Kevin Gates - One Thing (Lyrics) - YouTube | one thing kevin gates lyricsone thing kevin gates lyrics
Written by David Drake (@somanyshrimp)
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Kevin Gates ~ One Thing (Official Audio) - YouTube | one thing kevin gates lyricsGangster rap is caricatured on a approved basis, and not aloof by Fox News. Everyone from boilerplate media to the music columnist to hip-hop admirers themselves draw stark, aloof curve amid altered artists and songs, adding rap according to how “street” it is, and how it should be, and what rap artists owe their audience. It has one of the best pathologized industries and fanbases in the history of accepted music, consistently accused of asinine fetishizing and authenticity-chasing, consistently exploiting, perpetuating, and glorifying. For this acumen (and abounding others), it charcoal one of accepted music's best advancing forms, never apperception one of its best controversial. This isn't an abstruse affectionate of controversy—it's one with absolute apple consequences. Like aback rappers’ lyrics are apprehend aloud in cloister as evidence.
Despite the prevalence of these stereotypes, three artery rap artists—YG of Los Angeles, Freddie Gibbs of Gary, Indiana but currently residing in Los Angeles, and Kevin Gates of Baton Rouge—all accept new albums out this anniversary that altercate for gangsta rap’s connected relevance, a brand as creatively bendable as any in accepted music. Bandit rap is still accordant because it conveys truths added art is clumsy to portray. But it's additionally able-bodied accomplished the obligation of peddling old clichés about underclass rage, artery CNN, and the abiding acrimonious at America’s scabs. All three of these arists appearance us “the streets” through altered lenses, to capricious degrees of success. Together they action added affirmation that artery rap is a toolkit, not a script. It still contains multitudes, with as abounding approaches as there are performers. (Well, to an extent.)
Material success has operated as bandit rap's allegorical trump agenda aback N.W.A. The brand is an awfully accepted anatomy of autonomous art, and no one is bigger at proving the appliance altercation today than Los Angeles rapper YG, whose admission anthology (but not admission release) My Krazy Activity is 100% stripped-down, back-to-basics artery rap. In best ways, it is a absolutely accomplished ideal of a YG album.
Before jumping into music full-time, YG's capital hustle was robbery. And in abounding means it still is.
Before jumping into music full-time, YG's capital hustle was robbery. And in abounding means it still is. He burgles hip-hop history for inspiration, but he consistently manages to bend it into the apple he and DJ Mustard—who produces ten songs here, if you calculation the capital benefit tracks—have created. (The Dogg Pound's "Let's Play House" pianos are adapted into side-chick sex jam "Do It To Ya," while Suga Free's "Why You Bullshittin'?" informs the angle of "I Aloof Wanna Party," etc.) It all feels incidental, off the cuff. The clumsiest advertence is Drake's axiomatic Rappin 4Tay cast on "Who Do You Love." Beneath frequently accustomed is that the song itself is a able awning of a Lil Boosie original.
Lyrically, the Compton built-in works in economical sketches rather than abundant renderings, every affricate acicular and purposeful. YG’s rapping fits his annual like a glove, rather than billowing with adorning stylization. The annual aren't all that new or ambitious—his art is primarily about an attitude, his absoluteness based about carrying accurate ruthlessness—and My Krazy Activity plays to those strengths. The album's sole weakness comes in its additional half, aback YG attempts a multi-song conceptual arc. He writes a robbery scene—perhaps a attenuate reprise of Kendrick Lamar's "The Art of Peer Pressure"?—from the POV of addition who came from the streets. Although accomplished "in character," it feels a bit over-wrought aback the album's better backbone is its all-killer-no-filler formula.
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Kevin Gates - One Thing (Official Audio) - YouTube | one thing kevin gates lyricsMuch acclaim belongs to DJ Mustard, who's managed to exhausted the hip-hop airplay archive and about-face hip-hop's clubbing soundtracks from Atlanta to the West Coast for the aboriginal time in years. His assignment on My Krazy Activity is some of his best to date—the titanic "Left, Right" canal sounds ample abundant to ample an aeroplane hanger—and although the comparisons to Snoop and Dre that he's fabricated on his columnist run are ludicrous, the adventurousness of those claims accept affected assemblage to annual with YG and Mustard’s impact.
YG isn't Snoop; he’s a aggressive bad boy home face with a atrocious streak, and, at first, a fluctuant flow. Hearing him rap on his admission accident "Toot It and Boot It" and award out he'd somehow addled that into a Def Jam accord and XXL Freshman awning fabricated him assume a action winner. His accepted success is about stars aligning, and arduous force of will. Afterwards carrying the best acute personality he's managed to assignment his way through the system, while watching adolescent XXL awning stars like Yelawolf, Meek, and Kendrick bead above characterization albums. He alike accumbent himself with Jeezy's CTE crew. It's an altercation in favor of persistence. But that abandoned isn't enough.
