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The Weeknd’s aboriginal headlining actualization in Kansas City was a success on all levels.

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The Grammy-winning R&B/hip-hop accompanist (born Abel Tesfaye) with a soulful falsetto has been absolution music for added than seven years, evolving bound into a multi-platinum recording artists through three albums, including “Starboy,” his latest, appear in November.

Tuesday night, he drew about 14,000 admirers to the Sprint Center for his Starboy: Legend of the Fall Tour, and he delivered 90 feverish account of beheld beam and amaze and agreeable affectation and pizzazz.

The assembly was arch throughout. The date was able with a few video screens, two that afraid from the rafters, crabbed the stage, carrying close-up images of the Weeknd; the added was a accumbent bandage that ran the amplitude of the stage, broadcasting cartoon and added visuals.

A continued runway, in the appearance of a brand blade, ran from the capital date far into the seats on the floor. The Weekend fabricated acceptable use of that, running, dancing, bent and contrarily affective forth it throughout the show.

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Above the date hovered a accoutrement that initially appeared as some needle-nosed spaceship, abstract with neon lights, pointing skyward, as if in a accompaniment of flight.

It would move, rise, bead and dip and detach itself into detached genitalia that affianced in their own choreography, at times dancing as beams that floated aloft the Weekend, spilling shafts of ablaze assimilate the runway. There was added beheld garnish: spotlights, lasers, plumes and gusts of fog.

Backed by a alive bandage and some abetment tracks, he opened with “Starboy,” the blue appellation clue to his latest album, a song produced by and featuring Daft Punk. He followed that with “Party Monster,” addition “Starboy” clue and one that delves into the affair of the paranoia and added benefits/consequences of the distinction lifestyle: aggressive drugs and sex.

Many of the Weeknd’s lyrics erect those issues and that lifestyle. Some are erotic, about hardcore pornographic. In that apple sex is accidental and disposable, aloof addition addiction, addition way to cop a buzz.

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In “The Hills,” which bankrupt the show, he boasts coldly to a acquisition that she’s the third woman he’s had sex with that day.

Musically, the Weeknd glides seamlessly from one appearance to another: R&B, soul, hip-hop and rock. He additionally straddles eras. He can complete like his aeon one minute, like his fellow-Canadian, Drake, but veer into an R&B-pop complete that evokes Michael Jackson, as he did during “In the Night,” a keyboard-laden canticle bizarre with some bedrock guitar.

The big army acted like it was everyone’s aboriginal time seeing the headliner: excited, euphoric, affianced and accessible to barrage aback any articulate allotment back prompted, which happened several times.

They reacted best agilely during songs like “Earned It,” a broad-shouldered canticle that angry a affable sing-along; “Secrets,” a ablaze funky-pop cardinal that cops some lyrics from a Romantics’ tune (“I apprehend the secrets that you accumulate / Back you’re talking in your sleep”); “Can’t Feel My Face,” addition airy funk-pop clue with a Michael Jackson vibe; the agitation and aggressive “Some Way,” which featured opener Nav; and addition Daft Punk collaboration, “I Feel It Coming,” which bankrupt the aperture set.

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Through it all, the Weeknd justified his ability as a bona fide amphitheatre star. He had affluence of beheld stimulants about and aloft him, but none of that eclipsed the absolute acumen for his success and appeal: his music and personae.

Gucci Mane: The allurement avant-garde and adept rapper from Atlanta delivered a 30-minute-plus achievement that was an effusive acquittal of lyrics and beats — not abundant sonic diversity, but a adamant absolution of anarchic activity that angry a big crowd. His set included “Both,” “I Think I Love Her,” “I Don’t Love Her,” “Bricks” and “Freaky Girl.”

Starboy; Party Monster; Reminder; Six Feet Under; Low Life; Might Not; Crew; Often; Acquainted; Or Nah; Some Way; Tell Your Friends; Die for You; The Morning; Wicked Games; Angel; Earned It; In the Night; Secrets; I Can’t Feel My Face; I Feel It Coming. Encore: The Hills.

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