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A CHORUS LINE—Michael Bennett's new actualization agreeable about the Ma and times of the (headway actualization dancer. “This agilely orchestrated mix of music, speech, song and sculptured movement has now acquired an absoluteness of line, a activating ascendancy over space, that Is ‘Monism In both Its abridgement and Ita force. A simple falling ??? abode took my animation abroad at the Shubert.” (Kerr) Shubert, 223 W. 44th St. (CI 64950 EQUUS—Peter Shatters Tony award‐minnlne Brawl about a abiding boy who blinds his admired horses and thereafter undersees Psychiatric treatment. The doctor's psyche, as able-bodied as the boy's, is probed prindisally on the amount of sexuality. Anthony Perkins and Keith McDermott star. Walter Kerr wrote that the brawl “makes the date a abode of asthmatic discovery” and that Mr. Perkins establishes “the play's bookish bounds at its onening with a absinthian biting clarify.” Directed by John Dexter. Plymouth. 226 V/. 4:th St. (CI 64156)

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GREASE—A rock‐w‐rori agreeable than tries to carriage us aback to those baby asleep canicule aback Elvis was still acclaimed for his pelvis, with a casting that works with berserk enthusiasm. Royale, 242 W. St. (CI 5–37601

THE HEIRESS—An acids:a:Ion by Ruth and Aueustua Goetz of Henry James's atypical “Washington Square,” about rich, little beastly duckling who Is courted by a handsome, carnal suitor. Jane Alexander and Richard Kiley arch the case. 01‐ected by George Kea:May. If “re‐ustazdishei its affirmation as an enormsino, association allotment of theater.” (Barnes) Broadhurst, 235 W. 44th St. (CI 6–669)1

DES JOURNEES ENTIERES DANS LES ARBRES—The Marguerite Duras brawl with Madeleine Renayd as dame who campaign to Paris to appointment her son (Jean‐Plerre Atrnont) one aftermost time trfore she dies. Stagel by JeanLouis Barrault. In French, with accompanying Adjustment accessible with the use of busy headsets. Ambassador, IS W. 49th St. (CO 5.1855) Closes Sat.

KNOCK KNOCK—lutes Feiffer's funny new American brawl about two retired friends, abstruse tvoes like their author, who are visited by Joan of Arc. “One can hardly allege of a blemish In a allotment so irrepressibly cavalier.” (Kern Directed by Marshall W. Mason. With Daniel Seltzer, Leonard Frey, NancY Weer. Biilmoro, 261 W. 47th St. (CU 2–5340)

THE LADY FROM THE SEA—Vanessa Redgrave stars in Ibsen's brawl about a woman circuitous in a loveless alliance with a abandoned physician and her action aback a seafarer, to whom she was already pledged, allotment to affirmation her. Directed by Tony Richardson. Clive Barnes: “The address in which Absence Redgrave Plots that advance is masterly. What a admirable brawl this Is’ Seagreen, passionate, but Quiet.” Waller Kerr: “Able as best of the players are, they assume abashed of giving the brawl resonance or array or authentic color,” and “The play's agreeable could accept been thrashed out in an Ibsen livingroom, after driftwood bowers to serve as mermaids’ thrones.” Circle In the Square, 1633 Sway. (581–07201

THE MAGIC SHOW—A actualization set In a little bistro In Passaic, N.J., absorption about an Illusionist entertainer. Waller Kerr wrote that “the actualization is the affectionate that parents will booty accouchement to but they go for their own fun, really.” Joseph Abaldo stars. Curt, 138 W. MTh St. (489–6392)

ME AND BESSIE—Linda Hopkins In the rags‐to‐riches‐to‐rags chance of Bessie Smith. Cilve Barnes anticipation that “a consideranis Wert has been ??? to accordance It the allotment and subsiance of 18-carat affected evening.” Walter Kerr wund that “while best of the swiss are Bessie's, It is absence Hopkins who is there on stage, ??? and animated and clearly her own woman.” Cdnceiveri by WIN Halt and Absence Hopkins led by bounden Greenwald tuison, 243 W. 4th St. (PL 74164)

MY FAIR LADY—Ian Richardson, Christine Andreas, George Rose and Robert Goole in the 20111‐anniversary assembly of the Alan Jay Lerner/Frederick Loewe musical, oased on George Bernard thaw's “Pygmalion.” Directed by Jerry Adler. “II proves 20 years stronger, a actualization so dazzlingly acclimatized and visually affluent In Its aboriginal act that it hardly needs a second—and so emotionally bounden in its additional that sou admiration why you were alone addled by the first” (Kerr) St. James, 246 W. 44th St. (OX 5–5858)

THE NORMAN CONQUESTS—A leash of three comedies by Alan Ayabourn which are performed on absent evenings and artifice the banana adventures et three couples on a weekend in the English countryside. Richard Bellamin, Paula Prentiss, Don Murray, Estelle Parsons, Barry Nelson and Carole Shelley star, In Walter Kerr's words (Clive Barnes was In accord). “All three nights are very, absolute funny.” Directed by Eric Thompson. Morosco, 217 W. 45th. St. (CI 6–6230)

PACIFIC OVERTURES—A agreeable eoc umentary which deals with the Westernization of Japan, from the accession of Commodore Perry to the present. Music’ and lyrics by Stephen Sondheim, bill by John Weidman, directed by Harold Prince. “There are all-encompassing and stylistic discrepancies In the blaster that era not calmly overlooked—but the attack is to adventurous and the accomplishment no lascinating, that its accessible faults appeal to be overlooked.” (Barnes) Waller Kerr remarked, on the added hand, “The break Is about addled and Immobile because we are never appropriately placed In it, fatigued neither East nor West, accustomed no specific affecting or cultural bearings.” Winter Garden, 1634 Sway. (CI 5–4878)

PIPPIN‐A agreeable about Charlemagne's son (Pepin). Music and lyrics by Stephen Schwartz; directed and choreographed be Bob Fosse. “What will absolutely be memorable Is the staging by Bob Fosse … It takes a acutely accustomed little actualization and launches Into space. This is fantastic.” (Barnes, Imperial, 249 W. 45th SI. (CO 5–24121

REX—The beefy diplomacy of the action and afterlife of a king, 16th‐century English oolltics and the celebrated absorption of ancestry set to “airy‐fairy madrigals, lute‐sones Jazzed up for a Broadway orchestra, a array of admixture of Benlamin Britten and Irving Berlin… It Is one of the best Interminable musicals in years.” (Barnes) Nicol Williamson stars. Book by Sherman Yellen; music and lyrics by Richard Rodgers and Sheldon Harnick, reseecOnly. Directed by Edwin Sherin. (Reviewed by Kerr in this Issue.) LuntFontanne, 205 W. 46th St. (JU 6–5555)

THE ROYAL FAMILY—A awakening of the George S. Kaufman/Edna Ferber elm which Is set in New York In 1927 and Concerns a baroque affected faintly. Rosemary Harris. Eva LeGaIllenne, Sam Leveng and Ellis Rabb star, Mr. Rabb Is the director. “The plays deer( Involvement with the steel, as date is bogus persuasively emphatic, one the Performances lock Into Its little canticle of acclaim Immaculately.” (Kerr) Helm Hayes, 210 W. 46th St. (CI 6–6360)

SAME TIME, NEXT YEAR — Bernard Starle's Broadway admission brawl about man (Ted BesseII) and a woman (Loretta Swill In a once‐a‐year monocler—ms dultery draft from 1951 to MS. “A neatly anatomic se:slime:de brawl thoroughly careful about ??? a laush every 40 to 60 seconds.” isorm Atkinson. 255 W. 47th V. (CI 5–3433)

SHENANDOAH—A musical, set aural the agitation of the American Civil War starring John Cullum. Directed by Philip Rose, music and lyrics by Gary Geld and Peter Udell. What the author‐composers accept done Is “to appropriate aloft the best commonplace of Saturday Atramentous Post covers, bandage It of both the prettification and the apology we've prowsmoth activated to it, and otter II as the aboriginal bald basal of legend.” (Kerr) Alvin, 250 W. 52d St. (Pl. 74646)

1403 PENNSYLVANIA AVENUE — Ken Howard and Patricia Routledge in a blemish agreeable which deals with the American presidency, alignment from the administrations of George Washington to that of Theodore Roosevelt book and lyrics by Alan Jay Leiner. Music by Leonard Bernstein. Co‐directed br Gilbert Moses and George Faison. Mark Hollinger, 51st Sr. and Bway. (Pl. 7‐.064)

SO LONG, 174TH STREET—A agreeable brawl be Joseph Stein, based on “Enter Laughing” from the atypical by Carl Reiner, about a little man aggravating to accomplish it big on the Abundant White Way aback he should absolutely accept been what his ancestor was, a pharmacist. Robert Morse and George S. Irving star. Directed by Bert Shcvelove, with music and lyrics by Stan Daniels. Thaugh Clive Barnes was captivated with the performances, he commented, “When the music and lyrics do not assignment for a musical, the agreeable does not work.” (Reviewed by Kerr in this Issue.) Harkness. 1787 Bway at 63d St. (5816000)

STREAMERS—The cessation of David Rabe's Vietnam trilogy, which Is set In a banter allowance and takes the InterfinkInn capacity of two minorlties—homosexvats and blacks—to Indicate the abrupt abominable pressures that can bang a disaster. Directed by Mike Nichols. “Taut as p bowstring, annoying as the abysmal abstruseness of personality is consistently Provocative.” (Kerr) Also, the Brawl Is performed “with action and astute wariness below Mr. tfichols's probing‐in‐a‐snakepit date direction.” Newhouse, 150 W. 65th St. (EN 2–7616)

THE THREEPENNY OPERA—The Berton’ Brecht and Kurt Weill moCern archetypal In a new adjustment by Ralph Manheim and John Willett. Directed br Richard Foreman: with Raul Julia, C.K. Alexander, Elizabeth Wilson, Roy Brocksmith, Ellen Green. Presented by Intents Paip's New York Shakespeare Festival. “This somberly afire masterpiece … Is the best absorbing and aboriginal affair Mr. Papp has produced aback he set up she., at the Vivian Beaumont three seasons ago.” (Barnes) Beaumont, 150 W. 65th St. EN 2–7616)

VERY GOOD EDDIE—A Guy Bolton/ Jerome Kern agreeable involving a mimip amid two amusement coupios en Hudson River dayboat. “Not accepting heard the numbers, and the numbers accepting been accounting by Jerome Kern, was afflicted by their freshness.” (Kerr) With Charley Remote and Virginia Seidel ("If he Is as agreeable as ha Is deft, Absence Seidel Is period‐adorable"). Directed by Bill Glie. Booth, 222 W. 45th St. (CI 6–5969)

WHO'S AFRAID OF VIRGINIA WOOLF? —Edward Albee's adjustment of the American beastly nightmare, absorption on an crumbling history Professor and his tipsy, developed wife eleven br Ben Gazzara and Colleen Dewhurst. “The brawl stuns, and charcoal a beauteous achievement, because Its backbone comes from absolute pain, its aroused action from absolute despair.” (Kerr) Mr. Genera and Absence Dewhurst are “brilliant.” Directed by Mr. Albee. Music Box, 239 W. 45th St. (CI 6–4636) THE WIZ—The Tony‐winning all‐black agreeable adjustment of “The Wizard of Oz.” directed by Geoffrey Holder. “Everything is done confidently … It animalism doesn't accept abutting arena below It to say breadth it's arise from: Kansas, Harlem, MG.M, or a kiddies’ matinee.” (Kerr) Majestic, 247 W. 44th St. (CI 6–0720)

Now Previewing

REBEL WOMEN—A brawl by Thomas Babe which takes bright in the South during the Civill War period. Directed by Jack Hofsiss. Public/Newman, 415 Lafayette St. ???

5,0 NICE, THEY NAMED IT TWICE—A adulation chance absolute a cantankerous breadth of atramentous action in Harlem. Accounting by Nell Harris and directed by Bill Lathes. Added Stage/Public, 125. Lafayette St. (677–63507

Off Broadway

(Many of the afterward productions are offered alone on assertive canicule of the week.)

BOY MEETS BOY—A agreeable corned about the 30's, which Is a homosexual bluff of the “boy meets girl” situation. With book by Bill Solly and Donald Ward, music and lyrics by Mr. Solir. Directed by Ron Troutman. “A age-old takeoff.” (Gussow) Actors Playhouse, 109 Seventh Ave. (2424657)

THE CHERRY ORCHARD‐‐Chekhov's Brawl set In 1"04. about a thriftless, aristocratic ancestors biconcave Into the billow of a new Russia. With Kim Hunter. William Roerick. Directed by Robert Mandel. “There is a assertive abridgement of action to It… Yet is was absolvtely a appropriate abundant Performance.” (Barnes) Roundabout Date One. 333 W. 236 St. (924–7160)

CSC REPERTORY‐1n revertory: Anoullh's “AnHowie.” Ibsen's “Hedda Gabler.” Arthur Conan Do?le's “The Hound of the Baskets, Iles” (adapted br Christopher Martin), MoHere's “Tar:uffe,” Harold Pinter's “The Homecoming” and Fernando Dr Roles's “Celestine.” “The advance CSC has bogus In the all-inclusive few Years is one of the best absorbing and agitative aspects of the accepted Abreast York theater.” (Barnes) Abbey, 136 E. 131h St. (677–4210) Closes abutting Sun.

EDEN—Steve Carter's brawl about the confrontatlon, in 1927. amid West Indian immigrants and Southern blacks alive on New York's West Side. Dlrected by Edmund Cambridge. “Given a tantalizing, emotionally appealin, achievement by the Negro Ensemble Company,” according to Walter Kerr. Mel Gussow noted, however. “But the Brawl has austere motivational Problems and an acutely cryptic resolution.” Closes today at St. Marks Playhouse, 133 Additional Aye. (OR 4–3553) Reopens Fri. at Amphitheater de Lvs, 121 Christopher St. (Wa 4–8782)

THE FAT4TASTICKS—Boy commons girt, hey loses girl, boy gets WI—which diplomacy are accompanied by some acclaimed tunes. The Tom Jones‐Harvey Schmidt conception is the longest‐runnine actualization In American amphitheater history. Suittvan Artery Playhouse, 181 Sullivan St. (OR 44838) FOLLIES—A awakening of the 1971 blaster about two cornball couples who attack to bethink their accomplished in adjustment to LOP with the present. Book by James Goldman, music and lyrics by Stephen Sondhelm. Directed by Russell Treyr. Equity Library Theater, 103d St. and Riverside Dr. (663.2028)

GOOSPELL — A agreeable alignment from operetta to conservancy rock, based on the Gospel according to St. Matthew. Way aback when, Walter Kerr said, “Why mke St. Matthew dance? For the fun of It!” Promenade, Bway at 76th St. (799–7690)

HENRY V—The Aristocratic Shakespeare Aggregation assembly of Shakespeaio's actual drama. “Terry Hands's administration of this circuitous and ballsy May, with Alan I‐Inward as Henry giving what is so far the finest achievement of his absolute ample career, will leave an Indelible mark on the play.” (Barnes) Brooklyn Academy of Music, 30 Lafayette Ave. (636.4100) Closes today.

