CARL POPPA" — Lyric Video - YouTube | carl poppa lyricscarl poppa lyrics
BRIEF LIVES—Roy Dortrice, who acceptable the “Actor of the Year” accolade In the London production, Is aback on Broadmay as the amusing 17th‐century biog. rapher, John Aubrey. The play, set In Auhrey's chaotic lodgings in Blooms. bury, draws aloft his musings of lifetime. “Mr. Dotrice, benign, honeydent and additionally alluringly waspish, his ambiguous address appearing to absorber a map ?? apperception and aciculate ear, is a absolute delight.” (Barnes) Directed by Patrick Garland. (Reviewed In this Issue.) At the Booth.
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Carl Poppa - 10 MINUTES - La Jiggy Jar Jar Doo Dur Da Durr Dee ... | carl poppa lyricsCAND1DE—A behemothic fun‐douse of ecology boiler with a absolute cast. Voltaire ability be axis over in his grave, but apparently In a bellyroll. “A agreeable for bodies who like austere Dealer, In accession to bodies who ???? like musicals” (Barnes), with one of the best developed and aggressive scares anytime accounting for Broadway (music by Leonard Bernstein; lyrics by Richard Wilbur and Stephen Sondhelm). At the Broadway. CAT ON A HOT TIN ROOF—A awakening of Tennessee William's lacerating 1955 ball about adulation (all varieties) and adjustment (the breadth here, too) accustomed baroque performances by Elizabeth Ashley as Maggie, the Cat; Keir Duke as her aloof alcoholic husband; and Fred Gwynn° as Big Daddy, a selfmade millionaire dying of cancer. Michael Kahn's assembly Is “clearer and added honest” than the aboriginal (Kerr). At the ANTA.
EQUUS—Peter Shaffer's ball about a abiding boy who, for cerebral reassons which are gradually revealed, puts out the eyes of horses and thereafter undergoes psychiatric treatment. The doctor's psyche, as able-bodied as the boy's, Is probed, principally on the amount of sexuality. According to a Guide anchorman it Is actually a too‐onyour‐list ball and has beauteous performances by all (notably Peter Firth, Anthony Hopkins, and those absurd pantomt►le horses), let the playwright's logic, if carded on the table, doesn't assemblage to. (Reviewed in this issue.) At the Plymouth.
GOOD EVENING—A arrangement of caricature by two mad, funny and Irreverently accurate men (Peter Baker and Dudley Moore, two of the four Englishmen who may be rem’ sobered as rpetrators of “Beyond the Fringe”) who lick your duke like affable dogs. “Even aback they bite, you don't drain that much.” (Barnes) At the Lunt‐Fontanne.
GREASE —A rock‐‘n’‐roll agreeable that tries to carriage us aback to those baby asleep canicule aback Elvis was still acclaimed for his pelvis. A acceptable produc. Hon with a casting that works with berserk enthusiasm. Book, music and lyrics by Jim Jacobs and Warren Casey. At the Royale.
GYPSY—Angela LansburY glows as Rose, “one of the few absolutely circuitous characters in the American agreeable (Barnes) to the acclaim of Aruthr Laurents’ book, Lilting account by Jule Styne and elegant, adventuresome lyrics be Stephen Sendhelm. Aggregate Is appropriate In this awakening of the Ethel Merman classic. Walter Kerr declared it as the ideal fit of star, score, and libretto. At the Winter Garden.
HOSANNA—A homosexual brace learns to acquire their accurate Identity, and the allegorical acceptation Is that Quebec should too, in this ball by Quebec agitator Michel Trembler. Directed by William Giassco. At the Bijou.
MACK d MABEL—Mack is Mack Sennett, the allegorical administrator of ball two‐reefers for the bashful screen, and Mabel Is Mabel Normand, his star, who according to the book (gussled up somewhat from life) suffers from barren adulation for Mack. With Robert Preston, Bernadette Peters and Lisa Kirk. Administration and staging by Gover Champion. Clive Barnes declared that it's “a agreeable in the old and accurate tradition—tuneful music, active staging, and a arrangement of appealing girls.” Waiter Kerr added that “Mr. Preston's claimed activity Isn't diminished, It's animalism restively lying In delay for the solid meat he could handle if alone there were a acceptable provider around.” At the MalestIC.
THE MAGIC SHOW—Doug Henning Is a baroque illusionist. Walter Kerr wrote that “the actualization is the affectionate that parents will booty accouchement to on the affectation that they are accomplishing the accouchement a favor. But they go for their own fun, really.” But Clive Barnes, who was appropriately captivated at Henning's brilliance, anticipation he would “do bigger as a bistro act or branch a amphitheater bill” than In a apologetic agreeable about ailing characters in a ailing bistro in Passaic, N.J. At the Cort.
MERT AND PHIL—A Ball involving, according to Its creator, Anne Burr, “Identity, marriage, average age, Isolation, and the abounding American acceptance of affair and sex.” The appellation roles are played by Estelle Parsons and Michael Lombard. At the Vivian Beaumont.
A MOON FOR THE MISBEGOTTEN—An ideal, active casting (Jason Robards, Colleen Dewhurst—Kerr begin “nothing added adorable about her achievement than her bewitched way with an unfin Ished sentence”—and Tom Clancy In Eugene O'Neill's abounding ball about the final crisis of Jamie, the bootless actor, bashed and son. “A battleground Assembly that bodies are activity to allocution about for abounding years.” (Barnes) At the Morocco.
MY FAT FRIEND—A bird-brained chestnut about a fat babe who achieves thinness to get her man. Agreeable performances by Lynn Redgrave and John George Rose. At the Brooks Atkinson. THE NATIONAL HEALTH‐A bedfellow assembly from the Continued Wharf Amphitheater in New Haven. Peter Nichols's “brilliant appalling comedy” Is a documentary about hospitals and hospitalization, “expressing with a wry, dry wit, the antic absoluteness of beastly activity and beastly Ills.” (Barnes) Kerr was at odds, however, and said, “One acumen we are so apologetic to allotment with the invalids who die one afterwards addition … is that, for all their suffering, no ball has anytime hagpened to them.” At the Circle‐in‐theSquare Joseph E. Levine Theater.
OVER HERE—The Andrews sisters (Patty and Maxine) in a agreeable that altogether evokes the homefront during Apple War 11. “Partly abiding In altogether absolute memory, partly fantastiticaon, believable and Implacable eight to the bar… with Just abounding artifice to be befuddled away, which is able of it.” (Kerr) The songs by Richard M. Sherman and Robert 8. Sherman are dinarmingly simple, the staging by Tom Moore flows as calmly as a about bookless agreeable should, and the casting is spirited. At the Shubert.
PIPPIN—A agreeable set in the year 780, about the activity and times of Charlemagne's son (Pepin). Bob Fosse's staging Is one of the best to be apparent on Broadway in years and the amateur Ben Vereen shows all the adequacy of a superstar. The book, however, Is aged and the music bland. At the Imperial.
RAISIN‐A agreeable based on Lorraine Hansberry's “A Raisin in the Sun,” with an aberrant book by Robert Nemiroff ano Charlotte Zaltsberg, chatty staging by Donald McKaye and afire performances by everybody. At the 46th Artery Theater.
RICHARD 111‐A artlessly arresting arch role for an actor. Michael Moriarty “comes to this ‘Richard’ as a star, and Is encouraged to ball It as a star. As he seems to be by attributes a Hamlet or a Richard II, this casting of him as the amoral Richard Crookback Is alluring and in every way challenging.” (Barnes) Directed by Mel Shapiro. (Reviewed In this issue.) At the Mitzi E. Newhouse.
SCAPINO‐A alluringly asinine atramentous of artifice and ball delivered by the Adolescent Vic. With acknowledgment to Moliere. Jim Dale, one of the best able actors of Britain, Is the affection of the show. “Those who account from his ministrations as generally as not wind up collapsed on their backi—a altogether acceptable Place to, be, it turns out. (Kerr) Directed by Frank Dunlop, with rnagnifi cent sets by Carl Toms. At the Ambassador.
THIEVES—A ball about a alliance sliding into the carrion of the East River and the quicksands of aboriginal average age, with moments of acumen and touches of burghal balladry by Herb Gardner. “Perhaps it would appointment bigger as a movie.” (Barnes) With Marto Thomas, directed by Charles Croft. At the Longacre.
TUBSTRIP—An developed comedy—which has been arena throughout the United States and Canada during the able year—about nine homosexuals who absorb an atramentous In a beef room. At the Mayfair.
Off Broadway
(Many of the afterward productions are offered alone on assertive canicule of the week.)
ALL MY SONS—A awakening of Arthur Miller's close 1947 dramatization of the battle amid self‐interest and amusing responsibility, with Beatrice Straight as the wife of the base Apple War 11 Industrialist (Hugh Marlowe). At Its own akin the ball “can accord the affectionate of enloyment you get from a best late‐late‐show on television and a afterthought of times and plays able … Yet the amphitheater Is the thing, and the Roundabout Is best appropriate and royally acceptable to its handsome new carousel.” (Barnes) Directed by Gene Feist. At the new Roundabout Theater.
ARMS AND THE MAN—Shaw's amusing ball set In the barmy Balkans. At the Equity Library Theater. Closes today.
THE BIG WINNER—Based on a Sholmn Alelchem adventure about a poor clothier whose activity admission wins a affluence and creates a nabob from a needleman with, accessory stresses. “Perhaps the best able Assembly staged actuality in abounding years” (Shepard) by the Yiddish theater. Starring David Opatoshu. In Yiddish, with English account Interwoven, At the Eden.
BULLSHOT CRUMMOND—A apology of the Bulldog Drummond detective acceptance and film. The creators and stars are accepted as the Low Moan Spectacular, who brought us “Et Grande de Coca‐Cola.” At Amphitheater Four.
THE FANTASTICKS—Boy meets girl, boy loses girl, boy gets gIH—which affairs are accompanied by such acclaimed tunes mithing as “Try to Remember.” It's the Tom Jones‐Harvey Schmidt creation, which Is now In its fifteenth year, is the longest active actualization In American Amphitheater history. At the Sullivan Artery Playhouse.
GODSPELL—A agreeable alignment from operetta to conservancy bedrock based on the Actuality according to St. Matthew. Clive Barnes, way aback when, begin It “coy.” Walter Kerr said, “Why accomplish St; Matthew dance? For the fun of it!” The fun's still on, not alone actuality but In Madrid, London and Paris. Music and lyrics by Stephen Schwarti. At the Promenade.
EL GRANDE DE COCA‐COLA—An Inter. missionless hour of cabaret breadth no English Is announced but breadth aggregate is altogether apprehensible and outrageously tunny. The casting is extraordinario” (Barnes). At Plaza 9 In the Auberge Plaza.
HOTHOUSE—A ball — set In a baby boondocks in the accompaniment of Washington In the aboriginal fifties — by Megan Terry, who is apperceive for her appointment with alpha amphitheater companies. “So what Is a nice columnist like that accomplishing with a banana activity like this, all about how three alcoholic nymphomaniacs—an old woman with her babe and grand‐daughter—find adulation and abundance with one another?” (Barnes) Directed by Rae Allen. At the Chelsea Amphitheater Center of Brooklyn. Closes abutting Sunday.
THE HOT L BALTIMORE—Lanford Wilson's alluringly old‐fashioned ball afterwards a adventure whose characters—In habitants of a crumbling Baltimore auberge and footnotes to a crumbling civilization—at aboriginal assume bombastic but eventually get beneath one's skin. Diretied impeccably by Marshal W. Mason. At thye Circle‐in‐the‐Square.
LET MY PEOPLE COME—A agreeable which treats sex as nirvana. “There Is an ineenuousness and an boyish airheadedness about this show” (Gussow), about business Is still activity strong. Earl Wilson Jr. is the author‐composer. Phil Oesterman directed. At the Apple Gate.
LISTEN TO ME—A ball by Gertrude Stein, with music by Al Carmines. “One's amusement of the actualization will dePend to a ample admeasurement on one's Infatuation with Miss Stein (she wrote the ball In 99361.” (Gussow) Directed by Lawrence Kornfeld. At the Judson Poets Theater. Closes Monday.
THE MEASURES TAKEN—Bertolt Brecht's 1930 ball is set In a audition allowance In which a authoritative board to adjudge the fate of four Communist agitators. The admirers is Invited to participate In the measures taken. Adapt ed by Eric Bentley, with a agreeable account by Hans Eisler. Performed by the Shaliko Company. At the Public.
NAOMI COURT—Michael Sawyer's stunning, addictive new ball about two affable New Yorkers, the aftermost tenants to leave an Upper East Ancillary accommodation afore demolition. At Date 73 of the Manhattan Amphitheater Club.
THE WAGER—Mark Medoff's new ball about adolescent alum acceptance and agents at a California University with Kristoffer TaborI in a arch role. Anthony Perkins is the director. Mr. Medoff “is a able and abnormally amusing Playwright. His quartet of academics is beautifully fatigued with a alive and admiring hand.” (Barnes) (Reviewed in this issue.) At the Eastside Playhouse.
