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Friends aback he was a affiliate of her Hot Bandage aback in the 1970s, Rodney Crowell and Emmylou Harris, above country stars now admired as Americana heroes, accept collaborated on two contempo albums. The Grammy-winning “Old Yellow Moon” from 2013 reflected on crumbling alluringly and nobly. This year’s “The Traveling Kind” doesn’t accept a accumulation affair but Harris and Crowell acquisition a nice, amoebic alloy amid her adorable appearance and his earthier tone, whether accomplishing her atmospheric ballads or his honky-tonkers. (7:30 p.m. Tue., State Theatre, $54 & $74.) Jon Bream

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Pop/Rock

When the Iron Range was headed into bread-and-butter abatement in 1975, four kids from Virginia, Minn., begin good-time abstention in Cats Under the Stars, a rootsy ball bandage ambidextrous in blues, country, R&B and whatever abroad the across confined appropriate of them. They headed to the Cities a few years afterwards and lasted through 1984, afterwards which singer/guitarist Paul Metsa became one of Minnesota’s best acclaimed bluesmen, and percussionist Tim O’Keefe played with the Rose Ensemble and in amphitheater productions. Forth with Jack Pasternacki and Joe Louma, they reunited for a 40th ceremony concert in Virginia this summer and are alms a Minneapolis copy with an broadcast calendar and guests Willie Walker and Sonny Earl. (7 p.m. Fri., Shaw’s Bar & Grill, $10.) Chris Riemenschneider

Twin Cities a cappella big bandage Prairie Blaze Lady Choir sings aggregate from Prince to the Replacements alongside its own affecting aboriginal songs, and has done so everywhere from rec centers to Walker Art Center and Aboriginal Avenue. The 40- to 60-member ensemble may accept begin a perfect-fit area this time, and it’s hooking up with a well-matched appropriate guest, the Nightingale Trio, accession women’s articulate accumulation specializing in Eastern European folk songs. (7 p.m. Sat., Women’s Club Theatre, 410 Oak Grove St., Mpls., all ages, $10-$12.) Riemenschneider

Delayed from April due to illness, John Prine is assuredly advancing to boondocks afresh to admonish us that all is right, laughable, admirable and cool in this big ol’ cool apple of ours. The Chicago-bred folkie and twang-rock pioneer, 68, has been arena appealing abundant the aforementioned accumulation of songs on bout aback his aftermost anthology of new originals came out in 2005. Best admirers don’t mind, though, abnormally aback “Angel From Montgomery,” “Souvenirs” and “Hello in There” are still amid them. Here’s acquisitive somebody drives Mr. Prine to the gig this time, clashing in 2012 aback he was aggravating to cross Johnny Cake Ridge Road while the zoo army was cat-and-mouse for him. Opener TBA. (7:30 p.m. Sat., Orpheum Theatre, awash out.) Riemenschneider

Like the East Coast folkie acknowledgment to the Judds, Suzzy Roche and her babe Lucy Wainwright Roche not decidedly fabricated a abundant brace on their well-received 2013 duo anthology “Fairytale and Myth.” Suzzy got her alpha singing with her sisters as the Roches in the ’70s. Lucy has been authoritative a name for herself as a abandoned artisan in contempo years, including a bout with half-brother Rufus aftermost summer. They added a backward appearance locally afterwards the aboriginal awash out. (7 and 10 p.m. Sun., Bryant-Lake Bowl, $20-$25.) Riemenschneider

The Tragically Hip never absolutely was that hip, except in its built-in Canada. However, American admirers who apparent the quintet’s powerful, Pearl Jam-like two-guitar overdrive and frontman Gordon Downie’s abnormally anapestic appearance never gave up on the band, alike through a cord of blah annal in the ’00s. Their accolade comes now: Downie and his bandmates (still all the originals!) are arena their top-rated 1992 anthology “Fully Completely” in its entirety, featuring such darkly pulsating and atomic gems as “At the Hundredth Meridian,” “Locked in the Trunk of a Car” and the appellation track. Attending for it in the average of the set, sandwiched amid added fan faves. (8 p.m. Mon., Aboriginal Avenue, $42.) Riemenschneider

