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Black Thought, M.C. for The Roots, shouts that as his bandmates blanket up their aftermost song. Looming over the blow of the bandage on a riser, Questlove attacks his drums with a addled ability that seems absurd to cull off with alone two arms. I half-expected him to footfall abroad from his kit and acknowledge a additional brace of arms, like he was a Hindu god or Goro from Mortal Kombat.

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The Roots played a analgesic set, topping off a arch Saturday for the countdown Lost Lake Festival. There were already absolutely a few highlights: Aboriginal sets by Carla Morrison and Kongos won crowds over with able achievement chops. Enthusiastic audiences were a connected throughout the day. Huey Lewis killed.

This has been a year brimming of horrors, wonders, and arduous strangeness. But few architect accept hit that trifecta of horror/wonder/strange harder than millennials twerking themselves into a aberration over “The Ability Of Love.”

Even with all the fun shows I had apparent beforehand in the day, I couldn't begrudge Atramentous Thought for his cockiness. Honestly, who could top that shit?

The Killers, that's who.

Underestimate the alive ability of The Killers at your own peril. They're a appalling group. Taking the date as lasers criss-crossed the sky, the bandage opened the appearance with an access of blush armament aqueous bottomward on the crowd.

Wearing a blush anorak that akin the blush of the confetti, Brandon Flowers sang “The Man” as the blow of the Killers, dressed in black, rocked out abaft him. As a recorded song, “The Man” does annihilation for me. Live, though, it crushes. It's the affectionate of bedrock 'n' cycle self-mythologizing that best avant-garde bands wouldn't be bent asleep aggravating to cull off.

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That's the adorableness of The Killers; they're try-hard geeks in the best accessible sense.

It's aberrant to anticipate that, of all the bands that emerged in the new millennium during the ”rock is back!” revival, that The Killers askew the rest. The Strokes, Yeah Yeah Yeahs, and Interpol were analytical darlings, but none of them accept penetrated pop ability to the amount The Killers have. Turn On The Bright Lights is a monster of a record. Your 40-something uncle apparently doesn't apperceive the words to “New York City Cops,” but he could apparently sing forth to “Somebody Told Me" afterwards a brace beers.

The Killers bankrupt out Saturday night at the 2017 Lost Lake Festival.

Melissa Fossum

A big allotment of The Killers' address is their earnestness. Afterwards all, you can't address a song like “When You Were Young” with an ounce of irony in your body. The band's songs are abounding of Americana cliches (your Daddy's car, accepting out of two-star towns, the accessible road) that bell because there's article in them we can all chronicle to. Accord the active devils their due: They ample out you could booty John Cougar Mellencamp, accord him a Duran Duran acrylic job, and that admixture would accord you a authorization to book money.

The added aspect that draws bodies to the band's music? The weird-ass, abstract lyrics. Is there addition bedrock accompanist alive today who can get abroad with camp curve like “Are we animal / Or are we dancer?” or “I've got body / But I'm not a soldier” as able-bodied as Flowers can? A acceptable allocation of Killers lyrics apprehend like mistranslated affluence cookies. It's the affectionate of being that shouldn't affect bodies to sing forth and yet somehow it does.

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The crowd's admiring acknowledgment addled me. Bodies sang forth to about every distinct song — “Spaceman,” “Human,” “Smile Like You Mean It." It was one crowd-pleaser afterwards another. The bandage showed a aptitude for the adept tease. “When You Were Young” alike aboriginal on in the set as a slow, stripped-down adaptation afore seguing into a altered song entirely.

The Killers bankrupt out Saturday night at the 2017 Lost Lake Festival.

Melissa Fossum

Newer actual played able-bodied live, too. Even admitting Flowers waaay oversold “Run For Cover” by allurement the crowd, “Are you accessible to apprehend your new admired song? Because we accept it appropriate here.”

The Killers bankrupt their set with addition access of armament (white this time) and “All These Things That I've Done.” They came aback to accomplishment off the black with a three-song encore: “This Is Your Life,” “When You Were Young,” and “Mr. Brightside.”

Of advance it would end with that song. It's the one that everybody was cat-and-mouse to hear. The song that animated The Killers into the high degree of pop. It's our generation's “Bohemian Rhapsody,” our “Stairway to Heaven,” our “I Want To Hold Your Hand” — comedy it at any party, karaoke night, or alley cruise and somebody will lose their apperception over it. An absolute acreage of bodies at Steele Indian School Park opened up their acquisitive eyes and shouted that they were Mr. Brightside.

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That's how you top that shit.

Critic's NotebookLast Night: The Killers' headlining set at the 2017 Lost Lake Festival

The Crowd: A all-inclusive assemblage of athrill Killers fans, arranged shoulder-to-shoulder. Lots of annual crowns, unicorn suits, and bodies cutting sunglasses afterwards dark. There was additionally a admirer cutting a tie-dye shirt that said “Magical Motherfucker” on it. I didn't accept the attendance of apperception to ask him to casting a spell for me. Maybe a amphibian attraction so I could've hovered over these abundant throngs.

Overheard: “SIDE! SIDE! BRRRRRSIDE!” One abundantly formed woman spent the absoluteness of this set shouting for “Mr. Brightside." But she was so austere out of her alembic that she couldn't absolutely clear the song appellation properly. It aloof came out as blurts of “SIDES!”

Random Notebook Dump: Atramentous Thought should accept acicular out that The Roots accept The Killers exhausted in the tuba department. Do The Killers accept a goddamn tuba? No, they absolutely do not. Advantage: The Roots.

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