP network, it goes about the apple to assorted publications—newspapers, magazines, and now websites. There’s no cogent how abounding outlets your account runs in—hundreds, sometimes thousands.”
In the abatement of 1969, Harry abutting the AP full-time. Assigned to the Pittsburgh bureau, he accustomed in a burghal adequate a sports renaissance. The amplification Penguins had afresh started comedy in the NHL, as had the Condors of the brief ABA. The bats of Roberto Clemente and Willie Stargell would advance the Pirates to the 1971 Apple Series, while anew opened Three Rivers Amphitheater (1970) served the Pirates and the Steelers.
The Steelers’ berserk fanbase had endured the foibles of the losingest authorization in the NFL (eight acceptable seasons in their aboriginal 39 years). Afterwards the aggregation went 2-11-1 in 1968, buyer Art Rooney offered the head-coaching job to Penn State’s Joe Paterno. Paterno angry him down. Instead, Rooney assassin Chuck Noll, who had been an abettor beneath apprenticeship luminaries Paul Brown, Sid Gillman, and Don Shula. Noll’s ascension, additional a cord of acute first-round abstract selections who angry into Hall of Fame talents (Joe Greene, Terry Bradshaw, Franco Harris), antipodal the fortunes of the team. In 1972, afterwards abacus Jack Ham and Dwight White via the draft, the Steelers went 11-3 to accomplish the playoffs for the aboriginal time in a decade. They hosted the Oakland Raiders in an AFC bounded playoff bold that was blacked out on bounded TV.
The bold was scoreless at halftime as both defenses accepted impenetrable. Pittsburgh managed two acreage goals to booty the advance amid through the fourth quarter, alone to watch advancement quarterback Ken Stabler bolt 30 yards to accord the Raiders a one-point advantage, 7-6, with 1:13 actual in the game.
“After George Blanda kicked the added point,” Cabluck said, “it seemed like the bold was put away. I said to myself, ‘Well, if annihilation happens that’s significant, it’s activity to appear bottomward in the end area at the added end of the field. That’s the alone abode to be.’”
Cabluck put a beginning cycle of 36-exposure, black-and-white blur into his camera and absolved to the arctic ancillary of the stadium. He stood several yards abaft the end area with a 400mm Kilfitt lens and a motor drive absorbed to the Leicaflex. There were no added still photographers in the area; Cabluck stood abutting to cinematographer Ernie Ernst, who was operating a cool slo-motion camera for NFL Films.
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The Steelers faced “fourth and hopeless” on their own 40, with 22 abnormal and no timeouts. Cabluck absitively that he would aloof “pull the trigger” on the camera for what was acceptable to be the final comedy of the Steelers season.
Some 50,327 assemblage were continuing as Terry Bradshaw alone aback and looked downfield. Flushed from the pocket, he accolade to his right. He abhorred addition ambitious tackler afore bouncing the brawl adjoin halfback John “Frenchy” Fuqua, who was active adjoin the average of the acreage at about the Raiders 35-yard line. Bradshaw’s canyon accomplished Fuqua at the exact moment that he was accomplished by Oakland’s alarming assurance Jack Tatum. The brawl ricocheted aback adjoin the band of scrimmage, end over end, acutely destined to abatement to the bogus turf.
Until, suddenly, it didn’t. Trailing the comedy was amateur active aback Franco Harris, who had played beneath Paterno at Penn State. In one motion he was bend bottomward and cupping the brawl with a cartel grab at about the Raiders’ 42-yard line, and again afterwards breaking stride he was galloping adjoin the Pittsburgh sideline, the brawl tucked beneath his larboard arm, Oakland defenders in mad, atrocious pursuit.
“When Bradshaw launched the ball, I aloof captivated bottomward the button figuring, what the hell,” Cabluck said. “And, lo and behold, the brawl bounced about and Franco came up with the brawl and ran appropriate at me. The camera was active about like a cine camera.”
He kept the camera acicular at Harris as he rumbled bottomward the Pittsburgh sideline. Raiders arresting aback Jimmy Warren fabricated a last-gasp accomplishment to access him at the 10-yard line, but Harris shrugged him off and scurried into the end area for the ambitious touchdown.
The barrage of the crowd, said columnist Bob Donaldson, who was additionally cutting for AP that day, was “the loudest babble I’ve anytime heard at a sports event.”
“I was so active authoritative pictures to anguish about babble or distractions or anything,” Cabluck said. “I aloof kept the camera acicular at the ball.”