Miles Davis was already quoted as accepting said about his critics, “If I don’t like what they write, I get into my Ferrari and I drive away.” The bulletin is clear: success inoculates an artist. (There's a acumen so abounding artists absolution the best assignment at the alpha of their careers, afore they've "made it"—when their action is to accomplish it rich, they charge as abounding bodies on lath as they can. Already they've got money, they can do what they want, creatively.) The adherence in YG's liner addendum says as much: "And aftermost but not atomic Everybody who anticipation I wasn't gone be sh*t "F**K YOU." Can't say I wasn't amid that accumulation at one point—shit, alike as afresh as "My Nigga"'s barrage I was crediting Affluent Homie Quan and Mustard with the song's success. But YG is acutely the cement of My Krazy Life, the album's acid wire core. Like best above characterization products, it could accept been a almanac arranged with alfresco voices, but for the best part, it's YG's bodies on the album, accord or booty a Drake verse. His complete is relevant, and his time is now. He's becoming his "F**K YOU" money.
Freddie Gibbs has a "F**K YOU" attitude, but not absolutely as abundant of the "F**K YOU" money. Chain and a CTE amalgamation haven't helped Gibbs, who in 2009 was coronated by the columnist as the abutting advancing of bandit rap: a artery artisan who could discharge the best adorned curve with dissipated fluency. He was affecting abundant for Pac fans, but accomplished abundant to allay the East Coast heads, and gave few fucks afore that was a accepted about-face of phrase.
He's additionally remained a advisedly underground phenomenon. Whatever his talents, his aboriginal releases were different because they hit appropriate as the industry was abrading bedrock bottom, like abandoned above characterization missives from a absent era, a affectionate of bounded Murder Dog-meets-major-label caricature that abounding a abandoned for hardcore fans. He seemed on a hardly advancement aisle at first. I've consistently been fractional to Cold Day in Hell, aback ambassador Cardo affected Gibbs' confined into song structures that drew out a backbone from the abutting word-clouds. But signing to Jeezy accepted fruitless.
Finally freed afterwards two ashen years in the CTE dungeons, Gibbs feels like one to basis for. Which is why it's black to acquisition him aback with a new anthology alongside band ambassador Madlib, and accepted '70s alarm LP re-upholsterer who loops old annal and makes them complete like... old records, looped. The one affair Gibbs didn't charge was addition with a beyond abhorrence to pop than he has. Nothing so crass as, say, Kendrick Lamar and Imagine Dragons. It's added about creating a song that can ability an admirers not already accustomed with the artist, rather than annoying about stylistic signatures.
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Kevin Gates - Satellites Lyrics - YouTube | Kevin. ... opens my ... | one thing kevin gates lyricsHeads can agitation the next-level affection of Madlib's sampladelic exhausted science but at the end of the day, it can complete as formulaic as any Mustard track. The aberration is that Mustard, as a DJ, is fatigued into a chat with his admirers every time he accomplish abaft the decks. And he serves that admirers at the aforementioned time that he stamps it with his name. Of course, this is contemptuous populism, but it's additionally what makes YG's "F**K YOU" money annual its weight. He is block new fans; article is at stake. But alike Gibbs' Jeezy diss, "Real" seems absurd to atom a response, abnormally advancing at a time aback Jeezy has already afresh managed to access himself a hit distinct or two. Gibbs admirers will abide to fuck with Gibbs; the aggregate of Jeezy's admirers will abide to be blind of Gibbs' existence.
For those of us who are admirers of '90s bounded bandit rap, the Gibbs almanac is a abating approximation. The capacity and motifs are well-worn, but he executes them with burdensome efficiency. Gibbs' "realness" comes from carrying apathy anesthetized on from Scarface, the gravitas of experience, and the paradoxes of actuality a bandit and acquainted its consequences. Aback YG spits in double-time on his aperture song, "BPT," it feels like he's blame himself, exploring new horizons; Gibbs can discharge one of his best intricate verses, but it sounds automatic, performed through altogether apposite beef memory. This additionally suggests Gibbs is at a beneath artistic abode in his career, active expectations. In that sense, Gibbs, like Mustard, is accouterment to his admirers what they appetite to hear. Luckily for Gibbs, his admirers aloof wants to apprehend what he wants to hear, too. They accept few added expectations.
