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'GREY GARDENS' Opens Tuesday. Maybe the bigger catechism mark of the agreeable season, this arresting appearance is an adjustment of the bandage documentary about the aberrant ancestors of Jacqueline Kennedy Onassis (2:30). Playwrights Horizons, 416 West 42nd Street, Clinton, (212) 279-4200.
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kevin gates pride lyrics - YouTube | pride kevin gates lyrics'FAMILY SECRETS' Opens Wednesday. Sherry Glaser plays her complete ancestors in this awakening of her 1993 autobiographical alone appearance about affective from the Bronx to Southern California (1:30). 37 Arts, 450 West 37th Street, (212) 307-4100.
'MEASURE FOR PLEASURE' Opens Wednesday. A new ball by David Grimm ("Kit Marlowe") that is allotment Restoration comedy, allotment avant-garde sex ball (2:30). Accessible Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 239-6200.
'GEORGE M. COHAN TONIGHT!' Previews alpha tonight. Opens 9Thursday. It's been about four decades aback Joel Grey starred on Broadway as the complex, ablaze artisan in "George M!" -- added than abundant time for accession attending at the columnist of "Yankee Doodle Dandy." In this version, which includes the songs of Mr. Cohan, Jon Peterson stars (1:30). Irish Repertory Theater, 132 West 22nd Street, Chelsea, (212) 727-2737.
'ENTERTAINING MR. SLOANE' Opens March 16. Alec Baldwin stars in Joe Orton's jet-black ball about a handsome drifter who seduces anybody abroad onstage (2:00). Laura Pels Amphitheater at the Harold and Miriam Steinberg Center for Theater, 111 West 46th Street, (212) 719-1300.
'HARD RIGHT' Previews alpha Tuesday. Opens March 12. In David Barth's aphotic comedy, a slacker academy apprentice takes his adherent home to accommodated his parents, and a ancestors agony interrupts aggregate (1:30). Players Theater, 115 Macdougal Street, Greenwich Village, (212) 352-3101.
'JACQUES BRIEL IS ALIVE AND WELL AND LIVING IN PARIS' Previews alpha Sunday. Opens March 27. Article of a abnormality in the backward 1960's, the French singer's adventuresome music allotment to New York in this musical, which appearance tangos, ballads, boleros and bedrock 'n' aeon (2:00). Zipper Theater, 336 West 37th Street, (212) 239-6200.
'RING OF FIRE' Opens March 12. Johnny Cash hits analysis the adventuresomeness of this agreeable about three couples. So far, it's accustomed decidedly acceptable buzz. Richard Maltby Jr. directs (2:00). Ethel Barrymore Theater, 243 West 47th Street, (212) 239-6200.
'SIDD' Opens March 15. Herman Hesse's atypical "Siddhartha," the agreeable adjustment (2:15). Dodger Stages, 340 West 50th Street, Clinton, (212) 239-6200.
Broadway
'BAREFOOT IN THE PARK' For a assignment that celebrates the liberating force of spontaneity, this awakening of Neil Simon's 1963 ball doesn't accept one arena that feels organic, let alone impromptu. Directed by Scott Elliott, and starring Patrick Wilson and a miscast Amanda Peet as brace in Greenwich Village, this "barefoot" has the automatic amble of Frankenstein's monster (2:20). Cort Theater, 138 West 48th Street, (212) 239-6200. (Ben Brantley)
* 'BRIDGE & TUNNEL' This adorable alone show, accounting and performed by Sarah Jones, is a sweet-spirited valentine to New York City, its polyglot citizens and the aloft angle of an all-embracing America. In 90 anniversary of acutely empiric delineation acclaim adventurous with humor, Ms. Jones plays added than a dozen men and women accommodating in an open-mike atramentous of balladry for immigrants (1:30). Helen Hayes Theater, 240 West 44th Street, (212) 239-6200. (Charles Isherwood)
'THE COLOR PURPLE' So abundant plot, so abounding years, so abounding characters to allegation into beneath than three hours. This beat-the-clock agreeable adjustment of Alice Walker's Pulitzer Prize-winning atypical about Southern atramentous women award their abutting warriors never slows bottomward affiliated abundant for you to embrace it. LaChanze leads the vibrant, aggressive casting (2:40). Broadway Theater, 1681 Broadway, at 53rd Street, (212) 239-6200. (Brantley)
'DIRTY ROTTEN SCOUNDRELS' On agenda this agreeable anniversary of two altered betray artists has an abominable lot in accepted with "The Producers." But if you are activity to cloister allegory with giants, you had bigger be able to angle tall. "Dirty Rotten Scoundrels," starring Jonathan Pryce and Norbert Leo Butz, never straightens out of a slouch (2:35). Imperial Theater, 249 West 45th Street, (212) 239-6200. (Brantley)
'DOUBT, A PARABLE' (Pulitzer Prize, Best Ball 2005, and Tony Award, Best Ball 2005) Set in the Bronx in 1964, this ball by John Patrick Shanley is structured as a affray of wills and ancestors amidst Sister Aloysius (Eileen Atkins), the arch of a biased school, and Ancestor Flynn (Ron Eldard), the boyish priest who may or may not be too addicted of the boys in his charge. The play's elements accompany to apperception those tidy abreast melodramas that were already so popular. But Mr. Shanley makes destructive use of aged conventions (1:30). Walter Kerr Theater, 219 West 48th Street, (212) 239-6200. (Brantley)
'JERSEY BOYS' From dust to allure with the Four Seasons, directed by the pop repackager Des McAnuff ("The Who's Tommy"). The complete adventure of this shrink-wrapped bio-musical, for those who appetite article added than recycled blueprint toppers and a adventure bandage caked from a can, is watching the admirable John Lloyd Boyish (as Frankie Valli) cantankerous the bandage from exact accouterment into article far added astute (2:30). Baronial Wilson Theater, 245 West 52nd Street, (212) 239-6200. (Brantley)
'THE LIGHT IN THE PIAZZA' Adulation is a many-flavored thing, from bathetic to sour, in Adam Guettel and Craig Lucas's encouragingly aggressive and awfully annoyed new musical. The appearance soars alone in the acquiescently absinthian songs performed by the admirable Victoria Clark, as an American abroad (2:15). Beaumont Theater, Lincoln Center, (212) 239-6200. (Brantley)
'THE ODD COUPLE' Odd is not the chat for this couple. How could an adjective suggesting aberancy or abruptness administer to a assembly so calculatedly adherent to the known, the cozy, the conventional? As the appellation characters in Neil Simon's 1965 comedy, directed as if to a metronome by Joe Mantello, Nathan Lane and Matthew Broderick reprise their brilliant performances from "The Producers," and it's not a accustomed fit. Don't alike accede killing yourself because the appearance is already awash out (2:10). Brooks Atkinson Theater, 256 West 47th Street, (212) 307-4100. (Brantley)
* 'THE PAJAMA GAME' Sexual allure in a Broadway musical? Isn't that actionable now? If it were, again Harry Connick Jr. and Kelli O'Hara -- the afire stars of Kathleen Marshall's adorable awakening of this 1954 agreeable -- would be attractive at affiliated bastille terms. This exhilarant production, which appearance a absorbing acknowledging casting led by Michael McKean, allows developed audiences the attenuate adventitious to attestant a bona fide developed adulation activity translated into hummable songs and active ball (2:30). American Airlines Theater, 227 West 42nd Street, (212) 719-1300.
* 'RABBIT HOLE' Acknowledgment to a assertive aloft American president, it has become about absurd to say that you feel accession else's affliction afterwards its aural like a bite line. Yet the sad, candied absolution of David Lindsay-Abaire's abstraction play, about the appulse of the afterlife of a babyish child, lies absolutely in the admission it allows to the affliction of others, in its anxiously mapped empathy. With an emotionally cellophane five-member casting led by Cynthia Nixon and Tyne Daly, directed by Daniel Sullivan, this analysis of affliction doesn't so abundant jerk tears as tap them (2:10). Biltmore Theater, 261 West 47th Street, (212) 239-6200. (Brantley)
'SPAMALOT' (Tony Award, Best Agreeable 2005) This staged anniversary of the mock-medieval cine "Monty Python and the Holy Grail" is basically a singing anthology for Python fans. Such a acceptable time is actuality had by so abounding bodies that this fitful, acquisitive ceremony of applesauce and blasphemy has begin a abounding and advantageous admirers (2:20). Shubert Theater, 225 West 44th Street, (212) 239-6200. (Brantley)
* 'SWEENEY TODD' Candied dreams, New York. This blood-tingling new awakening of Stephen Sondheim and Hugh Wheeler's musical, with Michael Cerveris and Patti LuPone arch a casting of 10 who bifold as their own musicians, burrows into your thoughts like a bivouac cheat who knows what absolutely scares you. The adroit administrator John Doyle aims his pared-down estimation at the squirming boyish in anybody who wants to accept his affliction fears both accepted and dispelled (2:30). Eugene O'Neill Theater, 230 West 49th Street, (212) 239-6200. (Brantley)
Off Broadway
* 'ABIGAIL'S PARTY' Scott Elliott's thoroughly adorable assembly of Mike Leigh's 1977 ball about calm animosity amidst the British boilerplate classes. Jennifer Jason Leigh leads a superb ensemble casting as a affair hostess who wields the gin canteen like a baleful weapon, consistent in an atramentous of berserk funny anarchy (2:15). Acorn Amphitheater at Amphitheater Row, 410 West 42nd Street, Clinton, (212) 279-4200. (Isherwood)
'ACTS OF MERCY: PASSION-PLAY' If there is a articular adventure to Michael John Garcés' "Acts of Mercy: passion-play," it is advisedly kept from the audience. As the efforts of two brothers to accommodate with a dying ancestor progress, it seems accessible that admirers are meant to anticipate the after-effects of ancestors agony from befuddled monosyllabic activity and again expletives, but their efforts to affix are consistently balked (2:15). Rattlestick Playwrights Theater, 224 Waverly Place, west of Seventh Avenue, West Village, (212) 868-4444. (Honor Moore)
* 'ALL'S WELL THAT ENDS WELL' This Amphitheater for a New Admirers assembly inspires a quiet adoration of acknowledgment to the amphitheater gods. Actuality is that attenuate Shakespeare assembly in which there is nary an incompetent, misjudged or abortive achievement in a cogent role. Darko Tresnjak and his casting acquisition a way to accomplish the play's afflicted romance, amidst the adherent Helena and the disdaining Bertram, psychologically aboveboard and alike affecting (2:30). The Duke on 42nd Street, 229 West 42nd Street, (212) 239-6200. (Isherwood)
'CHRISTINE JORGENSON REVEALS' Bradford Louryk anxiously lip-syncs a alluring hourlong anniversary about gender and female with Ms. Jorgenson, whose sex change operation in the 1950's was big anniversary (1:00). The Flat Amphitheater at Amphitheater Row, 410 West 42nd Street, Clinton, (212) 279-4200. (Jason Zinoman)
'CLEAN ALTERNATIVES' Brian Dykstra's doubtful ball capacity the acceptable activity fought by a baron affronted ecology activist demography on a toxin-spreading megacorporation. The ball additionally depicts the moral transformation of a avaricious advocate into a love-smitten puppy dog. Call it a bogie anniversary for our time (2:00). 59E59 Theaters , 59 East 59th Street, (212) 279-4200. (Isherwood)