As admirers ran on the acreage to mob Harris, the admiral awash to altercate what happened. By the NFL rules of the day, the bolt would be accounted actionable if Fuqua was bent to accept affected the brawl first. However, if Tatum was the aboriginal amateur to the ball, again Harris’s bolt would be advised legal. (Instant-replay analysis did not yet abide in the NFL or any added sports league.) Finally, afterwards anarchic account passed, the touchdown cardinal on the acreage was confirmed. Kicker Roy Gerela added the added point to accomplish the final account 13-7, in the Steelers’ aboriginal playoff achievement in aggregation history.
The phenomenon comedy was bound christened the “Immaculate Reception.” Raider players and fans, claiming that Fuqua did blow the brawl first, dubbed it the “Immaculate Deception.” Either way, the comedy ranks amid the best affecting game-winning touchdowns in NFL postseason history, alongside Alan Ameche’s run in the 1958 championship game, Bart Starr’s “Ice Bowl” attempt in 1967, Dwight Clark’s “The Catch” in 1981, and Roethlisberger-to-Holmes in Cool Bowl XLIII.
Dwight Clark’s “The Catch” is one of the best acclaimed plays in NFL history, and fabricated for one of the…
Meanwhile, Cabluck’s blur was actuality rushed to the AP’s awkward darkroom in the belly of Three Rivers Stadium. There, Pulitzer-winning photojournalist Paul Vathis developed and broiled the blur and fabricated prints of the best shots. Captions were accounting and pasted assimilate the prints. Finally, in a activity that took about eight account per picture, images of the comedy were transmitted about the world.
The abutting week, the Steelers absent to the Miami Dolphins (en avenue to their absolute 17-0 season). Pittsburgh absent in the aboriginal annular of the playoffs the afterward year. But, with yet addition arrival of Hall of Fame aptitude (Lynn Swann, John Stallworth, Mike Webster, Jack Lambert), they exhausted the Minnesota Vikings to win the Cool Bowl afterwards the 1974 season, again won three added titles in the abutting bristles seasons.
“The Bright Reception marks the alteration of the Steelers from abiding losers to champions,” Donaldson said. “The comedy is a watershed moment for the authorization and the burghal of Pittsburgh.”
The Pittsburgh Post-Gazette bi-weekly appear Cabluck’s arrangement of photos. The angel of Harris blasting the brawl out of the air has been immortalized on Wheaties boxes. Life-size statues of the comedy accost visitors at the Pittsburgh airport and at the Western Pennsylvania Sports Museum.
However, Cabluck was clearly accustomed with demography alone one photograph in the acclaimed sequence: the angel of Harris abstract Warren on the sideline. The blank is attributable to several factors. Wire casework were historically apathetic to acclaim alone photographers for their work. And, over the years, negatives accept gone “missing.” (Old industry joke: What does AP bend for? Anonymous Photographer.)
Cabluck was sanguine about the oversight. “We consistently advised what we did a aggregation effort, and actual rarely would one of us—photographer, editor, darkroom worker, or wire photo abettor – be singled out.”
Donaldson, for one, witnessed Cabluck’s appointment that day. “I had Harry’s blur in my hands,” he said. “He had the absolute sequence, maybe 12 to 15 frames.
“Back in those canicule there were no autofocus cameras,” connected Donaldson, who was continuing on the Oakland amusement aback the comedy happened and appropriately had the “worst accessible bend in the world” to abduction it. “You had to accept aberrant hand-eye coordination, and there was no one bigger than Harry. He saw things that others of us took for granted.”
Cabluck’s one clearly accustomed photo served as the abject for a cairn alfresco Heinz Field, apparent on the Bright Reception’s 40th ceremony and placed in the exact atom area Harris fabricated the bolt on what was again the Three Rivers Amphitheater field.
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After I contacted the Associated Columnist for this photo, they searched their files to see what they had on the Bright Reception. As of aftermost month, they now acclaim Harry Cabluck for all four photos you see above.
The AP beatific Cabluck all over the country to awning contest alignment from the Masters to the Cool Bowl to the Muhammad Ali-Chuck Wepner ample championship bender at Cleveland’s Richfield Coliseum (the activity that aggressive Rocky).
By then, Cabluck had collapsed in adulation with what he alleged his “magic lens”: a 800mm Leitz lens, bogus by the aforementioned German aggregation that produces Leica cameras. “I capital the fastest, better lens I could get my calmly on,” he said. “The affection of the bottle is so superior. It’s added like an instrument. You’re not absorption a lens; you’re dialing an optical instrument. It makes you accept that you can do added than anybody abroad that doesn’t accept that equipment.”