IN THE WINE TIME‐‐Ed BuIlins's aboriginal brawl In a projected aeon of 20 plays about burghal American blacks, aboriginal presented in 1968. Restaged by its aboriginal director, Robert Macbeth; with Robert Christian, Loretta Greene, Alvin Alexis. “Mr. Macbeth is absolutely In tune with the play's mood, caoturing both the alive surface—the aerial afraid of the street—and the basal anxieties.” (Gussow) Manhattan Amphitheater Club, 321 E. 73d St. (288–2500)

LET MY PEOPLE COME — A agreeable which treats urn as nirvana with “an Ingenuousness and adoleo‐.0nt giddiness.” (Gussow) Earl Wilson Jr. the author, compooser, Vitiar, Gate, 160 Bleecker St. (473–7270)

THE OLD GLORY—Poet Robert Loyedi's leash of one‐act plays, the aboriginal two, “Endecott and the Red Cross” Al “M’ Kinsman, Motor Molineux,” taken from belief by Nathaniel Hawthorne, and lb‐, last, “Benito Cereno,” acclimatized from the Herman Melville novella. Brian Murray staged the Hawthorne works and Austin Pendleton the Melville work. “The actors accepted both able and affected … but the balladry afraid abundant in the bane of cliche.” (Barnes) American Place, 111 W. 46th St. (247.0393)

THE PRIMARY ENGLISH CLASS—Israel Horovitr's Brawl which takes Abode at primary English class, breadth a flus tered and amateur English abecedary (Jill Eikenberry) Is aggravating to abatement verbs in advanced of a actual United Nations of pupils. “It Is a slight brawl but an agreeable one—a souffle with able compound and a backward you will not balloon in a hurry.” (Barnes) Circle in the Square, 159 Bleecker St. (254–6330)

SERENADING LOUIE—Lanford Wilson's brawl assuming the sacrificial ritual of American marriage. Directed bu Marshall W. Mason. Circle Repertory Company, 99 Seventh Ave. S. (9247100)

TICKLES BY TUCHOLSKY—A rather baggy anthology of songs and sketches by the German carper and Journalist Kurt Tuchoisky, who wrote for Berlin cabarets in the 20's and 30's. Conceived and directed be Mond Yakin, translated and acclimatized by Louis Golden and Harold Poor, music abiding by Wolfgang Knittel. Helen Gallagher stars. “Qualitatively, the ambit is wide,” but “clearly, its columnist Is too absorbing and Kneatrical to be neglected.” (Barnes) Amphitheater Four, 424 W. 55th St. (246.8545)

TUSCALOOSA'S CALLING ME—“A agilely unpretentious, thoroughly agreeable little revue,” with “brisk and bouncing and aboveboard acclimatized songs.” (Kerr) Music and lyrics by Hank Beebe and Bill Hever, directed and staged by James Hammerstein and Gui Andrisano, with a casting of three. Chelsea Westside, 407 W. 436 St. (5414394)

VANITIES—Jack Helfner's “diverting account, Perhaps alike a agilely honestaccount, of three girls on their long, sad chance from cheerleaders at aerial academy to abode queens and assuredly to ladies wanly abutting the 30's with little added than their adventuresomeness and their Props to alarm their own.” (Barnes) A loint chance of Robert Kalfin's Chelsea Theater, Playrights Horizon, and the Lion Amphitheater Aggregation from Queens. Directed by Garland Wright. Chelsea Wesiside, 407 W. 43d St. (541.8394)

WOMEN BEHIND BARS—A brawl by Torn Even, with the underground superstar Divine. Directed by Ron Link. Truck and Warehouse, 79 E. 4th St. (777‐0140)

Off Off Broadway

(Many of the tollowtng productions are offered alone on assertive canicule of the week.)

AFTER MIRIAM—A ancestors brawl by Rae Edelson, directed by Torn Gruenewaid. International Association Cenler, 931 Aboriginal Ave., at 51st St. (877–3440) Closes today.

ALLEY CATS—Pat Daniel's assuming of a man's adverse alcoholic downfall. Accounting and directed by Tom Coble. Wood, 121 E. Ith St. (228–7030).

AMERICAN REVOLUTION IN RePER10M—Thre see‐comedies accounting In 1776, additional “Aaron Burr.” accounting by Charles Abatement In 1974. Directed by Richard Kuss. American Amphitheater Company, 106 E. 14th St. (989‐0033)

AMOR DE DON PERLIMPLIN CON BELISA EN SU JARDIN and LOS HABLADORES—Two short, blithe plays, the aboriginal by Federico Garcia Lorca and the additional by Miguel de Cervantes. Christopher Martin and Francisco Morin are the directors. Presented by the Spanish Repertory Company. Gramercy Arts, 138 E. 27th St. (889–2850)

ASCENT—Allegorical amphitheater based on aphorisms by philosopher Mel Yosso, directed by Roy DeNunzio. St. John's In the Village, 218 W. 11th St. (CH 3–61921

BABES IN THE BIG HOUSE—Megan Terry's agreeable about the plight of women In prison. Directed by Jo Ann Schmidman. New York Amphitheater Strategy, 126 E. 13th St. (242–3900) Opens Fri.

B.B.C. PROJECT—A anew formed aggregation presenting, In repertory: Bertolt Brecht's “Baal” and Morton Lichler's “Old Timers Beastly Symphony (and added notes).” both directed by Gordon Runoff; and Arnold Weinstein's “The Party” and John Shalicross’ “Bar‐B‐Qur,” both directed by Don Sanders. St. Clements, 123 W. 46th St. (246–7277) Opens Wed.

BUT NOT FOR ME—Tom Tenors apricot brawl about the breakdown of a marriage. Directed be John Marsulis. Amphitheater at Noon, 16 E. 56th St. (75346691 Opens Mon.

CARMILLA—A vampire account in operatic form, with bedrock and dejection music. Accounting and directed by Wilfred Leech from a novella by J.S. LeFanu. La Mama Annex, 66 E. 4th St. (475–7710) Closes abutting Sun.

THE CAT AND THE CANARY—A awakening of John Willard's play, presented by Aggregation In the House. Directed be Robb McIntire. Lenox Hilt Neighborhood Association, 331 E. 70th St. (744–5022) Opens Thur.

THE CAT AND THE FIDDLE—The agreeable by Jerome Kern and Otto Harbach, directed by Jack Lee. Amphitheater of the Riverside Church, 120th St. tee Riverside Dr. (864–2929)

JEAN COCTEAU REPERTORY‐‐.Oiiter Wilde's “The Importance of Actuality Earnest,” Samuel Beckett's “Endgame,” Shakespeare's “Twelfth Night,” “The Count of Monte Cristo.” Admitting Mel Gussow declared aspects of “Count” as “amateurish,” he added that the brawl “gradually accelerates until we are angled up by the abrupt reversals, amazing coincidences and derring‐do.” Bouwerle Lane, 330 Bowery. (677‐0060)

CROON—An ensemble conception of a new aggregation alleged the Cutting Edge, Concerned with tho mother‐daughter relationship. Directed, by Andrea Balls. Mel Gussow declared the assignment “perceptive” and the performances “engaging and clever.” Performing Garage, 33 Wooster St. (966–3651) Closes abutting Sun.

DAY OLD BREAD—A agreeable by Arthur Seiner, directed by Crystal Field, with music by David Tice and lyrics by Mr. Seiner. Amphitheater for the New City, 113 Jane St. (671.2220) Closes abutting Sun.

THE DESK SET—A bluff of appointment life, in which women argue a computer. Presented by American Ensemble Company. Theater‐Off‐Park, 28 E. 35th St. (571–7594) Closes Sat.

EAST LIBERTY, PA.—A brawl by Alan. Bates, directed by Richard Outfield. WPA, 333 Bowery. 1473,9345/

EASTSIDE JUSTICE—A brawl by Isaac Metzker, based on scenes from the Jewish Court. Directed by Ran Anti. Jewish Repertory, 344 E. 14th St. (674–7200)

AN EVENING WITH JOHN M. SYNOR Three one‐ad plays directed by Andres Castro. West Side Association Reperterr, 252 W. 81st St. (666–3521).

EVERYMAN AND ROACH—A avant-garde adjustment of the medieval brawl “Everyman” by Geraldine Fitzgerald and Brother Jonathan. O.S.F., with a bedrock account by Jimmy Justice. Brooklyn Academy of Music, Levercg Space, 30 Lafarette Ave. (636–4100) Thur‐next Sun.

FAT TUESDAY—A agreeable brawl set In a New Orleans brothel In the 30's. Directed by Roger Furman will music and lyrics by Dee Robinson. New Heritage Repertory, 43 E. 125111 St. (876–3272)

FLOWERS OF FIRE—Peter Cocanrs muttcal ceremony of action in New York City. Staged by Don Signore. Lunchtime Theater. Date Lights Repertory, 211 W. 48th St.‐ (2654844)

FOUNDING FATHER—A brawl be Amiln Gray who describes his assignment as a actual aberrant which treats of Aaron Burr's Imperialist designs on Mexico. Directed by Constance Clarke. Cubiculo, 414 W. 51st St. (265–2138) Closes today.

GEORGE WASHINGTON SLEPT HERE—By Kaufman and Hart, directed by Paul Cooper and presented by Playwrights Horizons. Queens Theater‐In‐thePark. (699–1610) Closes today.

GLOWWORM: A COMIC PHANTASMAGORIA—A amphitheater allotment by Medicine Actualization Amphitheater Ensemble, which makes ablaze of murder, apathy and art. Structured by Barbara Vann, with music by Jim Milton. Performing Garage, 33 Wooster St. (966–3651) Closes abutting Sun.

GOING HOME—A book of the Electra myth, performed by the Kukit Ryku Amphitheater Lab. Performing Garage, 35 Wooster St. (966–3651) Closes today.

GRETA GARBO OF 42D STREET—A homosexual‐oriented banana farce, directed by Max Ferra. In Spanish. Inter, 508 W. 53(1 St. (247–6776) Ovens Sat.

HAIL, HAIL THE GANGS! — A amphitheater allotment on ghetto life, including mime and improvisation. Accounting by James do Jonah and Carlos Cleveland, directed by Regge Life. New York Amphitheater Ensemble, 62 E. 4th St. (477–4120) Opens Thur.

HOW HE LIED TO HER HUSBAND and THE WHITE LIARS—By George Bernard Shaw and Peter Shaffer, respectively, with a casting from The Acting Company. Direct, &SS W. 43d St. (765–2117)

I'M LAUGHING, BUT I AIN'T TICKLED —A new agreeable by composer/Performer Mickl Grant, who additionally directs. Burghal Arts Corps, 26 W. 20th St. (924–7820) Opens Mon. Micki Grant stars in her new agreeable “I'm Laughing, But Ain't Tickled,” which opens Monday at the Burghal Arts THE INSECT COMEDY—A music/theater adjustment of Karel and Josef Capek's play, acclimatized be Jon Teta and directed by Sande Shurin. Presented by The Abutting Stage. Axial Arts, 64th St. and Esplanade Ave. (675–7309) Opens Sat.

IVANOV—Chekhovs aboriginal full‐length Brawl which deals with a man disturbing to achieve the animation of his adolescence Directed by Ted Story. Impossible Ragtime, 120 W. 28th SI. Closes today.

JOHN—A brawl by Philip Barry about John the Baptist, directed by Cyril Simon, presented be the Joseph ellerson Amphitheater Co. Little Church About the Carnet, 11 E. 29th St. (679–7174)

THE JLMPING PLACE—A brawl of homosexual adulation and the attempt for liberation. Accounting and directed by Glen O'Malley, with music by Sebastian de Grazta. The Glines, 260 (Sway. (92526191 Oilers Thur.

THE KNIGHT OF THE BURNING PESTLE —An Elizabethan brawl by Fletcher and Beaumont, acclimatized and directed by George Wolf Roily. No Smoking Playhouse, 17 W. 24th St. (245–3773) Opens Thur.

A KURT WEILL CABARET—A agreeable biograph archetype the advance of Weill from the aeon of Berlin cabarets up to the heyday of the American musical. Staged by Will Holt. Edison, 24D W. 471h St. (PL 7–7164) Mon. only.

THE LATE LATE SHOW—A blaster caricature with alteration new talent. Dlreotecl by Nat Horne. Nat Horne theater, 440 W. 426 St. (582–5713)

LINE and SHOOTING GALLERY—Two one‐actors by Israel Horoxitz, the aboriginal absorption on four men and a woman continuing In bandage and the additional on rho war amid Men and women. Directed by Carol tison. Clive Barnes declared “Line” as a brawl with “wit, amusement end fantasy.” and “Shooting Gallery” as “a authentic play, ovally done.” 13th Artery Theater, SO W, 13th St. (924–9785)

LOOT—Joe Orton's brawl about steed bribery and crime. Directed by Tim Ward, presented by Brawl Date Company. Acceptable Shepherd Faith Presbyterian Church, 152 W 66th SI. (799–7008)

THE MAKING OF AMERICANS—A assignment be Gertrude Stein, conceived and directed by Linda Mussman. Universalist Church, 4 W. 76th St. (741–1032)

MANHATTAN THEATER CLUB — “The Pokey,” Steelton Black's brawl about changeable bedrock brilliant and her appointment with a lallkeever In a baby Texas town. Directed by Lynne Meadow. In the cabaret, the actualization Is “Tonight at 7:30 —A Noel Coward Revue.” 321 E. 73d Sf. (288–2500)

MANY LOVES—A brawl by William Carlos Williams exploring varieties of beastly attachment. Brawl Ensemble Co., 108 Wooster St. (925–9016) Closes Sat,

A MASS MURDER IN THE BALCONY OF THE OLD RIT7 RIALTO—A musical, with book by Ed Kuczewskl music and lyrics, and administration by Bill Vipale. Portfolio, 341 W. 47th Sf. (575–9654)

THE MEDEA OF EURIPIDES—Directed by Donald L. Brooks, with music by George Prideaux. St. Peter's EPisrn pal Church, 346 W 30th St. (929–2390) Closes Sat.

MISS LONELYHEARTS—A brawl by Howard Tetchmann, acclimatized from the atypical by Nathanael West. Directed by Arthur Reel. Brawl Committee Reverters, 17 W. 20th St. 1929–8377)

MONEY—Arthur Glrores Brawl which condemns the allotment business. Directed by Jan Effasberg. Ensemhle Stuck, 549 W. 52d St. (247–4482) Closes abutting Sun.

MOTHER'S DAY—A tragicomedy about a woman of 50 who elves her ino to caring for her age-old mother, accounting and directed by Judith Morley, Women's Interact Center, 549 W, 52d St. (24665701

THE MOUSETRAP—Agatha Christle's annihilation mystery, directed by Robert Sterling. Civic Arts, 25 E. 4th St. (730–9264)

NEW YORK THEATER ENSEMBLE—Me gap Terry's “Calm Bottomward Mother, Robert Patrick's “Cornered,” J.D. Salient's “Pretty Mouth and Green My Eyes,” John Guare's “The Loveliest Afternoon of the Year.” 62 E. 4th St. (477–4120) Closes today.

LA NOCHE DE LOS ASESINOS—A assembly of Dome Spanish Amphitheater of a assignment by Jose Triana. 409 W. 44th St. (765.3457)

NO EXIT—The American Ensemble Company's assembly of Jean Paul Sartre's play. Hotel Biltmore, Mad. Ave. at 43d St. (749.54641 Frl. Only.

NOW SHE DANCES!—Derlo Wilson's brawl ambidextrous with homosexuality, based on Oscar Wilde's “Salome.” TOSTOS, 257 Church St. (226–1124)

OEDIPUSSY—Max E. Verga's brawl about a mother who discovers that her son Is a homosexual, Unected by Eric Neilsen. 181h Artery Playhouse, 143 W. 18th St. (568–8843) Closes Sat. OLD TIMES—A awakening of Harold Pintoes Play. Directed by Paul Schneider. Oven Amplitude In Solio, 64 Wooster St. (966–37241 Opens Thur.

OUR TOWN—Thornton Wilder's Ow, Presented by St. Stephen's Players. St. Stephen's Church, 144’ W. 228th St. (7–5299) Closes today.

OUT OF SIGHT—A atramentous brawl about a abreast family, accounting by Ateen Malcolm and directed be Dino Hadrian°. SOHO Artists. 465 W. Bway. (473–2954)

PINCHAME C011 TENEDOR—A assembly of the Cuban Cultural Centermost of Now York. 601 W. 51st St., at Eleventh Ave. (586.8564)

PLAY WITH A TIGER—A aim/ by Doris Lessing, directed by Stephen Jobes and presented by the OKC Amphitheater Company, flew Media Studio, 350 E. 81st St. (249–9872)

POE IN PERSON—Conrad Pomerleati's one‐man actualization as Edgar Allan Poe. Wonderhorse, 83 E. 4th St. (533–1250) Closes abutting Sun.

POUFF—A agreeable with a casting of 14. Directed and choreographed by Peter Jackson. Lillie Hippodrome, 227 E. 56th St. (755–1820)

THE RED HORSE AN IMATION—Thoatrical chargeless associations based on Photograph of a red horse In the Arabian desert, presented by Maim Mines. Brooklyn Academy of Music, Lopercg Space, 30 Lafayette Ave. (6364100) Closes today.

THE REHEARSAL—Jean Anoullh's brawl Presented by Countervoint Amphitheater LamPane. 333 Sixth Ave., at W. 4th St. (799.6954) Closes Mon,

A REPORT TO AN ACADEMY—An adjustment of a Kafka chance accounting In 1917, preceded by readings of Katka's tellers and stories, Directed by Gerd S drib. Axial Presbyterian Church, 64th SI, and Esplanade Ave. 1242–3900 Closes today.

ROYAL PLAYHOUSE — In repertory: Sartre's “No Exit,” Williams's “This Property Is Condemned” and “Moonsy's Kid Don't Cry.” Directed by Rose Lynch, 219 Additional Ave. IGR 5.9640

ST, CLEMENT'S WORKSHOP—“VIrthly” be Ed Setrakian and directed by Kevin O'Connor; and “Apparitions” by Jeff Jones. St. Clements Lnurch, 423 W. 46th St. (CI 6–7277)

THE SOFT‐CORE KID—A homosexual absurdity by Frank Hogan And Walter Kuhran. Ghosts, 260 W. Sway. (9252619) Closes today.

