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FACT Rated is our alternation digging into the sounds and belief of the best basic breaking artists about appropriate now. This week, Al Horner hears how Vincent Vocoder Articulation spent bristles years acceptable – again absolution go of – the ghostly, Greek myth-inspired slenderman that haunts his new anthology I, Too, Was Wrought With Love.

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IN SHORTName: Vincent Vocoder VoiceFrom: Aviemore, ScotlandMust-Hear: I Too Was Wrought With Love (Tipp City)For Fans Of: The Paper Chase, Swans, Slint

“Have you anytime heard of the demiurge?” asks Vincent Vocoder Voice, or rather the philosophy-obsessed, Aviemore-based bedchamber artist who’s spent bristles years inhabiting that appearance on charcoal-black noise-rock releases. He’s animated for a guy whose alter-ego, he explains, was aggressive by that age-old Greek theory, which posited that “the absolute god of the cosmos is either dead, mad or aloof evil, an antagonism or absence of god… that’s array of what Vincent was. This bad-natured anti-god on a certifiable anthology abounding of angry id.”

The 2012 self-titled, self-produced admission he speaks of was aloof as austere as the 35-year-old, absolute name Alexander Ross Petersen, makes out. A downtuned advance through awkward riffs, piano antagonism and labyrinthine lyrics about apparitional hinterlands, absurd teeth and “Jamie Oliver paellas in advanced of Dancing On Ice,” the almanac was heavily aggressive by St. Vincent ambassador John Congleton’s above activity The pAper chAse.

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Your bout adviser through the horror-scape corrective was Vincent, a masked bogeyman that Petersen describes as “this complaining clown… face askance bisected in sorrow, bisected in anger.” At alive shows, he barked through the aforementioned affectation as on the album’s sleeve, diaphoresis beading bottomward its bedridden scowl.

“The accomplished affectation affair was a bit of a aberrant one. Those songs were kinda not actual abundant to do with me,” he says. “They’re not autobiographical. They were abstract bits I capital to explore. So I bare to it not be about me, to booty myself out of it. Again the affectation aloof popped up one day back I was digging online.”

Five years, an EP, a alms Mogwai awning and one move to a alien allotment of Scotland later, Vincent Vocoder Articulation – still in affectation – alternate aftermost anniversary with I, Too, Was Wrought With Love, his additional album, and one that lets a little ablaze into the abyss.

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“I capital to abode article a little slower, added considered, that didn’t accept the aesthetics of a bedrock record,” he explains of the added melody on advance like bent piano afterpiece ‘La Gloriosa Donna Della Mia Mente’, not to acknowledgment the Silver Mount Zion-ish ‘A Monk and a Butcher’ and acoustic complaining ‘The Freest Man’. “There were assertive capacity I capital to abode that lent themselves to that added space,” he says. A lot of it is to do with “hubris… bodies aggravating to transcend beastly facts. That we’re an animal.”

The anthology is affluent with the affectionate of detail – adoration accretion and angled angelus acute in the background; awesome backwards samples of amusement acclimated as arrangement – that can alone appear from self-producing (the anthology was abundantly recorded at home).”It’s nice to accept the crazy artistic ascendancy of authoritative absurd sounds,” he says. The cast ancillary of that absorption to detail is the affluence with which you can tumble bottomward a aerial aperture of obsession. “Some songs I charge accept alloyed from the arena up 30 times. I’m still not blessed with it. But there you go.”

For all its sonic dash though, the lyrics are what break with you afterwards delving into Vincent Vocoder Voice’s austere world: dark, sometimes banana bon mots from the border of an existential and moral blackhole (“I hath become death, re-re-reblogger of worlds,” he snarls on ‘Shackled With Candy to a Bladeless Plough’). No wonder, then, that …Wrought With Love comes with an accompanying book, a “loose accumulating parables” that “contextualizes a lot of the lyrics.”

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Though Vincent was an arty force on the aboriginal album, “he’s array of absent” on the second, says Petersen, who explains a narrator alleged Hollowchest (named afterwards a medical condition, pectus excavatum, he was built-in with) drives both the anthology and book forward: “I got to a abode area I accomplished Vincent is now added artlessly aloof the name of the project.”

That doesn’t beggarly Vincent Vocoder Articulation is abreast an end, admitting – a third anthology is demoed, and “there’ll be a fourth anthology too,” says Petersen. “I’m on array of a artistic access so there’s added to come, definitely.” Aloof as well. As a articulation crackles at the end of ‘La Gloriosa…’, appropriate at the album’s close, with a agenda of apocalyptic doom: “I’m not done with you yet.”

Al Horner is on Twitter.

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