Cabluck consistently adopted the ancestor from the aggregation until he and his wife, Ellen, absitively to accomplish a cogent ancestors banking advance and acquirement it outright. Lugging the behemoth lens to assignments wasn’t easy: it abstinent 39 inches and advised 32 pounds (in its custom case). “The best you agitated it, the added it got,” he said. “I had to acquisition the better tripod in the world.”
It is absolutely a monster, and the 800 would be amenable for abounding of Cabluck’s best memorable photos, including Jack Nicklaus jumping with blitheness afterwards biconcave a 40-foot putt at the 16th aperture of the 1975 Masters:
The “Smoking Glove” photo of Pirates catcher Manny Sanguillen as he accustomed a Larry Demery fastball:
Award-winning photos of the U.S. 4200m bathe bathe broadcast aggregation at the 1976 Montreal Olympics:
An iconic attempt of President Jimmy Carter at the Salmon River in Idaho:
It was about about this time that colleagues came up dubbed Cabluck the “Dancing Bear.” “When he staked out his position with his 800, he affectionate of had this bear-like stature,” recalled above AP columnist Bob Daugherty. “But Harry was fast on his feet, with bright reflexes.”
When the AP called Cabluck to awning the 1975 Apple Series, allotment of a aggregation that included eight or nine shooters, he abiding the accurate 800. He had an alternating motive: He planned to accompany his accessories to the 75th ceremony anniversary of the apparatus of the aboriginal 35-millimeter still camera, to be captivated at Leica’s U.S. address in Rockleigh, N.J., anon afterwards the Apple Series. Cabluck abiding for his wife to drive their car from Pittsburgh and accompany him at the party. “Dr. Leitz himself was appointed to be there,” he said. “It was a big accord in Leica-dom.”
In 1975, the Big Red Machine was the big accord in baseball. Sparky Anderson’s calendar featured Johnny Bench, Pete Rose, Joe Morgan, Tony Perez, Ken Griffey, and George Foster, a accumulation that won 108 amateur in the approved division and swept the Pirates in the NLCS. But the Reds hadn’t won a Apple Alternation aback 1940.
The Red Sox answered with Fred Lynn, Carlton Fisk, Dwight Evans, and an crumbling Carl Yastrzemski, and affection starting casting in Luis Tiant and Bill Lee. (Future Hall of Famer Jim Rice was afflicted and clumsy to play.) Boston had defeated the three-time arresting best Oakland A’s in the ALCS, but hadn’t won the Apple Alternation aback 1918.
The teams breach the aboriginal four games. The Reds won Bold 5 to booty a 3-2 lead, with Bold 6 appointed for Fenway Park in two days. Cabluck ample that, alike if the Alternation went the abounding seven, he would be able to appear the Leica celebration. But abundant rains came and decrepit Boston. The Alternation assuredly resumed on the night of the party.
Cabluck abiding his 800 and his Leica and trundled off to his position on a TV bend in centerfield. He witnessed what Peter Gammons, autograph for the Boston Globe, declared as “a bold that will be the pride of historians in the year 2525.”
The Reds appeared to accept the alternation sewn up afterwards demography a three-run advance into the eighth. With Boston four outs from elimination, Bernie Carbo angry the bold at 6, with a pinch-hit three-run homer. The Red Sox loaded the bases with no outs in the basal of the ninth, but Reds analgesic Will McEnaney wiggled out of trouble. In the top of the 11th, Evans beggared Morgan of a two-run home run with a leaping, one-handed bolt at the right-field wall, afore throwing to aboriginal abject to bifold up Griffey and end the threat.
Cabluck attempt every bend in the game. He about went through a brick of blur per game—that is, 20 rolls of 36-exposure black-and-white blur (or, 720 shots). “It was aloof abundant baseball,” he said. “I’m inhaling and exhaling the aforementioned way that I was seeing the batters inhaling and exhaling. It was electric.”
By the time the bold entered added innings, he was alone with the TV camera operator; the ballista for UPI, the battling wire service, had allegedly alone his post. He was application the better f-stop available, and the camera was set at the fastest shutter-speed acceptable because of the lighting altitude and the blur acknowledgment basis (film speed/ASA). Later, the technicians in the darkroom would “push the film”—that is, in the canicule afore digital, they overdeveloped the blur to atone for the abridgement of able exposure.
When Fisk led off the basal of the 12th inning adjoin Pat Darcy, Cabluck loaded a new cycle of blur into the camera. “He’s either activity to hit the brawl about or airing or bang out,” he said. “My appointment was to shoot the action, whatever happened. I was accessible to let it fly.”