Sitting about in amid Gibbs’ underground antithesis and YG's bangers-uber-alles is Kevin Gates, whose By Any Means is calmly the best complex, confounding, and alluring bandit rap almanac of the year so far. His anthology is flawed, and beneath of an all-embracing ability aback compared with YG's. Those acquisitive to see Gates cantankerous over will end up aghast at a abridgement of radio-friendly singles. (He laments that one song appear aftermost Spring didn't end up a accepting a advance in the album's aperture seconds: "Telling me to accomplish a hit but I absolutely don't get why they absolved on 'Roaming Around'"). His absoluteness is, on a apparent level, familiar: poverty, drugs, guns, hustle. But up abutting he's article of an enigma; interviews acquisition him both apprehensible and elusive, demography questions he's asked and abnegation their framing, banishment his interviewers to recalibrate. (Ali Shaheed Muhammed: "So aback did you apprehend that music was your salvation?" Gates: "I wouldn't alarm it my salvation, I'd alarm it an outlet." It goes on like this.)
Like Gibbs, he's a rapper's rapper; clashing Gibbs, his appearance is as abundant about songwriting as Bic-to-paper rap-writing. Every song on this almanac is accounting in full, as if the melodies and concepts are absolutely chip genitalia of his artistic process, as abundant as the lyrics themselves. He pours activity into his words, cartoon on a able affiliation with a growing audience. He speeds up and slows bottomward with the story, autograph densely one moment and sparsely the next, absolution melody add affecting weight to back wistfulness, spirituality, strain. He creates music that inspires amorous advance from his fans; accidental Kevin Gates admirers don't absolutely exist. As a lyricist, he hardly seems to address abundant in advance; there's a apart anecdotal anatomy to abounding of these tracks.
The cilia of his words is accessible to follow, and his signal-to-noise arrangement is at or abutting 1:1. He has an ear for adept imagery, capturing capacity best rappers wouldn't anticipate to convey. On "Can't Accomplish This Up," from By Any Means, he raps in snatches of conversation: "Occupied by the hand, player, Caucasian waitress called Rachel/Sayin' I attending like a biologic dealer, 'you ain't alike cat-and-mouse our table!'" One song from aboriginal in his career, "Dangerous," has an abnormally striking, adumbrative passage:
Gates accomplish that bobcat get wetter than rain weatherBody so bendable I'm calling it Wayne leatherPassing through the awning with memories of the blockLeft duke captivation the caster our fingers are interlockedTinted windows but the rocks still coruscate on the watch
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Kevin gates | lyrics ♪ | Pinterest | Kevin gates, Gates and Truths | one thing kevin gates lyricsHe doesn't aloof get her bobcat wet; he remembers captivation her duke while his added duke grips the wheel. He doesn't aloof accept diamonds; they coruscate through the window tints. Through these writerly details, tiny moments that advice accompany a adventure and its characters to life. Anticipate how abundant is said afterwards absolutely adage annihilation in aloof bristles lines: about who he is, and who she is to him, and area they appear from. It sets a arena and places bodies aural it, conveys their accord and accomplished and present in a bunched space.
There's a attitude at the centermost of Gates' music, a faculty that we've alone heard pieces of a abundant bigger story, that the capacity he expresses are alike added alluring for suggesting the ones he's omitted. "My activity is a movie," he says, aptly, on "Movie," and gives us acumen to accept him, alike admitting it's a blah cliché in best added rappers' hands. He is additionally the attenuate bandit rapper who seems to address with a changeable admirers in apperception afterwards arrogant or throwing out brief advance "for the ladies." Oftentimes, his songs about adulation and relationships accommodate some of his added intricate verses.
Not to say that any of these albums are absolutely affable to women, Gates atomic of all. His song "Posed to Be in Love" will analysis the altruism of alike the best ardent admirers of Eminem's "Kim." The acerbic acerbity of an emotionally and physically calumniating man, already betrayed, the song will absolutely about-face your perceptions of Gates. It's uncensored insecurity, the bare affidavit of accessible feeling. You ability avert the song as honest, bringing admirers contiguous with the anamorphosis of calm violence. But one glance at Twitter, area kids blithely acknowledgment it as their admired song and antic about the abuse, can calmly banish any defense. The song is the ablution of a authoritative misogynist—full stop. One of the accepted criticisms of bandit rap is that it's a apparatus of above labels aggravating to behest ethics from on high; no one as abroad as Gates could be conceived of in a almanac characterization laboratory. He is the absolute deal, for all of its advantages and drawbacks.
"Pose To Be In Love" is all the added difficult to accommodate advancing as it does aloof four advance afterwards the album's centerpiece, "Movie," about the bearing of his child. Practically bright through the microphone, Gates gives an annual of his son’s birth, aggregate affecting piano curve with memories that in any added ambience ability assume banal, committed to band so the moment can be crystallized forever: "Out in California recording, 'what the fuck?' got a argument message, 'Kevin, it's started.'" "Only endlessly for gas, backed my Porsche in the garage, up the stairway I'm charging, and she didn't accessible her eyes until she heard me talking." So little happens, and yet anniversary movement is loaded with emotion, a powerful, life-affirming moment. How can one being back such abhorrence in one song and such altruism in another?
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