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It's a airy Tuesday afternoon and the associates of La Santa Cecilia are ensconced in a call allowance in Atwater Village. The bandage is alive on a piece of the song "Sucede" (It Happens) for their concert Saturday at Disney Hall — their aboriginal Los Angeles actualization in added than a year.
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Tragos Amargos Ramón Ayala is a Mexican musician, composer, and ... | tragos amargos lyricsThe song, like abounding of Santa Cecilia's fusion-y hybrids, flits amid agreeable styles — from Latin pop to ska and aback again. One alteration requires a move from a slower-moving choir to accelerated ska. Trumpet, trombone and accordion players are alive on uniting a circuitous set of fast, aerial notes.
After attempting various combinations, the bandage nails it. "Yes, that's it!" exclaims advance accompanist Marisol Hernandez, decked out in a ablaze azure 1940s-style abode dress and blush huaraches. "¡Así está chido!" (That way, it's cool.)
The song wraps, Hernandez serves herself a cup of tea and babble begins about the weekend's bashed escapades. As the bagman begins animadversion out a few beats on his kit, the members slip into ad-lib choruses of "Bule Bule," the 1965 earworm by Los Rockin Devil's.
Santa Cecilia is adequate itself to the max. Or, as Hernandez says as she sinks into a couch for an interview, "We are active our dreams."
The aftermost brace of years accept been a cyclone for the Latin roots-rock bandage from Los Angeles. Their 2013 album, "Treinta Días" (Thirty Days) won a Grammy Award for Latin bedrock album, addition or burghal — an honor the bandage committed to the country's undocumented workers.
Moreover, their distinct "Ice El Hielo" — a active bossa nova set to a powerful video by filmmaker Alex Rivera — generated account internationally by assuming how families are broken afar by deportation. It led the band to a Capitol Hill immigration rally, area they played afore an admirers of 100,000. In between, they toured the world.
And the bandage has remained busy. Late last month, Santa Cecilia appear a new album, "Buenaventura," which quickly landed at No. 3 on the Billboard Latin pop charts. Next week, they barrage a bout beyond the United States and into Latin America.
"It's been," says percussionist Miguel "Oso" Ramirez, "just incredible."
Allen J. Schaben / Los Angeles Times
When Santa Cecilia takes the date at Disney Hall on Saturday night, it will represent a continued adventure yet a abbreviate ambit from its modest beginnings. Two of the band's amount associates — Hernandez, additionally accepted as "La Marisoul," forth with accordionist Jose "Pepe" Carlos — got their alpha busking on Olvera Street, aloof a mile from Disney Hall.
They clearly became La Santa Cecilia roughly eight years ago, back Hernandez and Carlos abutting Ramirez and bassist Alex Bendaña. Since then, they accept fabricated a civic name for themselves with their bouillon of Latin-infused sounds, tunes that cautiously alloy norteño, ska and rock for songs that are greater than the sum of their parts.
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Trago amargo. Tango (1925) | tragos amargos lyrics"Cumbia Morada," one of the breakout songs from their 2014 album, "Someday New," synthesizes cumbia and pop. The girl-power anthem, "I Won't Cry For You," from their accepted album, takes swing and injects it with accordion. (Impossible not to canal to.)
"It's this accustomed way of accomplishing a collaboration," says Ramirez. "For us, it's, 'What if we mix cumbia with reggae?'"
And it's a action area no one actuality dominates. "We are a bandage back it comes to songwriting," Ramirez says. "I'll appear by with something, with the alpha of a song, and somebody abroad will add to it."
"It's consistently a challenge," adds Bendaña. "How do you accomplish the music evolve? ... We all augment off anniversary other's ideas."
Allen J. Schaben / Los Angeles Times
Certainly, the bandage itself represents a altered admixture of Latin styles — an L.A. bandage that could not be added of L.A. All barrage from altered genitalia of the burghal and, together, awning a range of Latino experience.
Hernandez and Ramirez both accept Mexican roots but were built-in in the U.S. Bendaña is Nicaraguan but was built-in in Venezuela afore his ancestors confused to L.A.
Carlos, as has been broadly reported, was brought to the U.S. as a boy from the Mexican accompaniment of Oaxaca and was undocumented until 2014 — back he was accustomed for a blooming agenda in the deathwatch of the band's Grammy win.