SOUTH PACIFIC—Rodgers and Hammerstein's agreeable alive with abounding orchestra. Directed by Joe Sutherin. St. Bart's Playhouse, Esplanade Ave. and 50th St. (PL 1.16161 Opens Tues.

THE SPRINGTIME OF OTHERS—JeanJacques Bernard's brawl about the accord amid two women and man In France In the aboriginal 30's. Staged and translated by Thomas Luce Summa. Studios 59 Playhouse, 150 W. 58th Sf, (228.09001

A STREETCAR NAMED DESIRE—Tenney cm” Williams's play, presented by Amerl. can Centermost for Stanislayski Amphitheater Art. Greenwich Mews, 141 W. 13th St. (PL 5.51201 Closes abutting Sun.

STUCK—A brawl about bodies attempting to escape their banal lives. Accounting by Sandra Scrumettnne, direrected by Camilla Clay. Accessible Amplitude In SoHo, 64 Wooster St. (966–3729) Closes today.

A TALE RENOLD—A agreeable based en the Snow White tale, with alcove and lyrics by Shirley Stollman, music by Lawrence ???. Directed by Dick Odessa. Gate, 162 Abettor d Ave. (874. 9269) closses today.

TAXES—A brawl about the cosI of liv. Ing by Murray Mednlrk. Directed he Mr. Mednirk. St, Clement's, 4)5 W.

THE THREE SIS I ERS—Chekhov's play. Big Apple. St. Bonit4C. Cultural Center, 111 Willoughby St., Skim. (E75 2076)

THE TRANSFIGURATION OF BENNO BLIMPIE—A brawl by Albert Innaurato, directed trr Peter Mark Schiffer. Direct, 4.55 W. 436 St. (765–2117) Closes today.

TRES DE WILLIAMS—Three one‐act plays be Tennessre Williams, in Spanish: “Auto de Fe,” “Something Unspoken,” “Lord Byron's Adulation Letter.” Nuestro, 277 Esplanade Ave. S. (673–9430)

VOYAGES and DUET—Two Productioni of the Richard Morse 1.11mo eater tamair Presented In repertory. 302 E. 45th St. (683–75841

WHALEHONEY—A Brawl by Diana DiPrima about the accord amid Byron, Shelley and Mary Shelley. Amphitheater for the new City, 113 Jane St. (691–2220) Closes abutting Sun.

WHERE DO WE GO FROM HERE?—A aphotic brawl be John Ford Noonan. Presented by T. Schreiber Studio. Mama Gall's, 24 Wooster St. (874.7509)

WHERES MY LITTLE GLORIA—Hector Tray's traoedy about a Puerto Rican family. Hudson Guild, 441 W. 26th St. (524‐67(0) Ovens Thur.

ZEN BOOGIE—An accident with music accounting and directed by J.J. Barry. ETC. 182 Filth Ave., at 23d St. (924–9418)

Tristate

BORN YESTERDAY—Garson Kanln's 1946 brawl about a wheelerdeater lunk administrator and his “dumb blonde” mistress. Harry Brork and Anita Morris star. Irene Lewis directs. Hartford Stage, Hartford.

CATCH‐22—A dramatization of Joseph Heller's best‐seller. Directed by Larry Arrlck. “The aboriginal and best arresting Wm, In It Is the achievement of Robert Balaban as Yossarian,” but “It sutlers from some of the book's authentic qualities.” (Eder) Hartman, Stamford. Closes abutting Sun.

JUNO—A agreeable adjustment of Otaser's “June and the Parrock,” about an afloat woman against political and claimed affray In Dublin. Composed by Mark Blitzstein, directed by Arvin Brown. Continued Wharf, New Haven. Opens Frl.

WHITE PELICANS—A Pier accounting and directed by Jay Broad, in which Jose Ferrer stars. PAF Playhouse, Huntington Station.

TALE REPERTORY—“Troilus and Cressida,” Shakespeare's banana affair Involving the names and the contest of the Homeric legend. Directed by Alvin Errstein. Walter Kerr commented: “Shakespeare's abusive thrust, somewhat cryptic at best, Is appealing thoroughly blunted In the action and we wind up with a abnormally candied bushing clamed amid Absolute boxy crusts.” New Haven, Closes Sat.

The Nation

AMERICAN CONSERVATORY THEATER—In repertory: Peter Shaifer's “Eguus,” Henrik Ibsen's “Peer Gynt” and William Shakespeare's “The Taming of the Shrew.” “America Added or Less.” aggregate accomplishment by a cardinal of playwrights and 1 collage of American history in songs and comedy. San Frandsen.

CALIFORNIA SUITE—The Premiere of a NMI Simon brawl set In a Beverly Hills Hotel: Tammy Grimes, George Grizzard, Barbara Barrio and Jack Weston star. Directed by Gene Saks. Ahmanson, Los Angeles.

DANDELION WINE — Ray Bradbury's work, acclimatized for the date be Peter John Bailey, whose axial actualization Is a lad of 12 who makes the greatest analysis accepted to mankind. Staged by Martin Fried, Krecoer, Washington, D.C.

THE DEVIL'S DISCIPLE—Geome Bernard Shaw's comedy, set In the final canicule of the American Revolution and Involving mistaken Identities. Directed tw William Woodman. Goodman, Chicago. Opens Thur.

ELEANOR—Arlene Stadd's brawl In which Eileen Heckert portrays Eleanor Roosevelt In her after years. Directed by Michael Kahn. Ford, Washington, D.C.

GUYS AND DOLLS—An all‐black copy of the agreeable based on the chance and characters by Damon Runyon. Book by Jo Swirling and Abe Burrows, music and lyrics by Frank Lonsser. Supervised by Mr. Burrows. National, Washington, D.C.

MARK TAPER FORUM—In repertory: “Ashes,” David Rudkin's brawl about a adolescent counla aggravating to accept child; directed by Edward Peron. “Cross Country,” Susan Miller's absorption of a woman's aggregate adventures and Inves; directed be Vickie Rue. “And Breadth She Stops Nobody Knows.” Oliver Halley's brawl about an aged wont an and the abounding men who anesthetized through her life; directed be Gorden Davidson. “Three Sisters.” Anton Chekhov's archetypal comedy; directed by Edward Parone. Los Angeles.

A TEXAS TRILOGY—Three plays by Preston Jones, In repertory: “Lu Ann Hampton Laverty Oberlander,” star. Diane Land, and “the Aftermost Meeting of the Knights of the While Magnolia’ and “The Oldest Alive Graduate,” both starring Fred Gvenne. Directed by Alan Schneider. Eisenhower, Washington, D.C.

Spectacles

ODOR! FESTIVAL OF JAPAN—a. Irene, nf 10 dancers, singers and musicians, Acquainted Forum, Madison Square Garden, Eighth Ave. at 33d St. Fri. Sal., B; abutting Sun., 2.

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RINGLING BROS. AND BARNUM ??? LEY CIRCUS—With Ursula Boettcher and her Deforming arctic bears, tigertrainer Charly Baumann, the Gaona Ancestors of aerialists, and company. Mad15on Square Garden, Eighth Ave. at 33d St. Today, 1:15 and 5:30; Tues., 10 and 2:35; Wed. and Fri., 1:30 and 7:30; Thur., 10 and 7:2.0; Sat., 10:30, 3, 8.

Dance

NEW YORK CITY BALLET—Today, 1: “Swan Lake,” ‘Firebird.” “Afternoon of a Faun,” ‘Western Symphony.” Inday, 7: “Dybbuic Variations,” “The Steadfast Tin Soldier,” “Rapsodie EsDannole,” “An Evening's Waltzes.” Tues., 8: “Tchaikovsky Piano Concerto No. 2,” “Monumentum/Movernents,” “Rapsodie Espagnole,” “Chaconne.” Wed., 8: A bright account performance. With a examination of Balanchine's “Union Jack,” a celebration for PO dancers performed to a account fatigued from tunes of the Witte…, the music haft and British football. With “Stars and Stripes” and a third ballet, “Tricelore,” to access a year hence, “Union Jack” will anatomy a tull atramentous of ballet to be alleged “Entente Cordiale. I our. 8: “In G Maier.” a new ballet (premiere), “Pas de Deux,” “Svmononv In Three Movements.” Fri., 8; “An Evening's Waltzes,” “Anon,” “The Steadfast Tin Soldier,” “Western Symphony.” Sat., 2: “Jewels.” Sal., Divertimento from “Le Baker de la Fee,” “Afternoon of a Faun,” “Stravinsky Violin Concerto,” thy new ballet. New York Accompaniment Theater, Lincoln Center. (877–1700)

ROYAL BALLET—Final rerformances of the engagement. Mon., 8: “The Dream.” Park. Dowell; “Song of thy Earth,” Dowell, Wall, Mason, Penney, Derman. Tues., 8: “The Dream,” Penner, Nureeve; “Song of 7110. Earth,” Wall, Mason, Penney, Derman. Wed., 2: “Elite Syncopations,” Penney, Deane; “La Filly Mal Garden,” Connor, Ashmole. wed., 8: “Elite Syncopations,” Penney, Wall; “La Rile Mal Garden,” Collier, Nurerev. Thur., 8: “The Dream,” Penney, Dowell; “Song of trie Earth,” Coleman, Ashmole, Makarnva, Penney, Duman. Fri., 8: Swan Lake.” Makarova, Dowell. Sat., 2: “Swan Lake,” Collier, Eagling. Sat. 8: “Swan lake,” Mason, Nureyev. Burghal Opera House, Lincoln Center. (580–9880)

TWIN AILEY CITY CENTER DANCE THEATER — Today, 2: “Streams.” “Cry,” “Liberian Suite,” “Revelations.” Today, 8: “Night Creature,” “Reiter lions In D,” “Liberian Suite,” “Revalations.” Tues., 8: A bright evening, Inducting the alone achievement during tho Ailey division of a affiliation choreographed he Ailey for Judith Jamison and Mikhail Baryshnikov, and the nremiere of Alley's “Black, Brown end Beige.” Both are set to Ellington scores. Wed, I: the Distraction Ascending,. “Hermit Songs,” “Liberian Suite,” “Black, Brown and Beige.” Thur., 8: “Hidden Riles.” “The Road of the Phoebe Snow,” “Revelations.” Fri., 8: “Night Creature,” “Cry.” “The Road of the Phoebe Snow.” “The Mooche.” Sat., 2: “Echoes In Blue,” “Reflections In D,” “Caravan,” “Liberian Suite.” Sal., 8: “Hidden Rites,” “The Road of the Phoebe Snow,” “Black, Brown and Beige.” Cite Center, 131 W. 55th St. (2464989)

BALLET HISPANICO OF NEW YORK—A one‐week engagement, Including the premiere of Anna Sotolow's “Capricnos.Henry Artery Settlement Playhouse, 466 Admirable St. (5E3–3525) Mon.‐FrI., 7:30; Sat., 3 and 7:0; abutting Sun., 3.

MARGARET BEALS and LEE NAGRINQueens Theeler ln‐the‐Park, Flushing Meadows, Queens. (699.1660) Thur.‐Sat., 8; abutting Sun., 3.

KATHRYN SERMON and ROBERT EONFIGLIO—Choreography, Including improvisaflonal action, by Absence Sermon and music by Mr. Smitten°. Marvmount Manhattan College; 221 E. 71st St. Thur.‐Fri., 8:30.

BIG APPLE DANCE THEATER‐71 Eighth Ave. (524–8015) Fr1.‐Set., 7:30; abutting Sun., 2:30.

PRISCILLA COLVILLE—“Enbshantits,” alcove brawl concert with poetry, music and film. Terra Firma, 24 E. 18th St. (675–9049) Today, 7.

LEE CONNOR end LORN MACDOUGALAmerican Amphitheater Lab., ZIP W. 19th St. (921.0077) Tues., B.

BRANDI FLOREEN, BARBARA MALONEY, PILAR URRETA—Terra Firma. 24 E. 18th St. (2604725) Fri., 9.

JUDITH HOOK AND DANCE COMPANY—Cunningham Studio, SS Bethune St. (855–3242) Fri.‐Sat., 9.

ROLANDO JORIF DANCE COMPANYBlackstone's, 43 Bond St. Today, B.

JUILLIARD DANCE ENSEMBLE — New works be Anna Sokolow, Katuko Hirehavashl and Daniel Lewis. Ju

155 W. 65th St. (7994000) Today, 3; Mon., 8.

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GROUP‐‐Guggeenhelm Museum, Fifth Ave. et 89th St. (EN 9–5110) Fri.‐Sat., 8.

DANIEL NAGRIN—“Ruminations,” a abandoned work. Richardson Brawl Gallery, 242 E. 14th St. Thur.‐Sat., 7:30.

NEW YORK DANCE COLLECTIVE—Wave Hill, Independence Ave. at 249th St., Riverdale. (549–2055) Thur, Frl., 7:30; Sat.‐next Sun., 3 and 7:30.

WALTER NICKS DANCE THEATER WORKSHOP—Connecticut College. Palmer Aud., New London. 1203 4424131) Sat., 11.

NIMBUS—Work by Erin Martin, Jack Moore and Linda Tarnay. Eden's Exoressway, 537 [Swab., fourth H. (9210077) Today, 7:30.

MARIANO PARRA SPANISH DANCE COMPANY — Classic, abreast and flamenco dance. Amphitheater of the Riverside Church, Riverside Dr. and 120th St. Wed.‐Sat., B; abutting Sun., 3.

LARRY RICHARDSON AND DANCE COMPANY—“Kln.” Brawl Gallery, 242 E. 14th St. Today, 7:30.

BARBARA ROAN and IRENE FEIGENHEIMER “Danceworks.” American Amphitheater Lab., 219 W. 19th St. Today, S.

JANET SOARES COMPANY — American Amphitheater Lab., 219 W. 19th St. (924‐0077) Frt.‐next Sun., 8.

STUDIO SOS—An aesthetic collective of sorts. Studio 505 will present a alternation of brawl performances through mid‐May. Today, 2, Albert Reid; Thur.next Sun., 2, Miriam Berns, 39 Walker St. (431.7745)

KEI TAKEI'S MOVING EARTS—“Light.” Parts 1–9. Cathedral of Saint John the Divine, Amsterdam Ave. at 110th St. (966‐0562) Today, 2–9.

THEATER DANCE COLLECTION—Choreoground, 69 W. 11th St. (212–1906) Fri., 9. Sat., 8:30 and 11; abutting Sun., 8:30.

THEATER OF THE OPEN EYE—“Sun (NOG” a assignment by Andrea Stark end Stn Erkilla. 316 E. Mb St. (5346909) Today, IL

Films

This Is a baddest Ilst of }lima assuming In the New York burghal breadth and in the northeast region. It Incorporates bolts analytical comments and the ratings Issued by thy Mellon Account Association of America. Explanations for the appraisement SYIT1b011 follow:

C General audiences. All ages admitted. PG Parental advice suggested. Some actual may not be acceptable for preteenagers.

R Restricted. Below 17 requires accompanying ancestor or developed guardian.

K No one below 17 admitted. (Age absolute may alter In assertive areas.)

Opening This Week

He BLUE” BIRD—George Cukoes blur (the aboriginal American‐Soviet co Production) based on the bogie chance by Maeterlinck eb,ut two accouchement analytic for the blue‐bird of happiness. Elizabeth Taylor, Jane Fonda, Cicely Tyson and Will Geer arch the cast. (PG) Onens Thur.

ECHOES OF A SUMMER—The chance of a 12‐year‐old babe with an cureless affection ailment. Directed by Don Taylor;

Mary Lampson in a arena from the documentary “Underground” with Richard Harris, Leis Nettleton, Geraldine Fitzgerald (PG) Opens Wed.

GRIZZLY—A abstruseness about a coursing for a behemothic grizzly buck who runs amok In a civic park. Directed by WHIM GIrdler; with Christopher George, Andrew Prine, Richard Jaeckel. (PG) Opens Wed.

THAT'S ENTERTAINMENT, PART 2—Highlights from MGM's history In the cine business, with Gene Kelly and Fred Astaire gluing the Introductions. (0) Opens abutting Sun.

UNDERGROUND—A alternation of Interviews with the abolitionist Weather Underground, filmed by Emile de Antonio, Mary Lampson and Haskell Wexler. (No rating) Opens today.

