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Fred Schneider approved to get the Lied Center for Performing Arts army on its anxiety and dancing afterwards the aboriginal B-52s song Saturday.

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“We’re a ball band,” he said. “Either ball or we will do our banquet theater, ‘South Pacific’ or ‘Annie’. You choose.”

The army didn’t jump appropriate up. It took “My Own Private Idaho” a few songs afterwards to get allotment of the concert anteroom army up and dancing and “Roam,” one of the B-52s better hits, to get the accomplished abode moving.

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That song came at the end of a three-song amplitude during which Schneider exited date appropriate and larboard the articulate duties to Kate Pierson and Cindy Wilson, whose choir alloy in the harmonies that are the band’s abstruse weapon, accouterment the cement over which Schneider sing/shouts the camp lyrics to the catchy, consistently affective songs. No ballads for the B-52s, acknowledge you.

Then it was aback to the new beachcomber ball outfit’s arbitrary pop, like “Channel Z,” complete with absurd cyberbanking babble and the cool “Wig” -- songs that are odd abundant they authority up decades afterwards they were accounting and recorded.

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And because they’re ‘80s and ‘90s songs, they’re ball music played by a bandage -- a four-piece accouterments that handled the exhausted and the animation aloof fine.

The B-52s adored their better song, “Love Shack,” for a continued out set-ender that absolutely got anybody in the abode dancing. Again they alternate for a alluring encore.

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It began with their additional single, “Planet Claire,” from 1979, again back-pedaled to “6060-842,” a jailbait rocker from their admission album, afore wrapping up with “Rock Lobster” that showed the group’s alteration to the alloy of cream music, ball and surreal lyrics that authentic the B-52s about 40 years ago, bankrupt them out to distinction in the ‘80s and keeps affairs crowds to their anxiety and authoritative them ball today.

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