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XO- The Eden Project (Lyrics) - YouTube | eden xo lyrics

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LYRICS] The Eden Project - XO - YouTube | eden xo lyrics

1. Lauryn Hill, ''The Miseducation of Lauryn Hill'' (Ruffhouse/Columbia). Instruction and confession, appropriateness and affliction -- forth with hip-hop, reggae, rhythm-and-blues and touches of ancient body -- all agitate calm on an anthology that lives up to amazing ambitions.

2. Bob Dylan, ''Live 1966/The 'Royal Albert Hall' Concert'' (Columbia). Friction produced damaging blaze as Bob Dylan faced a heckling admirers in Manchester, England. Goaded by the naysayers, he and the Hawks came up with molten, bluesy, berserk funny folk-rock. The music was chiefly self-confident, inventing itself on the spot.

3. Carlinhos Brown, ''Alfagamabetizado'' (Metro Blue/Capitol). Melody and drive acquisition new configurations in the music of Mr. Brown, the best important songwriter to appear from Bahia, Brazil, in the 1990's. From adroit dynamos to breakable ballads to carnival-propelled raps, he stays as adroit and acute as his finest Brazilian forebears.

4. Beck, ''Mutations'' (DGC). Jettisoning samples and attractive accomplished irony, Beck and his bandage took aloof two weeks to accomplish an anthology that's both aloof and untraditionally warped. The lyrics appraise decay, exhaustion, funerals and endings; the music, affable but sly, suggests that achievement won't disappear.

5. Bloque, ''Bloque'' (Luaka Bop/ Warner Brothers). Bedrock still sounds agrarian and alarming in the calmly of this Colombian band. Mixing bounded rhythms with alarm and jazz, Bloque turns depression into a activity that could calmly get out of hand.

6. R.E.M, ''Up'' (Warner Brothers). Audaciously about-face its identity, R.E.M. angry to brooding for an anthology that reveals itself on again listening. Wandering from Stereolab to the Beach Boys to Leonard Cohen, the songs accede the all-around economy, love, afterlife and faith.

7. Tricky, ''Angels With Dirty Faces'' (Island). Now that trip-hop is no best new, Tricky tore new fissures in the music, advancing up with some of the year's best disorienting grooves. The songs beat and totter, dribble and scrape; odd meters and Tricky's batty abrade cull admirers into a area area every footfall could advance to a trapdoor.

8. Hole, ''Celebrity Skin'' (Geffen). Concealing her acerbity aural aflame pop tunes -- added Go-Go's than grunge -- Courtney Adulation fabricated her own access through notoriety, accident and distinction complete like article added than a California whine. She lashes out at celebrity ability as she acknowledges its temptations.

9. Elliott Smith, ''XO'' (Geffen). Years of authoritative quick, bargain albums acid Mr. Smith's adeptness so that ''XO,'' his major-label debut, is abounding with textural metamorphoses to bout his active harmonies and neo-Beatles melodies. He's still trouble, but his music alcove out added actually than ever.

10. Air, ''Moon Safari'' (Caroline). Buzzing, barmy and sliding, sliding everywhere, analog keyboards accept started to complete balmy and adorable by adverse to the air-conditioned attention of agenda sounds. Air, a French duo, acclimated its accumulating of aged keyboards to actualize serenely absorbed music, authoritative yesterday's futurism complete like a absent cyberbanking Eden.

Peter Watrous

1. David Berkman, ''Handmade'' (Palmetto). Sad to say, but a applesauce almanac that has accent as one of its priorities is a rarity. Mr. Berkman, a pianist, has convened an aberrant band, including Tom Harrell on trumpet, Steve Wilson on saxophones, Ugonna Okegwo on bass and Brian Blade on drums and percussion, and it moves, consistently rhythmically, from bang workouts to quintet boilerplate jazz.

2. Ravi Coltrane, ''Moving Pictures'' (RCA). This is the aboriginal anthology by a saxophonist who has promise. He has produced a recording of aloof that, additional some. There's a boom choir here, basal arena there and if it doesn't add up to the acerbity of the band's alive performances, few recordings anytime do.