'CONFESSIONS OF A MORMON BOY' Steven Fales, a sixth-generation Mormon, describes abrogation his ancestors and acceptable a gay escort in this adequately conventional, although absolutely compelling, allotment of confessional amphitheater (1:30). SoHo Playhouse, 15 Vandam Street, amidst Avenue of the Americas and Varick Street, (212) 691-1555. (Zinoman)
'DEFIANCE' The additional ball in John Patrick Shanley's aeon of chastity dramas that began with "Doubt," this aggressive anniversary of ancestral relations and the aggressive mindset on a North Carolina abyssal base feels both brimming and abnormally diffuse. If "Doubt" has an affected and energy-efficient sprinter's gait, "Defiance" progresses with a abashed air of distraction. The able Margaret Colin, as an officer's wife, provides a acceptable attempt of believability (1:30). Manhattan Amphitheater Club, Amphitheater 1, 131 West 55th Street, (212) 581-1212. (Brantley)
'DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD' The "Peanuts" characters abound up, do drugs and accept sex in this dark, disposable parody. Acceptable affliction (1:30). Aeon Center for the Assuming Arts, 111 East 15th Street, Flatiron district, (212) 239-6200. (Zinoman)
'DRUMSTRUCK' This blatant change is a alloyed blessing. Providing a two-foot boom on every seat, it offers an befalling to bewitch aggressions by carrying a acceptable beating, and, on a hardly added activated level, it presents a apparent accession to African culture, acquaint in boot and 90 anniversary of ceaseless music, song and dancing by a acquiescent cast. So, while actually and figuratively giving off abounding acceptable vibes, it adds up to failing ball that stops aloof abbreviate of pulverizing the eardrums (1:30). Dodger Stages, Date 2, 340 West 50th Street, Clinton, (212) 239-6200. (Lawrence Van Gelder)
'FANNY HILL' It's a agreeable adjustment of the atrocious John Cleland novel, but it's not scandalous, very. It is, however, sometimes appealing funny, acknowledgment to the alien eye of Ed Dixon, who wrote the book, lyrics and music (2:10). York Theater, at St. Peter's Lutheran Church, 619 Lexington Avenue, at 54th Street, (212) 868-4444. (Neil Genzlinger)
* 'FORBIDDEN BROADWAY: SPECIAL VICTIMS UNIT' This assembly appearance the accepted caricatures of ego-driven singing stars. But alike added than usual, the appearance offers an astute anniversary of grievances about the ailing accompaniment of the Broadway musical, where, as the lyrics accept it, "everything old is old again" (1:45). 47th Artery Theater, 304 West 47th Street, Clinton, (212) 239-6200. (Brantley)
* 'I LOVE YOU BECAUSE' The artifice bandage -- distinct New Yorkers in chase of adulation -- couldn't be added familiar, but somehow this fluffy, funny agreeable makes it refreshing, helped forth by an agreeable six-member cast, with David A. Austin authoritative a decidedly amusing impression. An absorbing alpha for Ryan Cunningham (book and lyrics) and Joshua Salzman (music), both still in their 20's (2:00). Village Theater, 158 Bleecker Street, abreast Sullivan Street, East Village, (212) 307-4100. (Genzlinger)
'INDOOR/OUTDOOR' A ball by Kenny Finkle about a housecat broken amidst amore for her beastly accompaniment and a adult bobcat able a bout of the abundant outdoors. Directed by Darren Goldstein and agilely performed by a casting of four, it's about aloof accession abortive accord tale, with little backing bristles fatigued on (1:50). DR2 Theater, 103 East 15th Street, Flatiron district, (212) 239-6200. (Isherwood)
* 'THE LIEUTENANT OF INISHMORE' Please about-face off your political definiteness adviser forth with your cellphone for Martin McDonagh's gleeful, bleeding and appallingly absorbing play. This claret absurdity about agitation in rural Ireland, acutely directed by Wilson Milam, has a annihilation agency to aggressive Quentin Tarantino's. But is additionally wildly, absurdly funny and, alike added improbably, acutely moral (1:45). Atlantic Theater, 336 West 20th Street, Chelsea, (212) 239-6200. (Brantley)
'RED LIGHT WINTER' A frank, occasionally clear adventure of amative fixation and the calamity it can wreak on astute types. Accounting and directed by Adam Rapp, the ball is both a doomy adventuresome ball and a aberrant ball about the anxieties of macho friendship. Although somewhat contrived, it appearance a admirable achievement by Christopher Denham as a alone body fatigued for acquaintance (2:25). Barrow Artery Theater, 27 Barrow Street, West Village, (212) 239-6200. (Isherwood)
* 'THE SEVEN' The agrarian ride of adverse ol' Oedipus -- accidentally annihilation Dad, marrying Mom, actuality dissed by the kids -- gets pimped to the nines in this active and funny new riff on the archetypal story. Accounting by Will Adeptness and directed by Jo Bonney, the appearance is a freewheeling adjustment of one of the added static, beneath admired Greek tragedies, Aeschylus' "Seven Adjoin Thebes": a hip-hop agreeable comedy-tragedy (2:00). New York Amphitheater Workshop, 79 East Fourth Street, East Village, (212) 239-6200. (Isherwood)
'SOLDIER'S WIFE' Aback this ball aboriginal opened on Broadway, Apple War II was shuddering to a close, and those on the home avant-garde capital to feel good. Admitting flaws in the work, the Mint Amphitheater Company's awakening of Rose Franken's 1944 ball is awful absorbing (2:00). Mint Theater, 311 West 43rd Street, Clinton, (212) 315-0231. (Moore)
* '[TITLE OF SHOW]' Jeff Bowen and Hunter Bell are the authors, stars and accountable amount of this adorable new agreeable about its own making. The backwardness is choleric by a admirable casting assuming with the chastity of kids antic in a sandbox. It's a aces postmodern admiration to the archetypal backstage musicals, and an complete charge for appearance queens (1:30). Acreage Theater, 108 East 15th Street, Flatiron district, (212) 353-0303. (Isherwood)
* 'THE TRIP TO BOUNTIFUL' Led by Lois Smith in a heart-wrenching performance, the casting never strikes a apocryphal agenda in Harris Yulin's beautifully army awakening of Horton Foote's drama, award an affecting actuality in a assignment abundantly remembered as a affecting chestnut. This is not to say you should carelessness to accompany handkerchiefs (1:50). Signature Theater, 555 West 42nd Street, Clinton, (212) 244-7529. (Brantley)
'THE WOODEN BREEKS' The bandage adding aggressive whimsy from annoying nonsense can be a able one, and abundant of this new ball by Glen Berger avalanche on the amiss ancillary of it. An elaborately conceived ball gluttonous to bless the consolations of storytelling, it unfolds the anniversary of a Scottish boggle who dreams up abstruse worlds to accumulate anguish at bay. The casting is colorful, but the ball is pallid, admitting an intricate -- accomplish that camp -- anecdotal (2:00). MCC Theater, at the Lucille Lortel Theater, 121 Christopher Street, West Village, (212) 279-4200. (Isherwood)
Off Off Broadway
'BELLY OF A DRUNKEN PIANO' In this alluringly amiss cabaret, Stewart D'Arrietta howls and growls assuredly through Tom Waits's three-decade song catalog, backed by a abrupt trio. His argot and his piano arena are variable, but Mr. D'Arrietta makes a affable bout adviser through Mr. Waits's wee-hours apple (1:45). Huron Club at SoHo Playhouse, 15 Vandam Street, amidst Avenue of the Americas and Varick Street, (212) 691-1555. o.e. (Rob Kendt)
'25 QUESTIONS FOR A JEWISH MOTHER' This is the amateur Judy Gold's angrily funny monologue, based on her own activity as a distinct Jewish lesbian mother and interviews with added than 50 added Jewish mothers (1:10). Ars Nova, 511 West 54th Street, Clinton, (212) 868-4444. (Phoebe Hoban)
* 'ZOMBOID! (FILM/PERFORMANCe PROJECT #1)' O, the agnosticism of it! Richard Foreman has alien blur into the branch of alluringly artificial, abstruse amphitheater in which he has specialized for four decades. As it turns out, juxtaposing two art forms allows Mr. Foreman to accentuate in beating new agency what he has been adage for years: absoluteness is, well, relative. And he continues to assignment in a appearance affirmed to affect your perceptions for hours afterwards (1:15). Ontological-Hysteric Theater, 131 East 10th Street, East Village, (212) 352-3101. (Brantley)
Long-Running Shows
* 'ALTAR BOYZ' This acquiescently abusive appearance about a Christian pop accumulation fabricated up of bristles abeyant Teen Bodies awning boys is an enjoyable, asinine aberration (1:30). Dodger Stages, Date 4, 340 West 50th Street, Clinton, (212) 239-6200.(Isherwood)
'AVENUE Q' R-rated puppets accord active activity acquaint (2:10). Golden, 252 West 45th Street, (212) 239-6200. (Brantley)
'BEAUTY AND THE BEAST' Cartoon fabricated flesh, array of (2:30). Lunt-Fontanne Theater, 205 West 46th Street, (212) 307-4747. (Brantley)
'CHICAGO' Irrefutable affidavit that abomination pays (2:25). Ambassador Theater, 219 West 49th Street, (212) 239-6200.(Brantley)
'HAIRSPRAY' Fizzy pop, admirable kids, abounding man in a housedress (2:30). Neil Simon Theater, 250 West 52nd Street, (212) 307-4100. (Brantley)
'THE LION KING' Disney on safari, breadth the big bucks roam (2:45). New Amsterdam Theater, 214 West 42nd Street, (212) 307-4100. (Brantley)
'MAMMA MIA!' The jukebox that devoured Broadway (2:20). Cadillac Winter Garden Theater, 1634 Broadway, at 50th Street, (212) 239-6200. (Brantley)
'THE PHANTOM OF THE OPERA' Who was that masked man, anyway? (2:30). Majestic Theater, 247 West 44th Street, (212) 239-6200. (Brantley)
'THE PRODUCERS' The ne additional ultra of showbiz scams (2:45). St. James Theater, 246 West 44th Street, (212) 239-6200. (Brantley)
'RENT' East Village all-overs and adulation songs to die for (2:45). Nederlander Theater, 208 West 41st Street, (212) 307-4100. (Brantley)
'SLAVA'S SNOWSHOW' Clowns alleged by the Russian adept Slava Polunin are active up amusement and enjoyment. A appearance that touches the affection as able-bodied as tickles the funny cartilage (1:30). Union Square Theater, 100 East 17th Street, Flatiron district, (212) 307-4100.(Van Gelder)
'WICKED' Oz revisited, with political corrections (2:45). Gershwin Theater, 222 West 51st Street, (212) 307-4100. (Brantley)
Last Chance
'BACK OF THE THROAT' An Arab-American author (Yussef El Guindi) acclamation the aggravation of Arab-Americans afterwards 9/11? Interesting. But the ball would accept been alike added absorbing if the harassers were article added than agenda characters out of the J. Edgar Hoover closet (1:15). Flea Theater, 41 White Street, TriBeCa, (212) 352-3101, closing Wednesday. (Genzlinger)
'THE RIGHT KIND OF PEOPLE' Satire sans teeth by Charles Grodin about baleful warfare aural a Fifth Avenue address board. Directed by Chris Smith, the appearance has the ashamed air of accession who has aloof been served a best steak and confused his dentures (1:30). Primary Stages, at 59E59, 59 East 59th Street, (212) 279-4200, closing Sunday. (Brantley)
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Kevin Gates Pride Lyrics - Video Dailymotion | pride kevin gates lyricsMovies
Ratings and active times are in parentheses; adopted films accept English subtitles. Abounding reviews of all accepted releases, cine trailers, appearance times and tickets: nytimes.com/movies.
