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New songs, covers of old songs, chart-topping singers, Broadway tunesmiths: musically speaking, this year’s crop of activated movies has a little of everything. Both “Trolls” and “Sing” affection abundantly produced covers of archetypal songs. “Sing” appearance no beneath than 65 tunes, of which aloof 20 are the aboriginal adept recordings; the added 45 not alone bare to be austere but arranged, performed, and animated.

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It was a two-year process, says controlling music ambassador Harvey Mason Jr., a Grammy-winning songwriter and ambassador whose resume includes anybody from Justin Bieber to Beyonce. “It was the craziest job ever,” he says. “We did some of the songs eight or nine altered times in altered ways.”

Because “Sing” is about a articulate competition, the settings ranged from auditions to a singing, dancing finale. Characters accommodate a punk-rock amazon (Scarlett Johansson), a Sinatra-esque abrasion (Seth MacFarlane), a soulful apache (Taron Egerton), a shy albatross (Tori Kelly), and a pop-singing pig (Reese Witherspoon).

“My job as music ambassador was to amount out how to accomplish anniversary one of these songs special,” says Mason. “Should I do a archetype of the song? Should I cast the adaptation on its head? What adventure beats do we charge to hit? What do we appetite the admirers to feel at this point in the movie?”

Each song was anxiously conceived. The old Stevie Wonder archetypal “Don’t You Worry ‘Bout a Thing,” for example, articulate by Kelly, “went through apparently 30 revisions,” Mason reports.

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The Elton John song “I’m Still Standing” was “down to the 11th hour,” Universal film-music admiral Mike Knobloch adds, “with altered drummers, altered grooves,” analytic for aloof the appropriate sound.

Universal won’t say what all this cost, although some estimates put the music account in the $10 actor range. Aloof licensing the Beatles’ “Golden Slumbers/Carry That Weight” would accept been big-ticket but, as Knobloch credibility out, Jennifer Hudson’s arrangement of that song “becomes the body of the movie.”

Capping the blur is a new song, “Faith,” articulate by Stevie Wonder and Ariana Grande. Ambassador and co-writer Ryan Tedder says he conceived the song as a affiliation amid the apache and albatross characters after actuality too obvious. “If you’re too on the adenoids with lyrics, it can be abominable and disingenuous,” he says.

In the case of DreamWorks’ “Trolls,” new songs are brindled into the mix of covers including Paul Simon’s “The Complete of Silence,” Lionel Richie’s “Hello,” and the Cyndi Lauper accepted “True Colors.”

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Justin Timberlake, who co-wrote the new songs, additionally served as the film’s controlling music ambassador (and accurate one of the capital characters). “It was article for the parents, to accept these archetypal songs in there too,” he tells Variety. “The mission with all the covers was aloof to accomplish abiding they articulate good, and abutting abundant to what we were accomplishing and carnality versa, so the cine acquainted like it had its own agreeable DNA.”

Timberlake’s pop canticle “Can’t Stop the Feeling!,” accounting for “Trolls,” was appear a abounding six months afore the film. The aboriginal absolution paid off, as it not alone answer the blur but has become the acknowledged song of the year. It’s Timberlake’s fifth No. 1 single, and its accompanying video has been watched added than 300 actor times on YouTube.

Watching the cine reminded him of the disco era. “I acquainted like I was benumbed out watching an Abba video,” he quips. So he absitively to aback “the abstraction of happiness, how we are all analytic for it, it’s aural all of us and we can admission it whenever we want. It’s a abundant bulletin for parents to allotment with their kids.”

Along with co-writers and producers Max Martin and mononym Shellback, “we thought, this has to be uptempo, upbeat, and uplifting,” Timberlake says. “I acquainted like we could accomplish a avant-garde disco record,” additionally referencing “Saturday Night Fever” — not alone for its disco sounds but additionally for its then-innovative arrangement of absolution the songs in beforehand of the cine they were accounting for.

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For “Moana,” Disney angry to Broadway awareness Lin-Manuel Miranda alike afore “Hamilton” hit the boards, on the base of his success with “In the Heights.” “There was article about it that accepted the ability of the place, and the answer of his songwriting,” Disney music controlling VP Tom MacDougall says. “We pitched the adventure to Lin and he was anon on board.”

They added Samoan-born Opetaia Foa’i for regional-music actuality and adept composer-songwriter Mark Mancina (who had done Disney’s “Tarzan” and “Brother Bear”) to co-write, align and aftermath the score.

Despite his massive, Tony-winning success with “Hamilton,” Miranda admired the acquaintance on “Moana.” “I am actuality because a backtalk started singing calypso music in 1990 [a advertence to “Under the Sea” from Disney’s “The Little Mermaid”] and I was never the same,” he says. “I spent the accomplished accomplished two years both avidity myself and additionally actuality hyper-aware that these songs are activity to be — hopefully, if we do our jobs — ones that a kid sees and freaks out about. Aback a kid loves your song, that’s it for life.”

The absorbing aboriginal songs in “The Little Prince” are the artefact of Hans Zimmer and French singer-songwriter Camille. Reached in Paris, Camille says: “Hans asked me to be the little girl’s voice. She doesn’t absolutely accurate her feelings, so the songs are there to accurate her abstruse thoughts.

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“There’s one blithe song aback she meets the old man and starts to be a adolescent again. There’s a sad song aback she goes aback to school, and there’s a amusing song in the old man’s car that evokes Old Europe.” Camille bound both English and French lyrics for the tunes.

The best abandoned adversary may be “The Abundant Beyond,” the aperture song of the abominable “Sausage Party,” in which singing aliment items ache to leave the grocery abundance for a allegedly admirable afterlife. For Disney veterans Alan Menken and Glenn Slater, “it was an befalling to breach out of that cast a little bit, do article a little risque, a little bit over the edge,” says Slater.Producers Seth Rogen and Evan Goldberg capital “to accessible the blur as if in a archetypal Disney movie, accounting by guys who accept done your accepted Disney cine — and again it goes so actual wrong,” Slater says with a laugh.

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