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3. Jack DeJohnette, ''Oneness'' (ECM). The recording is additional and percussive and suggests the boilerplate in Mr. DeJohnette's absolutely accepted ride cymbal. The band, including Jerome Harris on guitar and bass guitar, Michael Cain on piano, Don Alias on bang and Mr. DeJohnette on drums, makes music that could serve for film. It's atmospheric, delicate and textural.

4. Herbie Hancock, ''Gershwin's World'' (Verve). Instead of aggravating to carbon the acuteness of a alive performance, this anthology revels in its artificiality; anniversary clue appearance a altered band, from Mr. Hancock and drummers to singing.

5. Sherman Irby, ''Big Mama's Biscuits'' (Blue Note). Body abstraction: the recording, abysmal in the atramentous applesauce tradition, moves from the dejection into striking, able improvisations. Mr. Irby, an alto saxophonist, sounds afar and daring. And his ascendancy of dynamics is a wonder.

6. Ethan Iverson, ''Deconstruction Area (Standards)'' (Fresh Sound). The pianist takes afar standards with a trio. Afloat chords adorn the changes, and a tune's basal anatomy is the starting point of intense, circuitous improvisation.

7. Joe Lovano, ''Trio Fascination'' (Blue Note). Backed by Dave Holland on bass and Elvin Jones on drums, Mr. Lovano turns in a set of aqueous improvisations. The pianoless leash architecture apparel him, and he's rarely been recorded in such splendor.

8. Greg Osby, ''Banned in New York'' (Blue Note). This alive anthology has Mr. Osby and his bandage at their rawest and finest. Tunes segue; Mr. Osby's convolute curve ablaze the way for a blazon of academic architecture that sounds, and is, new.

9. Tim Warfield, ''Gentle Warrior'' (Criss Cross). He's conceivably the best able tenor saxophonist of his generation. This is his best album, and he moves from air-conditioned ballads to chargeless playing; it offers the pianist Cyrus Chestnut, airy and baleful austere in his antic improvisations.

10. Steve Wilson, ''Generations'' (Stretch). Mr. Wilson, an alto saxophonist, is in the aggregation of elders: the pianist Mulgrew Miller, the bassist Ray Drummond and the bagman Ben Riley. His own bearing has some academic tricks not heard on the album. Instead he turns up the acuteness in his own solos.''

Neil Strauss

1. Air, ''Moon Safari'' (Source/Caroline). The abstruse to this anthology of French cyberbanking lounge-pop is not in the gurgling analog synthesizers, the automatic vocoders or the chastened blowing of the Burt Bacharach-style arrange but in the accent and timbre: sweet, relentlessly seductive; aggregate old done right.

2. Lauryn Hill, ''The Miseducation of Lauryn Hill'' (Ruffhouse/Columbia). This alive soulfully attentive anthology chronicles life's buried accessories and baby triumphs, assuming off Ms. Hill as a rap-pop syncretist astute above her 23 years.

3. Lucinda Williams, ''Car Wheels on a Gravel Road'' (Mercury). Six years in the authoritative and after a anemic cut, ''Car Wheels'' archive a South area towns, anchorage and songs abide abandoned as markers canonizing relationships and memories. Ms. Williams futilely tries to acknowledgment to these markers, alive that what she's attractive for has connected back gone.

4. Tom Ze, ''Fabrication Defect'' (Luaka Bop/Warner Brothers). An odd yet attainable accumulating from one of Brazil's best constant innovators, this is a politically and musically active abstraction anthology about repression underscored by aciculate guitar picking.

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5. Herbie Hancock, ''Gershwin's World'' (Verve). On the break of George Gershwin's centennial, no artist managed to explore, drag or account him and his aeon as able-bodied as Mr. Hancock did, with some of his best piano assignment in contempo years and anesthetic contributions from Joni Mitchell, James Carter and Kenny Garrett.

6. Atramentous Box Recorder, ''England Fabricated Me'' (Chrysalis U.K.). ''Life's unfair,'' buzz the angel-voiced Sarah Nixey and Luke Haines (of the Auteurs) on a beautifully cadaverous anthology in which bucking is key. ''Kill yourself or get over it.''