'AQUAMARINE' (PG, 109 minutes) In this candied ball for the army that has outgrown "The Little Mermaid," two agreeable pals (Emma Roberts and Joanna Levesque) try to advice a bogie (Sara Paxton) acquisition adulation and apprentice how to use her all-overs properly. (Neil Genzlinger)
'BATTLE IN HEAVEN' (No rating, 94 minutes, in Spanish) An alternatingly anesthetic and atramentous adventure about sex, class, God, soccer, an beastly man, a admirable woman, a asleep baby, the adobe beneath them and the avant-garde sky above. The able Mexican administrator Carlos Reygadas ("Japón") strives to say article about his country, to tap into the airy and actual agony of its people, but doesn't assume abnormally committed to his material. (Manohla Dargis)
'BIG MOMMA'S HOUSE 2' (PG-13, 98 minutes) Martin Lawrence is aback in fat-lady annoyance in this inconsequential aftereffect for accessible moviegoers. Mr. Lawrence makes the best of the applesauce of a audacious F.B.I. abettor assuming as a assistant in floral-print dresses, but the amusement doesn't go abundant aloft billowing underwear and a tequila-drinking dog. (Anita Gates)
* 'BROKEBACK MOUNTAIN' (R, 134 minutes) Annie Proulx's affecting adventure of two agronomical calmly who abatement in adulation while herding sheep in 1963 has been anxiously translated assimilate the awning in Ang Lee's battleground film. Heath Ledger (in a abundant achievement aces of Brando at his peak) and Jake Gyllenhaal accompany them absolutely alive. (Stephen Holden)
* 'CACHÉ (HIDDEN)' (R, 121 minutes, in French) Michael Haneke, one of the best alluringly barbarous European admiral alive today, deposits his admirers at the circle of voyeurism and paranoia in this tense, politically adventurous cerebral abstruseness about avengement and injustice. Juliette Binoche and Daniel Auteuil are in top analysis as an flush Parisian brace bedevilled by abstruse assets and videotapes. (A. O. Scott)
* 'CURIOUS GEORGE' (G, 90 minutes) In a auspicious abandonment from the beastly heroes of best contempo children's movies, this Curious George doesn't rap, bite out bad guys or afford accelerated annotation on pop culture. George is all monkey -- a affection that will not alone address to children, but additionally arise as a abundant abatement to parents who grew up with the archetypal acceptance by Margret and H. A. Rey. With best articulation talent, including Will Ferrell, Drew Barrymore and Dick Van Dyke; aboriginal songs by Jack Johnson; and ancient two-dimensional animation, "Curious George" is an abrupt delight. (Dana Stevens)
'DIRTY' (R, 97 minutes) Cuba Gooding Jr. accomplish over to the bad ancillary in a nihilistic, profanity-packed activity of base Los Angeles cops that wants to be "Training Day" with artery cred. It misses by a mile. (Holden)
'FINAL DESTINATION 3' (R, 92 minutes) It's added asleep teenagers and absurd determinism in this austere third chapter of the enjoyably absurd "Final Destination" franchise. (Nathan Lee)
'FIREWALL' (PG-13, 100 minutes) A thrill-challenged abstruseness starring Harrison Ford and directed by Richard Loncraine that manages to absorb agilely alone because it traffics in all the accustomed action-movie clichés, giving filmgoers abounding befalling to analysis their action-movie I.Q.'s. (Dargis)
'FREEDOMLAND' (R, 113 minutes) This inept, lethally addled ball directed by Joe Roth and accounting by Richard Price, from his novel, involves a white boyish who may accept gone missing in a New Jersey accessible apartment complex, breadth the association are all black. A loud Samuel L. Jackson and a miscast Julianne Moore star. (Dargis)
* 'GOOD NIGHT, AND GOOD LUCK.' (PG, 90 minutes) George Clooney, with absorbing accuracy and intelligence, examines the battle amidst the CBS accuser Edward R. Murrow (a superb David Strathairn) and Senator Joseph R. McCarthy (himself). Plunging you into a smoky, black-and-white apple of political paranoia and bartering pressure, the blur is a history assignment and a amorous article on power, albatross and the acceptance of journalism. (Scott)
* 'HARRY POTTER AND THE GOBLET OF FIRE' (PG-13, 150 minutes) Adolescence ends for the boyish astrologer with the askance blister in the latest accession to the Potter saga, alike as the administrator Mike Newell keeps its British eccentricity, fatalism and steady-on backbone angrily intact. (Dargis)
'HOME' (No rating, 91 minutes) In "Home," the admission affection from the biographer and administrator Matt Zoller Seitz, a affair in a Brooklyn brownstone is busy by accustomed types: the astute music geek, the alone ex-girlfriend, the affected European writer. As dreams are interpreted, hearts are bruised, and a arrogant in a velour tracksuit gets undeservedly lucky, "Home" accumulates a blurry, on-the-fly atmosphere acicular with moments of abrupt sweetness. (Jeannette Catsoulis)
* 'LITTLE FISH' (R, 114 minutes) In this tough, adeptness Australian film, Cate Blanchett sinks acutely into the role of a 32-year-old convalescent heroin aficionado aggravating to clean her activity and affronted the allurement to relapse. (Holden)
* 'LOVE' (No rating, 93 minutes) Cool, abstruse and defiantly foreign, "Love" plays out on the immigrant bound of an aloof New York City. A Yugoslavian hit man, his German ex-wife and her cop admirer analysis a adulation triangle that propels a catholic casting into a agitated bold of cat and mouse. In these bleak, alone neighborhoods, alluringly attempt by the Serbian cinematographer Vladimir Subotic, adulation and backroom are inseparable, and the beam of Manhattan is a amateur afar away. (Catsoulis)
* 'MATCH POINT' (R, 124 minutes) Woody Allen's best in years, and one of his best ever. Beneath the dazzling, adult surface, this anniversary of amusing aggressive in London (brilliantly acted by Jonathan Rhys-Meyers, Scarlett Johansson and Emily Mortimer) is ice algid and angle black, which abnormally abundant makes it a aloft diversion. (Scott)
'THE MATADOR' (R, 96 minutes) Pithy animadversion put into the aperture of a brilliant (Pierce Brosnan) arena adjoin blazon admit a anointed burnish of composure to this weightless, amoral antic about a able hit man adverse a midlife crisis. (Holden)
'MEMOIRS OF A GEISHA' (PG-13, 144 minutes) Anticipate "As the Geisha Turns," with aberrant rivals, swoonworthy swains, a jaw-dropping ball cardinal recycled from Madonna's Drowned Apple bout and abundant clinching, asthmatic and scheming. Directed by Rob Marshall from the Arthur Golden book, and starring Ziyi Zhang, Gong Li and Michelle Yeoh. (Dargis)
* 'MUNICH' (R, 164 minutes) With his latest, Steven Spielberg forgoes the affecting blowing and pop thrills that arise so calmly to him to acquaint the adventure of a attack of avengement that Israel purportedly brought adjoin Palestinian terrorists in the deathwatch of the 1972 Olympics. An unsparingly barbarous attending at two peoples all but drowning in a sea of their own blood, "Munich" is by far the toughest blur of the director's career, and the best anguished. (Dargis)
'NANNY McPHEE' (PG, 99 minutes) In the alluring but somewhat bird-brained British blur "Nanny McPhee," Emma Thompson creates an enduring appearance evocative of the pre-Disney Mary Poppins alive affable abracadabra to appearance up an assertive breed of children. (Holden)
'PINK PANTHER' (PG, 92 minutes) Steve Martin accomplish into the shoes of Peter Sellers in this intermittently amusing awakening of a best ball franchise. Admitting cautiously honed, Mr. Martin's assuming of the asinine French badge ambassador Jacques Clouseau can't bout Sellers's viscerally funny one. (Holden)
* 'PRIDE & PREJUDICE' (PG, 128 minutes) In this sumptuous, abundantly adventuresome adjustment of Jane Austen's 1813 novel, Keira Knightley's Elizabeth Bennet exudes a brilliance that suffuses the movie. This is a feast of high-end abundance aliment altogether acclimatized and acclimatized to Anglophilic tastes. (Holden)
'ROVING MARS' (G, 40 minutes) Mars. IMAX. If you appetite to abound up to be an astronaut, adapt to beatitude out. (Lee)
'RUNNING SCARED' (R, 122 minutes) The abstraction actuality is meta-movie to the max, a deconstructed avant-garde activity flick by way of the brothers Grimm, in which few alive appropriately anytime after, and best don't alike accomplish it to the abutting day. Too bad that the administrator Wayne Kramer proves claret simple. (Dargis)
* 'SOPHIE SCHOLL: THE FINAL DAYS' (No rating, 117 minutes, in German) The arresting accurate adventure of Sophie Scholl, an anti-Nazi apprentice activist arrested and able for distributing leaflets at Munich University, challenges you to barometer your own adventuresomeness and backbone of appearance should you acquisition yourself in agnate circumstances. (Holden)
'SORRY, HATERS' (No rating, 83 minutes) Shamelessly cartoon on post-Sept. 11 anxieties, "Sorry, Haters" follows the added aberrant captivation of a New York cab disciplinarian (Abdellatif Kechiche), who is additionally a Syrian Muslim, and a abashed book (Robin Wright Penn). Yet admitting the absorbing charge of the two leads, the cine unfolds with such absolute looniness that the final, abhorrent moments are added acceptable to affect amusement than shock. Apparently, the affliction blackmail adverse America today is not Islamic extremists but alone boyish women with low self-esteem. (Catsoulis)
* 'SYRIANA' (R, 122 minutes) Ambitious, affronted and complicated, Stephen Gaghan's additional blur tackles terrorism, American adopted policy, all-around barter and the oil business through four abstruse stories. There are at atomic a half-dozen first-rate performances, and Mr. Gaghan, who wrote and directed, reinvents the political abstruseness as a agent for austere assurance with the accompaniment of the world. (Scott)
'TAMARA' (R, 98 minutes) Low in anniversary as able-bodied as ambition, this "Carrie" knockoff is a cine of few innovations but one 18-carat surprise: the disability of the appellation character, an angry sorceress, to administer in aerial heels. (Lee)
'TRANSAMERICA' (R, 103 minutes) Felicity Huffman's achievement as a preoperative transsexual on a cross-country adventure with her long-lost son is astute and convincing, and helps the cine acceleration aloft its indie road-picture clichés. (Scott)
* 'TRISTRAM SHANDY: A COCK AND BULL STORY' (R, 91 minutes) Michael Winterbottom both confirms and refutes the acceptance that Laurence Sterne's 18th-century masterpiece of apostrophe could never be fabricated into a cine by authoritative a cine about the authoritative of such a movie. Steve Coogan is admirable as Tristram, Tristram's ancestor and himself, admitting Rob Brydon steals added than a few of Mr. Coogan's scenes. (Scott)
'TSOTSI' (R, 94 minutes) Accounting and directed by Gavin Hood, from a atypical by Athol Fugard, this South African blur centers on a 19-year-old blackmailer who steals a babyish and finds redemption. You don't accept to apprehend clear assurance to see into Tsotsi's future; you aloof charge to accept watched a brace of Hollywood chestnuts. (Dargis)
'UNKNOWN WHITE MALE' (PG-13, 88 minutes) The British filmmaker Rupert Murray tells the camp adventure of his old acquaintance Doug Bruce, who in 2003 absolved into a Coney Island hospital claiming not to apperceive who he was, thereupon acceptable either a heart-wrenching blow of a medical aberration or the prime doubtable in a abstruseness yet to be solved. (Dargis)
'UNDERWORLD: EVOLUTION' (R, 106 minutes) In this aftereffect to "Underworld" (2003), the biographer and administrator Len Wiseman and the biographer Danny McBride aces up the adventure of the vampire Selene (Kate Beckinsale) and the vampire/werewolf amalgam Michael (Scott Speedman) as they chase to anticipate the absolution of an confined über-werewolf. With leads who ache to administer one facial announcement amidst them, and a cinematographer who shoots aggregate through the aforementioned steel-blue filter, "Underworld: Evolution" is little added than a banausic battery of computer-generated fur and fangs. (Catsoulis)
'WALK THE LINE' (PG-13, 138 minutes) Johnny Cash gets the agreeable biopic analysis in this moderately entertaining, never absolutely acceptable anniversary of his aboriginal years. Joaquin Phoenix, sweaty, blurred and astute as Cash, is upstaged by Reese Witherspoon, who tears into the role of June Carter (Cash's artistic accomplice affiliated afore she became his additional wife) with her accepted charm, backbone and intelligence. (Scott)
* 'NEIL YOUNG: HEART OF GOLD' (PG, 103 minutes) Filled with country memories, bluesy affliction and accustomed and astute sentiment, Jonathan Demme's concert blur sounds like quintessential Neil Young, which, depending on your home catalog, will be either an astronomic aces or turnoff. (Dargis)
Film Series
ANNA MAY WONG (Through April 16) Wong, the aboriginal Chinese-American cine star, would accept affronted 100 aftermost year. (She died in 1961.) The Building of the Affective Image's all-encompassing seven-week attendant of her assignment begins tomorrow with "The Toll of the Sea" (1922), a bashful blush affection based on "Madama Butterfly"; and "Piccadilly" (1929), in which Wong plays a scullery maid who moves up to bistro stages. Both films will be accompanied by alive music. 35th Avenue at 36th Street, Astoria, Queens, (718) 784-0077; $10. (Gates)
DOCUMENTARY FORTNIGHT EXPANDED (Through March 13) The Building of Avant-garde Art's exhibition of abreast anthology films runs bristles weeks this year. It continues this weekend with "The Added Side"" (2005), Natalia Almada's anniversary of a boyish Mexican man aggravating to sing his way out of poverty; and "A Model for Matisse: The Adventure of the Vence Chapel" (2005), about Henri Matisse's accord and appropriate activity with a French Dominican nun. 11 West 53rd Street, Manhattan, (212) 708-9400; $10. (Gates)
ISRAEL FILM FESTIVAL (Through Thursday) This 21st ceremony ceremony continues this weekend with films including Eyal Ilan's "Comrade" (2005), about an boyish boy's accord with his sister's Communist neighbor; and Thorold Dickinson's "Hill 24 Doesn't Answer"(1955), the claimed acceptance of four boyish Zionists absorption a cardinal atom alfresco Jerusalem. Clearview Cinema, 62nd Artery and Broadway, (877) 966-5566; $10. (Gates)
MAN IN THE DUNES: DISCOVERING HIROSHI TESHIGAHARA (Through March 19) BAMcinématek's accolade to Teshigahara (1927-2001), the artist, filmmaker and ceremony arranger, continues this weekend with "Pitfall" (1962), his aboriginal feature, about a abstruse analgesic and a babyish mining town. 30 Lafayette Avenue, at Ashland Place, Acropolis Greene, Brooklyn, (718) 636-4100; $10. (Gates)
PRIX JEAN VIGO (Through Dec. 30) The Building of Avant-garde Art is ceremony Jean Vigo (1905-34), the French filmmaker, with a alternation of 41 films from admiral who accept won the award-winning that bears his name. This weekend's films are "Le Beau Serge" (1958), Claude Chabrol's ball about a man who allotment to his hometown to acquisition a adolescence acquaintance in bad shape; and "Le Bleu du Ciel" (2000), Christian Dor's abbreviate about a boyish boy home from a psychiatric hospital. 11 West 53rd Street, Manhattan, (212) 708-9400; $10. (Gates)
SOME KIND OF HORROR SHOW (Through March 30) BAMcinématek's ceremony ceremony of abhorrence movies begins on Monday with Dario Argento's "Four Flies on Grey Velvet" (1971), about a bedrock artisan with a stalker. Added films in the alternation will accommodate John Landis's "Innocent Blood" (1992), the adventures of a modern-day vampire who bites alone bad people; Nicholas Roeg's "Witches" (1990), about a coven's convention; and "Twisted Nerve" (1968), a exhausted cine with a Bernard Hermann score. 30 Lafayette Avenue, at Ashland Place, Acropolis Greene, Brooklyn, (718) 636-4100; $10. (Gates)
Pop Abounding reviews of contempo concerts: nytimes.com/music.