‘Current

THE ADVENTURE OF SHERLOCK HOLMES’ SMARTER BROTHER—“A absorbing brawl ball that ceremoniousness Sir Arthur Conan Doyle's aboriginal Conception as abundant by what It doesn't do as by what It does do a marvelously barbaric caper.” (Canny) Directed by Gene Wilder, with Mr. Wilder, Marty Feldman, Madeline Kahn, Dom DeLuise. (PG)

ALL THE PRESIDENT'S MEN—William Goldman's awning adjustment of the book by Carl Bernstein and Bob Woodward in which the two Washington Post reporters acquaint of their Investigation of the Watergate scandal. Directed by Alan J. Pakuia, Dustin Hoffman and Robert Redford star. The blur Is “as arresting for its understatement, for the cliches It avoids, for alt the things It doesn't do, as for the things that It does do.” (Canby) (PG)

BABY BLUE MARINE—A 1943 adulation chance whose hero Is a adolescent man kicked out of basal training. Directed by John Hancock; with Jan Michael Vincent. (PG)

THE BAD NEWS BEARS—“A wise‐crackIng, occasionally funny, generally blue cine about one division In the action of a California sandlot brawl club alleged the Bears.” (Canby) Directed by Michael Ritchie. Walter Matthap and Tatum O'Neal star. (PG)

BAMBINA—An Italian sex blur about a adolescent absolute acreage apostle who loses himself in a amorous adulation aliair with a mentally backward 16 year old girl. Directed by Alberto Lattuada. The cine has “a tot of adequately absolute sex, aimed—such are the wonders of pornographic specialization—at bodies with a amulet for imbeciles.” (Eder) (R)

1ARRY LYNDON—An Ill‐century brawl of amenities that centers about the acceleration and abatement of a poor, acceptable natured Irish opportunist. Directed by Stanley Kubrick, with Ryan O'Neal and Marisa Berenson. “Mr. Kubrick has spent a affluence on the blur and If shows not alone In the affliction that's been taken In locations (England, Ireland and Germany), in the admirable houses and In the action scenes, but additionally in the photography of John Mad.” (Canby) (PG)

IRCH INTERVAL—A cine about a little babe beatific to break with her grandfather's ancestors In the Amish country of ??? vania. Directed by Delbert Mann; ??? Eddie Albert and Rig Torn. “Th Is annihilation but balance self‐rndulget and bathos… ‘Birch interval’ ??? the chat ‘icky’ has been cat-and-mouse for all its life” (Eder) (PG)

BLAZING SADDLES—Mel Brooks beating about absurdity about a atramentous sheriff (Cleavon Little) and his white accessory (Gene Wilder). Adolescent admirers contentment In Its zaniness, although The Times was beneath than ecstatic; “One remembers forth with the acceptable gags the Nitres desperate, bone‐crushing efforts to be funny.” (Canby)

LA CHIENNE—Jean Renoir's 1731 ball full‐length complete blur about a affiliated bookkeeper who avalanche in adulation with prostitute and sets her up In, a authorization breadth she lives ??? Let dam ??? beheld be Lambe In this Issue.) (No rating)

CRIME AND PASSION—A somewhat blekk brawl about a aberrant International banking adviser who has seizures of beastly affection the war added men get bathed palms. Directed by Ivan Passer. Omar Sherif, Karen Atramentous and Jowl, Bottoms star. “A grossly ??? hinted and disorienting shaggy‐dog of a cine that seems to accept en point, and no point of view, whatever.” (Canby) (R)

DOG DAY AFTERNOON—A action based on fact, about a disastrously ??? Planned Brooklyn coffer robbery. DIrectid be Sidney Lumet. This “Is Mr. Lumers best accurate, best baroque NW, York movie.” Al Pacing, John Cabala and James Broderick arch the cast. (R)

THE DUCHESS AND THE DIRTWATER FOX—A gag western about an ??? covering bastard and a honkvtonk above who not authority of mortal’ stol by coffer robbers. Directed by Mel Frank, with George Segal and Gol Hawn. The action “has been attenuated for the account of sans that are rarely alike funny In themselves. (Eder) (PG)

ENTER THE DRAGON—A movie, Set in Thailand, about three Americans who become soldiers of affluence to accomplishment a Senator's daughter. Directed by Oscar Williams, with Jim Kelly. (PG)

FACE TO FACE—Ingmar Bergman's Mtn about the abrupt coffer Into despair, followed by the aooarent recovery, of a women psychiatrist. Llv Ullmann and Errand Josephson star. “Mr. Bergman Is added mysterious, added hauntine, added contradictor, than ever, admitting the actualization of his films has never beeb added precise, clear, akin headed (Canby) (RI I FAMILY PLOT—Alfred Hitchcock's blur about good, old‐fashioned acquisitiveness involving two pairs of charlatans who accept a near‐fatal conkontahon over a aroma amount Involving the long‐lost beneficiary to a West Coffer fortune. Karen Black, Bruce Dern, Barbara Harris, William Devane arch the cast. Is “a amusing airy lark. It's cine to aggravate your alcohol alike as It dabbles in affected ones.” (Caren) (PG)

GABLE AND LOMBARD—The somewhat reworked chance of the Hollywood cloister address and matelzda of Clark Gable and Carole Lombard In the backward thirties and aboriginal forties. Directed be Sidney J. Furle, Wiz James Breen and All Claybursh. The blur “recalls not ‘Gone With the Wind,’ Honky Took,’… but cliches adopted from the wnrst movies of that period.” (Canby) (RI

GOODBYE, NORMA JEAN—The chance the aboriginal action of Marilyn Monine. Dirert 041 by Larry Buchanan; with Misty Rowe. (R)

GREY GARDENS—A documentary abnut two admirable and addled fetuses, Edith Bouvier Beale and her babe Edie, alive In a addle abode In Lone Island. Directed by David and Albert Maysles, Ellen Heyde and Muffle Meyer. “There is no agnosticism about the ability and adherence the Maysies accept used…, But the beholder will still feel like an exploiter.” (Eder) (PG)

HARD TIMES—“A stylish, sharp, attractive cine about plck up fighters who biking about with their managers staging high‐stakes matches In warehouses, on Piers and In fields animalism nutside town.” (Eder) Set in New Orleans during the Depression, Directed by Walter Hill, with Charles Bronson, James Coburn and Strother Martin. (R)

HARRY E TONTO—The anecdotal chron cle of an Independent 72‐year‐old (Art Carney) who abandons N.Y. bourgeoisie for a cross‐country trip. Directed be Paul Mazursky. Vincent Canby's appointee for one of the best (1 films of 1971. (R)

HENNESSY—A blur about an ex‐I.R.A. affiliate (Rod Steiger) who attempts draft uo the Queen, the aristocratic family, associates of Cabinet and the British Parliament. “A sometimes clever, mostly automated anxiety action about how Hennessy fails In the nick of time.” Directed by Don Share; with Lee Remick, Trevor Howard and Richard Johnson. (PG)

HESTER STREET—Joan MIckiln Silver's blur about the banana and aching Americanization of en Immigrant brace from Russia. Richard Eder acquainted the acting was accomplished as able-bodied as the accomplished framing of the picture: “the rhythms, the astute alternative of Incident and character.” Steven Keats and Carol Kane star. (PG)

I WILL, I WILL…FOR NOW—A brawl about a couple's acquaintance with arrangement marriage, sex clinics and extramarital affairs. Directed by Norman Panema, with Diane i<eatno, Elliott Cmiid and Paul Sorvino. “A dried 1950's pound‐okra of a cine accustomed what will canyon for a 1970's eimmick.” (Eder) (R)

JAWS—The abutting adjustment of Peter Bench toy's column about a man‐eating abundant white bluff that terrorizes an East Coffer resort community. “It has been cleverly directed by Steven Spielberg for best shock appulse and short‐term suspense, and the seerial furnishings are so acceptable that the automated sharks are as acceptable as the reaule.” (Canby) Roy Scheider, Robert Shaw and Richard Dreyfuss brilliant (R)

THE LAST HARD MEN—A weslarn bark a half‐breed who Is bedeviled veth the absorption of killing the retired sherd I who Put him In loll. Chariton Heston. James Coburn arch the cast; directed by Andrew V. McLagien. “Some of the chases are able-bodied done… Contrarily the him abundant and pretentious.” (Eder) Oil LEGACY—A day In the action of Bissie Hapgood, an atramentous upper‐middle‐class matron. Directed by Karen Arthur; accounting and starring Joan Hotchkis. “Bissie has problems, and they are absolute ones, but ‘Legacy’ alone catalogues them after accurate them assume important or moving.” (Canby) (R)

LIES MY FATHER TOLD ME—“Ted Allan's dramatization of commendations of his own Jewish ancestors in the Montreal melting pot of a half‐century ego Is brought alluringly animate with the aid of Jan Kadar's acute administration and some strong, accustomed Performances.” (Weller) (PG)

LIPSTICK—Lamont Johnson's blur about a awful acknowledged actualization archetypal (Margaux Hemingway) who is raped. Anne Bancroft and Chris Sarandon arch the cast. “‘Lipstick’ is occasionally agitated and crude, and about as arguable as the March of Dimes.” (Canby) (R)

LUCKY LADY—Stanley Donen's Prohibition‐era brawl about rum‐running off the California coast. “A afraid little soarrow of a cine that has been minuted en to the afford of a Peacock and outfitted accordingly, It's antic after the comnensetion nf actuality funny or fun.” (Canby) Lim Minnelli, Gene Hackman, Burt Reynolds star. (PG)

MAHLER—Ken Russell's blur about the Viennese composer. Robert Powell and Georgina Able-bodied star. “When Mr. Russell Isn't arena UMW/ genies his abashing assignment gives a absolute faculty of the light‐nerved alertness of a composer.” (Eder) (PG)

THE MAN WHO WOULD RE KING—A blur based an Rudvard Kittling's abbreviate chance about two above English soldiers angry con artists, who adjudge to carve out their own commonwealth in a area now a allotment of Afghanistan. John Elusion's cine “manages to be abundant fun In itself while actuality best affectionate to Kipling.” (Canby) Michael Caine, Sean Cnnnery star. (PG) MERRY GO ROUND—A German awning adjustment of a abusive sex‐comedy about a daisy alternation of lovers In Vienna at the about-face of the century, accounting In 1902 by Arthur Schnitzler. Directed by Otto Schenk; with Helmut Berger, Marla Schneider, Swine Rome. “Whatever virtues the blur may already accept bedevilled are blocked by one of the tackiest English dubbing lobs I've heard.” (Canby) (R)

EL MINISTRO Y Y0—A Spanish brawl starring Cantlnflas, the Mexican comedian. (No rating)

MOSES—is blur nut calm from footage that went into the “Moses” shows Presented on CBS‐TV aftermost year, with Burt Lancaster in the appellation role. Directed by Gianfranco De Rosin. “It Is continued and loud and so asinine In some scenes that the allegiance in others finer denied.” (Canby) (PG)

NEXT STOP GREENWICH VILLAGE—Paul Mazursky's blur about a nice adolescent Jewish boy from Brooklyn who seeks acclaim and affluence as en amateur In Greenwich Apple In the aboriginal 1950's. “All of the performers are acceptable and some are awfully good…but the blur that Mazursky creates for them Is beneath a bond than dela‐vu, so abominably and acutely complete that you appetite to blench for the actors at the amiss moments.” (Canby) (RI

ONE FLEW OVER THE CUCKOO'S NEST —Milos Forman's film, based on Ken Kesey's 1962 novel, about Randle Patrick McMurphy, who has gong from a bastille acreage to a psychiatric hospital ter observation. The chance is the bound amid Randle (Jack Nicholson) and Nurse Retched (Louis* Fletcher) for the debris of the minds el the added Patients. The cine “Is at Its best aback Mr. Forman appliance his talents as a administrator of animated brawl that challenges assumption noilons of acceptable taste.”

(Canby) (R)

THE. RIVER NIGER—A blur bogus from Joseph A. Walker's award‐winning brawl for the Negro Ensemble Aggregation Omit a working‐class family's attempt fn survive the ghetto. Directed be Krichneh Shah; with Cicely Tyson, James Earl Jones, Lou Gossett. “What absolutely wrecks the awning versinn of ‘The River Niger’ Is… what appears to be a collapsed abridgement of adamant slyly end rinemetic Intelligence.” (Canby)

ROBIN AND MARIAN—A blur hayed on the confidence of biographer James Goldman that Robin Henri and Mild Marten lived appropriately anytime Alter in Sherwood FOIPS1 for tin added than a year and Thal Robin again awkward off on a rritsado with Phillp John. “A sere Repealing, adverse abettor of movie, a seeded() and a banter that Is best acceptable aback It It bola best straloht as a atramentous adulation story,” with the “wit, backbone and affront Presences of Sean Connery and Audrey Hepburn In the appellation roles.” (Canby) Directed by Richard Lester. (PG)

ROOSTER COGBURN—A hunt blur about a Federal align commissioned to clue bottomward a ono of desperadoes in the Arkansas territory. John Wayne and Katharine Hepburn star. “It's a cheerful, throw‐away Western, featuring two stars of the admirable attitude who acknowledge to ceremony added with action that makes the years (than:tear.” (Canby) Directed by Stuart Millar. (PG)

THE SAILOR WHO FELL FROM GRACE WITH THE SEA—A him accumulation a chance about thy artiyitirs of a duke of Nietszche‐besntled accouchement (straight out of “Lord nt the NIP,” and the adulation chance of the mother of one of them and a merchant abyssal officer. Directed by Lewis John Canino; with Sarah Miles and Kris Kristofferson. Bused on a abbreviate chance by Yukio Mishima. “There a 13P<IVIIPMellt to ‘Sailor… that of Sifting through a accompaniment of Irascible urconvincedness while actuality added than bisected seduced.” (Eder) (R)

SALSA — Jerry Masucci and Leon Gast's blur purporting to acquaint the history of Latin‐rock music through two concerts, one in Yankee Stadium and one in San Juan. Celia Cruz, Jose Feliciano, Ray Barrett° appear. “'Salsa’ Is an 110‐minute almanac Jacket.” (Eder) (No rating)

SALUT L'ARTISTE—A blur about an amateur (Marcello Mastrolanni) who never absolutely makes It but who never stops working. Directed by Yves Robert. “Mr. Mastrolanni's Nicholas is one of his best Performances ln a continued time—witty, self‐absorbed, vain, common — oualitles aggregate with the cine that contains It.” (Canby) In French. (No ration)

SEVEN BEAUTIES — Bandage Wertmulier's blur about the adjustment of a Neapolitan capital In a German absorption Came. “It's a chaotic epic, sedectivele admirable to attending at, as generally hatrowin3 as It is actively funny, admitting It has a solid sobstrocture of comm3n faculty aid absolutely empiric capacity from life.” (Canby) Giancarlo Glanniril and Fernando Rey star. (No rating)

SKY RIDERS—An chance blur about the kidnapping by political terrorists of an American Industrialist's wife and accouchement from their Athens home. Directed be Douglas Hickox, with James Coburn, Susannah York, Robert Culp. “After the flying, ‘Sky Riders’ Is one continued arid crash; as able-bodied as carnality versa.” (Eder) (PG)

SPARKLE—A arise about three atramentous sisters who try to become Acknowledged Harlem Poo singers. Directed by Sam O'Steen. “It Is & sob story, and a anticipated one… its above advantage Is some first‐rate songs accounting by Curtly Mayfield.” (Eder) (PG)

STAY HUNGRY—Bob Rafetson's blur about a affluent adolescent man from a Soufriere ancestors who, In his chase to acquisition himself, becomes circuitous with a accumulation of body‐builders. Jeff Bridges and Sally Field star. “The blur Isn't about absolute much, but the ataxia does accumulate ou7 attention.” (Canby) (R)

THE STORY OF ADELE H.—Francois TruHaut's blur about Adele Hugo (daughter of the French noel and Patriot, Victor Hugo), whose affection for a adolescent English administrator is unreguited. “It's a poet's acknowledgment of the alarming abyss of Adele's feelings.” (Canby) In French. (No rating)

THE STRANGER AND THE GUNFIGHTER —A coffer bandit and a kung to artisan loin tortes to attending for an Oriental abundance hidden in the American West. Directed by Anthony Dawson; with Lee Van Cleaf and Lo Lieh. (PG)

THE STRONGEST MAN IN THE WORLD —A Walt Disney brawl about two academy accepting who concoct a blueprint that elves bodies absolute strength—another of the company's “magicformula” stories, admitting this one “has a lot of airy things In it” and “the abating appearances of Eve Arden and Phi! Silvers.” (Canby) (G)

THE SUNSHINE BOYS—An adjustment of Nell Simon's Broadway hit about the adverse attempts to accommodate two old‐time vaudevillians (George Burns and Walter Matthau) for a one‐shot echo of their act on a TV special. It “makes you beam about continuously, beam out loud on a cardinal of occasions, and then, at the end, leaves you apprehensive If that's al/ there Is.” (Canby) Directed by Herbert Ross. (PG)

SWEPT AWAY—Line Werimuller's adulation chance about a rich, admirable Mlianese and a atramentous Sicilian deckhand ashore on a bare Mediterranean isle for several weeks. “By far the lightest, best acknowledged admixture of Absence Wertmutter's two admired themes, sex and politics.” (Canby) Giancarlo Glanninl and Mariannela Melato star. In Italian. (R)

TAXI DRIVER—Martin Scorsese's blur about the blare and dreams of abandoned certifiable New York auto disciplinarian (Robert De Niro). ‘“Taxi Driver’ a vivid, galvanizing account of actualization so authentic that you may be afraid that he makes constant affecting sense.” (Canby) (RI

W. W. AND THE DIXIE DANCEKINGSJohn G. Avildson's blur about a bottleneck man alleged W. W. (Burt Reynolds) and a third‐rate, Live‐niece country bandage he admits and guides to Admirable Ole Orgy stardom. “It's a bluffing array of movie, abounding of acceptable amusement and aboveboard optimism.” (Canby) With AA Carney. (PG)

YOUNG FRANKENSTEIN — Frankenstein's son Freddie (Gene Wilder) allotment to the alcazar to booty no his father's work. Directed and accounting (with Mr. Wilder) by Mel Brooks. (PG)

1181C

BOX OFFICES FOR MAJOR(212)

HALLS

ALICE TULLY HALL

362–1911

AVERY FISHER HALL

8742424

BKLYN ACADEMY OF MUSIC

636–4100

CARNEGIE HALL

247.7459

HUNTER COLLEGE

535.5350

METROPOLITAN MUSEUM

879.5512

METROPOLITAN OPERA

5804830

NEW YORK STATE THEATER

877–4727

92D ST. Y 427–6000

EXT. 720

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5112‐4536

Opera

AMATO OPERA—Offenbach's “Tales of Hoffmann.” 319 Bowery. Sat., 7:30.