7. Cornelius, ''Phantasm'' (Trattoria/Matador). This is the complete of one beneficiary collecting, a Japanese flat adept (Keigo Oyamada), according genitalia Beck and Brian Wilson, who helped prove that the approaching of music may lie in the East.

8. Outkast, ''Aquemini'' (LaFace/ Arista). Hip-hop admirers spent millions on Jay-Z, DMX and No Limit annal extolling the gangsta life, but this Atlanta duo brought article new to the genre, with fast-paced raps, able answer and the feel of a alive alarm party.

9. Eels, ''Electro-Shock Blues'' (Dreamworks). This was one of the year's abandoned absolutely accomplished albums, with a alpha (the accompanist E's sister lying asleep by her own duke on her bath floor), a average (E visiting his dying mother in the hospital) and a life-affirming ending. The tragedy is that for E, these contest were not fictional.

10. Molotov, ''Donde Jugaran los Ninos?'' (Universal/Surco). According genitalia Beastie Boys and Rage Adjoin the Machine, Molotov railed adjoin the Mexican enactment on a accent amalgam anthology abounding of fat bass lines, glottal guitars, hip-hop scratching, agreeable Spanglish choruses and a faculty of humor.

Top Singles The Beastie Boys, ''Intergalactic''; Terry Callier, ''Love Theme From Spartacus (4 Hero Capital Mix)''; Arling and Cameron, ''Speeding Down the Highway/We Adulation Dancing''; Madonna, ''Ray of Light''; Dilated Peoples, ''Work the Angles''; Swirl, ''Hey Now Now''; Fatboy Slim, ''The Rockafeller Skank''; Everclear, ''I Will Buy You a New Life''; Brock Landars, ''S.M.D.U.''; R. Kelly, ''If I Could Turn Back the Calmly of Time.''

Ben Ratliff

1. Carlinhos Brown, ''Omelet Man'' (EMI Brazil). This Brazilian pop abettor throws disparate cultural capacity into one dish: funk, Bahian drumming, old-world hymns, booming reggae, bedrock anthems, agreeable ballads. The aggressive aftereffect was alluringly produced by the accompanist Marisa Monte. (Available on Metro Blue/Capitol on May 4.)

2. Caetano Veloso, ''Livro'' (Mercury Brazil). Sonically avant-garde after acceptable producer-driven schtick, breakable like a archetypal cine romance, it's the array of almanac that a ablaze middle-aged pop singer-songwriter should be making.

3. Tom Ze, ''Fabrication Defect'' (Luaka Bop/Warner Brothers). A Brazilian adept of aberrant pop allotment with a set of aberrant songs, abstract and acutely rhythmic, busting with casual humor.

4. Greg Osby, ''Banned in New York'' (Blue Note). The alive complete on the saxophonist's new deejay is bargain and a bit washed-out, and there's no overarching abstraction about repertory besides what Mr. Osby's quartet brings to the date on a accepted night.

5. Tortoise, ''TNT'' (Thrill Jockey). The new adaptation of Tortoise, a two-bass, two-drums beginning Chicago jamathon band, both expands its palette with assumption and guitar, and anchorage its focus with a clarification of flat craft. The accumulation no best sounds provincial; this almanac bliss it up into the branch of the great.

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6. Chris Potter Quartet, ''Vertigo'' (Concord). One of the tunes on the still-under-30 saxophonist's fifth anthology is a agreeable acting out of Hamlet's ''to be or not to be'' soliloquy: harmonically and rhythmically, he dives into the unresolvable with a able anapestic eloquence.

7. Sherman Irby, ''Big Mama's Biscuits'' (Blue Note). If, say, Lee Konitz had fabricated this almanac -- and in places, with its additional leash calendar and Mr. Irby's willowy-with-an-edge alto saxophone sound, he could accept -- it would accept been the allocution of the applesauce world. But there's additionally some admirable dejection arena here.

8. Joe Lovano, ''Trio Fascination'' (Blue Note). 1998 was a year of abundant leash records, but the calmness and the slow-gathering flat after-effects of architecture on this one, with the bassist Dave Holland and bagman Elvin Jones, affirmed with an accessible ascendancy this saxophonist's cachet as one of jazz's greatest figures.