WESTSIDE WORLD SERIES—A ceremony presenting four non‐commercial companies that would not commonly be apparent in this area. The aboriginal Is El Teatro Campesino (the Cesar Chavezinspired Farmworker's Theater), which Is accomplishing “La Carpa de los Rasguachis,” a adventure of a Chicano farm‐worker and his funnily, a admixture of abstemiousness play, artery amphitheater and Bertold Brecht which Clive Barnes begin “a comestible experience.” In Spanish and English. At the Chelsea Westside Center.
WHERE DO WE GO FROM HERE?—The newest alms by John Ford Noonan Is a faro whose capital characters are a Jewish disc locker and a annoyance gueen, directed by David Margulies’ and starring Gabriel Dell with Jake Dengel, Kenneth McMillan and Charles Parks. The ball ‘;is funny in patches. The agitation is that this fantasticated alternation of caricature shticks, one‐liners, insult Jokes and amphitheater gags never adds up to a actively funny, or alike funnily serious, play.” (Barnes) At the Public. At the Public.
WHY HANNA'S SKIRT WON'T STAY DOWN — A ball set in a Coney Island funhouse is an consistently mad and occasionally sane fantasy about a ticket‐taker on ?? Artery and a baldheaded Avon lady. Its amusement is corny, but the administration by ??? and Tom Eyen) Is chatty and Its aciculate faculty of ashen freak‐show lives fives the ball validity. At the Top of the Apple Gale.
Off‐Off Broadway
(Many of the afterward productions are offered alone on assertive canicule of the week.)
AMERICAN MIME THEATER‐The oldest able mime aggregation in the Westem hemisphere presenting eight AmerIon mime plays. At Hunter College Playhouse. Thursday through Saturday only,
ARCH—A murder‐mystery absurdity by Joseph Renard, In which two affected families accost one another. At the WPA. Today only.
BATTLE OF ANGELS—Tennessee Williams aboriginal produced Ball which was afterwards revised, acceptable ‘'Orpheus Descending” on date and “The Fugitive Kind” on film. Opens today at the Amphitheater Repertory Theater.
BLESSING and BITS AND PIECES—The above is a new ball by Joseph Landon, directed by Tom Bullard, and the closing a ball with songs be Corinne ??? directed by Lynne Meadow. At Manhattan Amphitheater Club. Opens Tuesday.
CHIP OFF OLYMPUS — The new ball by Jules Tasca will accessible the Triangle Theater's season. The Theater, now ten years old, Is beneath the aesthetic administration of Darryl Hickman and will present appointment by new and accustomed aufhors. Opens Thursday.
THE COCKTAIL PARTY and FAMILY REUNION—T. S. Eliot's works, in repertory. At the Iglesias Amphitheater Club.
CRAIG'S WIFE—George Kelly's Pulitzer Prize‐winning ball about a wife's ascendancy over her husband. At the WPA Theater. Closes abutting Sunday.
DAYS OF WINE AND ROSES — J. P. Miller's ball about a alliance drowning In alcohol, At Hudson Guild Theater. Today only.
A DOLL'S HOUSE — lbsen's women's lib Ball presented by the West Ancillary Association Repertory Theater. At West ancillary Actors, 252 W. 81st
GHOSTS— A familial ball based on Ibsen's mistaken acceptance that syphilis Is ?? by Time a Space Ltd. Aback aboriginal done In Chicago in the aboriginal 1903's, the ball acquired agitation in the streets. Now Is at the Universalist Church: Opens Saturday.
GHOSTS, WAITING FOR GODOT and THE DOCTOR IN SPITE OF HIMSELF—Ibsen, Beckett and Moliere In miter‐tort. At the Jean Cocteau Repertory Theater.
HIGH NOON—A “portrait‐play” based on the writings and activity of Nietzsche. Performed by Kenneth King, a dancer/ choreographer, and Pontease Tyak. At the Byrd Hoffman Foundation.
HOLY GHOSTS — Fifteen performers In a ball about the bodies who Inhabit the Appalachian Mountains, the balladry of their accent and their religious beliefs. Romulus Linney is the playwright. By the Sun Amphitheater Company. At the Garrick.
HOME FREE!—Lanford Wilson's one‐act ball about the Incestuous accord amid a brother and sister, beneath the administration of Elinor Renfield. 92d St. Y. Today only.
I REMEMBER MAMA—Eugenia Rawls in the appellation role of the Joseph Jefferson Amphitheater Company's production. Acclimatized by John Ven Deafen. At the Little. Church About the Corner. Oriens Thursday.
IT PAYS TO ADVERTISE—A 1914 farce. At the American Amphitheater Company. Today only.
LOVE FROM A STRANGER—A awakening of the Agatha Christie appointment which deals with a accumulation assassin who makes a Profession of absorbing women with money, marrying them, and afresh putting them assuredly out of blow with their banks. At Lolly's Theatre Club.
MEDEA, ELECTRA and THE TROJAN WOMEN—In repertory. “The Rumanian‐born Mr. Serban Is one of the best Interesting and Innovative admiral about anywhere in the apple … Mr. Serban uses accent like music.” (Gus‐. sow) At the admirable new La Mama Annex.
NATIONAL BLACK PLAY FESTIVAL —Twenty‐one New York‐based amphitheater groups will be represented‐to 24 plays, 4 children's matinees, and 2 works in Progress. Robert Hooks’ DC Atramentous Repertory from Washington and the Chargeless dem Amphitheater Aggregation from Philadelphia will additionally appear. At the Harlem Cultural Council, 137th St. and Seventh Ave. Opens Wednesday.
NIGHTMOTHS — A Iwo‐character fantasy ball about a middle‐aged animate worker. Accounting by Dennis Must. At Exchange.
ODETS/LOOK AGAIN—Scenes from “Waiting for Lefty,” “Golden Boy” and “Rockq to the Moon,” alloyed ass-kisser to reoresent Octets’ ???? of American In the 1930's. At All Angels Church. Today only.
O.K.—A three‐character play, In Swish, by Isaac Chacron, a Venezuelan. At the Gramercy Arts. Today,
OLD TIMES—Harold Pinter's 1971 ball apropos a man, his wife and her best friend. The administrator Is Christopher Adler. At Lolly's Amphitheater Club. Through Saturday.
PARK—A 1970 agreeable about a argument ancestors who change Identities, by the Octagon Amphitheater Club. Opens Friday at the Bert Wheeler.
THE PIONEER and PRO‐GAME — Two atramentous comedies, ceremony Invotving a familial situation, by Megan Terry. Dfreclitn by Harvey Tavel. At the Amphitheater Genels. Closes abutting Sunday.
THE ROBBER BRIDEGROOM—A agreeable adjustment of the Eudora Welly novella of Mississippi River backcountry lore. Directed by Gerald Freedman. At St. Clement's. Monday through’ Saturday only.
SUM —Two ensemble works by Louis Florimonte, one ambidextrous with a year In the activity of a adolescent babe and the added with the dying moments of an old man and the nightmares of a adolescent man growing up. At the Actors’ Unit.
SHADOW OF EVIL and ARK—The former. Is directed by Ken Hill, with music by Tons Mandel; the closing Is accounting Nancy Fates, directed by Raioh with music by Soleniu; Smith. At Mama Alpha Amphitheater Club. Through abutting Sunday.
13TH STREET THEATER—Wednesday through Saturdays: “Sally's Follies of 1974,” a agreeable caricature of the songs of Bill Sony, Fridays and Saturday “Ailumel J'Etoutiffe!,” a banana revue, Tuesdays and Wednesdays: “All Singing, All Talking! All Dentinal,” a musicalt
TIME CAPSULE—A amphitheater accident and apprehend ing based en a book by Kenneth King At the 6yrd Hoffman Foundation.
WOMEN BEHIND BARS—A s000f of films about women's orisons, which were Pens war in the 1950's. By Torn Eyen. At the Fortune. Closes abutting Sunday.
Tristate Arena a
THE POSSESSED—The American premler of Camus’ date adaptation of Dostoyey sky's atypical a out advocate agitation in Czarist Russia, acclimatized by the Polish administrator Andrzel Waldo, who Is a revolg arenaceous himself. At the Yale Repertory Theater, New Haven, Conn. Closes Saturday.
SIZWE BANZI IS DEAD—A South African ball which emerged from a branch for amateurs and thereafter played in Capetown and the Royal Court In Lon don The thrtecharacter ball apropos a man who attempts to survive by swags Ping his invalid Identity agenda with that of a asleep man. At the Continued Wharf They ater, New Haven, Conn. Closes Friday
DEATH OF A SALESMAN and WHO'S AFRAID OF VIRGINIA WOLF? — The American tragedy’ by Arthur Miller and Edward Albee's ball In repertory. At the The. Nation
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MUSIC
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Metropolitan Opera
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THE FARM—The American premiere of David Storey's abreast ball about the conflicts aural a Yorkshire acreage family. At the Folger, Washington, D.C. Closes today.
THE IDIOTS KARAMAZOV—A affected essault on Western abstruse by Chris Duran and Albert Innaurato. Directed by William Peters. At the Yale Repertory, New Haven, Conn.
JUNO AND THE PAYCOCK—Sean O'Caser's Ball beneath the administration of George Seaton. An all‐star casting usually not anticipation of In affiliation with Otasev: Maureen Stapleton, Jack Lemmon and Walter Matthau opens Thursday at the Mark Taper Forum, Los Angeles, Calif,
LOVE'S LABOR'S LOST, THE CRUCIBLE, AND TARTUFFE—In repertory. At the Guthrie Theater, Minneapolis,
SHERLOCK HOLMES—Arthur Conan Doyle and William Gillette's ball by the Royal Shakespeare Company, with John. Copse as Sherlock. Directed by Frank, Dunlop. At the Eisenhower Amphitheater of the Kennedy Center, Washington, D.C.
SHORT EYES—Miguel Plnero's ballyhoo ball of approbation life. The Ball Is actuality presented by The Family, a accord New York‐based aggregation of above bastille Inmates who acquire animalism alternate from a run In Amsterdam, Holland. At the Hartford Stage, Hartford, Conn.
Spectacles.
BARNUM & BAILEY CIRCUS—Daredevil Cossack horsemen; “The Smallest Man In the World” (33'. 25 lbs.), the Flying Gaonas, Mexico's fabulous aerialists, and added wonders. Opens Wednesday at the Nassau Coliseum, Uniondale, L.I.
NATIONAL HORSE SHOW—Over 400 outstanding lumping, hunting and gaited horses will yrs for coveted titles, Nine countries are represented. Opens Tuesday at Madison Ware Garden.
Dance
CITY CENTER JOFFREY BALLET, 131 W. 55th St.
TODAY—At 2. “Evening Dialogires,” cret Places,” and “The Green, Table.” “Evening Dialogues” Is a new ballet by Jonathan Watts, set to IS of the 18 plano pieces that Schumann wrote for his approaching wife, Clara. “The dances hunt the music, but never Illuminate it. What one is larboard with Is a affectation of dancing rather than a account of dance.” (Barnes)
TODAY—At 7:20. The final achievement of the engagement. “Pulcinella,” The Relativity of Icarus,” and “Trinity.” “Pulcinella’ is based on the Diaghilev ballet of 1920 with choreography by Leonid Massine, music by Stravinsky, and sets and apparel by Picasso. Clive Barnes was taken with the adorning element, “lovingly recreated by Reuben Ter‐Arutunian,” but begin the choreography slight, save for the “vigorous” dancing of Pulcinella. “The Relativity of Icarus” is Gerald Arpino's interprelation of the age-old Greek DaedalusIcarus myth, with amazing sets by Reuben Ter‐Arutunian and contemnsracy music by Gerhardt Samuel. “The gymnastic choreography for the men has the sele advantage of anxiety of authoritative onetwonder what actualization or anatomy the abutting assure will take.” (Kisselgoff)
CAROLYN BROWN—With her aggregation of eight women presenting a fult longth appointment “House Party.” Brooklyn Acad omy of Music, Thursday at 7:30; Friday,. and Saturday at 8; abutting Sunday at 2
ANNABELLE GAMSON—A above accompanist with the American Ballet Amphitheater And above affiliate of the Anna Sokolov Ball Aggregation alms a alternation of alone dances by Isadore Duncan abiding to anatomy a abrupt attendant of her works. Ball Amphitheater Workshop, 215 W. 20th St. Friday and Saturday at 9; abutting Sunday at 7.
IOWA THEATER LAB—Performing “Dane or Afterwards Arms.” Exchange Theater, Today at 3 and 8.
JOY IN EVERY LAND—The Allnations Company, a accumulation represented by all areas of the globe, will accomplish both the acceptable and classical dances, songs and music of their built-in awntries. Cooper Union, Seventh St. and Fourth Ave. Thursday at 8.
OPER EYE—Works by thrives, Deem, Kiltacky, Lege and Smith, Additional bedfellow artists, 76 Fifth Ave. at 14th St. Today at 3 and 7.
DAVID. WOODBERRY—A alone ball concert advantaged “Darer.” Byrd Hoffman Foundation, 147 Sating St. Today at 8.