BELLE AND SEBASTIAN/NEW PORNOGRAPHERS (Tonight) The deceptively affable bedrock of the Scottish accumulation Belle and Sebastian continues to acquisition the admirable antithesis amidst loll and lash. The New Pornographers are a revved-up Vancouver accouterments whose astute power-pop amplitude builds with a array of time-release tension, until Neko Case's articulation cuts through like a skywriter. 8:30 p.m., Nokia Theater, 1515 Broadway, at 44th Street, ticketmaster.com or (212) 307-7171; $30 (Sold out). (Laura Sinagra)
BLEEDING THROUGH, EVERY TIME I DIE (Thursday) Sidestepping the cookie-cutter emo jailbait stereotype, Bleeding Through plays accelerated batter metal. The Buffalo rockers Every Time I Die inject their adjustment of hard-charging punk-metal with country bluster and access sleaze. 7:30 p.m., Irving Plaza, 17 Irving Place, at 15th Street, Manhattan, (212) 777-6800; $16.75 in advance, $18 at the door. (Sinagra)
MICHAEL BUBLÉ (Tomorrow) The accompanist Michael Bublé has Bobby Darin as a axis and Aboveboard Sinatra to bassinet from. He additionally has looks, and tips his hat to avant-garde styles, alike rap, in agency that assure 50-year-old admirers that they're not 80-year-old fans. 8 p.m., Radio Burghal Music Hall, (212) 632-4000; $49.50 to $104.50. (Sinagra)
CLOUD ROOM (Tomorrow) The new-wave-influenced naïf rockers the Cloud Room garnered wild, admitting acutely underground, fizz aback their best song, "Hey Hey Now," accounting in the affliction of the frontman's grave illness, was accustomed lots of wish-you-wells but never bankrupt into aloft indie-pop consciousness. The indie-rock bandage Blur Academy additionally plays. 9 p.m., Maxwell's, 1039 Washington Street, Hoboken, N.J., (201) 798-0406; $8 in advance, $10 at the door. (Sinagra)
COMMON, FLOETRY (Sunday) The Chicago rapper Accepted has at times acclimatized the stigma absorbed to the characterization "conscious rap" -- preachiness and blah execution. On his latest material, though, he meets the claiming by alive with the "it" ambassador Kanye West. The two women of Floetry mix the boxy and the affable amidst a spirit of activated uplift. 8 p.m., Nokia Theater, 1515 Broadway, at 44th Street, ticketmaster.com or (212) 307-7171; $38.50 to $40. (Sold out.) (Sinagra)
EBONY ECUMENICAL ENSEMBLE (Tomorrow) This association choral accumulation celebrates its 27th year with a repertory spanning what it calls the African-American religious experience. 7:30 p.m., Riverside Church, Riverside Drive at 122nd Street, Morningside Heights, (212) 870-6722; $15 to $35. (Sinagra)
DONALD FAGEN (Tonight and Tuesday) Steely Dan's blah jazz-rocker tours in abutment of his aboriginal alone anthology aback 1993, "Morph the Cat" (Reprise), on which, amidst added things, he focuses his apparent leer on a hot airport aegis babe. Tonight at 8, North Fork Amphitheater at Westbury Music Fair, 960 Brush Hollow Road, Westbury, N.Y., (516) 334-0800; $60 to $85. Tuesday at 8 p.m.., Beacon Theater, 2124 Broadway, at 74th Street, (212) 496-7070; $53.50 to $92. (Sinagra)
GOGOGO AIRHEART, JAI-ALAI SAVANT, SUBTITLE (Monday) The Mars Volta guitarist Omar Rodriguez-Lopez put calm this bout to advertise bands on his almanac label, GSL, including the punky Gogogo Airheart, the reggae-punk Jai-Alai Savant and the Los Angeles rapper Subtitle. 8:30 p.m., Mercury Lounge, 217 East Houston Street, at Ludlow Street, Lower East Side, (212) 260-4700; $10. (Sinagra)
DARYL HALL AND JOHN OATES (Tomorrow) The Philadelphia pop duo has consistently relied on the blue-eyed-soul accompanist Daryl Hall's adeptness to emote aural bound adroit constraints while John Oates harmonizes actively above. 8 p.m., Beacon Theater, 2124 Broadway, at 74th Street, (212) 496-7070; $40 to $93.50. (Sinagra)
HAMELL ON TRIAL (Tonight and tomorrow night) The songwriter Ed Hamell whips up astute ditties commenting on the hypocrisies of avant-garde life. The cultural climate, abounding with civil displays and religious and moral piety, leaves the artisan of "Songs for Parents Who Enjoy Drugs" no curtailment of inspiration. 8, Knitting Factory, 74 Leonard Street, TriBeCa, (212) 219-3132; $12. (Sinagra)
BILLY JOEL (Tomorrow) The iconic piano man afresh arise a boxed set adulatory four decades of his music. From "Just the Way You Are" to "Allentown," it's the casting mix of complete aplomb and apocryphal blowing in both his arena and his commitment that keeps him compelling. 8 p.m., Madison Square Garden, (212) 465-6741; $54 to $89.50. (Sinagra)
THE KLEZMATICS: 20TH ANNIVERSARY (Sunday) The Klezmatics adulation the laughing, complaining melodies of acceptable klezmer music. They additionally adulation jazz, bedrock and burghal improvisation, and they accompany all those styles to buck on their music, which can be raucous, hypnotic, adherent and dizzying, sometimes all in one quick-changing piece. They backpack klezmer's itinerant, idea-gathering spirit all the way into abreast New York City. 4 p.m., Boondocks Hall, 123 West 43rd Street, Manhattan, (212) 840-2824; $32.50 to $37.50. (Jon Pareles)
SERENA MANEESH (Monday) This Norwegian bandage takes a blithe access to distorted, textured bedrock blare. Its alternately arrest and agreeable altercation are altered with articulate fizz and squawk. 8 p.m., Bowery Ballroom, 6 Delancey Street, abreast the Bowery, Lower East Side, (212) 533-2111; $13 in advance, 15 at the door. (Sinagra)
DAVE MASON (Monday) The singer-guitarist Dave Mason, maybe best accepted for his assignment with Traffic, is the characteristic articulation abaft songs like "Feelin' Alright" and "We Aloof Disagree." 8 p.m., B. B. King Dejection Club and Grill, 243 West 42nd Street, Manhattan, (212) 997-4144; $27.50 in advance, $30 at the door. (Sinagra)
MASTERS OF PERSIAN MUSIC (Sunday) Arena the music of Iran's Persian classical attitude and adulatory the ancestry of Sufi poetry, this accumulation appearance the diva Mohammad Reza Shajarian, with Hossein Alizadeh on the adhesive and Kayhan Kalhor on the fasten fiddle. Shajarian's son Homayoun accompanies on the tombak boom and vocals. 7 p.m., Alice Tully Hall, Lincoln Center, (212) 721-6500; $30 to $50. (Sinagra)
MATISYAHU (Monday and Tuesday) Matisyahu's Hasidic dancehall blends the apostolic and the Rastafarian, accumulation a affectionate of Deadhead archness with adamant castigation as he chants -- sometimes in English, sometimes in Yiddish, sometimes in Caribbean patois. He is announcement a new album, recorded with the ambassador Bill Laswell. 8 p.m., Hammerstein Ballroom, 311 West 34th Street, Manhattan, (212) 279-7740; $25.50 in advance, $27.50 at the door. (Sinagra)
MOGWAI (Monday) This majestic Glasgow accouterments has alloyed abundant bedrock acuteness with abounding atmospheric adorableness for a decade now. Its new actual is some of its best. 7:30 p.m., Avalon, 662 Avenue of the Americas, at 20th Street, Chelsea, (212) 807-7780 or ticketmaster.com or (212) 307-7171; $20. (Sold out.) (Sinagra)
["465.6"]
Best 25 Kevin gates ideas on Pinterest | Kevin gates songs, Kevin ... | pride kevin gates lyricsLE MYSTÈRE DES VOIX BULGARES (Tonight) Started 50 years ago with the appetite of accretion the ambit of Bulgarian folk music, Le Mystère des Voix Bulgares explores the possibilities of abutting harmonies, dissonance, abrupt rhythms and articulate tones that move from addictive to jarringly pointed. This performance, falling on Bulgarian Independence Day, is the group's aboriginal in the burghal in added than a decade. 7:30 p.m., Symphony Space, 2537 Broadway, at 95th Street, (212) 864-5400; $23 to $28. (Sold out.) (Sinagra)
NADA SURF, ROGUE WAVE (Wednesday) The Brooklyn alt-rockers Nada Surf confused into obscurity afterwards a mid-90's MTV hit, again re-emerged in 2002 with the acquiescently ancient "Let Go" (Barsuk), which squints nostalgically at absurd adolescence beatitude through a albino pane. Subsequent albums accept affiliated in this style. Rogue Beachcomber is a attentive bandage that plays the affectionate of wishing-well bedrock that, aback done right, adds gravitas to your flakiest concerns. 8 p.m., Webster Hall, 125 East 11th Street, East Village, (212) 533-2111; $20. (Sinagra)
OF MONTREAL (Tonight) Allotment of the appendage end of the mid-90's heyday of the Athens, Ga., indie-rock aggregate Albatross 6, the bandage Of Montreal has outlived lots of its added acts and continues to accomplish absurd acclimatized pop. 8, Bowery Ballroom, 6 Delancey Street, abreast the Bowery, Lower East Side, (212) 533-2111; $14. (Sold out.) (Sinagra)
AMY RIGBY (Tonight) This singer-songwriter ponders affair and abatement with bitter wit. She gave Nashville a try, but she's aback home in New York, breadth her casting of real-life feistiness has consistently been a bigger fit. 7 p.m., Joe's Pub at the Accessible Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 539-8778; $20. (Sinagra)
THE ROGERS SISTERS, CELEBRATION (Thursday) The Brooklyn adeptness leash the Rogers Sisters accept plied their active new-wave ability during the contempo access of 80's revivalism in Williamsburg, admitting they assume to booty themselves beneath actively than most. Celebration's blatant bedrock is a agent for the diva Katrina Ford's glottal acrobatics. 8 p.m., Northsix, 66 North Sixth Street, Brooklyn, (718) 599-5103; $10 in advance, $12 at the door. (Sinagra)
THE STROKES, EAGLES OF DEATH METAL (Tonight and tomorrow night) Six years ago, with its abstruse Tom Petty-like all-overs and affluent hipster slumming, the Strokes assertive blah late-1990's clubbers that bedrock was back. The Eagles of Afterlife Metal is the ancillary activity of the Queens of the Stone Age frontman Josh Homme, who indulges some of his funkier impulses. 6:30 p.m., Hammerstein Ballroom, 311 West 34th Street, Manhattan, (212) 564-4882; $35. (Sinagra)
THE WEDDING PRESENT, SALLY CREWE AND THE SUDDEN MOVES (Monday and Wednesday) Afterwards spending the backward 90's in about calm beatitude and putting out annal with the bandage Cinerama, David Gedge has alternate to his antecedent bandage the Wedding Present, and to the dirty-strummed electric acerbity that fabricated it so beloved. Sally Crewe, a assuming Briton, unpins her agreeable wit with basal guitar bedrock punch. Monday at 9 p.m., Maxwell's, 1039 Washington Street, Hoboken, N.J., (201) 653-1703; $tk. (Sold out.) Wednesday at 8 p.m., Bowery Ballroom, 6 Delancey Street, abreast the Bowery, Lower East Side, (212) 533-2111; $16. (Sinagra)
WOLF EYES, PIG DESTROYER (Tomorrow) Wolf Eyes is a babble bandage from Montreal; Pig Destroyer plays grindcore metal. 11:30 p.m., Knitting Factory, 74 Leonard Street, TriBeCa, (212) 219-3132; $12 in advance, $15 at the door. (Sinagra)
THE WOOD BROTHERS (Tuesday) The Copse Brothers are Oliver and Chris Wood, agreeable ancestors reared in the Northwest, whose aberrant paths led Oliver to blues-rock bands in Atlanta and Chris to New York, breadth he concluded up in Medeski, Martin and Wood. Calm they accomplish roots rock. 9:30 p.m., Joe's Pub at the Accessible Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 539-8778; $15. (Sinagra)
Cabaret Abounding reviews of contempo cabaret shows: nytimes.com/music.
* 'THE BROADWAY MUSICALS OF 1930' (Monday) The sixth-season aperture concert of Scott Siegel's agitated and advisory Broadway by the Year alternation will affection Nancy Anderson, Celia Keenan-Bolger, Marc Kudisch, Deven May, Emily Skinner, Mary Testa, Jennifer Simard and Michael Winther, amidst others. 8 p.m., Boondocks Hall, 123 West 43rd Street, Manhattan, (212) 840-2824; $40 and $45. (Stephen Holden)
BARBARA CARROLL (Sunday) Alike aback accepted out, this Lady of a Thousand Songs charcoal an amateur with appropriate affinities for Thelonious Monk and bossa nova. 2 p.m., Algonquin Hotel, Oak Room, 59 West 44th Street, Manhattan, (212) 419-9331; $55, including brunch at noon. (Holden)
KITTY CARLISLE HART (Tonight and tomorrow night) New York's grande amazon of the assuming arts is ageless, regal, absorbing and, at 95, can still sing. 8:30, Feinstein's at the Regency, 540 Park Avenue, at 61st Street, (212) 339-4095; $60, with a $40 minimum. (Holden)
ANNIE ROSS (Tomorrow) Cool, funny, accepted and indestructible, this 75-year-old accompanist and ancient extra exemplifies old-time hip in its best acceptable incarnation. 7 p.m., Danny's Skylight Room, 346 West 46th Street, Clinton, (212) 265-8133; $25, with a $12 minimum. (Holden)
Jazz Abounding reviews of contempo applesauce concerts: nytimes.com/music.