BEL CANTO OPERA — Herbert's “Babette.” 30 E. 31st St. Sat., 7:30.

D'OYL CARTE OPERA COMPANY—Today, 3; Wed., 2 and 8; Tues. 8: Gilbert and Sullivan's “The Pirates of Penzance.” Thur.‐Fri. 8; Sat., 2 and 8: “The Mikado.” Uris Theater, Stst St. west of Bway.

LIGHT OPERA OF MANHATTAN—Romberg's The Student Prince.’ Eastslde Playhouse, 334 E 74th St. Today, 4; Wed.‐FrI., 1:30; Sat., 4 and 8:30.

NEW YORK GILBERT AND SULLIVAN PLAYERS — “H.M.S. Pinafore.” Binai Jeshurun Association Center. 270 W. 89th St. Today, 3.

NEW YORK GRAND OPERA — Verdi's “Giovanna d'Arco.” Brooklyn Academy of Music, 30 Lafayette Ave. Sat, 8.

NEW YORK LYRIC OPERA—Billings and Arlan's “Meanwhile, Aback at Cinderel la's” and Menotti's “The Medium.” Universalist Centermost for the Arts, Axial Esplanade West and 76th St. Thur. and Sat., 8.

Today

ARMENIAN CULTURAL SOCIETY—Choral program. Alice Tully Hall, Lincoln Center. At 3.

ALFRED BRENDEL—Piano, Bach (Fantasy in A minor; Italian Concerto F). Liszt (Variations on Wcinen, Klagen, Screen, Zagen; Prelude and Fugue on the Name Bach), Beethoven (Six variations In F; 32 Variations in C minor; Variations on Kind, wills’ du). Carnegie Hall. At 3.

BRONX ARTS ENSEMBLE—Rameau, Telemann, Handel, Bach, Vivaldi. N.Y. Botanical Garden Aud., Bx, At 2:30.

ENGLISH CHAMBER ORCHESTRA—Mozart (Violin Concertos Nos. 1, 2, 3). Daniel Barenbolm, conductor; Isaac Stern, violin. Carnegie Hall. At I.

MARYLOU FRANCIS AND WILLIAM DRESDEN—piano four‐hands. Handel, Schubert, Hindemith, Faure. Third Artery Music Academy Settlement, 235 E. 11th St. At 2:30.

SUSAN GREGORY and ROGER RUNDLESoprano and piano. Wolf, Schubert, Brahms, Berger, Copland., Quiher, others. Aboriginal Presbyterian Church, 124 Henry St., Bklyn. Heights. At 7:30. Free. HARMONIA MUNDI‐Mozart, Stravinsky, C.P.E. and J.S. Bach, Wagner. Holy Trinity Episcopal Church, 316 E. 88th St. At 3.

HANNA LACHERT‐Violin. With Yoko Gilbert, violin; Roman Markowitz, piano. Polish music. Carnegie Account Hail. At 2:20.

EFIIMAH COLLEGE SYMPHONIC ORCHESTRA, BAND, CHORUS AND CHOIR ‐Annual exhausted concert. Poe Centermost And., Lehman College, Bx. Al 2:30.

MUSIC OF WILLIAM KOCH‐With voice, instrument, mime. Marymount Manhattan College, 221 E. 71st St. At 3.

MUSIC FOR MEZZO‐SOPRANO, STRING BASS AND PIANO‐Liszt, Chaussons, Rossinl, Tchalkovsky and Glinka. St. Stephen's Church, 120 W. 69th St. At 4.

MUSIC PROJECT‐With Rafael Wenke, violin. Danz(, Croudine, Saint‐Saens, Chopin, Brahms, Britten. Ukrainian In stitute, 97a Fifth Ave., at 791h St. At 5.

ORPHEUS CHAMBER ENSEMBLE‐With Barbara Hendricks, soprano. All‐Haydn (Overture for Covent Garden; Symph. No. 26; Symph. No. 102; arias). Alice Tully Hall, Lincoln Center. At 8.

JOSEPH PARISI‐Guitar. Dowland, Bach, Villa Lobos, Haber, Lauro. Staten Island Museum. 75 Stuvvesant Pl. At 3.

PERCUSSION ENSEMBLE‐Morris Lang, conductor. Brooklyn College, Gershwin Theater, abreast Flatbush and Nostrand Ayes. Intersection. At 7:30.

QUEENS SYMPHONY CHAMBER ORCHESTRA‐Haydn, Bach, Vivaldi. New York Shakespeare Festival, Public Theater, 425 Lafayette St. At 3.

RIVERSIDE WOODWIND QUINTET Bronx Museum, 851 Admirable Concourse. At 3. Free.

SAINT ANDREW CHORALE‐With arches‐ Ira and soloists, John Weaver, director. Poulenc, Schubert. Madison Avenue Presbyterian Church, at 73d St. At

STAR SPANGLED GALA‐Benefit achievement with Anna Argno, Justin Diaz, Eugene Fodor, Jean‐Pierre Rampal, Paul Simon, Suzanne Farrell, Judith Jamison, Chita Rivera, others. Burghal Opera House, Lincoln Center. At 8.

RICHARD WESTENBURG‐Organ. Franck, Dupre, Couperin. Cathedral Church of St. John the Divine, Amsterdam Ave. and 112th SI. At 4:30.

MAX YOUNT‐Harpsichord. Haydn, Bach, iloyhaness, Reinagle, Mr. Yount. Church of the Heavenly Rest, 2 E. 90th St. At 3.

Monday

BRONX PHILHARMONIC‐Pop American Salute: music by Gould, Sousa, Copland, Joplin, Cohan, Herbert. William Gunther, conductor. Albert EInstein Academy of Medicine, Robbins Aud., Eastchester Rd. and Morris Esplanade Ave., Bx. At 7. Free.

CHICAGO SYMPHONY ORCHESTRA‐Beethoven (Symph. No. 2), Bartok (Music for Strings, Percussion and Celesta), Strauss (rill Eutensplegel). Georg 5°111, conductor. Carnegie Hall. At 8.

CONTEMPORARY ENSEMBLE OF MANHATTAN SCHOOL OF MUSIC‐Richler, Mamlok, Fenelly, Cory, Brooks, others. Anthony Korf, conductor. CUNY Grad. Center, third fl., 33 W. 42d St. At 7 and 9.

HUNTER COLLEGE COMMUNITY ORCHESTRA‐Schumann, Mahler, Humordinck, Anthony Sbordoni. Clayton Westerrnann, conductor; Reiko Otsuko, piano. Hunter Academy Playhouse, 68th St. amid Esplanade and Lex. Ayes. At 8.

MANNES OPERA WORKSHOP ‐ Scenes from operas of Gounod, Verdi, Puccini, Dongetti. Mannes Academy of Music, 157 E. 74th St. At 8. Free.

MUSIC FROM MARLBORO‐Mendelssohn (Quintet II. A, Op. 181, Ravel (Violin and Cello Sonata), Beethoven (String Quintet in C, Op. 29). Alice Tully Hall, Lincoln Center. At 8.

TWENTIETH CENTURY ENSEMBLE‐Careagle Account Hall. At 8.

WASHINGTON SQUARE CHORUS AND NYU ORCHESTRA ‐ Beethoven, Lain, Schubert, others. University Theater, 35 W. 4th St. At 8. Free.

Tuesday

BICENTENNIAL CHAMBER MUSIC SERIES‐Crumb, Cowell, Foote, Schuller. Carnegie Account Hall. At 8.

CHAMBER MUSIC CONCERT‐With Jaime Laredo, (Wetter. Mozart, Mendelssohn, Tchalkovsky. 92d St. Y, 1395 Lex. Ave. At 8.

PHYLLIS CURTIN‐Soprano. Copland, Rorem, Thomson. Boondocks Hall. At 8.

GILA DUCAT‐LIPTON‐Plano. An American Landmark Festivals concert at Federal Hall Civic Memorial, Wall and Broad Sts. At 5:30. Free.

ENGLISH CHAMBER ORCHESTRA‐Mozart (Piano Concertos Nos. 12, 16, 27). Daniel Barenbolm, aqueduct and piano. Carnegie Hall. At 8.

KARL HARRINGTON ‐ Tenor. Handal, Beethoven, Strauss, Donlzetti, Giordano, Puccini, Barber, Broadnax, sPIrltuals. Alice Tully. Hall. Lincoln Center. At B.

NEW YORK PHILHARMONIC‐Prokollev (Violin Concerto No. I), Mendelssohn (A Midsummer Night's Dream, Overture), Beethoven (Symph. No. 4), Petrassi (Orchestra Concerto No, 7). Pierre Boulez, conductor; Isaac Stern, violin. Avery Fisher Hall, Lincoln Center. At 7:30.

RICHARD WALLACE‐Organ. Fifth Avenue Presbyterian Church, at 55th St. At 12:10, Free.

Wednesday

‘CHICAGO SYMPHONY ORCHESTRA Mendelssohn (A Midsummer Night's Dream, exterats), Mozart (Plano Concerto No. 27, K. 595), Debussy (La Merl. Georg Solt!, conductor; Alicia de Larrocha, piano, cameo() Hail. At 8,

CONTEMPORARY MUSIC ENSEMBLEWebern, Dallapiccola, Tannenbaum. Tower, Lundborg, Manhattan Academy of Music, Hubbard Hall, 120 Claremont Ave. At 8. Free.

GUARNERI STRING QUARTET‐Bartok cord quartets. 92d St. Y, 1395 Lex. Ave. At 8.

JUILLIARD SCHOOL STUDENT CONCERT ‐Allco Tull, Hall, Lincoln Center. At 1.

MARGARET MILLS ‐ Plano. Caroline Lloyd (premiere), Ruth Schonthal (N.Y. Premleie), Beethoven, Miriam Gideon, Rachmaninoff, Gershwin. Carnegie Account Hall. At 8.

VICTORIA VESELL‐Plano. Galuppl (Sonata in C), Beethoven (Sonata In minor, Op. 13), Ravel (Jeux d'Eau; Gaspard rte la Nutt), Prokofiev (Sonata No. 3 in A minor). Alice Tully Hail, Lincoln Center. At 8.

CAROLE WEBER and SKIP LAPLANTEWith Rob Waring. Aboriginal music for acceptable Instruments and home‐made Instruments for acceptable music. Centermost for International Arts, 23 E. Ith St. At 8.

LAUREN WEISS and DAVID WINKLERFlute and piano. Handel, Faure, Berle, Wolpe, Mr, Winkler. International House, 500 Riverside Dr. At 8.

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Thursday

ENGLISH CHAMBER ORCHESTRA ‐ Mozart (Violin Concertos Nos. 4, 5; Svninh. No. 4. Daniel Barenbolm, conductor; Isaac Stern, violin. Carnegte Hall. At 8,

GUARNERI STRING QUARTET ‐ With Claude Frank, piano; Julius Levine, Nubia bass. Bartok (String Quartet No. 31, Dvorak (String Quintet In G, OP. 17), Schubert (Quintet In A, “Trout"). Alice Tully Hall, Uncoln Canter. At

WYNNE MILLER ‐ Mezzo‐soprano. An American Landmark Festivals concert at Theodore Roosevelt Birthplace, 28 E. 20th St. At 7. Free,

MORELLA MUNOZ‐Mezzo acute Huntor Academy Playhouse, 60th St. amid Esplanade and Lex. Ayes. At 8:30.

MUSIC OF JAMES THEOBALD AND OTHERS‐WBAI Chargeless Music Store, 359 E. 62d St. At 9.

NEW STRUCTURES ENSFMBLE‐Carnegie Account Hall. At 8:30.

NEW YORK PHILHARMONIC‐Webern (Passacaolia, OP. 1; Bristles Movements for Strings, OP. SI, Mahler (Smolt. Ho. 71. Pierre Bottle, conductor. Avery Fisher Nall, Lincoln Center. At ???

PAUL SIPERRY—Tenor. ‘lineman music. 92d M. Y, 1395 Lax. Ave. At S.

YOSHI VIADA—Avant‐earde music. Kitchen. 44 Broome St. At II:30.

Friday

CHAMBER MUSIC SOCIETY OF LINCOLN CENTER—With Lynn Harrell, cello. Villa Lobos (Jet Whistle). Chopin (Cello Sonata, Op. 65), Mozart (String Divertimento In E flat, K. 563). Alice Tully Hall. Lincoln Center. M 6.

CHICAGO SYMPHONY ORCHESTRA Wagner (The Aerial Dutchman). Georg Solt), conductor; soloists; Chicago Symphony Chorus, Margaret Hillis, director. Carnegie Nall. At 3.

CALVIN HAMPTON — Organ. All‐Franc‐k. Calvary Rrielscopli Church, Esplanade Ave. So, and 21st St. At midnight. Free.

HANDEL'S “SAMSON"—With Amor Arils Orchestra, Johannes Samar", conductor; Horace Mann and Hunter Choruses; soloists. Riverside Church, Riverside Dr. at 120th St. At g. Free.

JU I LL IARD CHAMBER ENSEMBLE — Takemitsu, Blrhvistle, Sc nutty, Ives, Stravinsky, Julward Theater, Lincoln Center. At 8:30.

JOAN LABARBARA—Agant‐garde music. Brook, 40 W. 17th St. At WO.

MANHATTAN ORCHESTRA — Smetana, bed, Brahms. George Schick, conductor; Karla Moe, flute. Manhattan Academy of Music, Borden Aud. 120 Claremont Ave. At 8 Free.

MARJORIE MARTINEZ, RICHARD SCOTT, DOROTHY DRUMMER—Soprano, baritone, soprano. Carnegie Account Hall. At 8.

NEW YORK PHILHARMONIC—Same as Thur., but at 2.

OPERA STUDIO—Scenes recital. Queens College, Rathus II. and KIssena Blvd., Flushing. At 2. Free.

TERRY WINTER OWENS, JOHN D. OWENS, ZAFRANA—Harpslchord, recorders, soprano. Handel, Telemann, Scarlet% Gluck. New Dorp Moravian Church, Todt Hill and Richmond Rds. S.I. At 8:30.

PHILOMUSICA—Chamber music. Hunter Academy Playhouse, 68th St. amid Esplanade and Lex. Ayes. At B.

PROSPECTIVE ENCOUNTERS—Jon Doak (premiere), Earle Brown, George Roch. berg. Associates of New York Philharmonic; Pierre &Guist conductor; Paul Zukofsky, violin. Cooper Union, Goal Hall, Third Ave. end 7th St. At $.

YOSHI WADA—Same as Thur.

Saturday

COSMOPOLITAN SYMPHONY ORCHESTRA —Avery Fisher Hell, Lincoln Center. At 2:30.

ANN MACDONALD DIERS—Soprano. With Eve Pieltou Vallia, Plano; Nancy L Cooke, violin. Handel, Vivaldi, Mozart, Ives, others. Carnegie Account Hail. At 5:30.

ELEMENTS OF SOUND—Music with poetry. Foundation for the Vital Arts, 325 W. 16th St. At g.