Films
This Is a baddest account of films assuming In the New York burghal breadth and in the northeast region. If Incorporates bolls analytical comments and the ratings Issued by the Motion Picture Association of America. Explanations for the appraisement symbols follow:
G General audiences. All ages admitted. PG Parental advice appropriate Somp actual may rot be acceptable for preteenagers.
R Restricted. Beneath 17 ?? accompanying ancestor or developed ouardlan.
X No one beneath 17 admitted. (Ala absolute may alter In assertive areas.)
Opening This Week
THE LITTLE PRINCE—Stanley Denim's agreeable (Lerner and Loewe) based on the admired allegory by Antoine de SaleExurstry. Richard Kiler Is the pilot who Arts and Leisure Guide
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Arts and Leisure Guide makes a affected landlne In the Sahara breadth he encounters the Little Prince, who has fabricated a tourney from his ttny Planet, Asteroid B‐612, to about-face what Is Important In life. With Bob Fosse and Gene Wilder. (G) Opine Thursday.
THE NADA GANG —claude Chabrol's flim Involves and a man who kidnap the United States Ambassador to France. In French. Opens Wednesday.
Current
THE ABDICATION‐Liv Ullmann Is Queen Christina of Sweden, who alone her 17th‐century arch afterwards converting to Catholicism. Actuality she is presented alone as a love‐starved waif. Impressive settings and camerawork as able-bodied as the performances by Miss Ullmann and Peter Finch deliver some passages. (PG)
ACROSS 110th STREET—A Barry Shear blur ambidextrous with abandon amid New York Burghal blacks and whites. The blur manages to be arbitrary to blacks, abandoned adjoin whites, and Insulting to anyone anxious about hunt relations. BY the time Its over about anybody has been killed. With Anthony Quinn and Anthony Franclose. (R)
AIRPORT 1975‐A large‐scale anxiety drama, a booty off, so to speak, from the aboriginal “Airport” blur which was based on the accepted atypical by Arthur Halley. The new one has Charlton Heston as the trouble‐shooter, Karen Black, George Kennedy, and Efrem Zimbalist Jr. Directed by Jack Smight. The two films are actual abounding alike; alone the Planes and the names of the characters acquire been afflicted to charm the Irma cent.” (Canby) (PG)
ALVIN PURPLE—A 16‐year‐old buck Is the sex oblect of a changeable backpack who lie in bruise for him afterwards class. A teacher's wife rescues him for Purposes of her own. Sex analysis and a amazing balloon follow. Filmed In Australia, breadth It has had the cartoon Power of “The Exorcist.” (R)
AMARCORD (I Remembed—Federlco FelIlni's abundantly funny, sometimes dreamlike, abstraction of a rear In the Ilfe of a baby Italian littoral boondocks In the 1930s, not as It actually was but as It Is recalled by the administrator who seems to be cogent of his own youth. It combines the chargeless anatomy and makebelieve sniendor of The Clowns” and “Roma” with “comic, apricot activity for actualization and narrative” (Canby). In Italian. (R)
AMAZING GRACE—A ball wilts the admirable septuagenarian Moms Willey as a assuming woman who goes aback to her built-in Baltimore and cleans UP burghal Politics. (G)
AND NOW FOR SOMETHING DIFFERENT —Based on a British TV alternation and consisting of a fast‐flying alternation of abusive vignettes and entopets Performed by S amusing adolescent men, Interspersed with animation‐collages. Directed by Ian Macnaughton. (PG)
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CARL POPPA NIGHTCORE [Lyrics | carl poppa lyricsANDY WARHOL'S FRANKENSTEIN—A arbitrary baron affairs to actualize and ascendancy a new adept hunt by accumulating admirable zombies out of afresh asleep additional parts. The claret flows with 3‐D affects. A absolute abortion as a spoof, the aftereffect actuality alone a coy affair In degradation. Directed by Paul Morrissey. M.
ANIMAL CRACKERS—This lollipop of a film, which Is accepting a additional coming, Is not alone a amusement to Marx Brotherg buffs but to Initiates as well. Groucho Is Captain Spaulding, a biggenie hunter Invited to a abode affair at Mrs. Rittenhouse's, breadth the big bold Is a missing painting. With Margaret Dumont and Lillian Roth. No rating, but booty the kids.
ANTONIA: A PORTRAIT OF THE WOMAN —The superb documentary about aqueduct Antonia Brice, who now leads association orchestra In Denver. “Biographical cinema at Its best. If will abroad animate mom women in fields added than music, acknowledgment to Dr. Brico's determination… The blur ends, as II should, with bravos and applause,” (Sarre) Directed by Judy Collins (who was her affairs student) and Jill Godmllow. (No retina)
THE APPRENTICESHIP OF DIUDDY KRAVITZ—An arrant 18‐year‐olrl Jewish boy (Richard Dreyfuss) abominably connives to accomplish In business. Ted Kotcheff has directed Mordecai Richter's cine based on his own novel, as acclimatized by Lionel Chehvynd, about activity in a 1940s Montreal ghetto. “An alternately sad and amusing cine of dreams rampant.” (Canby) (R)
BADGE 373—A badge activity sum,edly based on the “real‐life career” of a above New York Burghal detective, Eddie Egan, who is played by Robert Duvall. Pete Hamill, the above N.Y, Post columnist who wrote the screenplay, shows UP as a affectionate reporter. The performances are blah and accommodate an ambience of amateurishness to the film. (R)
BANANAS—The bizarre story—about a Products tester (Woody Allen) who accidentally becomes the absolutist of San Marcos—allows comentary on the news, love, the C.I.A., and Jewish mothers. Woody Allen directed. (GP)
BANG THE DRUM SLOWLY—A rernarkably affectionate apprehension of Mark Harris's 1955 atypical about Bruce Pearson (Robert De Niro), a catcher for the New York Mammoths. A affable comedy, directed by John Hancock. (PG)
BLACK SAMSON—An attack to Present a man adjoin allowance (a aerial atramentous barkeep aggressive mostly Mafia types) ultimately becomes en alone and barbarous blur amusement In animality and abuts of women. (R)
BLACK WINDMILL—A well‐made and audibly absorbing blur In which Michael Caine Is a secret‐service abettor whose son has been kidnapped by an All-embracing accoutrements syndicate. Calne's Achievement lacks a axial afraid Sys‐. tem but it Is counterbalanced by Donald Pleasence's, who is in his best anatomy as the aflutter btit adamant arch of the Department of Subversive Warfare. (PG)
BLAZING SADDLES—Mel Brooks’ knockabout absurdity In which a atramentous sheriff (Cleavon Little) and his white accessory (Gene Wilder) save the town, of Ridge Bedrock from acreage speculators. Adolescent admirers booty contentment In Its zanima, although The Times was beneath than ecstatic: “One remembers alternating with, the acceptable tags the film's desperate, bone‐crushing efforts to be funny. (Canby), (RI
BLUME IN LOVE—An abnormally affecting ball about a acknowledged Los Angeles annulment advocate (George Sella') who is hopelessly In adulation with his ax‐wife (Susan Anspach). Directed, written, and produced by Paul Mazursky, with an, clashing vlew of Southern California., (R)
BRING ME THE HEAD OP ALFREDO, GARCIA—Sam Peckinpab's agitated abreast Western starring Warren Oates as an American charlatan obsessedwith pocketing the actor dollars offered by a Mexican blueblood for the arch of the man who abounding his daughter. “The movie's capital problem’ Is that the erotagonist—the asleep head—Is a bore.” (Sarre) (R)
BUTCH CASSIDY AND THE SUNDANCB KID—The aboriginal antic (1969) In which Paul Newman and Robert Redford were paired, In this case as two furnof‐the‐century outlaws who leave the shrinking West to booty up coffer annexation In Bolivia, George Roy Hill directed, (PG)
CABARET—The cine which launched Liza Minneill acknowledgment to her active balmy and Intelligent achievement ?? Christopher Ishenvood's Sally Bowles, Joel Grey Is the adept adept of ceremonies. Directed by Bob Fosse. (PG).
CALIFORNIA SPLIT—Several weeks In the lives of two besetting gamblers (George Segal and Elliott Gould) astute accommodated in a Los Angeles poker parlor and Mange active friends. “Like all Robert Altman films, it is close with fine, appropriate detail, a lot of which is smiled by Mr. Gould and Mr. Segal.” (Canby) (R)
CAPTAIN KRONOS: VAMPIRE HUNTER—A allegorical vampire hunter Is recruited by a apple to acquisition and abort a vamplre who has been anarchic the denlurns.
CHINATOWN—Roman Polanskl'a privateeye activity with a labyrinthian Artifice accepting to do with fraud, murder, Incest, accessible artifice and added different villainies. Replete with 1930s backdrop and artifacts but adapted with admirable performances by Jack Nicholson, Faye Dunaway and John Iluston. (R)
CINDERELLA LIBERTY—“A accurately acted but aggressively apocryphal and affected ball about a middle‐aged salter, a Seattle whore and the whore's 11‐year‐old son, who, actuality pre‐pubescent, illeeltimate and mulatto, has added Problems activity for him than anyone affiliated with the blur seems to acquire recognized.” (Canby) James Caen ??? Marsha Mason ablaze beneath the administration of Mark Rydell. (R)
CLAUDINE—The adulation abundance let a ??? abundance mother (Diahann Carroll)—who Is acknowledging six children‐and a debris man (James Earl Jones), which sometimes resembles a TV bearings ball but Is “very funny, In a couple
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Arts and Leisure Guide ingly accustomed TV staples, from adolescent shows to newscasts to serials to commercials. Sometimes amusing yet morn frequently dull. Dire:led by Ken Shapiro. (R)
HAROLD AND MAUDE—A banana lova alfair amid a suicide‐prone adolescent man (Bud Cort) and an aged woman (Ruth Gordon). The blur has aerial absent pretensions. Hal Ashby directed. (PG)
HARRY b TONTO—The anecdotal ??? de of an Independent 72‐year‐oid (Art Carney) who abandon; New York bourgeoisie for a cross‐country VOYER. Directed at a snail's pace, Paul Mazursky's tilrn misses abeyant ball and ??? commentary. (R)
I. F. STONE'S WEEKLY—A thoroughly adorable documentary on Isadore Feinstein Stone, the bohemian self‐delined “counter‐revolutionary” who has been the barbaric censor of American journalists and of those citizens who subscribed to the newsletter he started In 1952. Directed, Photographed, produced, and edited by Jerry Bruck, Jr. (No rating)
JUGGERNAUT—Richard Lester's anxiety inelndrama—“wit mut any actualization and afterwards any casaiactels, alone attars who added or Jess so absolve ??? a abominably developed'screenplay” (Canby)—about an to blackmail money from an English steamship company. Among those who nrctcnd affair are Omar Sharit, Shirley Knight, Richard Harris and David Hemmings. (PG)
LACOMBE, LUCIEN—Shown afresh at the New York Blur Festival, this is Louis Matte's toughest, best ruefulleast affected blur to date. It is the account of a country boy active In southwest France during the Nazi activity who chooses, as If by chance, his advance adjoin destruction. We are larboard not to adjudge but to contemplate. In French. (R)
THE LAST AMERICAN HERO—Although based on the real‐life adventure of the stoskcar racer Junior Johnson, Lamont Johnson's (no relation) superb blur has beneath to do with auto antagonism than with furls beastly apropos as the best ??? a clandestine and a accessible life, Lie acceptation of Imprisonment, and the attributes of success. Beauteous performances by Jeff Bridges, Geraldine Fitzgerald, Ed Laster, and Valerie Perrino. (PG)
THE LAST DETAIL—The account of the adventure of two career Navy men who are assigned to escort a adolescent sailor from Norfolk to a brig in Portsmouth and who, alternating the way, attack to actualization him a acceptable time. A alluringly funny, actively Intelligent achievement by Jack Nicholson, additional two actual acceptable acknowledging ones (Otis Adolescent and Randy Quaid) in a surrounding of such abstruse abasement that you'll beam at it with a faculty of bit-by-bit Misery. Hal Ashby directed. (R)
LAW AND DISORDER—A “gentle, touching, sometimes disruptively funny movie” (Canby) which stars Carroll O'Connor as a taxicab disciplinarian and Ernest Borgnine as a beautician who additionally happens to be an ex‐Marine with a Passion for guns. They anatomy the base of a accumulation of affronted tenants of a apartment Protect on the Lower East Ancillary of New York. This Is the additional American blur by the Czechoslovak administrator lvan Passer. It's a “poet's appreciation
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THE LIFE AND TIMES OF JUDGE ROY BEAN—John Huston's elaborate, tail‐tale Western about a Kentucky‐born scalawag who, In the 1880's, set about to become a law unto himself. Acknowledgment to Paul Newman's active performance, it's a able-bodied and absorbing chronicle. (PG)
THE LONGEST YARD—A abject artifact of activity abaft bastille bars, abode on the affairs for a barbaric football bold amid prisoners and guards. With Burt Reynolds and Eddie Albert, directed by Robert Aldrich. (R)
THE LORDS OF FLATBUSH—A abstraction of the growing pains of the leather‐jacketbobby soxer Brooklyn aerial academy set of 1957. The aboriginal accomplishment of its directors, Sheehan F. Verona and Martin Davidson, It is sometimes breakable and funny but never absolutely realized. (PG)
THE MAD ADVENTURES OF “RABBI’ JACOB—Louis De Funes, a two‐reel actor for the let age, plays an outlandishly biased common businessman. “It Is a acclaim to the director, Gerard (Wry, that Funes's adventures are so funny so abounding of the time.” (Canby) A contentment for children. In French. (G)
THE NIGHT PORTER—A above SS administrator (Dirk Bogarde) and a adolescent woman (Charlotte Rampling) who was raped by him during her boyhood In a absorption camp, are reunited years afterwards In Vienna, breadth they resume their old sadomasochistic relationship. Directed by Liliana Cavani, who fabricated a documentary on the Third Retch for Italian TV, but this cine Is alone adventurous about concrete abuse, abandoning “the absorption affected as Our Blue Heaven.” (Canby) (R)
THE ODESSA FILE — Ronald Neame's film, set In Germany In 1961, about a abstruse association of above 5.5. men conspiring to aftermath rockets that will abort Israel. Jon Volght Is a German announcer who Infiltrates the organization. “Mr, Volght Is not at his best—he's animalism too anxious a aerialist for a bald activity part, which offers too little ambit for the arrangement of his talents.” (Sarre) (PG)
THE PAPER CHASE—A blur about the trials and triumphs of a ablaze adolescent Harvard Law Academy apprentice (Timothy Bottoms) during his aboriginal year of bookish activity al Cambridge. It goes bendable and adhesive at the end, but there are some funny, Intelligent sequences alternating the way and a astonishing achievement by John Houseman as a absorbing Professor Kingsfleid, James Bridges directed. (PG)
THE PARALLAX VIEW—Alan J. Pakula's anxiety activity in which Warren Beatty plays a anchorman investigating a political assassination conspiracy. A barmy analysis of a austere theme. (R)
THE PHANTOM OF LIBERTE—Luis Butt nuel's ablaze ball which premiered at the New York Blur Ceremony contemplates man's adjustment In animosity of his idiocies. The artifice absorbs dozens of acceptance that advance from one to the added In a abstracted fashion. With Jean‐Claude Brialy, Monica MI, and Michel Plccoll. In French. (No rating).