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Hot off the absolution of her Billboard charting anthology “Cry Baby,” Melanie Martinez brings her cadaverous casting of pop to town. With Lorde-like turns of phrase, Lana del Rey-style moodiness, and Lady Gaga-esque camp, the advanced 20-year-old from Continued Island, N.Y., sings of sex, drugs, afterlife and regrets. Originally apparent on the third division of “The Voice,” Martinez active with Atlantic Annal in 2014 and arise “The Dollhouse” EP anon thereafter. Millions accept aback flocked to YouTube to watch her addictive self-directed videos. Her alive appearance is abiding to be a askance spectacle. (7:30 p.m. Mon., Mill City Nights, $15, all ages.) Erica Rivera

Introduced to U.S. audiences this year via appearances at South by Southwest and Coachella, Belgian cyberbanking ball singer/rapper Stromae is already a big affair at appearance and awards shows in Europe, area his 2013 distinct “Alors on Danse” bent fire. Kanye West afterwards remixed the song, and Lorde recruited the Brussels-bred son of Rwandan refugees to arise on “The Hunger Games: Mockingjay, Pt. 1” soundtrack. His SXSW set was active and stylish, but his onstage persona was apish and loaded with Euro-cheese discotech beats. We’ll see how he translates here. Janelle Monáe’s Wisconsinite protégé Jidenna opens. (8 p.m. Tue., Myth, all ages, $32.) Riemenschneider

As the shambling force abaft Wavves, Nathan Williams has frequently poked fun at the goth-rock subculture. On his latest, “V.,” due Oct. 2, Williams accouterment targets slightly, arch off with “Heavy Metal Detox,” which contains lyrics like “have I lived too long?/ why does my arch hurt?” Williams had bigger be careful: “Detox” and added advance from “V.” are so abutting and addictive that his garage-rock-slacker-on-weed persona is alpha to attending added and added specious. (7 p.m. Tue., Varsity Theater, $20-$25, all ages.) Britt Robson

It was the summer of 1985 aback Bryan Adams’ feel-good bedrock ’n’ cycle ode “Summer of ’69” took over MTV and the FM airwaves alongside “Heaven,” “Somebody” and “Run to You,” all hits from that year’s all-over anthology “Reckless.” The Canadian pop-rocker is arena the almanac in abounding on bout this year to mark its 30th anniversary, for those who’ve been dying to apprehend added non-hit advance he doesn’t generally comedy such as “Kids Wanna Rock.” He’s alms an Up North gig in accession to the Minneapolis date. (8 p.m. Wed., Northrop, $45-$99.50; 8 p.m. Thu., Sanford Center, Bemidji, $40-$75.) Riemenschneider

A acknowledged acknowledgment for The Orb is one of the added affable agreeable surprises of 2015. “Moonbuilding 2703 A.D.” appearance actual that both harks aback to the ’90s prime of Alex Paterson and off-and-on accessory Thomas Fehlmann, and puts some J.Dilla-style applesauce cobweb into the compactness fiber of their ambient house/hip-hop/trance complete collages. This is ball music for absorbed dreamers — and abysmal thinkers everywhere are beholden for the adventitious to brainstorm the party. (9 p.m. Wed., Mill City Nights, $18-$20.) Robson

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Dallas’ fast-revving punkabilly athletic the Rev. Horton Heat (Jim Heath) comes about every year or two to Aboriginal Ave and reminds us he’s still one of a kind. This time, though, he’s bringing forth a cult-loved British jailbait bandage that hasn’t been about our genitalia in years, the Adicts, accepted for their frontman Keith “Monkey” Warren’s droog-style “Clockwork Orange” apparel and early-’80s songs “Viva la Revolution” and “Tokyo Takedown.” Creepshow opens. (8 p.m. Thu., Aboriginal Avenue, $20.) Riemenschneider

Ben Rector is that attenuate pop brilliant who traffics in modesty. Rector already attempt a promo video for his 2011 anthology “Something Like This” that affably appear that cipher knew who he was. That’s no best possible, but the 28-year-old singer-songwriter retains his self-deprecation on the just-released “Brand New,” bond the attenuate adherence of “Fear” with a canticle to cabdrivers on “The Men Who Drive Me Places” to the apparent adulation songs like “Paris.” Truth is, Rector’s talents are modest, too, but the agreeableness is aboveboard and legit. (8 p.m. Thu., Northrop, $24.50-$35.) Robson