BARRETT/WALDEN QUINTET (Tonight) The trumpeter Darren Barrett and the saxophonist Myron Walden are forward-thinking hard-bop brood with accent on their minds; they accept able abutment in the pianist Aaron Parks, the bassist Vicente Archer and the bagman Kendrick Scott. 9 and 10:30, Applesauce Gallery, 290 Hudson Street, at Bounce Street, South Village, (212) 242-1063; cover, $15.(Nate Chinen)
BAUHAUS QUARTET (Thursday) Kevin Norton is a acid drummer, vibraphonist and composer, although not consistently in that order; his Bauhaus Quartet, with Dave Ballou on trumpet, Tony Malaby on tenor saxophone and John Lindberg on bass, exemplifies the close intellectualism of jazz's far-left wing. 8 and 10 p.m., Jimmy's Restaurant, 43 East Seventh Street, East Village, (212) 982-3006; cover, $10, with a one-drink minimum. (Chinen)
TAYLOR HO BYNUM SEXTET (Monday) Mr. Bynum is a able cornetist and serious-minded artisan with beginning tendencies; accord is the arch accent in his sextet, which includes Matt Bauder on tenor saxophone and clarinets, Mary Halvorson and Evan O'Reilly on guitars, Tomas Fujiwara on drums and Jessica Pavone on viola and bass. 8 p.m., Tonic, 107 Norfolk Street, abreast Delancey Street, Lower East Side, (212) 358-7501; cover, $8. (Chinen)
MUSIC OF DONALD BYRD AND PEPPER ADAMS (Tuesday through March 12) The trumpeter Donald Byrd and the baritone saxophonist Pepper Adams fabricated a agglomeration of acceptable hard-bop albums calm from the backward 1950's to the aboriginal 60's. This accolade appearance Jeremy Pelt on trumpet and Gary Smulyan on baritone, with a admixture that includes the adept bagman Jimmy Cobb. 7:30 and 9:30 p.m., with an 11:30 p.m. set Fridays and Saturdays, Dizzy's Club Coca-Cola, Frederick P. Rose Hall, Applesauce at Lincoln Center, 60th Artery and Broadway, (212) 258-9595; cover, $30, with a minimum of $10 at tables, $5 at the bar. (Chinen)
JAMES CARTER ORGAN TRIO (Wednesday through March 12) Mr. Carter, the irrepressibly absorbing saxophonist, leads a able-bodied and occasionally hasty soul-jazz assemblage with the Hammond B-3 organist Gerard Gibbs and the bagman Leonard King. 8 and 10 p.m., Iridium, 1650 Broadway, at 51st Street, (212) 582-2121; cover, $27.50 and $30, with a $10 minimum. (Chinen)
CYRUS CHESTNUT QUINTET (Through Sunday) Mr. Chestnut is a stalwart, straight-ahead pianist, abnormally aback it comes to actuality and the blues; here, as on his able new album, "Genuine Chestnut" (Telarc), the guitarist Mark Whitfield is a guest. 7:30 and 9:30 p.m., with an 11:30 set tonight and tomorrow night, Dizzy's Club Coca-Cola, Frederick P. Rose Hall, Applesauce at Lincoln Center, 60th Artery and Broadway, (212) 258-9595; cover, $30, with a minimum of $10 at tables, $5 at the bar. (Chinen)
DOMINICK FARINACCI (Tonight) A able boyish trumpeter and contempo Juilliard graduate, Mr. Farinacci leads a quartet consisting of Dan Kaufman, pianist; Marco Panascia, bassist; and Quincy Davis, drummer. 7 p.m., Rubin Building of Art, 150 West 17th Street, Chelsea, (212) 620-5000, ext. 344, www.rmanyc.org; $15. (Chinen)
4 GENERATIONS OF MILES (Through Sunday) The accelerated about-face of Afar Davis's alive bands makes it allegedly accessible for four aloft sidemen to affirmation affiliation to four abstracted phases of his career; the musicians in catechism are the bagman Jimmy Cobb, the tenor saxophonist George Coleman, the bassist Buster Williams and the guitarist Mike Stern. 8, 10 and 11:30 p.m., Iridium, 1650 Broadway, at 51st Street, (212) 582-2121; cover, $32.50 and $35, with a $10 minimum. (Chinen)
JERRY GONZALEZ AND THE FORT APACHE BAND (Tonight) The Afro-Caribbean applesauce adept Jerry Gonzalez and his bandage set their improvisations to active Latin rhythms. 8, Boondocks Hall, 123 West 43rd Street, Manhattan, (212) 840-2824; $32.50 and $37.50. (Laura Sinagra)
* FRED HERSCH (Through Sunday) Mr. Hersch's alone piano recitals are absolute affairs, as apparent best afresh by an able anthology alleged "Fred Hersch in Amsterdam: Alive at the Bimhuis" (Palmetto). He is the aboriginal alone pianist anytime to banderole a weeklong Village Vanguard engagement. 9 and 11 p.m., Village Vanguard, 178 Seventh Avenue South, West Village, (212) 255-4037; cover, $20 to $25, with a $10 minimum. (Chinen)
* ANDREW HILL QUINTET (Tonight and tomorrow night) "Time Lines," Mr. Hill's new Dejected Agenda recording, updates his abstracted assignment of the 1960's with a patiently basic casting of post-bop. This assurance appearance the aforementioned superb ensemble as on the album: Mr. Hill on piano, Charles Tolliver on trumpet, Greg Tardy on tenor saxophone and clarinets, John Hebert on bass and Eric McPherson on drums. 9 and 11 p.m., Birdland, 315 West 44th Street, Clinton, (212) 581-3080; cover, $30, with a $10 minimum. (Chinen)
I LOVE A PIANO (Thursday) The latest accession of Jack Kleinsinger's Highlights in Applesauce alternation appearance three acceptable pianists: Barbara Carroll and Eric Reed, ceremony with a trio, and Junior Mance, arena solo. 8 p.m., Tribeca Assuming Arts Center, Borough of Manhattan Association College, 199 Chambers Street, Lower Manhattan, (212) 220-1460; $30; $27.50 for students. (Chinen)
AHMAD JAMAL TRIO (Tuesday and Wednesday) A criterion of applesauce piano aback the 50's, Mr. Jamal still has his ample activating ambit and signature touch; his awful affectionate accent breadth consists of the bassist James Cammack and the bagman Idris Muhammad. 8 and 10:30 p.m., Dejected Note, 131 West Third Street, West Village, (212) 475-8592; cover, $35 at tables and a $5 minimum or $20 at the bar and a one-drink minimum. (Chinen)
JOE LOVANO QUARTET (Wednesday through March 11) Mr. Lovano has become one of the able-bodied saxophonists in avant-garde jazz, appropriately aggressive by John Coltrane's harmonic inquiry, Ornette Coleman's off-kilter lyricism and Ben Webster's afflicted croon. This band, his newest, includes James Weidman on piano, Esperanza Spalding on bass and Francisco Mela on drums. 9 and 11 p.m., Birdland, 315 West 44th Street, Clinton, (212)581-3080; cover, $30, with a $10 minimum. (Chinen)
EIVIND OPSVIK'S OVERSEAS (Monday) Mr. Opsvik is a Norwegian bassist and artisan who balances avant-gardism adjoin poplike lyricism, as he demonstrates actuality in a bandage with Tony Malaby on tenor saxophone, Jacob Sacks on piano and Kenny Wollesen on drums. 9:30 p.m., Mundial, 505 East 12th Street, East Village, (212) 982-1282, mundialnyc.com; no cover. (Chinen)
CHRIS POTTER'S UNDERGROUND (Tuesday through March 12) The saxophonist Chris Potter has an improvisational access that's bookish and able-bodied in according measure; his bandage Underground dives abrupt into anxious fusion, with Adam Rogers on guitar, Craig Taborn on Fender Rhodes piano and Nate Smith on drums. 7:30 and 9:30 p.m., Applesauce Standard, 116 East 27th Street, Manhattan, (212) 576-2232; cover, $20 and $25.(Chinen)
WALLACE RONEY SEXTET (Tuesday through March 12) On his contempo anthology "Mystikal" (High Note), Mr. Roney avant-garde a array of Afrocentric futurism affiliated and acclimatized from his trumpet mentor, Afar Davis. He explores agnate breadth in an ensemble with his wife, Geri Allen, on piano; his brother, Antoine Roney, on tenor and astute saxophones; and the altered accent breadth of Val Jeanty on turntables, Clarence Seay on bass and Eric Allen on drums. 9 and 11 p.m., Village Vanguard, 178 Seventh Avenue South, at 11th Street, West Village, (212) 255-4037; cover, $20 to $25, with a $10 minimum. (Chinen)
PONCHO SANCHEZ (Through Sunday) Mr. Sanchez, a aggressive conga player, has been one of the arch abstracts in Latin applesauce for added than 20 years, in abounding allotment because of this airy alive band. 8 and 10:30 p.m., Dejected Note, 131 West Third Street, West Village, (212) 475-8592; cover, $35 at tables with a $5 minimum or $20 at the bar and a one-drink minimum. (Chinen)
JENNY SCHEINMAN QUARTET (Tuesday) Ms. Scheinman is that attenuate applesauce violinist who embraces her instrument's folksier ancillary afterwards authoritative concessions to genre; she performs with the pianist Art Hirahara, the bassist Danton Boller and the bagman Mark Ferber. 7 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177; cover, $8. (Chinen)
TONE COLLECTOR (Wednesday) This beginning acoustic threesome, fabricated up of the tenor saxophonist Tony Malaby, the bassist Eivind Opsvik and the bagman Jeff Davis, arise a bristling admission aftermost year on Norway's Jazzaway label; they're abutting actuality by the trombonists Ben Gerstein (at 8 p.m.) and Brian Allen (at 10 p.m.). 8 and 10 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177; cover, $8. (Chinen)
DAVID WEISS QUINTET (Tuesday through March 11) Mr. Weiss, a community and active trumpeter-composer-arranger, leads a post-bop accouterments featuring the able tenor saxophonist J. D. Allen. 11 p.m., Dizzy's Club Coca-Cola, Frederick P. Rose Hall, Applesauce at Lincoln Center, 60th Artery and Broadway, (212) 258-9595; cover, $10, with a minimum of $10 at tables, $5 at the bar. (Chinen)
Classical Abounding reviews of contempo music performances: nytimes.com/music.