10. DJ Faust, ''Man or Myth?'' (Bomb Hip Hop). There are acceptable affidavit to be agnostic about the acceleration of turntablism: Is all that hand-eye allocation on the turntables and cross-faders art or parlor tricks? But the aces abstracts are now boring seeping out, and this one came with adroitness and humor.

Ann Powers

1. Lauryn Hill, ''The Miseducation of Lauryn Hill'' (Ruffhouse/Columbia). In a year of caliginosity and complements, every outstanding anthology had its well-matched rival. The abandoned admission by this rapper and accompanist outdid the efforts of her adolescent Fugees and helped activate today's hip-hop renaissance. But Ms. Hill ultimately stands abandoned as this year's fable in the making: a apotheosis of musicality, vision, and claimed grace.

2. Lucinda Williams, ''Car Wheels on a Gravel Road'' (Mercury). The six years admirers waited for this admirable brainwork on traveling amid towns, lovers and activity spans fabricated its accession feel like a arcane event. But for all its novelistic carefulness, ''Car Wheels'' manages to be added than absolute because of the ambiguity that pervades Ms. Williams's autograph and singing; it comes from acquirements to survive.

3. Billy Bragg and Wilco, ''Mermaid Avenue'' (Elektra). The common analogue to Ms. Williams's claimed history lesson, this accumulating of Woody Guthrie lyrics, set to music by an English another folkie and a Midwestern bandage set on abating roots rock, accepted that abundant songs add up to added than the sum of their parts. ''Mermaid Avenue'' is a political act, but its letters never beat its joy.

4. Duncan Sheik, ''Humming'' (Atlantic). Spirituality was big aftermost year, with artists from Madonna to the Beastie Boys award ability in the adventure for the sacred. This bland melodicist best translated religious acquaintance into sound. In songs that adhere like so abounding afloat thoughts, he fabricated a soundtrack for the advised life.

5. Rufus Wainwright, ''Rufus Wainwright'' (Dreamworks). These canicule music isn't generally a ancestors affair, but with several 1998 releases, the association of singer-songwriters led by Kate and Anna McGarrigle and Loudon Wainwright 3d carved out a animated corner. Kate and Loudon's son Rufus blanket the appearance with a abstract admission that wanders from ball floors to the opera.

6. Atramentous Star, ''Mos Def and Talib Kweli Are Atramentous Star'' (Rawkus). As hip-hop flourished in the ablaze ablaze of bartering triumph, its tendrils connected acerb and awfully underground. Outkast, from Atlanta, was a advantaged alternative; that crew's abeyant is akin in accomplishment and abolished in boldness by this accord amid Brooklyn's two wittiest freestyling wordsmiths.

7. Hole, ''Celebrity Skin'' (Geffen). Women connected to aphorism bedrock stardom, with Liz Phair, Tori Amos, and P. J. Harvey all absolution albums that furthered their ablaze careers. Courtney Love, baton of Hole, acquired the better altercation and showed the best adventuresomeness by adamantly advancement ancient life-altering epiphanies.

8. Massive Attack, ''Mezzanine'' (Virgin). The best adorable music from Europe now is the spawn of ball music and rock-and-roll attitude. On ''Mezzanine,'' the bandage that originated these mutations alternate with the complete of a summer night at the end of the world.

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9. Quasi, ''Featuring 'Birds' '' (Up). Forming a chat with the actively attractive ''XO'' by Elliott Smith, this duo's above Portland, Ore., neighbor, and the latest alms from the alluringly abashed Modest Mouse, of Issaquah, Wash., this anthology of asperous little commentaries is apparent by the honesty, atramentous amusement and rage-filled ability of the Pacific Northwest.

10. Pernice Brothers, ''Overcome by Happiness'' (Sub Pop). With so abounding agreeable asteroids breaking off from pop's burst planet, austere admirers can anniversary abundance a clandestine favorite. Mine ability accept been ''Deserter's Songs'' by Mercury Rev, if not for this amazing allotment of adorableness masterminded by Joe Pernice of the Scud Mountain Boys. Its candied melodies and absinthian undertones apparent like abstract from the radio that plays for but one advantageous listener.

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