EVENSONG RECITAL—Orson. Cathedral Church of St. John the Divine, Amsterdam Ave. and 112th St. At 4. Free.

GREGG SMITH SINGERS—With LI. Symphonic Choral Association; and Gary Staiserwalt, piano. Schuman (The Mighty Casey), Foster (Foster's Social Orchestra), Piston (Concertino for Plano and Alcove Orchestra). Account concert. Alice Tully Hall, Lincoln Center. At 7:30.

CAROL LIAN—Plane. Seinen by Scarmtn Beethoven. Ravel, and Chopin (Ballade In A, Op. 12). Schumann (gantaslisstucke, Op. 12). Alice Tully Hall, Lincoln Center. At 2:30.

STEPHEN MAYER—Composer and Plano. With Robert Kuehn, baritone; Carol Rupert, piano. Mayer, Tucker, Iva, Schubert. Carnegie Account Halt. At 2:30.

NEW YORK PHILHARMONIC—Same as Thur. Aftermost cable achievement of the season.

OUR BACH CONCERT—Bads (Herestchord. Concerto In 0 amateur arias), Handel (Brandenburg Concerto No. 1; Oboe Concerto In G minor). Alice Tully Hall, Lincoln Center. At midnight.

SUNI PAZ/MIKE GLICK—New songs. Kitchen. 434 Broome St. At 3:30.

GREG BORST PORRAS‐‐American Indian music, SONS, dances. Brook, 10 W. 17th St. At I.

QUEENS CHORAL SOCIETY and QUEENS COLLEGE ORCHESTRA — Bicentennial concert. Elle Megmeister (I Accept Dream, N.Y. pmmlere), Billings, Buck. Gottschalk, others. Carl Ebert, conductor; William Warfield, bass‐baritone. Queens College, Colden Aud., L.I.E. and Kissena Blvd. At 11:30.

FERNANDO VALENTI—Harpsichord. Zudtermann Harpsichords, 33 Union Sq. W. At 3.

Tristate

COUNTY SYMPHONY — Adolescent movie's concert. Westchester County Center, White Plains, N.Y. Sat. 2:30.

CLAUDE PRANK—Plano. Beethoven sonatas. Yale U., Somme Hall, Colleen and Wall Stk., New Haven, Conn. Today, A.

GUARNERI QUARTET—With Gary Graftman, piano. Hal( Hollow Hills Concert Hall, Vanderbilt Pkwy., Dlx Hills, N.Y. Sat., S.

LONG ISLAND SYMPHONY—Beethoven, Schumann, others. Seymour Uokin, conductor; Itzhak Perlman, violin. Huntington H.S., McKay and Oakwood (Ws., Huntington, N.Y. Sat., 8:30.

PRO ARTS CHORALE—riavdn (The Seasons). Thomas Dun, conductor. Our Lady of Mt. Carmel Church, 1 Passaic St., Ridgewood, N.J. Fri., 8.

SEA CLIFF CHAMBER PLAYERS—Haydn, Schubert, Holliger, Roussel. Today, 3: Nassau County Centermost for the Fine Arts, Northern Blvd., Roslyn, L.I. Mon., 8:

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Jazz

In Concert

COLLECTIVE BLACK ARTISTS—Star‐studded tau groups organized by an almighty alive and well‐supported alignment of musicians. Boondocks Hail. Fri., IL

JIMMY GIUFFRE THREE—The clarinetist, saxophonist and flutist with his delicate, impresslonlshc compositions; with Frank Luther, bass; Randy KaYS, Percussion. Cathedral of St. John the Divine, Amsterdam Ave. and 012th St. Today. I.

MUSIC FOR CARTOGRAPHERS—Avantgarde aftermost with saxophonist Julius Hemphill's Ensemble and saxophonist Hamlett Gluier Today, 3: Julius Hemphill Ensemble, Hamiem Achievement center, 137th St. and Seventh Ave. Fri., 10 and 12: Arthur Blythe. Sat., 10 and 12: Hamlett Ellulett. La Mama Etc., 236 E. 3d St.

In the Clubs

BALABAN AND CATS—A club alleged fur the backward guitarist, with Red Balaban In allegation of both club and bandage which Includes: Jim Andrews. Vic Dickinson, Herb Hall, Ed Polcor, Connie Kay. Red Richards, on piano, alternates with the band. Tues. guest: Illinois Jacauet, tenor sax. Eddie Condon's, 144 W. 54th St. Mon.‐Set.

VICTORIA BARNES‐4 accompanist with articulation that sometimes makes Volt angle vou accept overheard Sarah Vegetal. Jimmy Weston's, 131 E. 54th St. Mon.Sat.

KENNY BURRELL QUARTET—The mow dic, able guitarist In for a abrupt appointment from his West Coffer base. Apple Vanguard. 17B Seventh Ave. So. Tues.next

JAKI BYARD—A pianist who encernoess en every asood of Mgr, fro& ragtime and Fits Waller to the present with Wahl!, Totals on bass. Willis. W. Ills St. Suns. Dionne Warwick and Isaac Hayes in concert

BETTY CARTER—The best appropriate of today's insolate singers. Apple Vanguard, 178 Seventh Ave. So. Today.

WARREN CHIASSON TRIO — Chiasson vibes, Chuck Wayne on guitar and Wilbur Little, bass. Matinee today with bedfellow actualization by Dick Katz, piano. Gregory's, 1149 Aboriginal Ave. Today, Wed.‐Sat.

RICHARD CLAY QUARTET—Saxophonist Richard Clay arch a accumulation of best lazzmen—Kenny Barron, plans; Ron Carter bass; Al Foster, drums. Willy's, 7 W. 8th St. Wed.‐Sat.

AL COHN—Currently alive with Carol Sloane at Michael's Pub, Cohn loins the businessmen‐musicians at Jazz et Noon. Shepheard's, Drake Hotel, 56th St. and Esplanade Ave. Fri.

DICK CONE ORCHESTRA‐17‐piece Ian band. Willy's, 7 W. 8th St. Tues.

IDS CUNNINGHAM DUO—With Dwight Dickerson, piano. Angry squire, 216 Seventh Ave. Today. Fri.‐Set.

SRANKIE DASH AND HIS ALL STARS—The all‐Stars accommodate Clarence Hutchenrider, the clarinet brilliant of the Casa Loma Orchestra; Gene Roland, already a Stan Kenton trumpeter and arranger; and Jimmy Wormworth, a bagman who has not been heard abundant In contempo years. Jiffy's. 256 W. 52d St. Sun.‐Mort.

OY ELDRIDGE SEXTET—One of the accost trumpeters, the affiliated articulation amid Louis Armstrong and Dizzy Gillespie, with a bandage that Includes Bobby Pratt, trombone; Joe Muranyi, clarinet. Jimmy Ryans, 154 W. 54th St. Tugs.‐Set.

LOATINO JAM SESSION—First New York night‐club chance by George Wein, ambassador of the Newport Jam Festival, with altered faces on the btindstand every night. Stonville, Frank's Place, 41 E. 58th St. Mon: Sat.

HUCK FOLDS—A pianist who forts In ragtime, moves to Harlem stride and again to exhausted and manages to accomplish it all complete both Indigenous and contemporary. Cookery, 21 University Pl. Sat.‐Sun afternoons.

‘ HAIG TRIO—With Rome Palmieri, guitar, and Jam!! Nasser, bass. Gregory's, 1149 Aboriginal Ave., Sun.‐ Tues.

ARRY HARRIS DUO—A agilely affected pianist who stirs up some acutely accepted performances after alike ruffling his feathers. Bradley's 70 Univ. Pl. Suns.

ANCE HAYWARD—Plano. Nightly, except Weds., aback Jim Roberts fills In, with Jane Valentine, vocals. Jim Smith's Apple Corner, 143 Stoecker St.

ELLMAN'S ANGELS—Daphne Holiman's harp ranges from abstruse to Jazz, with Mike Garl on guitar and Jack Gregg on bass. Apple Gate, Thomeson at Bleecker St. Tues.

ICK HYMAN—Virtuoso even arena from Bach to boogie. Cookery, 21 Univ. Pl. Suns.

1100 JOHNSON WITH THE JPJ QUARTET—The tenor saxophonist, arresting In Earl Hines's bandage in the 30's, with a accumulation he co‐leads with bagman Oliver Jackson. Eddie Condon's 144 W. 54th St. Today.

TAD JONES AND MEL LEWIS 17‐PIECE BAND—Back from a leash to Germany animalism In time to bless their tenth ceremony here. Apple Vanguard, 178 Seventh Ave. S. Mons.

SX KAMINSKY SEXTET—A adept of the Dixieland wars still alarming authoritative, acceptable trumpet. With his Dixieland Jazz Band, of course. Jimmy Ryans, 154 W. 54th St. Suns.

‘RNIE LEIGHTON QUARTET—Polished Az piano by a adept of abundant Benny Goodman grown. Jimmy Weslon's, 131 E. 54th St. Sun.‐Mon.

RIAN MCPARTLAND—A pianist who has been through all the lazz styles Ind seems to acquisition out added about them every year. Bemeimans Bar, Hotel Carlyle, 35 E. 76th St. Thur.‐Sat.

%PTV NAPOLEON—Louts Armstrong's above pianist accepted the oldies and goodies, with Bucky Calabrese en bass. Cookery, 21 University P1. Non: Sat.

IW ORLEANS FUNERAL AND RAGTIME BAND—One of the liveliest and best able acceptable Jazz bands In own, apperception on a New Orleans aportory aback Woody Allan happens to so Arena with them, on a Chicago epertory aback he Isn't. Michael's Pub, Ill E. 55th St. Mon.

E ORIGINAL TRADITIONAL JAZZ SAND—Choice musicians fatigued from several acceptable Jazz bands, led by fan Levine, a drummer, and notable or Jacques Kerrlan, whose acute my echoes Sidney Becht. Patch's Inn, 114 E. 70th St. Wed.

ROLD OUSLEY—Tin Palace, 323 BowIrv. Tues.‐Thur.

ICKY PIZZARELLI—One of the conternrorary masters of the guitar. P.S. 77 Restaurant, 388 Amsterdam Ave. Mon., hur.‐Sat.

4E ROLAND TRIO—A trumpeter Ind arranger who delevioped in the Stan Xenton band, with Morris Edwards, lass, end Wayne Wright, guitar. Dragon's, 1149 Aboriginal Ave. Mon.‐Sat.

SEWELL RUDD/SHEILA JORDAN—Trombonist and vocalist, both of whom snow the fundamentals and the avantlards movements of lazz. Tin Palace, 25 Bowery. Today, Frl:Sat.

!AHAM STEWART & HIS GAS HOUSE &ANG—Lusty New Orleans‐flavored razztom trombonist Stewart, an aspect of audeville from bagman Freddie Moore end echoes of the Eddie Condon army rem whomever abroad shows us. Fugue, 175 Aboriginal Avg., at 16th St. Thur.

‘ING ‐ TO ‐ BOP QUINTET—With Ed oewls, trumpet; Harold Cumberbatch, earltone sax; backed by plane, drums Ind bass. West End Cafe, Bwey at ‐4th St. Thur‐Fri.

▪ TORME end BUDDY RICH AND

NE BIG BAND MACHINE—A musicianly and Jazz‐oriented accompanist with big bandage which gets Its gas from Rich's drumming. Empire Allowance Waideri‐Astorla, Esplanade Ave. and 50th St. Mon.‐Sat. 43 TENOR BOOGIE—Veteran %moltensts Paul Quinichette and Buddy Tate. Nest End Cafe, BwaY at 114th St. or Sun.

ANC WILLIAMS SWING FOUR—Former ffiniffen artisan Franc Williams; ddie Durham (trombone and electric utter), who played with Basle Ram Tensing, Piano; and Shelton Gary, drums. West End Cafe, amplitude at 114th St. Mon.‐Tues.

Folk/Pop/Rock

Concert

AEROSMITH—A raunchy, heavy‐metal act fronted by an oulragenus advance accompanist who resembles Mick Jaeger. Madison Seuern Garden. Mon., 8,

B ERGERFOLK—Folk concert. Pit Coffee House, Church of St. Paul and St. Andrew, West End Ave. and 161h St. Today, 7:30.

HOT TUNA—This Jefferson Airplane aftereffect churns blithely en. Beacon Theater, Abroad and 74th St. Today, 8,

CHARLES KELMAN—Benefit, with Joey Heethorten, William B. Williams, Julia Doyle Boss, Carnegie Hell, Sal., S.

LOGGINS S. MESSINA—Soft folkrork, Pleasant er bland, depending on one's taste. Avery Fisher Hall, Lincoln Canter. Today. 7 and 10:30.

OWEN McBRIDE — Irish folk concert. Focus II, Washington Square Church, 133 W. 4th St. Today, B.

SOUL JAMBOREE 11—With Jimmy Taylor, Bill Withers, Vickie Sue Robinson. Taylor Is the hot account here, beginning from a sexually clear No. 1 single. Acquainted Forum, Madison Square Garden Center. Today, 6 and 10.

In The Clubs

ERIC ANDERSON—A adept of the New York folkscene. And Jane Dexter Band. Added End, 149 Bleecker St. Today.

BLUEGRASS—Today: Admirable Speed. Mon.Wed.: Michael Simmons and Siewtnot. Thur.‐Sat.: Troy Ferguson, Sue Smith end the Country Gentlemen. Fri.‐Sat.: Bill Denton and Whiskey Hitt. O'Limyeses Country Music City, 915 Additional Ave.

BRICKTOP—Singer. With Jimmy Daniels, DeLYS, Jimmy Beni, Ed Jnhnsnn, all of whom she formed with at her riuo In Rome In the 50's. Bricklop's Aloo Soerabala, 140 E. 74th St. Tues.‐Sat.

JULIE BUDD—Grand Finale, 210 W. 70th St. Today.

JUDITH COHEN/STEPHAN BURNS—Ine button‐eyed, Wm.‐haired, rather berserk accompanist who does accept her band following. Reno Sweeney, 126 W. 13th St. Tues.‐next Sun.

DANNY COSTELLO — Singer. Rainbow Grill, Rockefeller Center. Mon.‐Sat.

GRETCHEN CRYER AND NANCY FORD—The composers of the account for “The Aftermost Candied Canicule of Isaac,” alms a accumulation of aboriginal and annoying songs with a feminist bent. Cookery, 21 University Pl. Mon.‐Sat.

CAROL DENMARK—Shepheard's, Loew's Drake Hotel, 56th St. at Esplanade Ave. Mon.‐Sat.

DR. FEELGOOD AND RAMONES—A able British rock‐and‐roll outfit, boxy and advisedly primitive, forth with one of the best absorbing of the New York underground bands accurate Its move for bartering acceptance. Bottom Line, 15 W. 4th St. Mon.‐Tues.

BONNIE FRANKLIN—Grand Finale, 210 W. 70th St. Tues.‐Sat.

EILEEN FULTON—Oncs UPOlt a Stove, 325 Third Ave. Tues.‐Sat.

TOMMY FURTADO TRIO—Mni Weston's, 131 E. 54th St. Mon.‐Frl.

NADIA GRAY—The blur extra who appeared In “La Dolce Vita,” accurate her American night club debut. Upstairs, The Spindletoo, 254 W. 47th St. Tues. Sat.

GARY LEWIS AND THE PLAYBOYS—Riverboat, Fifth Ave. and 34th St. Today.

Judith Cohen allotment to the bounded cabaret scene, Tuesday at Reno Sweeney's

BARRY MILES/STEVE ASHLEY — Added End, 149 Bleecker St. Wed.‐next Sun.

JOSIE O'DONNELL—An Irish singing comedienne abiding to action atter ten years of retirement. Bushes, 23 W. 73d St. Thur.‐Sat.

EDDIE PALMIERI—A baron of salsa the aboriginal n4 bristles Sunday appearances at the Riverboat, Filth Ave. and 31th St. Today.

RAMONES—C.B.G.B., 315 Bowery. Thur.Sat.

BOBBY SHORT—The adept of articulate elan Pulls plums from a all-inclusive armory of songs, accompanied by his piano and trio. Cale Carlyle, Hotel Carlyle, Mad. Ave. and 76th St. Mon. Sat.

CAROL SLOANE—Singer. Michael's Deb, 211 E. 55th St. Tues.‐Sat.

MARILYN SOKOL—Cabaret singer. Bel room, 458 West Bway. Mon.‐Sat.

J.D. SOUTHER/TOM PACHECO—A v, an singer‐songwriter and a new pro’ ing singer‐songwriter. Bottom Line, W. 4th St. Today.

MARC ALLEN TRUJILLO/RAUN MACKINNON—A weikreceived cabaret accompanist and a able hale. Reno Sweeney, 126 W. 13th St. Today.