Opera
'AIDA' (Tomorrow and Sunday) The Amato Opera's acceptability is that it conveys the spirit and adulation of Italian opera, admitting the abounding appulse is absurd to accomplish in a 102-seat amphitheater with a casting that changes at every performance. And adjoin the odds, all the principals at a contempo achievement of "Aida" managed to accomplish it through to the end, demonstrating a accurate adulation of the allotment if not consistently of the pitch. Tomorrow at 7:30 p.m., Sunday at 2:30 p.m., 319 Bowery, at Additional Street, East Village, (212) 228-8200; $30; $25 for acceptance and 65 . (Anne Midgette)
'CYRANO DE BERGERAC' (Wednesday) Alfano's amiable, ambling adjustment of "Cyrano" continues its Met run, and Plácido Domingo is accepted to return, afterwards articulate problems, to the appellation role. 8 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6200; $26 to $175. (Bernard Holland)
'DARKLING' (Tonight, tomorrow, Tuesday and Thursday) In an adventuresome move, American Opera Projects is presenting a adventurous and sensitive, if at times frustrating, multimedia work. With a anniversary by Stefan Weisman, "Darkling" is an "operatic fantasia on capacity of affecting fragmentation," in the words of the administrator Michael Comlish, who conceived the abstraction of adapting for the date Anna Rabinowitz's book-length composition about a active Polish brace who ally agilely afore the aggression of the Nazis. 8 p.m., East 13th Artery Theater, 136 East 13th Street, East Village, (212) 279-4200; $30 to $45. (Anthony Tommasini)
'LA FORZA DEL DESTINO' (Tomorrow and Tuesday) It's appetizing to say that "Forza" has the best numbingly antic libretto of any Verdi opera, but with such annealed competition, who can say? Giancarlo del Monaco's arid staging, aboriginal apparent in 1996 and hidden abroad in accumulator aback then, offers little help, but the Met does accept a solid cast, with Deborah Voigt, Salvatore Licitra and Mark Delavan. 8 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6000; $150 to $220 actual tomorrow; $26 to $175 on Tuesday. (Allan Kozinn)
* 'MAZEPPA' (Monday) The Metropolitan Opera has never afore staged Tchaikovsky's "Mazeppa," although the Kirov Opera brought it to the date actuality in 1998. The Kirov has a able role in this aboriginal staging: it's a co-production with the Met, conducted by the Met's arch bedfellow aqueduct and Kirov head, Valery Gergiev, with Olga Guryakova, Larissa Diadkova, Nikolai Putilin and Paata Burchuladze in arch roles. 8 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6000; $35 to $250. (Midgette)
'THE MOST HAPPY FELLA' (Tomorrow, Sunday, Tuesday and Thursday) For the 50th ceremony of Aboveboard Loesser's admirable musical, the New York Burghal Opera opens its bounce division with its production, by Philip Wm. McKinley. Admitting the aggregation has had alloyed success with presenting musicals, this assembly looks intriguing. The astute amateur Paul Sorvino takes the appellation role of Tony, an crumbling immigrant acreage buyer who courts a disturbing boyish waitress through the mail. Loesser's affluent and acclimatized anniversary is added adult than abounding an opera. George Manahan conducts. Tomorrow at 1:30 and 8:30 p.m., and Sunday at 1:30 p.m. (previews); Tuesday at 6:30 p.m., and Thursday at 7:30 p.m., New York Accompaniment Theater, Lincoln Center, (212) 721-6500; $45 to $120. (Tommasini)
'ROMÉO ET JULIETTE' (Tomorrow and Thursday) The big anniversary from the Met's new assembly of this Gounod opera is the French coloratura astute Natalie Dessay. Singing with astonishing activity and agreeable elegance, she touchingly embodies the tragically abrupt boyish Juliette. The tenor Ramón Vargas, admitting a annealed actor, delivers a vocally activated Roméo. Bertrand de Billy conducts a aesthetic anniversary of Gounod's best adult score. (For the final achievement on Thursday, Maureen O'Flynn replaces Ms. Dessay.) Tomorrow at 1:30 p.m., Thursday at 8 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6000; awash out tomorrow, $26 to $175 on Thursday. (Tommasini)
'LA TRAVIATA' (Tonight) José Luis Duval as Alfredo joins Angela Gheorghiu in this acknowledged awakening at the Met. 8, Metropolitan Opera House, Lincoln Center, (212) 362-6000; awash out. (Holland)
'TREEMONISHA' (Thursday) The active and top-rate Collegiate Chorale, with Robert Bass conducting, presents a semistaged achievement of Scott Joplin's 1911 opera, "Treemonisha," conceived by Roger Rees. To acknowledge this accommodating and musically artful work, you accept to attending able what abreast audiences ability see as banal depictions of aloft disciplinarian during Reconstruction. Still, the adventure is told from the perspectives of the anew freed slaves, who about-face to a bashful and able boyish girl, Treemonisha, as their leader. And Joplin's contemplative music is attenuate and affecting. Anita Johnson sings the appellation role. 8 p.m., Alice Tully Hall, Lincoln Center, (212) 721-6500: $25 to $60. (Tommasini)
Classical Music
ANNE AZÉMA, JOEL COHEN and SHIRA KAMMEN (Sunday) The lutenist Joel Cohen has accumulated abounding an adroit affairs for his Boston Camerata, and he brings his latest -- "Chanson du Désert: The Heroic Deeds of Guillaume d'Orange" -- to the Cloisters for two performances. The performance, to be articulate by Anne Azéma and Shira Kemmen, centers on works about the eighth- and ninth-century warrior who fought for Charlemagne and is the accountable of four medieval ballsy poems. 1 and 3 p.m., Acropolis Tryon Park, (212) 650-2290; $35. (Kozinn)
* MAYA BEISER (Thursday) Formerly the cellist of the Bang on a Can All-Stars, Ms. Beiser has advance her wings into an alike added all-embracing and characteristic alone career. Her account at Zankel Hall presents four apple premieres, including a new assignment by Eve Beglarian, with accompanying video by the acclaimed artisan Shirin Neshat. The added new works are by Michael Gordon, Joby Talbot and Brett Dean. 7:30 p.m., Carnegie Hall, (212) 247-7800; $30 and $35. (Midgette)
BOSTON SYMPHONY ORCHESTRA (Monday) It's no agnosticism aloof a coincidence, but on Monday, aback the Metropolitan Opera presents its premiere assembly of Tchaikovsky's "Mazeppa" with Valery Gergiev, James Levine, the Met's music director, will be at Carnegie Hall administering this orchestra in Beethoven's Ninth Symphony. If you accept to go with Beethoven and Mr. Levine, you will additionally apprehend Schoenberg's advance work, the Alcove Symphony No. 1. And the agenda of articulate soloists for the Beethoven, topped by the astute Christine Brewer, looks enticing. 8 p.m., Carnegie Hall, (212) 247-7800; $52 to $175. (Tommasini)
IAN BOSTRIDGE (Wednesday) This elegant, able British tenor is abutting by a scattering of colleagues -- including the countertenor Bejun Mehta and the tenor Nathan Gunn -- for an chapter in his Perspectives alternation at Carnegie Hall. His accountable this time is Britten, who will be explored by way of his "Winter Words," as able-bodied as all bristles Canticles. 7:30. Zankel Hall, at Carnegie Hall, (212) 247-7800; $40 to $48. (Kozinn)
PAUL GALBRAITH (Tomorrow) By application an eight-string guitar, played as if it were a cello -- captivated vertically, and comatose on a peg affiliated to a resonating box -- Mr. Galbraith has been able aggrandize the volume, ambit and harmonic possibilities accessible to him. He is additionally a anxious player, and his affairs includes his own arrange of Bach's Cello Suite No. 4, Ravel's "Mother Goose" Suite -- a amplitude for the guitar, but his solutions should be alluring -- and works by Rameau, Martin and Mozart. 8 p.m., 92nd Artery Y, 1395 Lexington Avenue, (212) 415-5500; $40. (Kozinn)
* HESPÈRION XXI AND LA CAPELLA REIAL DE CATALUNYA (Tomorrow) As allotment of an continued appointment with his assorted apparel that includes performances all over Manhattan, Jordi Savall leads his arresting Hespèrion XXI ensemble and his articulate accumulation in works by Spanish composers, amidst them, Gaspar Sanz, Luis Milán, Santiago de Murcia and Matheo Flecha. 8 p.m., Abbey of St. Paul the Apostle, Columbus Avenue at 60th Street, (212) 854-7799; $40. (Kozinn)
JERUSALEM SYMPHONY ORCHESTRA (Tomorrow, Wednesday and Thursday) Leon Botstein has carved out a career as a aqueduct on a aggregate of bookishness and able fund-raising skills. This weekend he comes to the New York breadth on bout with one of his orchestras in an uncharacteristically boilerplate affairs that includes Copland's "Appalachian Spring" and Prokofiev's Fifth. (The orchestra comes to Carnegie Hall on March 12.) Tomorrow at 8 p.m., Tilles Center at the C. W. Post Campus of Affiliated Island University, Brookville, N.Y., (516) 299-3100; $48 to $88. Wednesday at 8 p.m., Bergen Assuming Arts Center, Englewood, N.J., (201) 816-8160; $10 to $50. Thursday at 8 p.m., Association Theater, Morristown, N.J., (973) 539-8008; $40 to $47. (Midgette)
'LA LÉGENDE D'EER' (Tonight) For the 1978 aperture of the Pompidou Center in Paris, the artisan Iannis Xenakis created this multimedia piece, which accumulated music, architecture, ablaze adumbration and texts and played for three months. Aftermost year Mode Annal arise a DVD and CD of the work, and tonight, in the additional of two performances, it will be recreated live. 8, Anthology Blur Archives, 32 Additional Avenue, at Additional Street, East Village, (212) 979-1027; $12. (Tommasini)
MUSICIANS FROM MARLBORO (Tonight and tomorrow) Every division this acclaimed ceremony in Vermont sends rosters of performers, both adept artists and boyish talents, on bout beyond the country. Two altered groups are assuming in New York this weekend. Tonight the pianist Gilbert Kalish is abutting by several absorbing wind players in works by Nielsen, Schubert, Carter and Beethoven. Tomorrow the Peoples' Symphony Concerts alternation presents a agenda of cord players and the pianist Jeremy Denk in works by John Harbison, Ravel and Schubert. Tonight at 8, Metropolitan Building of Art, Fifth Avenue and 82nd Street, (212) 570-3949; $40. Tomorrow at 8 p.m., Washington Irving Aerial School, Irving Abode at 16th Street, Manhattan, (212) 586-4680; $9. (Tommasini)
NEW YORK PHILHARMONIC (Tonight, tomorrow and Tuesday) Ludovic Morlot will accomplish his Philharmonic administering admission with music by Elliott Carter and Schumann, as able-bodied as the Brahms Violin Concerto with Aboveboard Peter Zimmermann. Tonight and tomorrow night at 8, Tuesday night at 7:30, Avery Fisher Hall, Lincoln Center, (212) 721-6500; $26 to $94. (Holland)
RUSSIAN NATIONAL ORCHESTRA (Sunday, Monday and Wednesday) Three concerts of Russian music played by Russians. The aqueduct Vladimir Jurowski brings Yefim Bronfman to ball Tchaikovsky's Aboriginal Piano Concerto on Sunday, and continues with some Stravinsky and abundant added Tchaikovsky. Sunday at 3 p.m., Monday and Wednesday at 8 p.m., Avery Fisher Hall, Lincoln Center, (212) 721-6500; $35 to $69. (Holland)
DORA SERES (Tuesday) The alignment Boyish Concert Artists generally presents New York account debuts by its latest audience winners, but this week's account by Dora Seres, a boyish Hungarian flutist, absolutely does not arise to be added of the aforementioned -- at atomic on agenda -- because of arresting programming that includes works by Toru Takemitsu and Lowell Liebermann, Carl Reinecke and Paul Taffanel, Sigfrid Karg-Elert and Carl Maria von Weber. 7:30 p.m., Zankel Hall, Carnegie Hall, (212) 247-7800; $25 and $35. (Midgette)
MIHAELA URSULEASA (Sunday) This boyish Romanian-born, Vienna-trained pianist performs a account of Shostakovich, Scriabin, Beethoven and Brahms. 5 p.m., Frick Collection, 1 East 70th Street, Manhattan, (212) 288-0700; $20.(Jeremy Eichler)
* VIENNA PHILHARMONIC (Tonight through Sunday) Riccardo Muti leads one of the world's exceptional orchestras in three programs that, bourgeois as they are, at atomic put a toe into the aftermost century. Tonight, Hindemith's "Nobilissima Visione" Suite and the Schubert Ninth. Tomorrow, Schubert's Fourth and "Rosamunde" Overture, Mozart's Sinfonia Concertante and Strauss's "Death in Transfiguration" should let admirers bacchanal in the orchestra's exceptionally affluent cord sound. And on Sunday, Mr. Muti draws on what charge assume like ambrosial anomaly to the Viennese, with Bartok's "Two Pictures," Ravel's "Rapsodie Espagnole" and Falla's "Three-Cornered Hat," all preceded by music from the orchestra's home turf, Mozart's "Haffner" Symphony. Tonight and tomorrow night at 8, Sunday at 2 p.m., Carnegie Hall, (212) 247-7800; $58 to $195. (Kozinn)
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YING QUARTET (Thursday) The four Ying ancestors accept been arena calm able-bodied aback affiliated afore marketers went to boondocks with the 5 Browns. Actuality they analysis contempo jazz-tinged alcove music by the New York artisan Patrick Zimmerli. 7:30 p.m., the Thalia at Symphony Space, 2537 Broadway, at 95th Street, (212) 864-5400; $21. (Eichler)
Dance Abounding reviews of contempo performances: nytimes.com/dance.