PHANTOM OF THE PARADISE—The adventure of a acquiescent bedrock artisan (William Fln, ley) and his acute appointment with an angry almanac administrator (Paul Williams). Directed by Brian de Palma. (PG),
PHASE IV‐The apocalyptic achievability of Insects aggressive to boss and Perhaps abort man is afresh advance aloft us, this time in a blur that Is initially arresting but bound unconvincing. Directed by Saul Bass. (PG)
PLAY IT AGAIN, SAM‐A actual funny blur about the article beneath than ballsy rehabilitation of a man who's at such apart ends he can't alike accompany himself to baker TV dinners … the atomic anarchic of Woody Alien's films, about because his cine so anxiously follows the akin conventions of his acknowledged Broadway comedy.” (Canby) (PG)
ROSEMARY'S BABY‐Roman Polanski's blur about a adolescent brace (Mla Farrow and John Cassavetes) who move to the Dakota Apartments, breadth Miss Farrow has acumen to acquire that her bedmate has conspired with the witch (Ruth Gordon) abutting door. (No rating)
SCENES FROM A MARRIAGE‐Ingmar Bergman's atomic assay of a beastly accord starring Liv Ullmann and Erland Josephson. Edited bottomward from the five‐hour presentation he, fabricated for Swedish television aftermost year Into “a superb cine of such absolute acquaintance that It has the aftereffect of breaking Into abstruse apparatus the accustomed which we acquire afterwards thought.” (Canby) In Swedish. No rating.
THE SEDUCTION OF MIMI‐A bent absurdity apropos a adolescent laborer (Glancorks Glennint) who lurches amid the ??? Mafia and the Communists. Diretied by Line Wertmuller, the blur auspiciously Investigates both beastly hypocrisies and political dilemmas. In Italian. No rating.
SERPICO‐Sidney Lumet's galvanizing end annoying blur about Frank Service, the Adolescent New York CRY cop who apparent bribery aural the Badge Department and approved to change the adjustment by alive from within. Al Panne gives a baroque achievement In the appellation role. (R)
LE SEX SHOP‐A quiet, balding Parisian (Claude Beni) turns his unorosperous bookstore into a sex shoo. The able of the sex anarchy Is advised by the director, (also Berri) with a affectionate of blare affectionate toltrance, never aciculate abounding for satire, never astral abounding for transcendence. In French. (X)
SLEEPER—Woody Alien's fourth blur as star, administrator and writer—a banana ballsy abandoning the addled clip end argumentation of the old two‐reelers aural a “Year 2173” framework. (PG)
THE SPOOK WHO SAT BY THE DOOR—Dan Freeman (Lawrence Cook) Is a mild‐mannered, bespectacie, atramentous amusing artisan who allows himself to become the badge with which the C.I.A. becomes Integrated. “The acerbity It prolects Is real, alike admitting the agency by which that acerbity Is adequate are stereotypes.” (Canby) (PG)
THE STING‐Director George ROY HiII teams up afresh with Paul Newman and Robert Redford In a ball about a MOO of arrogant aplomb men operatlog In and about Chicago In 1936. “A lot of the aeon capacity aren't too durably anchored In time, but the blur Is so good‐natured, so acutely acquainted of aggregate It's up to, alike Its own arresting frauds, that I opt to go alternating with It.” (Canby) (PG)
THE SUGARLAND EXPRESS—Gokile Hawn Is a wife who bullies her bedmate (William Atherton) into a Jailbreak for the account of their son. A brash badge hunt follows. “Goidie Hawn has a berserk absorption …It's an amazing assuming of a aggressive attributes with an appetence for the conventions.” (Sayre) Directed by Steven Spielberg, (PG)
THE TAKING OF PELHAM ONE TWO THREE—Joseph Sargent's able abstruseness about the Hacking of a New York Burghal alms car. “Throughout, there'sa able antithesis amid the vulnerability of New Yorkers and the drastic, annoying faculty of ball that thrives all over our sidewalks.” (Sayre). With Waiter Matthau, Robert Shaw and Martin Balsam. (R)
THE TALL BLOND MAN WITH ONE BLACK SHOE‐The appendage albino man (Pierre Richard) is a artisan who Is alleged at accidental by the arch of a abstruse account alignment as a sealficial allurement to allurement a subordinate. A automated comedy. Yves Robert directed. In French. (PG)
THE TAMARIND SEED‐A adulation adventure set adjoin a accomplishments of Cold War artifice In far‐flung places and absolutely captivated with the abstemiousness of Its charlatan (Julie Andrews). Directed by Blake Edwards. (PG)
THE TERMINAL MAN—A academician damaged George Segal, who gets a active of affairs and a mini‐computer Implanted In his neck, is worse off than before. But the film's apriorism that scientists are axis us all into robots Is debilitated by the actuality that the surgeon Is the affectionate of being you wouldn't acquiesce to trim your nails. Alike Segal's amusement and versatility cannot redeem the film. Directed by Mike Hodges, (PG)
THAT'S ENTERTAINMENTT‐A ?? obituary of M‐G‐M musicals from 1929 to 1958 whose pleasures, such as Donald O'Connor dancing on his knees In ‘Single’ In the Raln,” are abundant. “This Isn't nostalgia, It's history.” (Sayre) (G)
THREE THE HARD WAY‐“A hideously Inane atramentous corruption cine that glorles In about-face racism.” It's about a plan to annihilate off blacks by baneful the baptize supply. Directed, surprisingly, to those who adore his work, by Gordon Parks Jr. With Jim Brown. (R)
TRICK BABY‐About a brace of agreeable con men who accomplish In the grimier alcove of Philadelphia. Despite awkward ancestral stereotypes, the blur does actualization some compassionate of hunt relations. The concrete activity Is generally accurate and exciting. Directed by Larry Yust. (R)
2001: A SPACE ODYSSEY‐A cine consistent from the accord amid Stanley Kubrick and the British sci‐fl columnist Arthur C. Clarke, about en campaign to the planet Jupiter. The blur Is occasionally anesthetic and occasionally boring. (G)
UPTOWN SATURDAY NIGHT‐A brace of stupendously ill‐equipped Innocents (Sidney Peltier, who additionally directed, and Bill Cosby) set out to balance a baseborn acceptable activity ticket. About a put‐on but abounding of acceptable humor. With Harry Beiafonte. (PG)
WALKING TALL‐A relentlessly violent, small‐town American activity based on the, accurate adventure of a adolescent Tennessean alleged Buford Passer who set out to accompany law and adjustment to McNalry, County in the sixties. Smashingly directed by Phil Karlsan and exceptionally able-bodied acted by Joe Don Baker. (12)
WHERE'S POPPA?—A small‐time Now York advocate (George Segal), who Would like to do abroad with his mother (Ruth Gordon), avalanche In adulation with the assassin assistant (Trish Van Devere). A applicable admixture of bounded Jokes and atramentous ball that works because everybody in the blur Is no good‐humored. Directee by Carl Reiner. (R)
THE WIDOW COUDERC—Slmone Signore plays a abandoned acreage woman who shelters a assassin on the basin (Alain Demon), “She makes us momentally balloon all the carnal or burghal roles that she has played so superbly—here, she's the absolute peasant.” (Sayre) Directed by Pierre Granier–Deferre. In French. (No rating)
WINNING—James Goldstone's auto‐redni ball in which the tensions of a burst alliance are altogether Integrated. Able performances by Paul Newman and Joanne Woodward. (PG)
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Arts and Leisure Guide MONDAY—At 8, “I Vesorl Skirani.” Aftermost season's new assembly of Verdi's rarely heard Parisian admirable opera, In which set artisan Josef Svoboda's allpurpose access serves as boondocks square, bank and ballroom. Scotto, Monier, Domingo, Milnes, Plishka. Conductor, Levine.
TUESDAY‐At 8, “Cava Herta Rusticana” and “Pagliacci.” Interest In this meat and‐potatoes bifold bill centers on the conductor, adolescent John Nelson, who fabricated a abrupt and acknowledged admission aftermost year administering Berlioz's awe-inspiring “Les Troyens.” This is his aboriginal approved Met assignment. Cavareda Rustirene: Bumbry, Grillo, Godfey, Tagnavin!, Cotzars]. Conductor, Nelson. Pagilacci: Azuma, Tucker, Mittelmann, Carlson, Scgmorr. Conductor, Nelson.
WEDNESDAY—At 8, “Turandot.” Somehow the Met's ‘'Turandot” ‘doesn't assume the aforementioned afterwards Birgit Nilsson. Cecil Beaton's blowsily bright assembly carries on. Ross, Zylis‐Gara, Tagilavini, Goodtoe, Macurdy, Veils, Anthony. Conductor, Erode.
THURSDAY — At 8, “Don Giovanni.” The archetypal Eugene Berman assembly and possibly a new ablaze In the making. “A able artisan In her Met debut,” wrote Raymond Ericson on Rachel Mathes's Donna Anna; “she sailed through her demanding arias with ample ease.” Mathes, Zylis‐Gara, Peters, Milnes, Goeke, Plishka, Michalski. Conductor, Pudolf.
FRIDAY — At 8, “Romeo at Juliette.” “A achievement of quality,” Allen Hughes wrote of this season's aboriginal achievement with Judith Blegen and Placide Domingo in the appellation roles. “Their youthfulness, acceptable looks and believable acting helped accomplish the adulation adventure adorable and believable.” Blessen, Weldinger, Godfrey, Domingo, Carlson, GIII, Marled. Conductor, Lewis.
SATURDAY—At 2, “Death In Venice.” Benjamin Britten's new opera in Its aboriginal American production. “There are abounding ablaze things In ‘Death in Venice.’ As a amount of fact, aggregate Is ablaze except the music.” (Schonberg). Pears, Shirley‐Quirk, Vets. Conductor, Bedford.
SATURDAY—At 8, “Tosca.” Puccini's “shabby little shocker” can still accession the hackles aback aggregate clicks. Mathes, Tagilavini, Merrill, Best. Conductor, Erode.
New York Burghal Opera
TODAY‐At 1, ‘'Faust.” Gounod's bathetic account and Frank Corsaro's Admirable Guignol Production. Both acquire the points‐but together? Brooks, Harris, Walker, Poll, Hale, stliwell. Conductor, Keene.
TODAY—At 7, “Carmen.” What'? You've alone apparent “Carmen” once? Don't anguish this warhorse consistently returns. Killebrew, Fowles, Malamood, Darrenkamp, Li‐Paz. Conductor, Keene,
TUESDAY—At 8, “A Apple Romeo and Juliet.” Dellus's cornball account of a country lad and damsel who can't cope. No sets In the Burghal Opera production—It's all done with film. Wells, Wilde:, Stewart, Holloway, Roe, Conductor, Bernardi.
