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When Beach Slang answerable assimilate the arena in 2014 with the absolution of two analgesic EPs, the bandage became accepted for their bleared guitar riffs, abolition drums, and ardent lyrics. The Philadelphia, PA, quartet accept aback put out two LPs, 2015’s The Things We Do to Find People Who Feel Like Us and 2016’s A Loud Bash of Teenage Feelings, both of which aggrandize on that down-covered Rock complete Beach Slang accept become accepted for.
However, Vocalist/Guitarist James Alex has absitively to band abroad that complete and abate it on Beach Slang’s latest EP, We Were Babies & We Were Dirtbags. This new project, appropriately alleged Quiet Slang, turns bottomward the aggregate and replaces those agrarian guitars with anxious pianos and cello. This EP, appear October 20th, accouterment the focus to Alex’s breakable lyrics on two re-imagined Beach Slang advance and covers abstract by Big Star and The Replacements.
First up is a new circuit on the opener of A Loud Bash of Teenage Feelings. “Future Mixtape for the Art Kids” begins with Alex singing, “Play it loud, comedy it fast,” yet this new adaptation does neither. However, Alex’s lyrics are breakable and sweet, adapted to the active piano and cello that drive this new version. The spotlight now shines on Alex’s apparitional vocals and while the lyrics abide the aforementioned as the original, the about-face in complete additionally acts like a about-face in narrative.
Where the Beach Slang adaptation is played loud and fast and tells the adventure of a agrarian night, the Quiet Slang adaptation is like a daytime drive with the windows formed down. The aforementioned can be said of “Bad Art & Weirdo Ideas,” originally heard on The Things We Do…., now featuring anxious cello and softer vocals from Alex than anytime heard before. The ablaze piano calls to apperception a brilliant day, and the song now seems alike added hopeful than its louder counterpart.
Following those originals are covers of The Replacements archetypal “Androgynous” and everyone’s admired Big Star apathetic dance, “Thirteen.” Both pay applicable accolade to their sources, but the “Androgynous” awning seems added appropriate in ablaze of contempo political events. While not abnormally altered from the original, Alex’s vocals are a applicable alarm aback to Paul Westerberg’s and the adventurous piano keeps the song’s appearance alive.
There is affluence to like about this Quiet Slang project, abnormally for those who are already Beach Slang fans. This new EP shows addition ancillary to Alex’s songwriting abilities, and thankfully he has declared that added Quiet Slang is on the way. For its anxious re-interpretations, CrypticRock gives We Were Babies & We Were Dirtbags 4.5 out of 5 stars.
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