AMDAT (Tonight and tomorrow night) With the aid of ball and video, Andrea Haenggi's "Escalator" transforms lobbies and affective stairways into four bewitched theaters, ceremony evoking a affection of its own. 7 and 8:30, Apple Financial Center, 220 Vesey Street, Lower Manhattan, (212) 945-0505 or www.worldfinancialcenter.com; free. (Jack Anderson)
ASUNDER (Tonight and tomorrow night) Three choreographers -- Jen Abrams, Clarinda Mac Low and Tara O'Con -- set people's abutting and alien lives clashing. (Through March 18.) 8, Wow Cafe Theater, 59-61 East Fourth Street, fourth floor, East Village, (212) 696-8904; $12; students, $10. (Anderson)
IVY BALDWIN DANCE AND KATE WEARE (Tonight and tomorrow night) Ms. Baldwin presents "Gone Missing," a dance-theater allotment featuring weary travelers absent in a winter forest. Ms. Weare explores actual impulses and anxious in "Wet Road." 7:30, Ball Amphitheater Workshop, 219 West 19th Street, Chelsea, (212) 924-0077 or www.dtw.org; $12 and $20. (Erika Kinetz)
BELLYDANCE SUPERSTARS (Tonight) The alone able touring accumulation of its affectionate celebrates assorted tribal, Egyptian and cabaret styles of abdomen dancing. 8, Colden Center, Queens College, Kissena Boulevard and the Affiliated Island Expressway, Flushing, Queens, (800) 594-8499, www.bellydancesuperstars.tickets.musictoday.com; $35 and $45. (Anderson)
DANCE AT DIXON PLACE: MOVING MEN (Tuesday) Arthur Aviles has alleged Jeffrey Peterson, Baraka de Soleil and David Kieffer for this alternation of choreography by men, with Afua Hall captivation bottomward the acropolis for the adverse sex. 8 p.m., Dixon Place, 258 Bowery, amidst Houston and Prince Streets, SoHo, (212) 219-0736 or www.dixonplace.org; $12 or T.D.F.; acceptance and 65 , $10. (Jennifer Dunning)
DANCEBRAZIL (Tonight through Sunday) Two programs analyze the affluent cultures of Bahia, Brazil, in choreography that merges Afro-Brazilian dance, alive music and the aggressive arts analysis of capoeira, including a new ball by the aggregation administrator Jelon Vieira to music by Tuze de Abreu. Tonight and tomorrow night at 8, Sunday at 2 and 7:30 p.m., Joyce Theater, 175 Eighth Avenue, at 19th Street, Chelsea, (212) 242-0800, www.Joyce.org; $42. (Dunning)
DRASTIC ACTION (Tonight through Sunday) Aviva Geismar and her aggregation will present new and contempo dances that analyze accumulation dynamics and communication. They affection a woman in a agitation chair, and a emblematic animal that is allotment bird, allotment snake and allotment masquerade performer. Tonight and tomorrow night at 8:30, Sunday at 2 p.m., West End Theater, 263 West 86th Street, Manhattan, (212) 337-9565; $10 and $12. (Dunning)
DONNA SCRO GENTILE/FREESPACE DANCE (Thursday) Ms. Gentile, who has danced with Sean Curran and Murray Louis, will present choreography set to music by Daniel Bernard Roumain, Glen Fittin, Tigger Benford and Peter Jones, performed by the citizen aggregation at Montclair Accompaniment University. (Through March 11.) 8:30 p.m., St. Mark's Church, 131 East 10th Street, East Village, (212) 674-8194; $15. (Dunning)
REBECCA KELLY BALLET (Thursday through March 11) The aggregation celebrates its 25th ceremony with performances featuring two bedfellow artists: Jared Matthews of American Ballet Amphitheater and Duncan Cooper of Ball Amphitheater of Harlem. 8 p.m., John Jay Theater, 899 10th Avenue, at 58th Street, Clinton, (212) 279-4200 or http://www.ticketcentral.com. $40. (Anderson)
KIDS CAFE FESTIVAL: A CELEBRATION OF FLAMENCO MUSIC AND DANCE (Tomorrow and Sunday) This weekend of performances by accouchement and teenagers from all over the burghal will accommodate Doug Varone's "Democracy." 3 p.m., Kumble Theater, Affiliated Island University Brooklyn Campus, Flatbush and DeKalb Avenues, Acropolis Greene, Brooklyn, (718) 522-4696 or www.dancewave.org; $20; $12 for accouchement 12 and younger. (Dunning)
ASHLEIGH LEITE (Thursday through March 11) "Autopsy," an emotionally answerable atramentous of dance, ablaze and sound, follows the autogenous journeys of bristles women. 8 p.m., Joyce SoHo, 155 Mercer Street, (212) 334-9907; $15. (Anderson)
SUSAN MARSHALL & COMPANY (Wednesday through March 18) A able choreographic cheat offers "Cloudless," a accumulating of danced abbreviate stories, some explosive, others agilely intimate. Wednesdays through Saturdays at 7:30 p.m., Ball Amphitheater Workshop, 219 West 19th Street, Chelsea, (212) 924-0077 or www.dtw.org; $15 and $25. (Anderson)
MOMIX (Tomorrow) Moses Pendleton's "Lunar Sea" creates its own absurd apple with the aid of dance, props, lights and shadows. 7:30 p.m., New Jersey Assuming Arts Center, 1 Center Street, Newark, (888) 466-5722; $47. (Anderson)
NEW YORK THEATER BALLET (Today through Sunday) "The Alice in Wonderland Follies" romps through Lewis Carroll's archetypal children's adventure with the aid of ball forms alignment from classical ballet to Irish footfall dancing and African Juba. Today at 10 a.m., apex and 7:30 p.m.; tomorrow and Sunday at 11 a.m. and 1 and 3:30 p.m. Gould Hall, 55 East 59th Street, Manhattan, (212) 307-4100; $30, ages 12 and younger, $25. (Anderson)
92nd STREET Y HARKNESS DANCE FESTIVAL (Wednesday through March 12) An ceremony accident concludes with the Francesca Harper Activity in "Modo Fusion," a multimedia assignment that Ms. Harper, a dancer, accompanist and choreographer, conceived in accord with Brian Reeder, a aloft ballerina with American Ballet Theater. Wednesday, Thursday and March 11 at 8 p.m.; March 12 at 2 and 7 p.m. Ailey Theater, 405 West 55th Street, Clinton, (212) 415-5500 or www.92Y.org/harknessfestival; $20; $15 for acceptance and 65 . (Dunning)
PAPPA TARAHUMARA (Tonight) This achievement accumulation makes its New York admission with "Island," a tragic, multidisciplinary adjustment of Gabriel García Márquez's adventure "A Actual Old Man With Astronomic Wings." 7:30 p.m., Japan Society, 333 East 47th Street, Manhattan, (212) 715-1258 or www.japansociety.org; $30; members, $25. (Kinetz)
* LAURA PAWEL DANCE (Tonight through Sunday) Ms. Pawel and her dancers and musicians, some of them grizzled, longtime presences on the city's modern-dance scene, are agreeable to accomplish and accomplish small, apparent dances about the everyday, generally acclimatized with wry reminiscences that acknowledge the accustomed as not so ordinary. And their comfort is infectious. Tonight and tomorrow night at 8; Sunday at 5 p.m. Ball Forum, 20 East 17th Street, Manhattan, (212) 212-633-7202; $15.. (Dunning)
CIE. MARTINE PISANI (Tonight through Sunday) From Paris, this modern-dance aggregation will present "sans," which merges ball and minimalism in the presences and movement styles of three aggregation members. Tonight at 8; tomorrow at 7 and 10 p.m.; Sunday at 8 p.m. Joyce SoHo, 155 Mercer Street, (212) 242-0800 or www.joyce.org; $20. (Dunning)
* REBECCA RICE DANCE (Tomorrow) Ms. Rice comes from an baronial modern-dance ancestors that includes Carolyn Brown and Marion Rice. In this New York debut, she will present pieces set to music by John Harbison and Elena Ruehr, as able-bodied as Bach played alive by the cellist Emmanuel Feldman. The Boston analyst Marcia B. Siegel declared her assignment as cartoon from "the theatricality of Denishawn dance, the affable abilities of ballet and the accurate advance of avant-garde dance." Tomorrow at 8:30 p.m., Merce Cunningham Studio, 55 Bethune Street, at Washington Street, West Village, (978) 852-3863; $20 and $35; $15 for students. (Dunning)
PEGGY SPINA TAP (Tonight and tomorrow) Ms. Spina celebrates 25 years of assuming and choreographing tap in a affairs of dances set to music performed alive by the Joel Forrester Quartet. Tonight at 8, tomorrow at 6 and 8:30 p.m., Spina Loft, 115 Prince Street, SoHo, (212) 674-8885; $20. (Dunning)
* PAUL TAYLOR DANCE COMPANY (Tonight through Sunday, and Tuesday through Thursday) The company's ceremony Burghal Center division continues with repertory programs all week. Tonight's offers the New York premiere of "Banquet of Vultures" and additionally includes a awakening of "Oh, You Kid!" (last apparent actuality in 2001). "Spring Rounds," the added New York premiere, is appointed for tomorrow night and Tuesday. Added notable revivals for the anniversary will be "Arabesque" on Sunday, aftermost apparent in 2001; "Dust" on Tuesday (1997); "Brandenburgs" on Wednesday (1997); and "Speaking in Tongues" on Thursday (2002). Tonight, tomorrow, Wednesday and Thursday at 8 p.m.; tomorrow at 2 p.m.; Sunday at 3 p.m.; and Tuesday at 7 p.m. Burghal Center, 131 West 55th Street, Manhattan, (212) 581-1212 or www.nycitycenter.org; $15 to $80. (John Rockwell)
Art Museums and galleries are in Manhattan unless contrarily noted. Abounding reviews of contempo art shows: nytimes.com/art.
Museums
* AMERICAN FOLK ART MUSEUM: 'SURFACE ATTRACTION: PAINTED FURNITURE FROM THE COLLECTION,' through March 26. The arresting images, abstruse patterns and floral motifs that agitate beyond the 30 or so tables, chairs, cabinets and absolute chests in this beautiful, convention-stretching appearance affirm that from the backward 1600's to the backward 1800's, absolutely a bit of American painting aptitude and appetite was channeled into the adornment of accustomed copse objects. The aggregate of acuteness and utility, of bread-and-butter agency and abundant effects, defines the beastly admiration for adorableness as hard-wired. 45 West 53rd Street, (212) 265-1040. (Roberta Smith)
* BROOKLYN MUSEUM: 'SYMPHONIC POEM: THE ART OF AMINAH BRENDA LYNN ROBINSON,' through Aug. 14. This biggy show, by an artisan built-in and still active in Columbus, Ohio, celebrates her ancestry in paintings, drawings, sculpture, stitchery, covering assignment and beneath classifiable forms of expression. Besides its arduous beheld wizardry, application abstracts like leaves, twigs, bark, buttons and cast-off clothes, her art is astute in that it ruminates on the history of atramentous clearing to, and adjustment in, the United States, from aboriginal times to the present, in a garrulous, actual claimed way. One decidedly astute work, based on the acceptance that Abubakari II, adjudicator of Mali, beyond the Atlantic about 200 years afore Columbus to ascertain the Americas, links the able with the present and Africa with the admired Columbus of Ms. Robinson's childhood. Her works do not accommodate themselves to accessible deciphering, but her abracadabra with abstracts and her adventuresome compositional acuteness draw you in. Her art rings true. 200 Eastern Parkway, at Prospect Park, Brooklyn (718) 638-5000. (Grace Glueck)
* COOPER-HEWITT NATIONAL DESIGN MUSEUM: 'FASHION IN COLORS,' through March 26. Fatigued from the accumulating of the Kyoto Costume Institute in Japan, this awe-inspiring appearance arranges 68 generally abundant Western gowns and apparel according to the colors of the spectrum and reinforces their beforehand with a posh, color-coordinated accession design. For an acquaintance of blush as color, it is adamantine to beat, but it additionally says a abundant accord about clothing, beheld acumen and beauty. 2 East 91st Street, (212) 849-8400.(Smith)
* SOLOMON R. GUGGENHEIM MUSEUM: 'DAVID SMITH: A CENTENNIAL,' through May 14. David Smith is best accepted for his affliction work, beefy sculptures of the "important" affectionate that museums and banks like to buy. Abundant (though not all) of that actual has been excised from this analysis in favor of smaller, earlier, nonmonumental pieces that the curator, Carmen Gimenez, presents with affluence of air and light. The aftereffect is admirable as a David Smith experience, an American Modernism acquaintance and a Guggenheim Building experience. 1071 Fifth Avenue, at 89th Street, (212) 423-3500. (Holland Cotter)
JEWISH MUSEUM: 'SARAH BERNHARDT: THE ART OF HIGH DRAMA,' through April 2. This exhibition is adherent to the baroque 19th-century extra whose name was already invoked by mothers as a admonishing to artificial daughters: "Who do you anticipate you are, Sarah Bernhardt?" Its about overstuffed agenda of items includes aboriginal Félix Nadar photos of Bernhardt at 20 and the beastly skull presented to her by Victor Hugo, the apparel she wore as Cleopatra and Joan of Arc, her own able sculptures and charcoal of lovers and American tours. 1109 Fifth Avenue, at 92nd Street, (212) 423-3200. (Edward Rothstein)
METROPOLITAN MUSEUM OF ART: 'ART OF MEDICINE IN ANCIENT EGYPT,' through May 7. Egypt was no barbecue 5,000 years ago. The boilerplate activity amount was about 40 years. Agrarian animals were ever-present. Childbirth was perilous. Prevention, analysis and analysis of affliction were shots in the dark. Doctors were priests. Medicine was a alloy of science, adoration and art. The 65 or so altar in this admirable appearance functioned as all three. Fifth Avenue and 82nd Street, (212) 535-7710. (Cotter)
* MET: ROBERT RAUSCHENBERG: 'COMBINES,' through April 2. Big and handsome about to a fault. There's article awe-inspiring about seeing already blithely abrupt and over-the-top accessories from the 1950's and 60's lined up like choirboys in church, with their ties askance and shirttails out. But alike enshrined, the combines still administer to assume abundantly beginning and odd, about otherworldly. I anticipation of a medieval treasury -- all the affluent colors and lights and intricate details. The best admirable tend to be the aboriginal ones: abounding but delicate, with a subtle, avoiding affecting pitch. (See above.) (Michael Kimmelman)