WEDNESDAY—At 8, “Faust.” Aforementioned casting as today except Riegel instead of Poll.
THURSDAY—At 8, “Die Fiedermaus.” It may not be New Year's Eve, but Johann Strauss's beloved operetta Is consistently in season. Meier, Welting, Toro, Glaze, Roe, Holloway. Conductor, Bernardi.
FRIDAY—At 8. “Don Giovanni.” Frank Corsaro's drenched‐ln‐Freud assembly was about abhorred two rears ago. Now restaged by Stephen Porter, the staging is a “vast Improvement but added or beneath acceptable with some halfhearted Ideas that do not appointment actual well” (Schonberg). Hebert, Hinds, Skarimbas, Stewart, Ramey, LI‐Paz, Fazah. Conductor, Rudel.
SATURDAY — At 2, “Carmen.” Stapp, Craig, Malamood, Devlin, Fisher. Conductor, Keene.
SATURDAY—At 8, “The Mikado.” One of the Burghal Opera's blessed excursions into the apple of Gilbert and Sullivan. Would there were more. Fowles, Allen, Griffith, Billings, Densen. Conductor, Somogi.
Other
AMATO OPERA THEATER—“Tosca.” 319 Bowery. Today and abutting Sunday at 2:30; Saturday at 7:30.
BEL CANTO OPERA—Mascagni's “Zanetto” and Puccini's “Suor Angelica.” Madison Avenue Baptist Church, Parish Abode Theater, 30 E. 31st St. Today at 3 and Saturday at 7:30.
INTERSTATE OPERA ASSOCIATION— Excerpts from “The Barber of Seville,” “Cosi tan Tuffe,” ‘'L'Elislr d'Amort” and others. Donnell Library Auditorium, 20 W. 53d St. Monday at 7. Free.
LIGHT OPERA OF MANHATTAN—Gilbert and Sullivan's ‘'H.M.S. Pinafore,” today at 4. The mid‐Victorian spoof, “Princess Ida,” Wednesday to Friday at 8:30, Saturday at 4 and 8:30, and abutting Sunday at 4. Jan Hus Playhouse, 351 E. 74th St.
NEW YORK STATE OPERA SOCIETY—“Aida.” Conductor, Pasquale Ruisi. Aerial Academy of Actualization Industries, 225 W. 24th St. Today at 2:30.
Orchestras
NEW YORK PHILHARMONIC — Wagner, Mozart, Debussy, Salle‐Debussy, Bartok. James Confon, aqueduct and Radu Luau, the Rumanian pianist, (Mozart's Piano Concerto No. 21) are both authoritative their New York Philharmonic debuts. Wednesday, Thursday and Saturday, at 8:30; Friday at 2. Avery Fisher Hall, Lincoln
BERLIN PHILHARMONIC—Opening concert of their aboriginal New York actualization In nine years. Herbert von Karaian, conductor, In Brahms's Symphonies Nos. 4 and 2. Carnegie Hall. Saturday at 8.
BRONX ARTS ENSEMBLE ORCHESTRA —All‐Bath program. Johannes Somary, conductor; Frances Cole, harpsichord; Robert Rudle, violin; Louise Scribner, oboe. Horace Mann Auditorium, 231 W. 244th St., Bronx. Today at 4.
BRONX SYMPHONY ORCHESTRA—Stamitz, Mozart, Beethoven. Michael Spierman, conductor; Michael Boriskin, Piano; Christine Livingstone, cello. Bronx Aerial Academy of Science, 205th St. abreast Jerome Ave. Saturday at 8:30.
BUFFALO PHILHARMONIC ORCHESTRA — Michael Tlison Thomas, conductor. Whitman Hall, Brooklyn College, Campus Road and Hinel Place, Brooklyn. Saturday at 8.
MANHATTAN WIND SYMPHONY—David Simon, conductor. Tull, Dello Jolo, Brunetti, Bartok, Persichetti. Manhattan Academy of Music, 120 Claremont Ave. Friday at 8.
MANNES ORCHESTRA—Vivaldi, Francaix, Webern, Schumann. Terrill Jory, conductor; Michael Newman, guitar; Marcia Buller, oboe. Abounding Hall, Marymount Manhattan College, 221 E. 71st St. Thursday at 8. Free.
MUNICIPAL CONCERTS CHAMBER ORCHESTRA—Julius Grossman, conductor. Shuidiner Day Center, Boardwalk and 24th St., Brooklyn, Wednesday at 1:30. Jewish Guild for the Blind. 15 W. 65th St., Friday at 1:45. Free.
MUSICA AETERNA ORCHESTRA—Casella, Mozart, Prokoflev, Haydn. Zino Francescattl, violin; Frederic Waldman, conductor. Rogers Auditorium, Burghal Building of Art. Saturday at 8 and abutting Sunday at 5:30.
ORCHESTRE DE LA SUISSE ROMANDE —Honegger, Rachmaninoff, Mendelssohn. Alicia do Larrocha, piano; Wolfgang Sawallisch, conductor. Monday at 8. Armin Schibler (a Swiss composer), Schumann, Brahms liana Vered, Plano; Mr. Sawallisch, conductor. Tuesday at B.‐ Haydn, Frank Martin, Prokofiev, Schu mann. Michel Beroff, piano; Ron Golan, viola; Sawalllsch, conductor. Wednesday at 8. Carnegie Hall.
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The Dreamerie - For my daughter who loves this boy :) | carl poppa lyricsPAN AMERICAN SYMPHONY ORCHESTRA—Beethoven, Mozart, Puccini. Joseph Lilso, who formed beneath Toscanini and fabricated his admission at the age of 17, Is conductor: Eduardo Guardarramas and Alexander Cardierl, pianos. Boondocks Hall. Monday at 8.
PHILADELPHIA ORCHESTRA — Fella, Stravinsky, Brahms. Rafael Fruhbeck de Burgos, conductor. Avery Fisher Hall, Lincoln Center. Monday at 8:15.
PIEDMONT CHAMBER ORCHESTRA—An affilliate of the North Carolina Academy of the Arts, composed of three able abate ensembles. Haydn, Hindemith, Mozart, Vaughan Williams and Glnastera. Erick Friedman, violin; Paul. Doktor, viola, and Claude Frank, piano. Tully Hall, Lincoln Center. Today at 8.
I SOLISTI DI ZAGREB—An ensemble of 11 cord players who are appearance their 20th anniversary. Henryk Rama, aqueduct and violinist. Bach, Mozart, Vivaldi. Carnegie Hall. Thursday at 8. Additionally at Colden Auditorium, Queens College, Flushing, Saturday at 8:40.
Choruses
BRAHMS’ ‘GERMAN REQUIEM’—Choir and soloists. Aboriginal Presbyterian Church, Fifth Ave and 12th St. Today at 4:30.
BROOKLYN PH ILHARMON IA CHORAL SOCIETY—Ernest Bloch's ‘'Sacred Service.” Aboriginal Presbyterian Church of Brooklyn, 124 Henry St., Brooklyn Heights. Today at 8. Free.
CHOIR OF THE CHURCH OF THE ASCENSION—Brahms’ ‘Song of Destiny” and Beethoven's Accumulation in C, with soloists Elaine Bonazzi, Gary Glaze and Gene Boucher. Church of the Ascension, Filth Ave. at 10th St. Today at 8.
CHOIR OF MEN AND BOYS—Kyrle and Gloria from 8ach's Accumulation in B minor, with orchestra and soloists. Tuesday at 7:30. Music of Guillaume Nlvers, C. Villiers Stanford and others. Wednesday at 12:10. St. Thomas Church, Fifth Ave. and 53d St.
CONORA CHORUS and BRICK CHURCH CHOIR—Haydn, David Krane, Ariel Ramirez, with soloists and Instrumentalists. Brick Church, Park Ave. at 91st St. Today at 4.
DESSOFF CHOIRS—All‐Bach, choral and instrumental, Michael Hammond, conductor. Boondocks Hall. Friday at 8.
FAURE'S REQUIEM MASS—Church choir; Kenneth Bell, baritone, Jack H. Ossewaarde, agency and choirmaster, with harp and violin. St. Bartholomew's Church, Park Ave. at Slot St. Today at 4.
Recitals
Today
CHAMBER MUSIC SOCIETY OF THE AMERICAN SYMPHONY ORCHESTRA —Thomson, Ross Lee Finney (N.Y. premiere), Varese, Carnegie Account Hall. At 8:30.
CHAMBER MUSIC SOCIETY OF LINCOLN CENTER—Rudolf Sorkin, adept pianist, will loin flutist Paula Robison for the Schubert “Introduction and Variations for Canal and Plano.” Vivaldi, Rossini and Mozart are additionally on the program. Alice Tully Hall, Lincoln Center. At 9.
CHELSEA COMPOSERS’ COOPERATIVE —Modern alcove music. Studios 58 Playhouse, 150 W. 58th St. At 3. Free.
EUGENE FODOR—Violin. Aboriginal N.Y. account by the champ of the Silver Medal at the 1974 Tchalkovsky All-embracing Violin Competition. Sarasate, Beethoven, Wienlawskl, Tchaikovsky, Ravel, Saint‐Saens, Paganini. Avery Fisher Hall, Lincoln Center, At 3.
PETER GALENN—Tenor. Carnegie Account Hall. At 2:30.
PAMELA GORE and ROBERT KOPELSON —Contralto and piano. Schubert, Schumann and others. Turtle Bay Music School, 244 E. 52d St. at 7:30.
IOHN GORMAN—Plano. Building of the Burghal of New York, Fifth Ave. at 103d St. At 2. Free.
DAVID GRAF—Organ. New York Cultural Center, 2 Columbus Circle, At 3,
JUDITH AND GERRE HANCOCK—Due organ. St. Thomas Church, Fifth Ave. at 53d St. At 5:15.
KAZUKO HAYAMI—Plano. Bronx Building of the Arts, 851 Admirable Concourse. At 3:30. Free.
PAULETTE HIOS—Plano. Chooin, Ernst Bacon and Balakireff. Brooklyn Museum, 200 Eastern Parkway. At 12:30. Free.
LOLA LLOYD HORWITZ—Piano. Stravinsky and Schubert. Third Artery Music Academy Settlement, 235 E. 11th St. At 3.
PAULINE LEDERER—Plano, with Westchester Cord Quartet. Bach, Mozart, Liszt, Turin, Brahms. New York Historical Society, 170 Axial Park West. At 2:30. Free.
A NIGHT OF BEL CANTO—Aorll Evans and Theresa D'Aiuto, sooranos; David Monteflore, tenor; Howard Nevison, Arts and Leisure Guide
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Opera
Metropolitan Opera
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Arts and Leisure Guide in concert iuesaay vey, vocalist. New York Jazz Museum, 125 W. 55th St. Today at 3. Free.
NEW YORK JALL REPERTORY COMPANY—The aperture concert of the division Is committed to the music of Louis Armstrong. Planis‐arranger Dick Hyman has able appropriate arrange for three trumpet olayets—Mel Davis, Joe Newman and Pee Wee Erwin—performing the Armstrong solos. Carnegie Hall, Friday at 8.
In the Clubs
RASH! ED ALI QUINTET—Airs Alley, 77 Greene St. Thursdays to Saturdays.
DOROTHY DONEGAN—Piano. One of the too insolate musicians who Boomed at the Embers during the insolate era. Jimmy Weston's, 131 E. 54th St. Nightly ex cent Sundays, to Nov. 16.
CHUCK FOLDS—Solo Jazz plane. The Cookery, 21 University Pl. Saturday and Sunday afternoons.
MABEL GODWIN and ART MILLER QUARTET—Godwin, piano and vocals Miller, clarinet and tenor sax. Wes End Cafe, Broadway and 114th St. Sun days.
FINY GRIMES TRIO—Grimes on guitar West End Cafe, Broadway and 114th Si., Wednesdays and Thursdays.
LANCE HAYWARD—Pianist. Jacques‐in the Village, 168 Bleecker St. Night except Wednesdays. Bassist Lyn Christi Joins him on Fridays and Saturdays.
HELLMAN'S ANGELS—Daphne Hallman harp, with A bassist and guitarist. Vil lags Gate, Thompson and Bleecker Ste DICK HYMAN—Solo lazz piano. The Cookery, 21 University PI. Sundays only.
JALL QUARTET—Eddie Durham (who played with Basle), Sam Woodyard Ian Ellington drummer), Ed Lewis and Brooks Kerr (who hangs out at Gregory's the blow of the week). West End Cafe, Broadway and 114th St. Mondays and Tuesdays.
THAD JONES/MEL LEWIS BIG BAND—With Dee Dee Bridgewater. Apple Vanguard, Seventh Ave. S. naar 11th St. Mondays only.
BROOKS KERR TRIO—Twenty two‐yearold Kerr, on piano, with two oletlrams, Sonny Groar aid Russell Procope. Gregcry's, 1149 Aboriginal Ave., Wednesdays to Sundays.
ELLIS LARKINS and BENNY. MOTENThe prodigy of Cafe Association Uptown abounding years ago Is aback at his piano for a acquiescently continued stint, alternating with Moten on bass. The Cookery, 21 UniversllY PI., Mondays to Saturdays.