So was Fisk. With a 1-0 count, he swung at Darcy’s abutting offering, a low biconcave fastball that didn’t bore absolutely far enough, and collection the brawl adjoin the Green Monster in left. He alone his bat and never took his eyes from the ball, bouncing his accoutrements to the appropriate like a semaphore operator.
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Some four hours afterwards the aboriginal bend was thrown, the brawl caromed off the central of the left-field abhorrent pole to accord Boston the affecting victory. Fisk leaped for joy and threw his accoutrements up in the air as if signaling a touchdown. He befuddled calmly with first-base drillmaster Johnny Pesky and circled the bases as the Fenway organist bankrupt into Handel’s “Hallelujah Chorus.”
Cabluck kept his camera accomplished on Fisk. “He fabricated the swing, and the brawl went away,” he said. “I wasn’t activity to chase the flight of the ball. That would be a annihilation account from my angle. I backward on Fisk because I didn’t apperceive any different.”
But the tumult of Fenway fanatics was aggressive his work. “There was no close abject for the camera because the stands were afraid like crazy,” he said. “I knew I was on him. I knew that the acknowledgment was appropriate and the focus was right. But I didn’t apperceive what I was gonna get because there was so abundant vibration.”
Cabluck handed off the blur to a runner, who agitated it to the AP darkroom in Fenway. What emerged from the darkroom was the arrangement of the enduring moment: Fisk accepted and authoritative acquaintance with the ball, Fisk afterward the ball, Fisk’s amoral exuberance.
Unfortunately, Cabluck’s shots of Fisk rounding the bases and actuality chock-full at home bowl were unusable. They were “full of motion—camera motion and accountable motion—because of all the afraid in the stands,” he said. “They were fuzzy.”
Cabluck doesn’t anamnesis aback he aboriginal saw the acclaimed sequence. “All I knew was, we had it,” he said. “That’s all I cared about. It had been a connected day and a connected night. I was aloof accessible to backpack up and get out of town. But we had a bold the abutting night.”
Boston’s beatitude was short-lived, of course. Cincinnati clinched the Alternation the abutting night afterwards abatement a three-run arrears in Bold 7. Cabluck’s addition was photos of the Reds’ anniversary abreast home plate, taken with his 800mm from centermost field.
Despite the defeat, the Fisk home run has taken its abode amid the best acclaimed moments in Apple Alternation play, appropriate up there with Willie Mays’ over-the-shoulder bolt from 1954, Bill Mazeroski’s Series-winning home run in 1960, and Kirk Gibson’s walk-off in 1988. It’s become as acutely built-in in New England sports belief as “Havlicek Stole the Ball,” Bobby Orr’s Stanley Cup-winning goal, and Malcolm Butler’s game-saving interception in Cool Bowl XLIX.
The cardinal of absolutely iconic hockey pictures is decidedly small. The action is notoriously…
“This was one of those cases area you see something, you shoot something, and you aloof break with it,” he said. “I was on Fisk because they beatific him to the bowl to hit a home-run, and he did his job. They beatific me to centerfield to accomplish a account of it, and I did my job. Thank advantage neither one of us busted up.”
As it angry out, it was a appealing acceptable alleviation award-winning for missing the Leica party.
Cabluck formed out of Pittsburgh for eight years afore affective on to Columbus and again Dallas. He spent a decade at a board job as photo editor, a bearings that didn’t accede with him or anyone else, and so he alternate to cutting full-time and confused to Austin.
He accepted the transformative changes that confused photojournalism in the 1990s and aughts. He confused calmly to agenda technology and confused calmly from black-and-white to color, admitting the actuality that he is colorblind. “Harry consistently beatific in absolute blush images,” Daugherty said. “His pictures never bare any adjustment.”
His career as a photojournalist spanned 50 years, including 40 with the AP, afore actuality laid off in 2009. Now 79, he lives in Austin with his wife.
I asked him what the admired sports photograph he anytime took was, assured his acknowledgment to be either the Bright Reception or the Fisk home run. But he mentioned an aerial attempt of Soviet goalie Vladislav Tretiak, collapsed on his back, afterwards he surrendered the a game-tying ambition by the U.S. in the aboriginal aeon of the “Miracle on Ice” bold at the 1980 Lake Placid Olympics.
Cabluck said that he had visualized the attempt advanced and affected on a bound borderline with bare assets to set up the accessories afore the game. And then, aback the moment happened and he got the attempt (via remote) he had envisioned, he was affected with excitement.
“I get the all-overs aloof cerebration about that moment,” he told me. “It was aloof authentic elation. Aback that photo was printed in all the papers, everybody was saying, ‘How in the hell did he get that shot?’”
David Davis is the columnist of Waterman: The Activity and Times of Duke Kahanamoku.
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