LOUDON WAINWRIGHT III/POIJSE I I EDART BAND—One of the added able aberrant folkies around—New York's acknowledgment to Randy Newman. Bottom Line. 15 W. 4th St. Fri. abutting Sun.

MARY WELLS — Riverboat, Fifth Ave. and 34th St. Tues.‐Sat.

Tristate

CAROL COUNTY RAMBLERS—Bluegrass. Enelishtown Music Hall, 24 Water St., Englishtown, N.J. Sat., 8:30.

ISAAC HAYES AND DIONNE WARWICK—A hls‐and‐hers billing, with the bland anatomy stylist and a soul‐pop singer. Westbury Music Fair, Besom Hollow Rd., Westbury, L.I. Today, 3 and 7:30.

TOM JONES—With The Blossoms and Marty Brill. Westchester Premier Thanter, While Plains Rd., Tarrytown, N.Y. Today, 7:30.

LOGGINS & MESSINA—McCarter Theater, Princeton, N.J. Sat., IL

NO‐GAP GENERATION JAZZ BAND—Artie Miller, who derives from Benny Goodman on clarinet and Lester Adolescent on tenor saxophone, arch a accumulation whose adolescent hearts exhausted affectionately for the Exhausted Era. Blue Water Inn, Ocean Ave., Seabright, N.J. Wed.‐Sat.

PUTNAM COUNTY STRING BAND—Bluegrass. Engllshtown Music Hall, 24 Water St., Englishtawn, N.J. Fri., 8:30.

O'JAYS—A loading macho blubber gratiP. Westrimier Premier Theater, White Plains Rd., Tarrytown, N.Y. Thur. Fri., 8:30; Sat., 7 and 10:30; abutting Sun., 7:30.

LEON RUSSELL‐‐One of the better stars In bedrock aloof a few years ago. Nassau Coliseum, Hempstead Turman, Uniondale, L.I. Frt., 8:30.

SELDOM SCENE—One of the best pralsed of all present‐day bluegrass bands, kngilshtewn Music Hall, 24 Water St., Englishtewn, N.J. Today, 4 and 8.

Revues

CARMEN ACEVEDO AND HER FLA. MENCO TROUPE—Sings and dances In the Basque tradition. With Olga Guiilot, singer. Chateau Madrid, Lex. Ave. at 48th St. Nightly. except Mon.

DEJA VU—Comedy skits, song and brawl starring George Dart and friends. Upstairs Cafe, Additional Ave. and 64th St. Nightly, except Mon., 9.30 and 11:30; Sat., additionally 1:30 A.M.

MUSEE DE L'IMPRESSIONNISME—Multlmedia presentation, with music from classical to lazz. Robert Callender, vocalist. Trude Heller's, Sixth Ave. ana 9th St. Nightly, except Mon.

PRIVE AT MIDNIGHT—A homesickness show, starring Suzanne Dawson acquisition seven singing waiters: songs by Porter, Coward, Kern, Gershwin, and others. Privy Aboriginal Ave. and 59th St. Tues.‐Sat. midnight.

At

(All galleries, unless contrarily noted, are bankrupt Sundays.)

Galleries Uptown

LEE ADLER—Silk screens. Graham, 1014 Mad. Ave., at 78th St. Through May 29.

PHILIP AZIZ—Paintings, sculptures and gouaches by a Canadian artist. Findlay, 984 Mad. Ave., at 77th St. Through Bankrupt Mons.

PETER BARDAZZI—Paintings. Cordler Ekstrom, 988 Mad. Ave., at 76th St. Through Jung 4.

RUDOLF BAUER—Palntings from the Constructtwist aeon of a German artist. Hutton, 967 Mad. Ave., at 75th St. Through June 15. Bankrupt Mons.

LELAND BELL—Landscapes and tlgure Paintings. Schoelkorif, 825 Mad. Ave., at 69th St. Through Sat. Bankrupt Mons.

OSCAR BLUEMNER (1867–1938)—LandWane paintings. Deutsch. 43 E. 80th St. Through May 30. Bankrupt Mons.

GEORGE BOOTH—Cartoons and Crawinel by a New Yorker artist. Nicholls, 1014 Mad. Ave., at 78th St. Through Sat. Tues.‐Sats., 12.5:30.

QU ITA BRODHEAD—Paintings. Ava n11. 14S E. 72d St. Opens Tues. Through May 28.

HAROLD BRUDER—New York artery scenes, portraits, landscapes. Forum.

1018 Mad. Ave., at 79th St. Through Fri. Bankrupt Mons.

CHRIS BURDEN—Material apropos to his Achievement pieces. Feldman, 33 E. 74th St. Through June S.

CLARENCE CARTER—Landscapes, cityscapes and paintings of people, dating from 1926 to 1951. Gime!, 1040 Mad. Ave., at 79th St. Through May 29. Bankrupt Mons.

WILLIAM MERRITT CHASE (1849–1916)—Over 100 paintings and memorabilia, mostly from clandestine collections, In retrospedive. Kneedler, 21 E. 70th St. Thruogh June S. Bankrupt Mons. Admission Is 52.

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BARD COSMAN—Figure sculptures. Caravan House, 132 E. 65th St. Through Sat. Bankrupt Mons.

HANNE DARBOVEN—A translation. In this German artist's hand, of an Interview with Jean‐Paul Sartre, done in account of his birthday. Caste

E. 77th St. Through May 22. Bankrupt Mons.

GISSON—Imoressionistic paintings. Christopher, 766 Mad. Ave., at 66th St. Through May 25. Bankrupt Mons.

STEVEN GLUCKSBERG — Abstruse paintings based on Judaism. Bodley, 1063 Mad. Ave., at 80th St. Opens Tues. Through May 29. Bankrupt Mons.

MICHAEL HEIZER—Paintings, additional annular sculptures In sections. Fourcade, 36 E. 75th St. Opens Tues. Through June 12. Bankrupt Mons.

JEAN HELION—Drawings and oil sketches, best of them produced In the aftermost 33 years, the aeon aback the artist's about-face from absorption to representation. Samuels, 18 E. 76th St. Through May 22. Bankrupt Mons.

ANKER HOFFMANN and BET WEELTwo abreast Danish artists, the above assuming sculptures and the closing watercolors and collages. Galerio Internationale, 1095 Mad. Ave., at 83d St. Opens Tues. Through May 22. Bankrupt Mons.

HANS HOKANSON—Woodcuts and sculptures. Borgenicht, 1018 Mad. Ave., at 79th St. Through May 27. Bankrupt Mons.

JOHN HULTBERG and JAMES BROOKS—Paintings be the above and works on Patter by the latter. Jackson, 32 E. 69th St. Through June 5. Bankrupt Mons.

JOHN KEARNEY—Animal sculptures bogus from auto bumpers. ACA. 25 E. 73d St. Opens Sat. Through June S.

DANIEL LI FSH ITZ—I nterlors with figures, seascapes, landscapes by e Swiss artist. Touchstone, 118 E. 64th St. Through May 29. Bankrupt Mons.

MAGGIE MACCURDY—Works Ire relief. Lerner‐Heller, 709 Mad. Ave., at 67th St. Through May 22. Bankrupt Mons.

AGNES MARTIN—Eight paintings advisers hetween 1961 and 1966. Elkon, 1063 Mad. Ave., at 80th IL Through Juno 2. Bankrupt Mons.

KNOX MARTIN—A apartment of etchings and a accumulation of assets based on the Tennell Illustrations for Alice In Wonderland but Interpreted erotically. Ingber, 3 E. 78th St. Opens Tues. Through May 29. Bankrupt Mons.

JERVIS fsiCENTEE—Landscape assets by an artisan built-in In New York In 1829. Hirsch) 8. Adler, 21 E. 67th St. Through May 28. Bankrupt Mons.

TODD MCKIE—Watercolors. Acctuavella,18 E. 79th St. Through May 22.

PETER MILLER—Metaphysical paintings. Larcada, 23 E. 67th St. Opens Tues. Through May 29.

ERIC PARKS—A actualization alignment from agglutinate brownish abstracts and account busts to life‐size abstracts and sculptures In anchored steel. Kerr, 19 E. 82d St. Through May 28.

MARGARET POMFRET—Paintings of absent Images of attributes and architecture. Phoenix, 939 Mad. Ave., at 74th St. Through May 28. Bankrupt Mons.

FAIRFIELD PORTER (1907‐75) — The dupe and shores of Maine and Continued Island in oil and watercolor, done during the aftermost two years of the artist's lite. Hirsch! IS Adler, 21 E. 67th St. Through May 28. Bankrupt Mons.

RAMON SANTIAGO —Mythological paintings. Environment, 205 E. 60th St. Opens Thur. Through June 5.

REEVE SCHLEY HI — Landscapes In watercolor. Graham, 1014 Mad. Ave., at 78th St. Through May 29.

SUSAN SCOTT—Still lifts and amount compositions. Deitcher/O'Reilly, 35 E. 67th St. Through June 2. Bankrupt Mons.

JOSEPH SHANNON—Figure paintings with sociological themes. Poindexter, 24 E. 84th St. Opens Tues. Through June 5. Bankrupt Mons.

DAVID SMITH—The aboriginal affectation to be adherent to paintings aback the afterlife of the American sculptor of welded‐steel constructions. Additionally black‐and‐white besom drawings. Knoedier, 19 E. 70th St. Through Thur. Bankrupt Mons.

LINDA SOKOLOWSKI—A “Beach Series” in oil on paper. Kruashaar, 1055 Mad. Ave., at 80th St. Through May 29.

WAYNE THIEBAUD and DENNIS CLIVECityscapes by the above end bowl trucks by the latter. Stone, 18 E. 86th St. Through May 29. Bankrupt Mons.

AMY WEST—Abstract acrylics and collages. Arcade 84, 1046 Mad. Ave., of ROM St. Opens Tues. Through May 29. Tues.‐Sats., 12‐5.

Group Shows

ACQUAVELLA, 18 E. 79th St.—Works by Christ°, Dine, Magritte, others. Through May 28.

LA BOETIE, 9 E. 824 St.—Watercolors, drawings, collages cartoon by artists alive amid 1910 and 1930. Through May 29. Bankrupt Mons.

DAVIS L LONG, 746 Mad. Ave., at 65th St.—More than 40 oils and watercolors, alignment tram the 18th aeon to the aboriginal 20th, from the Brooklyn Building collection. Through May 29. Bankrupt Mons.

DUNCAN, 22 E. 72d St.—Four artists. Through May 29. Bankrupt Mons.

GALLERY OF FINE ARTS, 58 E. 79th St.—“Dreams, Myths and Imaginary Landscapes” by 18 artists. Through Sat.

JAN KOVSKY, 33 E. 74th 51.—Salvador Bru. Knox Martin, Shirley West, Guy Williams In a actualization of paintings and sculptures. Through May 30. Bankrupt Mons.

KNOEDLER, 19 E. 70th SL—Bannard, Dzubas, Motherwell and added arcade artists. Opens Sat, Through June 30. Bankrupt Mons.

KRASNER, 1043 Mad. Ave., at 80th St.—Collages be Dubuffet, Calder mobiles, Picasso assets and added contempo acquisitions. Through May 22. Bankrupt Mons.

LEFEBRE, 47 E. 77th St.—Alechlnskv, Corneille, Hartung, Jorn, others. Opens Tues. Through June 25. Bankrupt Mons.

RONIN, 46 E. 70th St.—Japanese woodblock Shunga prints. Through June 30. Closes Sets at 2.

SCHWEITZER, 958 Mad. Ave., at 75th St.—“Mixed Bag.” Including John Sinner Sargent, George Inness, J.F. Cropsey. Through May 29. Bankrupt Mons.

SHEPHERD, 21 E. 14th 19th. bend assets and watercolors. Through June 30. Bankrupt Mons.

WEINTRAUB, 992 Mad. Ave., at 77th 51.—Post actor paintings, scut, tures and graphics. Through June 30. Bankrupt Mons.

WIENER, 831 Mad. Ave., at 69th St.—Indian and Southeast Asian sculptures and paintings from the third aeon through the 19th. Through May 29. Bankrupt Mons.

WILOENSTEIN, 19 E. 64th St.—“French Neoclassicism,” Including paintings assets and sculptures from the gallery's holdings. Through Sat.

ZIERLER, 956 Mad. Ave., at 75th St.—Denby, Hartigan and added arcade artists. Through June 30. Bankrupt Mons.

Galleries 57th St.

ROBERT BEAUCHAMP — Atmospheric paintings with allegorical elements tenfass, 50 W. 57th St. Ovens Tues. Through June 5. Bankrupt Mons.

BYRON BROWNE (1907‐61)—Drawings of the changeable nude model. Summit, IG1 W. 57th St. Through May 22. Tues.Sets. 1–5.

JOHN BUTTON—“Buildings Out West.”

Kornblee, 20 W. 57th St. Through Juni 12. Bankrupt Mona.

GIORGIO CAVALLON — Large abstruse paintings. Sachs, 29 W. 57th St. Through Thur. Bankrupt Mons.

JOHN STEUART CURRY (1897–1946)—Prints, from works produced in 1927 to renderings of rural America In the 30's and 40's. Associated American Artists. 663 Fifth Ave., at 53d St. Opens Tues. Through June 4.

MAX ERNST—Sculptures and paintings lolas, 52 E. 57th St. Through May 29. Bankrupt Mons.

SAM FRANCIS—Abstract paintings and works on paper. Emmerich, 41 E. 51h 51. Through May 22. Bankrupt Mons.

THOMAS GEORGE—Drawings of Chinese mountains. Parsons, 24 W. 57th St. Through Sat. Bankrupt Mons.

JOSEPH GRAU‐GARRIGA—A awe-inspiring carpeting bogus by 30 artists directed be this Spanish artist. Arras. 29 W. 57th St. Through May 29. Bankrupt Mons. DAVID B. HOLMES—Paintings aggressive by the artist's campaign to the aboriginal 13 states. Findlay, 17 E. 57th St. Through May 31.

ROBERT INDIANA—Costume and set designs in papier% colles done for the accessible assembly In Santa Fe of the Virgil Thomson/Gertrude Alembic opera “The Mother of Us All.” Rene. 6 W. 57th St. Through May 29. Bankrupt Mons.

JACK LUBIN—Landscapes and figures. Eric, 61 E. 57th St. Opens Tues. Through June 1.

LESLEY MARCUS—Expressionist paintings. Panoras, 62 W. 56th St. Opens Mon. Through May 22.

MIRO—Graphics. Heldenberg, SO W. 57th St. Through June 30. Bankrupt Mons.

LUCIAN OCTAVIUS POMPILI—Sculptures in assorted materials, Including boxes absolute objects, by a West Coffer artist. Portnoy, 56 W. 57th St. Opens Wed. Through Juno 5.

SUSAN SHATTER—Landscapes. Also, actualization of 18th and 19M‐century miniatures from the Aristocratic Courts of India. Fischbach, 29 W. 57th St. Through May 22. Bankrupt Mons.

PAUL SISKO—Sculptures. Runyon‐Winchell, 33 W. 56th St. Through May 28.

MIKE TODD—Steel sculptures. Zabriskie, 29 W. 57th St. Opens Tues. Through May 29. Bankrupt Mons.

JEAN WEINBAUM—Works on cardboard by a Swiss artisan who works in San Francisco. Humboldt, 31 W. 57th St. Through Sat. Bankrupt Mons.

TOM WESSELMANN—New paintings, Including a 32‐foot advanced account of a keyring, a cigarette, a besom and ring; and cropped‐image, shaped canvases on the affair “Smoker.” Janis, 6 W. 571h St. Through May 22.

Group Shows

ALEXANDER, 20 W. 57th St.—Prints by Rauschenberg, Johns, Dine, Eichler stein, Warhol. Through Sat. Bankrupt Mons.

BANAKH, 51 W. 53d SL—Five artists who accept afresh arise to the west from the Soviet Union. Through May 20. Bankrupt Mons.

KENNEDY, 40 W. 57th St. =Figures and account busts be the Swedish sculptor Gudmar Olovson. Through Wed. *The Sporting Tradition.** paintings and assets depicting the 19th‐century American sportsman's apple by artists of the era. Through May 29. Paintings and assets of the beastly commonwealth by artists of the 19th and 2Cth centuries. Opens Mon. Through May 29. Assets by Ben Shahn (189819691. Opens Fri. Through May 29. Bankrupt Mons.

MIDTOWN, IT E. 57th St.—Americen landscapes by William Palmer, Robert Vickrey, William Thon, others. Opens Tues. Through May 28. Bankrupt Mons.

PACE. 32 E. 57th St.—Two hundred acceptable African sculptures. Through May 29. Bankrupt Mons.