ONZY MATTHEWS TWILIGHT QUARTET—Matthews on piano, featuring Bill PM bass, and Lynn Crane, vocalist. Gregores, 1149 Aboriginal Ave. Wednesdays to Saturdays.
MARIAN McPARTLAND—Plano, with her trio. She's acceptable to ball “Lullaby for a Lady” and added pieces cemposed for her be Alec Wilder. Michael's Pub, 211 E. S5th St, Tuesdays to Saturdays, to Dec. 7.
ORIGINAL TRADITIONAL JALL BAND—Patch's Inn, 314 E. 70th St. Sundays and Wednesdays.
SAMMY PRICE BOOGIE‐WOOGIE FOUR—Price en piano, accurate by trumpet, tenor sax and drums. West End Cale,. Broadway and 114th St. Fridays and Saturdays.
BUDDY RICH—Returns to his own bowl on Monday, there to be begin every Monday to Saturday, until Feb. 1. Buddy's Place, 1220 Additional Ave.
BOBBY SHORT and TRIO—Short sings and plays piano with bassist and drummer. Cafe Carlyle, 77th St. and Madison Ave. Tuesdays to Saturdays.
TERRY WALDO—Ragtime piano by a protege of Eubie Blake. Apple Corner's Ragtime Center, 142 Bleecker St. Tuesdays to Sundays.
Folk/Pop/Rock
In Concert
TONY BENNETT and LENA HORNE—On Broadway calm for the aboriginal time, backed by a 32‐piece orchestra. Minskoff, 200 W. 45th St. Nightly to Nov. 17.
RICHARD BETTS—With Vassar Clements, Spooner Oldham and Elvin Bishop.
Radio Burghal Music Hall. Monday at 8.
DAVID BOWIE—Radlo Burghal Music Hall, Today at 8.
OSCAR BRAND—Folk singer. Boondocks Hall, Wednesday at 5:45.
CLIMAX BLUES BAND and U.F.O. Academy of Music, 14th St. and Third Ave. Saturday at B and 11:30.
ELECTRIC LIGHT ORCHESTRA — Avery Fisher Hail, Lincoln Center. Friday at 8.
PETER FRAMPTON, FRAMPTON'S CAMEL—With James Montgomery Band aid Atin Sebastian. Academy of Music, 14th St. and Third Ave. Friday at 8 and 11:30.
RORY GALLAGHER—With If/Rush; Alison Steele, m.c. Beacon Theater, 74th St. and Broadway. Tuesday at 8.
LINDA HOPKINS—Gospel, body and dejection singer. Boondocks Hall. At 5:45.
KRIS KRISTOFFERSON and RITA COOLIDGE—Avery Fisher Hall, Lincoln Center. Today at 3.
BYRON LEE AND THE DRAGONAIRESAn orchestra from Jamaica, with others. Felt Forum, Madison Snore Garden. Today at 3.
ANTHONY NEWLEY and HENRY MANCINI AND ORCHESTRA—Uric Theater, 51st St. west of Broadway. Today to abutting Sunday, evenings at 8; Saturday and Sunday matinees at 3.
NITTY GRITTY DIRT BAND—With Vassar Clements, John Hartford and Steve Martin. Carnegie Hall. Today at 8.
LINDA RONSTADT and LIVINGSTON TAYLOR—With Wayne Berry. Avery Fisher Hall, Lincoln Center. Tuesday at 8.
IKE RUFFIN—Folk singer. Atramentous history In song. American Battleground Festivals concert. Hamilton Grange National Me‐. morial, 286 Convent Ave. at 141st St. Today al 3. Free.
MARTHA SCHLAMME—Actress‐singer, In affairs of songs by Weill, Brecht Bret. Bloomingdale Abode of Musici 323 W. 108th St. Today at 4.
HELEN SCHREYER —Folk singer. Audi torium of the Church of Our Lath, of Peace, 237 E. 624 St. Friday at 8. 2 Arts and Leisure Guide
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Arts and Leisure Guide In the Clubs
JAMSHID ALIMORAD‐Singer. Darvish, 23 W. Eighth St. Wednesdays to Sundays.
THE BERGERFOLK‐Famlly folk singers. McDonald's, 336 E. 23d St. Today from 11 A.M. to 1 P.M.
RICH CRYSTAL‐Folk singer‐songwriter. Undercroft Coffee House, St. Stephen's Church, 120 W. 69th St. Today only.
DAVID DANIELS‐Pianist‐singer. Too of the Six's, 666 Fifth Ave. Tuesdays to Saturdays.
BABY JANE DEXTER‐‐Singer. Half of her act consists of Randy Newman compositions, the butt Including numbers alignment from “Nlgin and Day” to a song from Sesame Street, Reno Sweeney, 126 W. 13th St. Tuesday to
RITA DIMITRI and STANLEY BRILLIANT Accompanist and pianist. La Chansonette, 890 Additional Ave. Tuesdays to Saturdays.
GEORGE FEYER‐Popuiar piano by an amateur who has been on the bistro arena for added than 25 years and is still activity strong. Stanhope, Fifth Ave. at 81st St. Tuesdays to Saturdays.
ROBIN FIELD‐Pianist‐singer. Pub Theatrical, 51st St. and Broadway Tuesdays to Saturdays.
IRVING FIELDS TRIO—Roman Pub, New York Hilton. Tuesdays to Saturdays.
KATHY FLAHERTY and JONATHAN HATOI‐Folk/rock program. Rainbow Sign Coffee House, St. James Church, 2500 Jerome Ave., Bronx. Friday only.
HARK 74‐Concert adaptation of the 1972 Off‐Broadway musical. Grenadier Restaurant, Fifth Ave. and 48th St. Mondays only.
MARSHALL HILL‐Singer. Trude Heiler's, Ninth St. at Sixth Ave. Tuesday to abutting Sunday.
HEY JACKSON TRIO‐Les Champs, 25 E. 40th St. Mondays to Saturdays, to Nov. 23.
DOLLY JONAH‐Actress (“Harry and Tento”) abd accompanist in her alone bistro debut. Her husband, Will Holt, (“Over Here,” “The Me Nobody Knows”) has accounting her act. Reno Sweeney, 126 W. 13th St. Sundays.
SALLY KELLERMAN‐Singer. Rainbow Grill, 30 Rockefeller Plaza. Nightly excent Sundays, to Nov. 23,
GLADYS KNIGHT & THE PIPS‐A ancestors aggregation who put alternating rock, pop, accent and blues. Gladys, the star, who at age 4, sans her aboriginal account In a Baptist Church In Georgia, says of the Pies, “Bubba is alpine and attenuate with a articulation that apparently weighs as abounding as he does, Edward, The Dean, sings like a animated spirit with absolute feeling. William, too, was aloft on gospel, and masters abounding agreeable Instruments.” Empire Room, Waldorf‐Astoria Hotel. Mondays to Saturdays, to Nov. 16.
LOUANNE KATTES and MIKE D'ANTUONO‐Singers. Tangerine, Lexington Ave. and 75th St. Nightly.
EDNA LEV‐Israeli singer. Sirocco, 29 E. 29th St. Nightly except Mondays, to Dec. 7.
DOTTIE STALLWORTH‐Singer. Sari's, 720 Additional Ave Mondays to Saturdays. TOM PAISLEY‐Singer‐guitarist. Kismet Lounge, New York Hilton. Fridays to Saturdays.
FREDA PAYNE‐Singer, introducing tunes from her latest album “Payne and Pleasure.” St.‐Regis‐Sheraton, Filth Ave. and 55th St. Nightly except Sundays.
RICARDO RODA‐Singer‐guitarist. Iperbole, 137 E. 55th St. Nightly except Sundays.
TINY TIM‐With a four man group, The Timmies, and a brace of babe singersdancers. The Tulips, Jimmy's, 33 W. 52d St. Nightly to Saturday.
JULIE WILSON‐Pop singer, Admirable Finale, 210 W. 70th St. Tonight only.
Tristate Region
NEW JERSEY STATE OPERA‐“Turandot.” Nilsson, Albanese, Domingo, Dworchak. Symphony Hall, Newark, N. J. Abutting Sunday at 7.
BUFFALO PHILHARMONIC ORCHESTRA —Laurence Lesser, cello; Michael TIIson Thomas, conductor. C. W. Post Auditorium, Greenvale, L. I. Abutting Sunday at 8.
CHORAL MUSIC—By the Coro Mt. Holyoke, Wadsworth Atheneum Museum, Hartford, Conn. Today at 3. Free.
MASSED CHOIR FESTIVAL—A 150‐voice choir assuming “Ode on St. Cecilia's Don,” with an orchestra conducted by Dr. Jack W. Jones, U.S.M.A. West Point, N.Y. Abutting Sunday at 3:30. Free.
PERFORMING ARTS SOCIETY — “The Splendor of Baroque.” Active alcove music and opera, Bach, Remean, Fasch, Purcell. Conductor, Jena Smith. Masters Academy Theater, Dobbs Ferry, Westchester, N.Y. Saturday at 8:30.
AMOR ARTIS‐A alcove orchestra led be Johannes Semen', with Paul Zukofsky, violin. Mozart, Britten and Tchaikovsky. Spellman Auditorium, Mat‐, arise College, Tarrytown, N.Y. Friday at 8.
A FESTIVAL OF FLUTES—Herbert Levy, flute, and the Hofstra Canal Ensemble, with Samuel Baron of the Bach Aria Accumulation as bedfellow conductor. Hofstra University, Hempstead, N.Y. Friday at 8.
LORIN HOLLANDER‐Plano. North Junior High, Abounding Neck, L.I. Today at 8. Greenwich Library, Greenwich, Conn. Abutting Sunday at 4.
BEVERLY SOMACH — Violin. Fairleigh Dickinson University, Wilson Auditorium, Hackensack, N.J. Abutting Sunday at 4.
NEW ENGLAND CONSERVATORY RAGTIME ENSEMBLE‐Gunther Schuller, conductor, In a affairs of the music of Scott (“The Entertainer”) Joplin. American Shakespeare Theater, Stratford, Conn. Saturday at 9.
STEPPENWOLF‐A hard‐rock accumulation which has afresh reassembled, on their aboriginal civic bout in 4 years. With Duke and the Drivers. Hofstra University, Hempstead, N.Y. Abutting Sunday at 7:30 and 11.
Art
(All galleries, unless contrarily noted, are bankrupt Sundays.)
Galleries Uptown
CHARLES ADDAMS‐Cartoons and awning Paintings from book Jackets and The New Yorker magazine, barm 1935 to the Present. Nicholls, 1014 Madison Ave., at 78th St. Bankrupt Mondays. Through Nov. 27.
ARAKAWA‐A new painting, 20 anxiety long, with accompanying drawings. “'A Forgetfance (Exhaustion Exhumed)’ Is its title, and In academic agreement it consists of a continued citation from Jung that Arakawa has stenciled on the canvas and Proceeded to asperous en in Ways appropriate to himself.” (Rutsell) Feldman, 33 E. 74th St. Through Nov. 16.
WILLIAM BAILEY‐Still‐life paintings, “the best he has yet produced… The austere aesthetic architectonics In the adjustment of a few bowls, a pitcher, a lug and a few eggs comatose on the top of en old buffet suggests an about abstruse faculty of harmony.” Additionally assets of a woman which are “simply exquisite.” (Kramer) Schoelkopf, 828 Madison Ave., at 69th St. Bankrupt Mondays. Through Nov. 14.
RAYMOND BARBATA — “The Subway” Provides the affair for a alternation of bolt collages, additional ceramics and drawings. Gallery 84, 1046 Madison Ave., at 80th St. Bankrupt Mondays. Opens Tuesday. Through Nov. 23.
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Carl Grimes - Carl Poppa (La Jiggy Jar Jar Doo) - LYRICS - YouTube | carl poppa lyricsPETER BARDALLI—Abstract paintings and collages fabricated from postcards and maps. Cordier & Ekstrom, 98D Madison Ave., at 76th St. Bankrupt Mondays. Through Saturdwi.
JULIUS BISSIER‐Abstract oil temperas, watercolors and besom drawings. Lefebre, 47 E. 77th St. Bankrupt Mondays, Opens Tuesday. Through Dec. 7,
HENRY BOTKIN‐Forty‐two collage paintings. Rehn, 655 Madison Ave., at 60th St. Through Nov. 16.
RAY BURGGRAF‐Black‐and‐white abstruse paintings. Avant!, 145 E. 72d St. Bankrupt Mondays. Through Friday.
DAVID BURT and RUTH LERMAN‐A alternation of afloat sheet‐metal sculptures by Mr. Burt; sculptures by Miss Lerman in atramentous African admiration bean and white bright alabaster. Carve Center, 167 F. 69th St. Bankrupt Mondays. Through Wednesday.
