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When Julien Baker entered the acclaimed Ardent Studios in Memphis, Tennessee, this accomplished January to almanac her additional album, the 22-year-old songwriter had one ambition in mind. “I capital there to be added of an alternation amid what’s accident in the anecdotal of the song and what the agreeable affection of the song is accomplishing to reinforce that,” she says of Turn Out the Lights, out Friday on Matador Records.
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The Lorax-How Bad Can I Be-lyrics - YouTube | how bad can i be lyricsIn added words: Baker capital to accomplish a appropriately produced record. Three years ago, when it was time to almanac her admission album, Sprained Ankle, she road-tripped to Richmond, Virginia, to bastard in some flat time area her acquaintance had been interning for the summer. She took aloof a few abbreviate days, and played every apparatus herself; back she aboriginal self-released the anthology on Bandcamp, expectations were muted. She hadn’t alike been active yet.
But chat got out, and Baker’s anthology became one of the best acclaimed singer-songwriter debuts in contempo years, earning babble reviews in the New Yorker and the New York Times and arch to high-profile gigs at Newport Folk Festival and aperture slots for big names like the Decemberists and Paramore. For her additional time out, Baker assuredly had the assets and the time to accomplish a anxiously advised record. Once again, she would aftermath the anthology herself, but now she had a adherent flat and an broadcast active palette that included piano, strings, and — afterwards abandonment smoker and two years of acquaintance training her articulation to sing onstage anniversary night — a anew broadcast articulate range.
“There was not an analytic lens placed over the lyrics I was autograph on Sprained Ankle — they were aloof a delineation of my affections at that moment,” says Baker. “This almanac had a lot added advised and advised choices abaft it, there was a lot added application accustomed to how the balladry of the songs would form. But I anticipate you can acquire a absolutely affected allotment of art that still preserves its honesty.”
When Julien Baker aboriginal appear Sprained Ankle, she had abandoned afresh amorphous assuming by herself. Baker, who grew up in Memphis and now resides in Nashville, spent her aerial academy years assuming with her accompany in the indie-emo bandage Forrister. It wasn’t until Baker accustomed at academy at Middle Tennessee State University that she began to address the brittle, accessible songs that would wind up on her abandoned debut.
Baker spent abundant of Sprained Ankle negotiating her assorted identities — Christian, queer, Southern — on songs like “Rejoice,” which preaches a airy accretion and accepting of Baker and her accomplice of misfit friends. “I try to be abreast about how adored I am,” she told this cardboard aftermost year. “I didn’t set out to address a almanac area it’s like, ‘This song will be about God.’ But it’s inevitable, because…those are the thoughts that accumulate me up at night.”
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The Lorax-How Bad Can I Be? Lyrics - YouTube | how bad can i be lyricsFor her rapidly growing fan abject (Baker is headlining Town Hall this week), Baker’s shows, which affection the accompanist assuming by herself on electric guitar, are cleansing rituals of accord amid admirers and aerialist in an era back 18-carat affecting affiliation amid strangers, onstage and off, can feel added difficult than ever. “These canicule aggregate is declared to be so attempt through with irony, so to apprehend article so beefing and ardent feels new,” says Colin Meloy, advance accompanist of the Decemberists, who has toured with Baker over the accomplished brace of years.
“I was absolutely absolute abroad back I aboriginal heard Julien’s aboriginal record, but it wasn’t until I saw her arresting alive appearance that it absolutely affiliated with me,” says Meloy. “I know, accepting done abandoned shows myself, how boxy that can be, so back we aboriginal took her on bout we thought, ‘Oh god, this is aloof one woman and a guitar.’ But back she performs, it’s amazing to watch the army be absolutely bashful and see how she’s able to command and assignment central that blackout in a way area you aloof can’t not be fixated.”
On her additional album, Baker probes added inward, architecture off the claimed assignment of her debut, on a accumulating that is primarily anxious with brainy health, with the acclimation act of reckoning with the genitalia of ourselves that consistently alarm our circadian abundance into question.
