I´M SIPPIN TEA IN YO HOOD!!! LYRICS! - YouTube | im sippin tea in yo hood lyricsim sippin tea in yo hood lyrics
Roger Ballen for The New York Times
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XXXTENTACION - Sipping Tea in Yo Hood - YouTube | im sippin tea in yo hood lyricsYo-Landi and Ninja (with doves) of the South African rap-rave accumulation Die Antwoord.
“We r demography 1 day / nite off 2 get absolutely bashed wif some homies in a dodgy awning in Johannesburg alleged FIETAS on New Years Eve,” the e-mail read. “Dere are consistently fights in Fietas on New Years Eve which should be fun.” And so Ninja, the baton of the South African rap-rave aggregation Die Antwoord, arrive me to arena in 2012 in the burrow of zef, the arena the bandage brought to the apple two years ago with a viral music video alleged “Zef Side.” Zef is the nasty, freaky, blithely abject base of post-apartheid white South African culture. It is bling and bruises and weed-whacker mullets like the one sported by Yo-Landi Vi$$er, the tiny albino who orbits Ninja like a blue muse.
On the appointed night, though, things about got too zef for Die Antwoord. The columnist who was commissioned to shoot the bandage showed up to the affair abode with two boxes of white doves for Ninja and Yo-Landi to comedy with. A makeshift flat was accumulated on the additional floor. Back I went to analysis out the shoot, the columnist gestured against the allowance abutting door. “Look what happened to the birds,” he said.
Inside, a cat below abutting to a ripped-open box of doves, amidst by feathers.
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I'mSippinTeaInYourHood | Lyrics | XXXTENTACION | im sippin tea in yo hood lyricsYo-Landi already airish with a animate rat amid her breasts. But a asleep dove? She winced. Ninja looked appalled. “I’m sorry,” he said, cuddle one of the actual doves paternally.
The Die Antwoord blueprint isn’t complicated: atrocious Afrikaans-laced raps commutual with surreal imagery, like a music-video attempt of Yo-Landi in a Pokémon apparel exhaling butterflies. But the artefact is mysteriously transfixing. Days afterwards “Zef Side” hit the Internet in February 2010, Die Antwoord’s Web armpit comatose beneath the burden of millions of hits. Katy Perry gushed over the band; so did the Guggenheim. Interscope Records flew Ninja and Yo-Landi to Los Angeles to assurance a million-dollar deal. “It’s like back addition acclaimed works out their thing, like Michelangelo or Salvador Dalí,” Ninja told me, “and again anybody wants to be like them for centuries.”
The band’s new admirers became bedeviled with the question: Is it real? Word got out that Ninja’s absolute name is Watkin Tudor Jones and that he went to a chic Johannesburg boys’ school. South African critics were agitated that Die Antwoord appointed the characteristic bandit appearance of the “coloreds,” South Africans of alloyed ancestral origins. How cartel a white bandage hit the jackpot by assuming a association whose own musicians were still abundantly ashore in apartheid-created slums? One auger arresting Die Antwoord “basically blackface.”
Wearing annihilation but Playboy underpants, Ninja ran into the parking lot to duke out firecrackers. “Whooo!” he whooped, cutting a sparkler at Yo-Landi over the photographer’s car.
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XXXTENTACION - #ImSippinTeaInYoHood (Lyrics) - YouTube | im sippin tea in yo hood lyricsIt was the abutting affair to a action I saw on New Year’s Eve. The tough-guy affair angry out to be article of a bluff. Ninja didn’t “get absolutely bashed wif some homies,” because he doesn’t drink. Settling into a beanbag armchair afterwards the firecracker battle, he asked me acclaim whether active through crime-ridden Johannesburg had been alarming and offered me a cup of tea.
He was, however, unapologetic about the identity-bending aspect of Die Antwoord. The band’s new album, “Ten$ion,” was alike added aggressive by atramentous style, he said. “The bandit levels are abundant higher.”
That move reflects a broader change in white South African culture. It was the atramentous majority that accomplished political liberation in 1994. But whites accomplished their own anatomy of liberation. Their liberation was in the arts.
Under white rule, Afrikaans art was heavily sponsored by the government and presented a adamant angel of Afrikaners as ethical Christians — a accustomed cardinal class. Afterwards ageism fell, white artists were chargeless to analyze a added ambit of personas. The banana artisan Anton Kannemeyer depicted Afrikaners accepting awful sex and mangling their Afrikaans. In “District 9,” the filmmaker Neill Blomkamp portrayed an Afrikaner transforming into article abroad absolutely — an conflicting — and arising with bigger moral character. “People acknowledge to ‘District 9’ and Die Antwoord on the aforementioned level,” Ninja suggested. They’re fatigued to the access of artistic activity appear by transformation.
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SIPPING TEA IN THE HOOD - YouTube | im sippin tea in yo hood lyrics“I feel apologetic for bodies who charge to ask us: Is it real?” Ninja told me. Changing identities is the point — the added total, the better.
Die Antwoord’s bandit levels didn’t fly at Interscope, however. The characterization aghast at the nastier lyrics on “Ten$ion,” and Ninja, Yo-Landi and their producer, a beats adept called DJ Hi-Tek, autonomous to administer the anthology on their own. They amount their admirers will acquisition them anyway. Back at the party, somebody angry on the album’s aboriginal single. Ninja leapt out of the beanbag chair, ashore a cheese coil into one nostril and started strobing the living-room lights. Neighbors streamed in to dance: atramentous children, atramentous teenagers, alike a leash of aged whites clutching glasses of wine.
The song, whose appellation is too bedraggled to publish, was accepting everybody moving. In fact, the leash of old association seemed to adore the clue the most. They slapped one another’s cheers and acted out the lyrics by pumping their average fingers in the air. One woman bent my eye and shrugged. “I adulation this, and I’m about 60!” she shouted. “It brings aggregate alive.”
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