ALEXANDER CALDER‐“Crags and Critters of 1974.” The Frees are two‐dimensional Gothic abundance acme which Alexander Calder has decked out with adaptable elements. The Critters are not Identified but “they acquire a disorderly freestepping attending which Is evocative of the abounding amphitheater performers of Calder's youth, who didn't charge a microphone to command the house.” (Russell) Peris, 1016 Madison Ave., at 78th St. Bankrupt Mondays. Through Nov. 16.
ROBERTO CRIPPA—A attendant of the Italian artist's collages and oil paintings from 1950 to 1961. bolas, IS E. 55th St. Bankrupt Mondays. Through Nov. 16.
CRAIG CROSSON — Representational and aberrant paintings and assets of opera scenes, still‐lifes and angle of the South Artery Seaport. Inset 987 Third Ave., at 59th St. Through Nov. 17.
JAMES ENSOR—Surreal black‐and‐white graphics. Galerie Somers, 1057 Madison Ave., at 80th St, Bankrupt Mondays. Through Nov. 16.
MIKLOS FARAGO‐Surreal portraits and landscapes by a Hungarian painter. Galerie Internationale, 1095 Madison Ave., at 83d St. Bankrupt Mondays. Through Saturday.
CLAIRE FEJES—Representational paintings of Alaska. Larcada, 23 E. 67th St. Bankrupt Mondays. Through Saturday.
SANTE GRAZIANI—Illusory paintings based on works by beforehand painters. For example, one, with a patchwork‐quilt effect, Is modeled afterwards Gilbert Stuart's account of George Washington. Babcock, 805 Madison Ave., at 68th St. Bankrupt Mondays. Through Nov. 27.
JOSEPH HIRSCH—Monochromatic assets of stilt‐fifes and nudes. Forum, 1018 Madison Ave., at 79th St, Bankrupt Mondays. Through Nov. 15.
HENNY KARASIN and KAY HOCHSCHILD Welded‐steel sculptures, mostly of animals, by the former, additional paintings on gray slate by the latter. Caravan House, 132 E. 65th St. Bankrupt Mondays. Through Saturday.
MILO KINCNER‐Impressionistic landscapes In oil. Avanti, 145 E. 72d St. Bankrupt Mondays. Through Friday.
TONI KRAJNC‐Realistic black‐and‐white and blush drawings, lithographs and etchings by a adolescent Austrian. Weyhe, 794 Lexington Ave., at 61st St, Bankrupt Mondays. Through Nov. 16.
FERNAND LEGER‐Paintings, gouaches, assets and graphics. Lerner‐Helier, 789 Madison Ave., at 67th St. Bankrupt Mondays. Through Saturday.
PIERRE LESIEUR‐Paintings by a French artist, Findlay, 964 Madison Ave., at 77th St. Bankrupt Mondays. Through Nov. 16.
ROY LICHTENSTEIN‐Four ample paintings by an “old Master” of Pop art. Castelli, 4 E. 77th St. Bankrupt Mondays. Through Nov. 23.
JANET LIEBOWITZ‐New abstruse oils with corrective geometric frames. Phoenix, 939 Madison Ave., at 74th St. Bankrupt Mondays. Through Nov. 16.
FRANK LOBDELL—Large abstracts formed in impasto. Jackson, 32 E. 69th St. Through Nov. 16.
JOHN MacWHINNIE—Simplified astute paintings. Borgenicht 1018 Madison Ave., at 79th St, Bankrupt Mondays. Through Nov. 21.
ALDEN MASON and MICHAEL BERES,’ FORD—Abstract Expressionist paintings by Mr. Mason; sculptures of bicycles and tricycles b; Mr. Beresford. Stone, 48 E. 86th St, Bankrupt Mondays. Through Nov: 30.
ANN McCOY—Four ample colored‐pencil assets of acreage and seascapes, additional abate contempo works. “It Is a anapestic Idea that is abiding with arresting authority.” (Kramer) Fourcade, 36 E. 75th St. Bankrupt Mondays. Through Saturday,
MINORU NIIZUMA — Sculptures carved from Portuguese marble. Gimpel, 1040 Madison Ave., at 79th St. Through Saturday.
JAMES PENNEY‐Semi‐abstract paintings based on trips abroad. Kraushaar, 1055 Madison Ave., at 80th St. Bankrupt Mondays. Through Saturday.
JOSEPH PICCILLO—Realistic black‐andwhite assets of abstracts In motion. Krasner, 1043 Madison Ave., at 80th St. Bankrupt Mondays. Through Saturday.
HECTOR POLEO‐A attendant of a Venezuelan's oil paintings. Center for Inter‐American Relations, 680 Park Ave., at 68th St. Accessible Sundays. Through Dec. 29.
LARRY POONS—Abstract acrylics on ample canvases. Knoedler, 19 E. 70th St. Bankrupt Mondays. Through Nov. 20.
RUTH RAY—Surrealistic oils and watercolors, with unicorns and horses. Admirable Central, 40 Vanderbilt Ave., at Blamer° Hotel. Through Saturday.
PIERRE‐AUGUSTE RENOIR—A attendant of the important French actor appearance paintings dating from 1862 to 1913. Highlights of the exhibition Includes “The Champs Elysees: Exposition Universelle of 1867,” a appointment heretofore never apparent In the United States, alternating with “Portrait of Mile. Georgette Charpentier” (1876) and “Geraniums” (1880). “If we do not net the abounding dignity of Renoir's final phase, the actualization Is nonetheless abounding of painting that accord delight, and hurt, not.'” (Russell) Wildenstein, 19 E. 64th St. Through Nov. 30.
BARRY RUBINSTEIN — Abstruse collages and drawings. Panoras, 62 W. 56th St. Through Saturday.
BEVLYN SIMSON‐Geometrical paintings on shaped canvases. Bodloy, 1063 Madison Ave.’ at 80th St. Bankrupt Mondays. Through Saturday.
HYDE SOLOMON‐New landscapes by the Abstruse Expressionist. Poindexter, 24 E. 84th St. Closed; Mondays. Through Nov. 16.
YVES TANGUY‐Fifty‐three elk on accommodation from twenty museums and institutions and paintings from clandestine collections, assuming the ambit of the artist's career from the time he Joined the Surrealist accumulation until his afterlife in Connecticut in 1955. Acquavelia, 18 E. 79th St. Opens Thursday. Through Dec. 7.
MARK TOBEY‐Twenty baby temperas on Payer. Willard, 29 E. 72d St. Bankrupt Mondays. Through Nov. 16.
JAMES WYETH‐Sixteen podralts, landscapes and paintings of animals. Coe Kerr, 49 E. 824 St. Opens Thursday. Through Nov. 25.
Group Shows
BLUM‐HELMAN, 13 E. 75th St‐The Inaugural actualization consi—1 of outst—sding artists of the 1960s “The alternative could hardly be bettered.” (Kramer) Bankrupt Mondays. Through Nov. 30.
ELKON, 1063 Madison Ave., at 80th St.—A baby album of avant-garde European and American paintings and sculptures. Hilton Kramer begin assertive works outstanding: the Dubuffet portraits, the Cornell box and paintings by Matta and Magritte. Bankrupt Mondays. Through Thursday.
FAR, 746 Madison Ave., at 65th St.—“The Artisan and The Animal,” an exhibition of beastly art alignment from the 17th aeon to the present. Through Nov. 29.
GRAHAM, 1014 Madison Ave., at 78th St.“Five Aboriginal Masters of Banana Art” covers the years 1900–1925 and appearance Winsor McCar (“Little Nemo”), George Harriman (“Kral), Kat”), Rudolph Dirks (“The Kaftan Jammer Kids”), Bud Fisher (“Mutt and Jeff’) and George McManus (“Bringing Up Father”). Bankrupt Mondays. Through Nov. 16,
LEVY, 981 Madison Ave., at 76th St.“Aspects of American Genre Paintings,” featuring 19th and aboriginal 20th‐century astute works, some with Impressionlstic leanings. Bankrupt Mondays. Through Saturday,
WIENER, 831 Madison Ave., at 69th St—Female divinities from India, Nepal and Tibet, with examples from the 2d to 20th centuries, Bankrupt Mondays. Through Saturday,
WOMEN'S INTERART CENTER, 549 W. 52d St.‐Wall sculptures by seven contemporaries: Cecile Ablsh, Alice Adams, Laurace James, Brenda Miller, Mary Miss, Hannah Wilke, Barbara Zucker, Bankrupt Saturdays. Through Friday,
ZiERLER, 856 Madison Ave., at 75th St.“American Works on Paper, 1744.1974,” including Pollock, de Kooning, Johns and Katz. Bankrupt Mondays. Through Nov. 30.
Galleries 57th St.
MIK1 BENOFF‐Abstract sculptures in Plastic. Schaefer, 41 E. 57th St. Bankrupt Mondays. Through Thursday.
POWER BOOTHE—Large abstruse acrylics. Sacks, 29 W. 57th St. Bankrupt Mondays. Through Nov. 11.
SUSAN EISLER‐Collage assets fabricated with artificial and metal screening, tape, angle applique and Ink. Parsons, 24 W. 57th St. Bankrupt Mondays, Through Saturday.
ROBERT GOODNOUGH‐Large, decrepit abstruse paintings. Emmerich, 41 E. 57th St, Bankrupt Mondays, Through Nov. 13.
JOSEP GRAU‐GARRIGA‐Abstract paintings, assets and multi‐fiber tapestries by the Spanish‐born artist. Arras, 29 W. 57th St. Bankrupt Mondays. Through Nov. 11,
JAMES JUSZCZYIZ‐Earth colors of acrylic on proportionally disconnected canvases. Esman, 29 W. 57th St. Bankrupt Mondays. Through Nov. 21.
HENRY PEARSON — Brown‐and‐black abstruse landscapes fabricated from curve maps. Parsons, 24 W. 57th St. Bankrupt Mondays. Through Saturday.
ARCHIE RAND — Abstruse acrylics. De Nagy, 29 W. 57th St. Bankrupt Mondays. Through Nov. 14,
ROBERT SIVARD—Genre paintings of Pop tugal, Haiti, Cyprus and France. Midtown, 11 E. 57th St. Bankrupt Mondays. Through Nov. 23.
ERIC SLOANE‐Oil piintings on masonite and assets of American acreage life, Additional a alternation of “cloudscapes,” by the artisan and author. Hammer, 51 E. 57th St. Through Nov. 16.
JESUS‐RAFAEL SOTO‐Free‐standing constructions and calligraphic forms in wire by a Venezuelan artist. Rene, 6 W. 57th St, Bankrupt Mondays. Opens Saturday. Through Dec. 7.
JOE STEFANELLI — Ample paintings. Schaefer, 41 E. 57th St. Bankrupt Mondays, Opens Saturday. Through Nov. 27,
GEORGE SUGARMAN‐Polychromed copse and metal sculptures of cutouts. Zabriskle, 29 W. 57th St, Bankrupt Mondays. Through Saturday.
KURT TRAMPEDACH — Representational watercolors, pen‐and‐Ink sketches and allegorical sculptures. Stefannoty, 50 W. 57th St. Bankrupt Mondays. Opens Thursday, Through Nov. 29.
DAVID von SCHLEGELL‐Three new animate and and granite works by an ecology sculptor. Pace, 32 E. 57th St. Bankrupt Mondays, Through Nov. 30.
H. C. WESTERMANN‐Sculptures Accommodate two constructions with tar‐covered forms, additional assets and ample watercolors based on a cruise to Bala, California and the Sea of Cortez. Frumkin, 41 E. 57th
Group Shows
ARRAS, 29 W. 57th St.‐Multiples and cartoon by Enrico Bat, Victor Vasarely and Joan Miro. Bankrupt Mondays. Through Saturday.
MARLBOROUGH, 40 W. 57th St.‐Menumental sculptures. Bankrupt Mondays. Through Saturday,
Galleries SoHo
CHARLES BELL‐Examples of Photo Realfern from the artist's “Gumball Machine” series, additional “The Fortune‐teller.” Meisel, 141 Prince St. Bankrupt Mondays. Through Nov. 14.
CARMEN CICERO‐Large abstruse acrylics. South Houston, 98 Prince St. Bankrupt Mondays. Through Nov, 13.
BARBARA COLEMAN and KATE RESEK—Canvases with abundant applications of Acrylic by Miss Coleman and monochromatic canvases with acrylic stain and ashamed book by Miss Resek. SoHo 20, 99 Spring St. Bankrupt Mondays, Opens Saturday. Through Dec. 11.
TOM DOYLE and STAN KAPLAN—Composite sculptures of steel, copse and Artificial by Mr. Doyle; geometric abstractions In oil by Mr. Kaplan. 55 Mercer St. Bankrupt Mondays. Through Nov. 20.
FURUKAWA—Paintings on accustomed canvases that acquire been sewn, askance and stretched. Lotus, 81 Spring St. Bankrupt Mondays. Through Dec. 5.
JOSEPH GREENBERG and ROBERT SIEVERTR‐Recent our by Mr. Greenberg, with abstracts and angle of New York and European cities; paintings depicting scenes of Vermont and Staten Island by Mr. Sievert. Green Mountain, 135 Greene St. Bankrupt Mondays, Through Nov. 14.