PARSONS‐TRUMAN, 24 W. 57th St.—Group show. Through Sat. Bankrupt Mons.

Galleries SoHo

RUDOLFO ABULARACH and OMAR RAY° —Paintings by two Latin Americans. Canter for International Arts, 28 E. 4111 St. Through Sat. Weds.‐Sats., 1–6.

MYRIL ADLER and JOSEPH SCALAPrints by the first, and Paintings and sculptures by the second. Westbroadwav, 431 W. Bway. Opens Sat. Through June 3. Bankrupt Mons.

JOHN BAEDER — Paintings. Hundred Acres, 456 W. Bway. Through Sat. Bankrupt Mons.

JENNIFER BARTLETT — An astronomic assignment In six sections, bogus of apply or: broiled apply and steel. Cooper, 155 Wooster St. Through June 2. Bankrupt Mons.

NAN BENEDICT—Large charcoals on beach canvas, emphasizing texture. Lotus, 81 Spring St. Through May 27. Tues.Sots., 12.5.

EUGENE BRODSKY—Large shaped canvases heavily coated In beach and gel. Cuningham Ward, 94 Prince St. Through May 18. Bankrupt Mons.

THEO COATES JEFFERSON—Portraits of New York Burghal life. Green Mountain, 135 Greene St. Through May 27. Tues.Sats. 12‐6.

BRENDA CORBIN—Abstract sculptures. Ames, 93 Prince St. Opens Tues. Through May 29. Bankrupt Mons.

MITCH DID! ER—Precisionist abstractions. Additional Chance Spring Artery Society, 167 Sprin St. Thurough Thur. Bankrupt Mons. ‘ERHARD OREYFUS—Painertes. Bonin el Prince St. Through fat. Bankrupt Mons.

ALAN FINKEL—New works. 23 Marces Artery Gallery. Through Wed. Bankrupt ???

JACQUELINE FR EEDMAN—Constructlyisi collage affliction tines. Westbroadwar, 431 W. ewes,. Through May 20. Bankrupt Mons.

PINCHAS COHEN GAN—Paintings which sem up a landscape, a accompaniment of apperception Dr a untversal Predicament, by an artisan barn In Morocco and who confused to this country aftermost abreast Proierch, 15/ ??? St. Through Fri. Bankrupt Mons.

BARBARA GERARD‐‐Palntings with flg??? and ??? elements. Additional Chance Spring Artery Society, 167 Spring Sr. opens Sal. Through June 3. Bankrupt Ines.

LAURA GRIST—Conceptual art based or Photographs of stopwatches. Castoill, 420 W. Ilwatr. Through Sat, Bankrupt Mons.

DAYS HARE—Painting's and sculptures ton‐Ifte Sublet/ of the allegory of Cronus. Alessandra, 489 Broome St. Through June S. Bankrupt Mons.

DOUGLAS HUEBLER—Drawings.

420 W. Sway. Through Juno E. Bankrupt Mons.

CAROLINE GASSNER KAPLOWITZ and ALAN KESSLER—Abstract copse scull, hires by the above and Realist Paint. [nos of flowers In toil‐covered pots BY the latter. Yu, 393 W. Bsvar. Through Sat. Bankrupt Mons.

BERNARD KIRSCHENBAUM — Geometric sculptures in assorted materials. Sculpfut. Now, 142 Greene St. Through May 76, Crated Mons.

??? LANG—A canonizing affectation low. ??? 135 Greene it. Through May 28. Tues.‐Sat., 1–6.

TOM UWISON—Paintimis and drowings. Naiades, 152 Wooster St. Through May 23. Bankrupt Mons.

RENE??? LEWIS—Figurative paintings. Secend Chance Win Artery Society, 167 Spring St. Through May 20. Bankrupt Mons.

MICHAEL LOEW and DAPHNE MUMFORD—Abstract paintings and assets by Mr. Leew and pencil assets at easily by Ailss Mumford, Landmark, 469 Broome St. Through Thur. Bankrupt Mons.

PEDRO LUJAN and KAY WALKINGSTICK — Sculptures of sticks, (OM and branches br the above and paintings with accumbent blush fields by the latter. SoHo Centermost for Visual Artists, 110–114 Prince St. Through May 29. Tues.‐Fris., 1–5; Sate., 11–5.

GORDON MATTA‐CLARK—Sculptures. Solomon, 92 W. BV:dY. Through May 26. Bankrupt Mons.

DAVID NOVROS‐‐Paintings. Sperone Westwater Fischer, 142 Greene St. Opens Sat. Through June 5. Bankrupt Mons.

JUDITH PECK—Bronzo sculptures alleged “New York Loafers.” Unicorn, 120 Spring St. Through Sat. Tues.‐Sats., 12.6.

BRENDA PRICE and MICHAEL FRANUENGLASS—An autoolographical runtti average Jostallattoa by the aboriginal and floral and fauna paintings by the second. Hansen, 7D‐72 Wooster St. Through May 23. Bankrupt Mons.: accessible Suns., 1–6.

BEATRICE RIESE—Paintings with a filigree trains and askew shapes, westoroad. way, 131 W. Sway. Through Thur. Bankrupt Mons.

AUDREY ROGOW‐‐Intings. Eno, 101 Wooster St. hams Sat. Through Jung 2. Bankrupt Mons.

PAUL ROTTERDAM—Abstract paintings. C.ahlwell, 383 W. Sway. Through May 26. Bankrupt Mons.

IIETYE SAAR—Collages and boxes with miniature images. Knowlton, 153 Prince St. Through May V. Tuts.‐Frls., 125:30; Sats., 124.

ORMA SHATAN — Amount paintings. Prince Shoot Gallery. 106 Prince St. Through May 26. Tues.‐Suns., 14.

ROBERT SMITHSON—Photos and assets by an oarth‐works artist. Weber, 420 W. Sway. Through May 19. Bankrupt Moos.

GEORGE SZEKELY—Works bogus of clay artificial and paint. Westbroadway, 431 W. Sway. Through Thur. Bankrupt Mons.

OSCAR TRUGLER—Realist paintings. Eno. 101 Wooster St. Through Wad. Bankrupt Mons.

ROBERT WHITMAN THEATER WORKS. 1902‐76‐‐A attendant of Mr. Whitman's achievement art. In a affairs alteration ceremony week. 559 Washington St. Through Sat. Thur. Sat. 9. (For information, alarm 673.3530)

FUMIO YOSHIMURA—Wood sculptures. Hoffman, 429 W. Sway. Through June 2. Bankrupt Mons.

Group Shows

ARTISTS SPACE. 155 Wooster 51.—GarY Bower, Fontaine Dunn, Harming Ford. Through May 24. Bankrupt Mons.

SCULPTORS, 75 Thompson St.—Works In a array of mediums. Through June 6. Bankrupt Mons.

O.K. HARRIS, 41$ W. Swag—Paintings by Naoto Nakagawa, sculptures by Avila! Oz, and a aggregate of both by Paul von Ringelheim through Sat. Bankrupt Mons.

RABINOVITCH B GUERRA, 74 Admirable St. —Paintings, assets and prints by Dan Kadfsh, Marcia Bruce, Michael Hafftka. Through May 22. Weds.‐Fris., 7.5; Sots., 11‐6.

50110 20, 99 Spring St.—Works In assorted mediums by Hera, a women's accommodating ??? in Rhode Island. Through May 19. Tues.‐Sons. 12.4.

TERRAIN, 141 Greene St.—Watercolors by It artists. Through Mar 29. Tues.Sets., 1–6.

THORP, 139 Spring St.—Neil Janney, Gary Lang, John Lees. Gwynn Murrill, David True, Joe Zucker. Through Wed. Bankrupt Mons.

YORPAL, 465 W. Bway—Welded‐steel sculptures by Agnes° Lidinottl additional works by Jesse Allen. M.C. Escher others. Through June 30. Bankrupt Mons.; oven Suns., 1–6.

WARD‐HASSE, 131 Prince St.—Aluminum sculptures by Robert Friedman, paintInes and collages by Ellen Lee Klein, prints and sculptures by Sophie Newman, abstruse acrylics by Bernard Sarnilow. Opens Sat. Through June 3. Bankrupt Mons.

Other

BEDFORD‐STUYVESANT RESTORATION CORPORATION HEADQUARTERS, 1368 Fulton St.—Works In assorted mediums by 19 atramentous artists, called from the Burghal Building collection. Through June 14. Mons.‐Frls., 9‐7.

CANADIAN GALLERY, 1251 Sixth Ave. at 50th St.—Works in assorted mediums from the Alberta Art Foundation Collection. Through May 28. Mons.‐Fris. 10‐4.

CENTER FOR INTERNATIONAL ARTS, 2$ E. Ith St.—Paintings of Knot patterns by Omar Rayo, a Colombian, and paintings with the Image of the eye by Rodoito Abularach, a Guatemalan. Through Sat. Weds.‐SatS., 1–6.

ALLEN DAUGHERTY—Abstract paintings, assets and collages. Whitney Building Art Resources Center, 185 Cherry St. Through Fri. Mons.‐Fris.,

FEIDEN, 51 E. 10th St.—Lithographs, drawings, oils and gouaches by Don Freeman, chronicler of the theater. Through June 12.

GALLERY 1199, 310 W. 434 St.—Figures of athletes mado of bendable abstracts by Leslie Kuter. Through June Mons.‐Thurs. 12.1, and 6–8; Frig., 12‐4.

GLASS, 315 Axial Esplanade W.—raintings, collages and prints by, amorig others, Alice Neaman, Judith Shahn, Benny Andrews. Through May 22. Thurs.‐Sats.,

NATIONAL ACADEMY, 1083 Fifth Ave., at 89th St.—The Civic Association of Women Artists. Opens Thur. Through May 30. Daily, except Sat., 1–5.

PRATT GRAPHICS CENTER. $31 Swam at 13th St.—“Printed Quilts, Quilted Prints.” Through. May 20. Bankrupt Sat. morns.

TRANSWORLD ART. 600 Fifth Ave.—“An American Portrait,” a actualization of sculptures and prints by 33 contemoorarif artists. Through Sept.

WAVERLY, 153 Waverly P1.—Works by Its six members. Through may 21. Tues.‐Sats., 12‐5:30.

Museums

AFRICAN‐AMERICAN INSTITUTE, Aboriginal Ave. at 47th St.—Household ebiech, Implements and anatomy ornaments from 14 countries of East and southern Airice. Through Sat. Mons.‐Frls.,

Sots., 11‐S.

AMERICAN MUSEUM OF NATURAL HISTORY. Axial Esplanade W. at 79th St.—“his Affectation In Preparation,” a demonstretion of how a building Prepares an affectation with, from time to time, building Personnel on duke to acknowledgment auestions. Through July 31. Mons.‐Sats., 10‐4:45; Suns, and holidays, 11–5.

ASIA HOUSE, 112 E. 64th St.—“Listening to the Bamboo: the Art of Wen Cherie‐Ming,” adherent to Paintings by and apropos to the abundant academic painter of the 16th century. Through June 6. Mons.‐Fris., 10‐5; Sets., 11–5; Suns., 1‐S.

BRONX MUSEUM OF THE ARTS, 851 Admirable Concourse—Six‐hilt aircraft models corrective by Alexander Calder as basic studies for the painting of a bartering let even In 1973. Through Fri. Mons. Fris., 9‐5; Suns., 2–4:30.

BROOKLYN MUSEUM, Eastern Parkway and Washington Ave.—Gorelick cellec tins of over 100 StiT111, and butt seals from the Abreast East, from the backward 4111 millenlum B.C. to the end of the Sasanlan Dynasty In the 7th aeon A.D. Through May. Aperoximately 100 works created by self‐taught artists In America horn the 18th aeon to the Present day. Through May 31. Some 100 etchings and Ilnocuts by 10 adolescent Africans, on the capacity of abreast action In the apple and city, and Bible ??? Through May 16. New exhibits from the Oriental ??? department. Through June 23. Contempo at:imitations of the administration of adorning arts. Through May 31. Weds.‐Sats., 10‐5; Suns., 12–5; holidays, 1–5 Bankrupt Mons. and Tues.

CENTER FOR INTER‐AMERICAN RELS, TIONS, 680 Allotment Ave., at 60th St. —“The Cuxco Circle,” an affectation of 16th‐century Peruvian colonial paintings with medieval and mannerist Images which agglutinate the European and Indian cultures. Through July 25. Daily, 12.6.

CHINA HOUSE, American D. 9th St.—“China's Influence on n Cultun) In the 13th and 19th Centuries.” Through June 13. Mons.‐Fris., 10‐5; Sats., 11‐St Suns., 2–5.

THE CLOISTERS, Fort Trron Park—The Abiding collection. Tues.‐Sets., 1)4:45; Suns., 1–4:45.

FRICK COLLECTION, 1 E. 70th St.—A abiding accumulating housed In the abode of Henry Clay Frick (1849–1919). Tues.‐pats., 10‐6; Suns., 1–6. Bankrupt Mons.

GROLIER CLUB, 17 E. 60th St.—Autograph manuscripts, aboriginal editions, printed music, date designs and photos in a actualization archetype the sources of over 20 operas. Through June 12. Mons.‐Fris., 10‐5; Sate., 10‐3.

GUGGENHEIM MUSEUM, 1071 Fifth Ave. —“The Guggenheim Building Collection: Paintings, 1830–1915.” Comprised of about 200 works dating from the era of Post Impressionism to the abutting of Apple War II. Through Oct. 3. Tues., 114; Weds.‐Suns., and holidays, 114. Bankrupt Mons.

HAYDEN PLANETARIUM, C.P.W. at 61st St.—“The Final Frontier.” Showings. Mons.‐Frls., 2 and 3:30; Sets., 11, 1,2. 3. 4, 5; Suns. 1, 2, 3. 4, S. Laserlum. Fr11.‐5Uns. 7:30, 9, 10:30.

JEWISH MUSEUM, Fifth Ave. at 92d St.—“Biblical Archeology,” a affectation of entlguilles supplemented by maps, photo murals and an audio‐visual presentation. A attendant of the assignment of Ludwig Y. Wolpert, artist of abreast august art. Through Aug. 11. Mons.Thurs., 12–5, Suns., 11–6.

MUSEUM OF THE AMERICAN INDIAN. Amplitude at 155th St.—A abiding West Indian affectation of 200 commonsensical and august oblects dating from 150 A.D. to 1500 A.D. Tues. Suns., 1.5.

METROPOLITAN MUSEUM OF ART, Fifth Ave. at 82d St.—Some 120 examples of American art advanced the 17th aeon to the awesome 20th, fatigued from the museum's collection. Through Dec. 31. Sixteen Chinese mural paintings (hanging scrolls hanelscrolls, anthology leaves), from the 11th aeon through the lilts. Through Aug. 1. Nine French terra‐cotta statuettes of the 111th canto', Including a anew apparent “Bacchante” by Rodin. Through Nov. “Studies In Connoissetushho: Chinese Paintings from the Arthur M. Sadder Collection.” Including 41 paintings from the 14th aeon to the 20th. Orono Thur. Through Sept. 7, “AmeriCan Dimmers,” a affectation of 250 obbets (advertiseinents, greeting cards chats and amphitheater posters, and the like). Opens Tues. Through Aug. 8. Tues., 104:4S; Weds.‐Sats., 10.4:45; Suns., 114:45. Bankrupt Mons.

MORGAN LIBRARY, 29 E. 36th St.Anglo‐Saxon manuscripts In America. Closes today. “America: From Arnerigo Vespucd to the Louisiana Purchase,” constitutional from letters of the aboriginal analysis of the nation to the aboriginal arrangement of the’ Proclamation of the Louisiana Purchase. Additionally Persian and Indian miniatures, Mozart manuscripts and English medieval aflame manuscripts. All shows oven Thur. and abutting Joly 31. Tues.‐Sats., 10:304; Suns., 1.5.

MUSEUM OF AMERICAN FOLK ART, 49 W. 53d St.— The Cardboard of the State,” cardboard works by New York Accompaniment artists or depicting action In the state. Through June 2. Daily, except Mons., 10:30‐5:10.

MUSEUM OF CONTEMPORARY CRAFTS, 29 W. 53d St.—:.lore than 35 quilts, alignment from a miniature “Fried Egg Baby Guilt” to a ninefoot “Giant Flower Landscape.” Through June 13. Tues.Sets., 11‐6; Suns., 14.

MUSEUM OF THE CITY OF NEW YORK. Fifth Ave. et 104th St.—“Revolution,” a affidavit Including blush prolections, a complete arrangement and actual oblects, afterward the aisle of the burghal during the American Revolution. Through Dec. A above actualization of affected memorabilia (photos, programs, apparel sketches, amphitheater renderings), focusing

Arts and Leisure Guide

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