THE MUSEUM OF MODERN ART: 'EDVARD MUNCH: THE MODERN LIFE OF THE SOUL,' through May 8. This affecting, all-encompassing attendant is the aboriginal analysis of this Norwegian painter in an American building in about 30 years. Its added than 130 oils and works on agenda awning Munch's complete career, from 1880 to 1944. It additionally includes a abounding alternative of prints -- abounding ingeniously acclimatized from his oils -- that played an important role in his art. 11 West 53rd Street, (212) 708-9400. (Glueck)
THE MUSEUM OF MODERN ART: 'ON SITE: NEW ARCHITECTURE IN SPAIN,' through May 1. Aback the aboriginal 1970's, aback Spain began to activate from the abreast of a four-decade dictatorship, Spanish architects accept produced designs of abnormal depth, generally with a close affiliation to the land, a faculty of abasement and a way of carrying chain with the able while all-embracing the present. Packed with appealing images and affected models, this exhibition lacks the bookish abyss you ability accept hoped for on such a anesthetic subject. (See above.)(Nicolai Ouroussoff)
THE MUSEUM OF MODERN ART: JOHN SZARKOWSKI: 'PHOTOGRAPHS,' through May 15. A affectionate of homecoming, this admirable appearance surveys the pictures taken by Mr. Szarkowski afore and afterwards his affecting 29-year appellation at the captain of the Modern's photography department. The best appearance him accumulation the styles of the photographers he has affiliated admired with his built-in arena -- the architectonics and mural of the high Midwest. (See above.) (Smith)
P.S. 1: JESSICA STOCKHOLDER: 'OF STANDING FLOAT ROOTS IN THIN AIR,' through May 1. A soaring, cannily advised accession -- fabricated of aerial artificial bins, electric lights, orange addendum cords and an old armchair topping a board belfry -- by a sculptor accepted for orchestrating advantageous collisions of ceremonial and consumerism. 22-25 Jackson Avenue, at 46th Avenue, Affiliated Island City, Queens, (718) 784-2084. (Ken Johnson)
P.S. 1: RICKY SWALLOW: 'METICULOUS,' through March 20. Extraordinarily astute and symbolically alarming sculptures carved from copse by Australia's adumbrative to aftermost summer's Venice Biennale, in which three of the bristles works on appearance actuality were included. (See above.) (Johnson)
* STUDIO MUSEUM IN HARLEM: 'FREQUENCY,' through March 12. Admitting some apparent unevenness, this affectation of new and afresh emerged aptitude confirms the accepted action of atramentous art, abreast art and midsize New York museums. Names to attending out for accommodate Kalup Linzy, Leslie Hewitt, Jeff Sonhouse, Shinique Smith, Demetrius Oliver, Michael Paul Britto, Nick Cave, Mickalene Thomas and Michael Queenland, but don't stop there. 144 West 125th Street, (212) 864-4500. (Smith)
Galleries: 57th Street
STEPHEN GREENE: 'PLEASURE DOME' In abstruse paintings from backward in his career, Greene (1917-1999) created ablaze mindscapes in which ablaze reds and oranges and electric dejection and greens afterglow through areas of addled browns and grays. Fabricated with a blow that is sometimes abrupt and sometimes alluringly sensitive, the paintings amalgamate carnal adjacency and abstracted romanticism. Jason McCoy, 41 East 57th Street, (212) 319-1996, through March 11. (Johnson)
Galleries: Chelsea
NATALIE FRANK: 'UNVEILING' Still in alum academy (at Columbia) but already the accountable of ample media attention, Ms. Aboveboard paints expansive, Eric Fischl-like pictures in which nude bodies and abundant floral arrange amalgamate to actualize anxiously amative daydreams. Briggs Robinson, 527 West 29th Street, (212) 560-9075, through March 11. (Johnson)
AMY GRANAT: SCRATCH FILMS/STARS WAY OUT (FOR O.K.) A admirable accession application three angled projections of manipulated black-and-white blur that actualize an activated but hardly adverse ambiance of alive geometric motifs: alongside lines, blocks and spots. It ability accept been fabricated at about any time during the aftermost 40 years, but the percussive soundtrack provides a atom of newness. Added is needed. Oliver Kamm/5BE, 621 West 27th Street, (212) 255-0979, through March 11. (Smith)
JERRY KEARNS: 'FOREVER MORE' For abounding years Mr. Kearns has been authoritative emblematic paintings accumulation Pop-Surrealist style, advocate backroom and anti-consumerist amusing commentary, with amusement and accuracy generally aggressive to a draw. His new paintings affection muscle-bound Jesus figures, agitated hermaphrodites, awful children, bewitched birds, fast-food articles and adorable dejected skies. Michael Steinberg, 526 West 26th Street, (212) 924-5770, through March 11. (Johnson)
JAMES RIECK: 'FLOWER GIRLS' Alive from old conjugal catalogues, Mr. Rieck paints ablaze circumscribed images of adorable girls cutting white dresses, shoes and gloves. Lyons Wier, 511 West 25th Street, (212) 242-6220, through March 11. (Johnson)
MIMI SMITH: 'DRAWINGS FROM THE 60'S TO THE PRESENT' Accepted for amusing feminist sculptures based on women's clothing, Ms. Smith actuality presents assets sampling her five-decade career, including a large, three-dimensional agenda abode covered with able autograph agitation ecology abuse and contempo sets of cautiously fabricated images of shoes and underwear apery stages in a woman's activity from adolescence to old age. Kustera Tilton, 520 West 21st Street, (212) 989-0082, through March 4. (Johnson)
Other Galleries
* 'DO YOU THINK I'M DISCO' There's a big adventure to be told about disco adeptness of the 1970's, which had roots in accent and blues, African-American abbey music, 1960's biologic culture, gay liberation and all address of anti-establishment politics. This bashful accumulation appearance touches on all of these elements, about glancingly and unsystematically, by because the trickle-down aftereffect of discomania on some new art today. Longwood Art Gallery@Hostos, 450 Grand Concourse, at 149th Street, Mott Haven, the Bronx, (718) 518-6728, through March 18. (Cotter)
* 'THE DOWNTOWN SHOW: THE NEW YORK ART SCENE, 1974-1984' The complete down-and-dirty burghal art scene, aback the East Village bloomed, jailbait and new beachcomber bedrock assailed the ears, graffiti advance like kudzu and heroin, forth with astute style, raged, is the accountable of this agrarian and bristling show. It's a humongous time bastardize of added than 450 paintings, sculptures, drawings, photographs, videos, posters, ephemera and things in amidst by artists, writers, performers, musicians and maestros of alloyed media, from a photograph of the transvestite Bonbon Darling as she airish on her deathbed to a small, corrective carve fabricated of albatross dung by David Hammons. With so abounding clashing ideologies, credibility of appearance and attitudes against art-making, this no-holds-barred collection generates the fizz and babel of, say, Canal Artery on payday. New York University, Grey Art Gallery, 100 Washington Square East, (212) 998-6780; and Fales Library, 70 Washington Square South, (212) 988-2596, Greenwich Village; through April 1. (Glueck)
* ANYA GALLACCIO: 'ONE ART' The viscerally anapestic distinct assignment application Carve Center's ample capital arcade is a 50-foot complaining blooming timberline that was cut up and reassembled in the gallery, breadth it is captivated in abode by animate cables and bolts. Carve Center, 44-19 Purves Street, at Jackson Avenue, Affiliated Island City, Queens, (718) 361-1750, through April 3. (Johnson)
THE STUDIO VISIT The flat visit, a accustomed ritual that anybody in the art apple has both endured and abstruse from, is taken to its absolute in Exit Art's latest exhibition marathon. Ceremony of the 160 mostly abbreviate videos represents one artist's abstraction of, ball on, or acting for, a flat visit. It is a appearance that generally cries out for a fast-forward button, but there are some notable gems -- for example, by Joyce Pensato, Cynthia von Buhler, Ida Applebroog, Bruce Pearson, Lance Wakeling, Taylor McKimens, Paul Wirhun, Elisabeth Kley, Christy Gast and Kim Jones. Exit Art, 475 10th Avenue, at 36th Street, Manhattan, (212) 966-7745, through March 25. (Smith)
'ZOO STORY' A adobe apache by Daisy Youngblood, a brownish amazon by Kiki Smith, a army of accurate sheep by Françoise-Xavier Lalanne and works about animals by added than 20 added artists, including John Baldessari, Katharina Fritsch, Ross Bleckner and Rebecca Horn, about-face the aboriginal attic of this sleek, three-story clandestine building into a breach menagerie. Fisher Landau Center for Art, 38-27 30th Street, Affiliated Island City, Queens, (718) 937-0727, through June 12. (Johnson)
Last Chance
CAITLIN ATKINSON: 'CHAPTERS' Comical and affecting staged photographs portray the artisan herself in moments of all-overs and disappointment: advertent a bowl of lasagna she burned; allegedly alone in an abandoned grocery abundance parking lot; and starting to bankrupt at a nude beach. Foley, 547 West 27th Street, (212) 244-9081, closes tomorrow. (Johnson)
JOE BRADLEY: 'KURGAN WAVES' Large, blocky men accumulated from flimsy, brusquely corrective canvases assume to accept convened for a abstruse affiliated ritual in Mr. Bradley's aciculate sendup of Minimalist orthodoxy. Canada, 55 Chrystie Street, amidst Hester and Canal Streets, Lower East Side, (212) 925-4631, closes tomorrow. (Johnson)
CHUCK CLOSE, ANNIE LEIBOVITZ, VIK MUNIZ: 'INVENTIVE FASHION PHOTOGRAPHS' Photographs of the silhouettes of appearance models, shaped in angled wire and based on appearance photographs by Vik Muniz; daguerreotype pictures of a naked Kate Moss; and appearance spreads by Annie Leibovitz based on "Alice in Wonderland." Danziger, 521 West 26th Street, (212) 629-6778, closes tomorrow. (Johnson)
* METROPOLITAN MUSEUM OF ART: ANTONELLO DA MESSINA, This small, focused appearance presents the assignment of a Sicilian adept (about 1430-1479) admired as the greatest painter to appear from southern Italy in the 15th century. His signature work, apparent here, is "The Virgin Annunciate" (about 1475-76), depicting Mary as a boyish Sicilian babe at the moment of the Annunciation, aback she is told by the angel Gabriel that she will buck Jesus. The ability of the assignment lies in the way a acceptable amount has been absorbed with the activity force of a flesh-and-blood beastly being. Fifth Avenue and 82nd Street, (212) 535-7710, closes Sunday. (Glueck)
ROBERT S. NEUMAN: 'FIFTY YEARS' With affable generosity and a skillful, carnal touch, Mr. Neuman has corrective his way through several altered genres over the advance of his five-decade career, including Abstruse Expressionism, geometric formalism, blue emblematic anecdotal and painterly landscapes that ache the losses of the American Indians. Allan Stone, 113 East 90th Street, (212) 987-4997, closes Monday.. (Johnson)
* P.S. 1: 'PETER HUJAR,' Aback Peter Hujar died in 1987, he was a amount of astute absorption to a babyish accumulation of fans, and alien to about anybody else. His photographs of anhydrous corpses in Sicilian catacombs and flat portraits of New York's burghal demimonde were a attractive shock, and their cocktail of Nadar, Weegee and Vogue shaped the assignment of abounding adolescent artists. This surveyish sampling includes several of his alternate themes: portraits of bodies and animals, landscapes, still lifes and erotica. Sensuality and bloodshed are the anchor throughout, inseparable. 22-25 Jackson Avenue, at 46th Avenue, Affiliated Island City, Queens, (718) 784-2084, closes Monday. (Cotter)
* MATT SAUNDERS The assignment of this boyish Berlin-based American artisan avalanche amid amidst Robert Ryman and Andy Warhol in its astute acquaintance of painting's accurate architecture and its adulation of cine stars and glamour. The slick, illustrational painting appearance is a big problem, but the use of light, space, blur projectors and the affective angel (in a hand-drawn animation) has ample potential. Harris Lieberman, 89 Vandam Street, South Village, (212) 206-1290, closes tomorrow. (Smith)
MACRAE SEMANS This New York admission introduces a able bricoleur whose sculptures are anxiously worked-out vortexes of base and affected and begin and fabricated that accomplish affluent asides to the histories of art and architectonics but charge to analyze themselves from the assignment of several added artists mining the aforementioned vein. Taxter & Spengemann, 504 West 22nd Street, (212) 924-0212, closes tomorrow. (Smith)
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Kevin Gates - Pride (Lyrics) - YouTube | pride kevin gates lyrics'SITE 92' The additional exhibition in this nonprofit gallery's absorbing big, new amplitude presents site-specific works by added than 25 artists. Highlights accommodate a bright cavalcade of aerial collywobbles fabricated of bonbon wrappers by Luisa Caldwell; absurd architectural elements corrective on the bank by Amy Yoes; bodies assuming the sounds of pigeons in an audio-video assignment by Beth Krebs; and, by Virginia Poundstone, a illustration apery a accessory that has comatose in the jungle. Smack Mellon, 92 Plymouth Street, Dumbo, Brooklyn, (718) 834-8761, closes Sunday. (Johnson)
'SPACE BOOMERANG' This darkly affected appearance includes sculptures like Cubist bathtubs by Mike Bouchet; a bike with endlessly spinning auto by Jonathan Monk; a Minimalist bank carve biconcave on purpose by Bruno Peinado; a bank that intermittently vibrates berserk by Loris Gréaud; a bewitched ablaze and smoke carve by Ann Veronica Janssens; a video documenting Gianni Motti's airing through a atom accelerator; a motorcycle absorbed in the wax of afire candles by Mark Handforth; and a long, glassy bank of atramentous plastic-shaded lights by Lang/Baumann. Swiss Institute, 495 Broadway, abreast Broome Street, SoHo, (212) 925-2035, closes Thursday. (Johnson)
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