World

The anniversary All-around Roots Festival is the array of alien yet organically abysmal agreeable advertise usually begin alone in the world’s better markets like New York and Paris. This year’s three-night array begins on Monday with acceptable cord music from the Korean duo [s:um], followed by bribery diva Maarja Nuut from arctic Estonia. Tuesday brings the Caribbean folk-jazz of La Chiva Gantiva by way of Colombia and Brussels, followed by Ester Rada, an Israeli of Ethiopian ancestry whose blue body stylings went over able-bodied at the contempo Detroit Applesauce Festival. Wednesday’s closing bifold bill comprises animated Russian folk revivalists Otavo Yo, and again a set by the founding associates of the Somali hip-hop aggregate Waayaha Cusub, Hodan & Dalmar. Best of all, acknowledgment to a bulk of grants and patrons, the accomplished shebang is chargeless of charge, although amplitude is bound and both aboriginal allotment (through Ticketfly) and accession are acerb encouraged. (7 p.m. Mon., Tue. and Wed., Cedar Cultural Center.) Robson

Jazz

If your aftertaste in vocals runs to soulful, begrimed altos, Lizz Wright can get appealing abutting to a aiguille immersive experience. Wright is appropriately able of impressing a characteristic aboriginal on your anamnesis coffer or reorienting a accustomed abreast song via her alone analysis and testimony, which ranges artlessly through gospel, folk, applesauce and R&B idioms. The songs on her new album, “Freedom & Surrender,” affection the adult blow of ambassador Larry Klein, who formed abundantly with his ex-wife Joni Mitchell, and added afresh with Madeleine Peyroux. (7 p.m. Tue. and Wed., Dakota, $50.) Robson

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Blues

Shemekia Copeland continued ago accepted she could put the dejection on bang with a affair acknowledge and angry woe evocative of such iconic belters as Koko Taylor and Etta James. As she accomplished and fabricated acute choices in her collaborators, including Memphis body fable Steve Cropper and the consummate Dr. John, the across of her command became added impressive. Now in her 30s and aback on the Alligator characterization for her latest, “Outskirts of Love,” the bygone boyish babe of guitarist Johnny Copeland is abreast to agreeableness and agitate a chichi venue. (7 p.m. Thu., Dakota, $38.) Robson

Classical

New York-based pianist Jeremy Denk enters his additional year as Artistic Partner at the St. Paul Alcove Orchestra with a about adventuresome program, whose centerpiece is a brace of J.S. Bach’s Keyboard Concertos. Beside them Denk places Stravinsky’s “Dumbarton Oaks,” a assignment heavily afflicted by Bach, additional a clamp of Stravinsky’s rarely heard piano miniatures and his alluring adjustment for strings and wind of a Bach Prelude and Fugue. Denk is a superb performer, and his adeptness to anticipate alfresco the box guarantees both agreeable and bookish stimulation. (10:30 a.m. & 8 p.m. Fri., 8 p.m. Sat.; Ordway Center for the Performing Arts, $15-$53.) Terry Blain

A hundred years ago Apple War I was angry in Europe, and with the Hungarian borders clamped shut, artisan Bela Bartók looked inward, bearing the apparitional ruminations of his Additional Cord Quartet. It’s one of two pieces featured in the St. Paul-based Artaria Cord Quartet’s autumn division affairs “Music in the Shadow of War.” The added is Elgar’s Piano Quintet, a assignment accounting three years later, and buried in the aphotic caliginosity casting by all-around conflict, account by shafts of balmy Elgarian lyricism. A charge for alcove music aficionados. (3 p.m. Sun., Wayzata Community Church, 125 Wayzata Blvd. E., Wayzata, free, artariaquartet.com) Blain

In March, 17-year-old American pianist Eric Lu biconcave up aboriginal award-winning at the Ninth National Chopin Piano Antagonism in Miami, giving him automated access to the all-embracing antagonism abutting ages in Warsaw. En route, Lu stops off in the Twin Cities for an all-Chopin affairs at Macalester College. Central to the account is a complete achievement of the 24 Preludes, Lu’s estimation of which was afresh hailed by one analyst as “stunning and breathtaking.” Judge for yourself, as a adolescent brilliant launches to the pianistic firmament. (3 p.m. Sun., Janet Wallace Fine Arts Center, 130 S. Macalester St., St. Paul, $15-$25, chopinsocietymn.org) Blain

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