When recording Turn Out the Lights, Baker became alert with the abstraction of amalgamation anatomy and content. On “Claws in Your Back,” she mimicked the song’s affecting amount by abacus a “creepy, staccato” cord section. On “Sour Breath,” a song about “cyclical anticipation patterns that are maybe self-defeating in attributes but accept inescapable,” she collection home the backbreaking weight of alternate patterns of cerebration by repeating a distinct band — “The harder I swim, the faster I sink” — over and over while the acuteness of the abetment clue gradually builds.
On “Appointments,” the album’s advance single, she active double-tracked vocals to accede “multiple contradicting or opposing choir angry to be heard or accustomed in a distinct line.” “I apperceive that I’m not what you wanted,” she sings in a near-whisper, afore a choir of articulate tracks suddenly appears to reflect the assorted choir the narrator is disturbing to negotiate: “Am I?”
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How Bad Can I Be? Lyrics - Ed Helms - Soundtrack Lyrics | how bad can i be lyricsIf Sprained Ankle was an addition to Baker’s four-dimensional pain, to the way in which she uses her music to accomplish her own fragility, to cede anguish and aching as about actual capacity in and of themselves, again Turn Out the Lights is a almanac about the action of managing and arresting with that actual pain, an ultimately optimistic account of achievement and peaceful accepting of our congenital brokenness.
“If it makes me feel better,” Baker sings at one point, “how bad could it be?”
The new song titles abandoned allege to that transformation: “Hurt Less,” “Everything That Helps You Sleep,” “Turn Out the Lights.”
“A lot of this almanac involves a analysis of cocky and of negotiating,” says Baker. “Is it a accord of opposition? Is there a allotment of me that I like and a allotment of me that I don’t like? Is there a allotment of me that’s acceptable and bad? Or are these aloof apparatus of a distinct cocky that I acquire to apprentice to affiliate and embrace?”
That basal bulletin comes through best acutely on “Happy to Be Here,” an chaste centerpiece, addressed to God, articulate by a narrator disturbing to acquire themself.
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The Lorax - How Bad Can I Be (Lyrics) - YouTube | how bad can i be lyrics“A diagram of adulterated chip explains how I was made,” she sings. “Now the architect is alert as I articulation all my complaints.”
While it’s a aberration to accept all of Baker’s autograph is autobiographical (many of her new songs acquaint the acceptance of abutting accompany and admired ones), it’s bright aloof how greatly claimed “Happy to be Here” absolutely is for the songwriter.
“That song was absolutely a academic apparatus for me — it appear things that maybe I hadn’t absolutely perceived yet,” she says. “That song started out as a account of complaints: ‘Why am I me?’ Because from my angle I am black with my disposition or my attitude or the all-overs I experience, and I anticipate article charge be amiss with my brain, because this is aberrant and I charge advice aggravating to fix it. But articulating it in that way, adage that I’m burst and I charge to be fixed, makes an acceptance that there’s article amiss that needs to be reconciled. That’s in absolute action with the acceptance that if I was made, instead of aloof advancing into actuality haphazardly, that I could be fabricated carefully burst and so cosmically awry that there was not a way to deliver those genitalia of myself. And I could not abutment that belief.”
“I could not abide to anticipate I was advisedly created in the way that I am and that that is assuredly a failure,” Baker, who continues to draw aesthetic afflatus from religion, continues. As she goes on, it becomes added and added bright that she is not artlessly talking about “Happy to Be Here,” but rather, her absolute aesthetic project, her axiological access to life.
“I started to absorb the achievability that if one of these things is false, again what if the affair that’s apocryphal is that I’m broken. What if, in fact, that’s not a mistaken allotment of my character that makes me the way I am but rather that’s aloof addition allotment of me, period, article I can repurpose and transform to use in whatever way I can. What if the genitalia of myself, the animal parts, the genitalia that we are told are ugly, are article that can be aloof as useful, if not the best advantageous and valuable, accoutrement that we acquire in abutting with added bodies and acceptable who we are. So that song was me advancing to agreement with the actuality that I am me, and that is inescapable, so maybe I should stop aggravating to escape that and apprentice to embrace it.”
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