"So abounding dreams are captivated up by a card," he says. "We accord to aggregate that is activity on here. So it was absurd to assuredly be able to biking with the band, to assuredly go to Mexico, to Colombia. It was amazing."
The array of agreeable adventures that Santa Cecilia's members collectively represent are equally intriguing. Bendaña got his alpha back a adolescence friend, who was Mexican, asked him if he was absorbed in arena music — and accomplished him the polka-based basics of norteño.
"A anniversary afterwards I'm arena this gig at this party," he recalls with a chuckle, "wearing a scorpion belt."
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30 best Lyrics ♥ images on Pinterest | Music quotes, Song quotes ... | tragos amargos lyricsBendaña and Ramirez came calm over their aggregate adulation of Afro-Caribbean beats. Carlos is obsessed with norteño. Hernandez has an constant admiration with son jarocho (the fast-moving, string-heavy appearance from Veracruz) and nueva canción, the folk-political anthems that emerged out of Latin America in the '70s.
"I grew up alert to Mercedes Sosa," she says of the acclaimed Argentinean folk singer. "I bethink my dad calling me into the abode and saying, 'Listen to this.' And he put on 'Alfonsina y el Mar' and the lyrics and her articulation — it aloof backward with me."
But admitting the accumulation has consistently begin an accessible amalgam amid their disparate interests — including acceptable doses of rock, pop and country, from the Doors to Loretta Lynn — the creation of the "Buenaventura" anthology was altered from the others. Their college contour kept them on the road for months at a time, and back they alternate to Los Angeles, they were afflicted by claimed and able obligations.
"In the past, we sat about autograph songs, that's what we did," Hernandez says. "This time we had to accomplish time to write."
To that end, Hernandez busy a house in Joshua Tree so that the bandage could get abroad as a unit. She additionally activated some austere rules.
"Our phones were kept in a drawer," Ramirez recalls with a smirk. "And we could alone analysis them for 20 account a day."
Initially, advancing calm to address afterwards so abundant time on the alley didn't appear naturally.
"I wasn't activity it," says Ramirez. "I said, 'I'm activity to go accomplish meatball soup.'"
But Carlos says that is allotment of the band's dynamic. "Sometimes, you accept to let it be."
As they began to abstract from the aberration of actuality Santa Cecilia, however, they began to reconnect musically.
"Buenaventura" traipses calmly beyond genres. "Sacude la Pereza" channels a chilled-out reggae beat. The politically tinged "Nunca Más" takes its high activity from the afire strings of son jarocho. And "Tragos de Amargo Licor," done in accord with Spanish rocker Enrique Bunbury, is a rock-infused awning of the heartbreak song by norteño fable Ramón Ayala — the array of tune to alcohol one or two or three tequilas to.
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Más de 25 ideas increíbles sobre Tragos amargos en Pinterest ... | tragos amargos lyricsThe fusion comes naturally, article that the band's associates aspect partly to their years as a affair bandage — arena locations such as La Cita, the city bar area they were accepted to get a army moving back in the mid-aughts.
"If addition says, 'Can you comedy addition hour?' — you say yes," says Hernandez.
"And if you don't accept songs, you inventa," she adds, application the Spanish chat for invent.
The bond additionally fulfills a admiration not to be alone into any one genre.
"Sometimes we are like, 'I appetite to be in a bedrock band' and sometimes we say, 'I appetite to comedy in a cumbia band,'" says Hernandez.
"We are accomplishing our thing," adds Carlos, "and not classifying it in any way."
As the bandage gets accessible to globe-trot again, there are still affluence of things they dream about doing. They'd like to absorb added time in Colombia, acreage of the cumbia, and conceivably accomplish a appointment to Peru, with its consciousness-expanding chicha music.
Plus, there's a collective in Washington, D.C., they are absorbed in playing.
"The White Abode has mad concerts," says Ramirez. "If Obama would like to book us afore he goes, we're available."
La Santa Cecilia plays Walt Disney Concert Hall on Saturday at 8 p.m. Spanish accompanist Buika is the aperture act. 111 S. Grand Ave., city Los Angeles. Tickets are $48.50 to $114. laphil.com.
Find me on Twitter @cmonstah.
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