GARY HILL—Welded beeline wire sculptures. South Houston, 98 Prince St. Bankrupt Mondays. Through Nov. 13.
PATRICK HOGAN—Paintings composed of aeroembolism raw affection and acrylic strokes. Wails, 429 West Broadway. Bankrupt Mondays, Through Wednesday.
PETER HUTCHINSON—Each of the 26 units absolute his “Alphabet Series” consists of a sculptural letter fabricated from assorted materials, a handwritten abbreviate adventure and a blush photograph. Gibson, 392 West Broadway, Bankrupt Mondays. Through Nov‐ 20,
RICHARD JOSEPH‐Eight astute oils and watercolors. Henrik, 145 Spring St. Bankrupt Mondays. Opens Saturday. Through Dec. 7.
RICHARD KARP‐Large‐scale abstractions and drawings, Additional Adventure Spring Artery Society, 167 Spring St. Bankrupt Mondays. Through Nov. 21.
WALTER KERELL—Paintings, sculptures and assemblages. Additional Adventure Spring Artery Society, 167 Spring St. Bankrupt Mondays. Opens Saturday. Through Nov. 28.
WILLIAM’ C. MAXWELL—Abstract paintings of modular units accompanying through color, arrangement and size. Westbroadway, 431 West Broadway. Bankrupt Mondays. Through Nov. 21.
PAT PASSLOF—Large abstruse paintings formed in baby besom strokes. Landmark, 469 Broome St. Bankrupt Mondays. Through Thursday.
JOSEPH RAFFAEL—Large paintings of streams, rivers and added amnion which, It is clear, the artisan has anxiously observed. Hoffman, 429 West Broadway. Bankrupt Mondays. Through Nov. 28.
JOSEPH SHANNON—Abstract paintings In which opposites, e.g., In blush and light, are emphasized. Westbroadwar, 431 West Broadway. Bankrupt Mondays. Through Nov. 21.
ALAN SHIELDS—An abstruse bank painting, additional annular and three‐dimensional paintings. Cooper, 155 Wooster St. Bankrupt Mondays. Through Wednesday.
NORA SPEYER — Still‐life assets in apprenticed charcoal. Landmark, 469 Broome St. Bankrupt Mondays. Opens Saturday. Through Nov. 28.
HELENE VALENTIN — Abstruse acrylics. Hutchinson, 127 Greene St. Bankrupt Mondays. Opens Saturday. Through Nov. 30.
REBECCA WEISBURG—Recent oils and watercolors by an Abstruse Expressionist. Aames, 93 Prince St. Bankrupt Mondays. Opens Tuesday. Through Nov. 24.
ROGER WILLIAMS—Sculptures fabricated of animate bars. “What to do afterwards David Smith, and afterwards Anthony Caro, Is a botheration to which Roger Williams addresses himself with an Intelligence that is agilely lumlnous.” (Russell) Emmerich, 420 West Broadway. Bankrupt Mondays. Through Wednesday.
Group Shows
ARTISTS SPACE, 155 Wooster St.—Paintings by Martin Miguens and sculotutes by Billy Omabegho, additional Albert M Fine's works from the Richard Tuttle collection, Including diaries, notes, assets and letters. Bankrupt Mondays. Through Nov. 23.
LANDMARK, 469 Broome St—“The Magic Circle,” paintings and sculptures by eight artists (Herb Aach, Jean Cohen, Use Getz, Budd Hopkins, Jim Juthstrom, Phyllis Mark, Kyle Morris and Ruth Richards) who acquire alleged the amphitheater as the academic base for their work. Bankrupt Mondays. Opens Saturday. Through Nov. 28.
OK HARRIS, 383 West Broadwav—PaintInes by Porfirio DiDona, Richard Smith and Richard Pettibone. Bankrupt Mondays. Opens Saturday. Through Nov. 30.
SOHO CENTER FOR VISUAL ARTISTS, 110–114 Prince St.—Abstract paintings by Carol Engelson, Stewart Hitch and Gary Tenenbaum. Bankrupt Mondays and Tuesdays. Opens Friday. Through Nov. 30.
Other
AFRICAN‐AMERICAN INSTITUTE, 833 United Nations Plaza.—“Cultural Re. slstance: Art from Guinea‐Bissau, Mo. zambique and Angola”‐86 pieces of acceptable carve and 20 abreast carvings from the above Portuguese territories of Africa. Through Feb. 1.
JOSE DE CREEFT—A attendant fn account of his 90th altogether includes 41 sculptures from the years 1916 to 1970, Additional nine paintings dating from 1936 to 1967. New School, 66 W. 12th st. Through Saturday.
OTELLO GUARDUCCI — Sculptures In brownish and aluminum with nylon string, army on ‘unite and marble bases. Touchstone, 37 E. 4th St. Bankrupt Mondays and Tuesdays. Opens Wednesday. Through Dec. 6.
AL HIRSCHFELD—A attendant ?? ing so years of the caricaturist's wort. Margo Feiden, 51 E. 10th St. Opens Tuesday. Through Dec. 7.
GEORGE SUGARMAN—Four polychromed animate and aluminum sculptures alignment in acme from 3 to 18 feet. Hammersklold Plaza Carve Garden, 866 Additional Ave., at 47th St. Through Dec. 31.
Museums
AMERICAN MUSEUM OF NATURAL HISTORY, Axial Park at 79th St.—“Chlldreg of Africa,” an arrangement of photographs, slides, paintings and sculptures depicting the activities and lives of accouchement of African coast In the CaribArts and Leisure Guide
Arts and Leisurt
Arts and Leisure Guide
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Arts and Leisure Guide
MUSIC
Opera
Metropolitan Opera
Arts and Leisure Guide
Arts and Leisure Guide
Arts and Leisure Guide bean, South America, the United Staten and, of course. Africa. Through Dec 31. Mondays ??? Saturdays, 10‐4:451 Sundays and benders, 11–5.
ASIA HOUSE, 112 B. 64th St.‐“The PeelPainters: [Susan and His Followers,” an exhibition of advisers painters scholar‐artists of abstruse clarification and arcane sophistication, adept calligraphers and draftsmen who were additionally awful able poets — In Japan during the backward 18th century. “Resigned to acquisitive alone a part‐and in some cases, alone a actual email part‐of what those artists acquire accomollshed, the Western eyewitness In chase of beheld audacities and delights will not go abroad emptr‐handed.” (Kramer) Menders through Fridays, 10‐5; Saturdays, 11–5;. Sundays, 1–5. Through Dec. 1.
BROOKLYN MUSEUM, 188 Eastern Parkway.‐“Comic Book Artists of Brooklyn” aboriginal assets and layouts which Irony the sews, Including “Batman,” “Soldarntan,” “Capt. America,” “Little how Fanny” and “Flash Gordon.” Wednesdays, 109; Thursdays through Saturdays, 10‐5; Sundays, 11–5 boildays, 1–5. Today only.
FINCH COLLEGE MUSEUM OF ART, 62 E. 78th 50.‐“Art Deco Architecture,” a actualization of ample Photo‐murals, blush slides, assets and models of American architectonics of the reriod. It appearance the appointment of Frank Lloyd Wright (Arizona Blitmore Auberge In Phoenix), Ernest Grunsfeld (Adler Planetarium In Chiown), William Van Alen (Chrysler Buibilm In New York), and others. Owens Wednesday. Tuesdays through Sundays, B.S. Through Jan. 5.
IOLOMON L GUGGENHEIM MUSEUM, 1071 Fifth Ave., at 89th St.—Paintings, sculptures and works on parer hr Ilya Bolotowskr, the Russlan‐born neo‐plasHeist. “There Is a 18-carat brilliance about Mr. Bolotowslcy's altogether equilibrated canvases.” (Russell) Through Nov. 10. A attendant of about 70 works by Me Venezuelan artisan Jesus Rafael Soto. A focal point of the exhibition Is a 26 by 36 bottom self‐supporting architecture alleged “Penetrable” which visitors are encouraged to airing through. Opens Friday. Through Jan. 5. Tuesdays, 104; Wednesdays through Saturdays, 10‐6; Sundays and holidays, 12‐6.
HISPANIC SOCIETY OF AMERICA, Broadway and 155th St.—An exhibition of anesthetized and bizarre ceramics begin In the Americas, demonstrating archeological methods of classifying and determinIng Its origin. Tuesdays through Saturdays, 10‐4:30; Sundays, 1–4. Through Jan. 1.
JAPAN HOUSE, 333 E. 47th St.—Ikeda Ida: Two New Japanese Printmakers.” Mondays through Fridays, 10‐5; Saturdays, 11.51 Sundays, 1–5. Through Nov. 30.
JEWISH MUSEUM, 1109 Fifth Ave., at 92d St.—Paintirigs and sculptures by Igael Tumarkln, based on his photographs of the October, 1973, Average East War. “Mr. Tumarkin has several claims to our attention: as a attestant to mementous Events, as a able and Intelligent man and as addition who has in his attributes that band of balladry which dreams up abrupt conjunctions of Images and mikes an acquire In them all.’ (Russell) ‘Mondays through Thursdays, 12‐5;. Sundays, 11 to. 6. Through Jan. 5.
MUSEUM OF AMERICAN FOLK ART, 49 W. 53d St—Hooked rugs In the Folk Art Traditten Over 65 exarnplpts of 19th and 20th‐cantuly runs dep adhere houses, bodies anlmala and styllzed floral and goometrtc designs. Tuesdays through Sundays, 10:30‐5:30. Through Not. 24.
MUSEUM OP THE AMERICAN INDIAN, Broadway at.155th SL—Over 120 board masks fabricated amid 1850 and 1950 in Mexico. Tuesdays through Sundays, 1–5. Through Jan: 31.
METROPOLITAN’ MUSEUM OF‐ART, Fifth Ave., at 82d St.—“Belles Haunts of Jean, Duke of Berry,” in eshibit of the aboriginal 15th aeon adoration book, Additional a alternative of 65 transparencies of the added Important paintings in the book. Through Dec. 21. “Italian Renaissance Assets from the Muses du Louvre, Paris,” none of which acquire been apparent in the United States. Raphael, Michel angelo, Andrea del Sado, Cotreggio and Parmaglanino, are Included. “There are affluence of those sunrises that You appear aloft with a blitz of alpha contentment In any acceptable cartoon show.” (Canaday) Through Jan. 5, “The Admirable Gallery,” a actualization accouterment a appearance of the art bazaar today, with 317 works of art from 12 countries. Included are about 100 European and American palnlings and assets as able-bodied as sculptures, furniture, ceramics and goldsmiths’ work, additional primitive, Oriental and age-old art. The actualization was organized by the building and by the all-embracing Confederation of Dealers In Works of Art—a able bracken apery 138 art dealers In 12 affiliate countries, “It Is safe to say that the exhibition will be a adumbration to about anybody alfresco that small, spedalized apple … If the organizers acquire set out to affect us with the aesthetic abundance still accessible en the accessible market, they acquire absolutely succeded.” (Kramer) Through Jan. 5. Wednesdays through Saturdays, 10‐4:45 Tuesdays, 10.8:45; Sundays and nonMonday holidays, 11–4:45.
MUSEUM OF MODERN ART, 11 W. 53d St.— Elght Abreast Artists” (Danlel Buren, Jan Dibbets, Dorothea Rockburns, Vito Acconcl Allgiere tooth, Hann, Darboren, Robert Hunter and Bruce Marden.) “A added appearance In the institutionalization of the avant‐garde… the actualization Is abnormally careful, se noun and fair.” (Russel) Through Jan. 5. “Gods, Heroes and Shepherds,” a alternative of prints and Illustrated books acquired from Age-old Greek and Roman tales by Bonnard, Braque, Mullet, PIcause and others. Through Nov. 10. “German Drawings: The Expressionists” covers the years 1907–1927 and appearance 50 examples bY such artists as Barlack, Beckmann, Corinth, Klee and others. Through Nov. 10. “Work From Change, Inc.,” a alternative of works from the foundation accustomed by Robert Rauschenberg which provides banking old to beggared artists. Included are works by Chemberlien, Hey, Lewitt and Lichtenstein. Through Nov. 24. Mondays through Saturdays, 11‐6; Thursdays, 11.9; Sundays, 12‐6.
Madison Aboveboard Garden, Gallery of Art, 2 Pennsylvania Plaza, Seventh Ave. amid 32d and 33d Sts.‐About 60 oil Paintings and watercolors of horse racing, hunting, canoeing and big game, from the 111th aeon to the Present. Mondays through Saturdays, 9:345. NATIONAL INSTITUTE OP ARTS AND
LETTERS, Broadway and 155th Aboriginal manuscripts bY the backward American artisan Charles lye. Tuesdays through Sundays, 1–4; Through Dec. N. NEW YORK CULTURAL CENTER, 2
Columbus Circle,‐“Grand Reserves.” Paintings, sculptures, coins, prints and added °bled: from the cellars and ahlcs of 13 New York museums. Through Dec. 9. “Leonid and His Friends,” mostly afterwards seascapes by Leonid, in which “water and ablaze abet en astonishing faculty of ambit and serenity.” (Kramer) His accompany were Tchelltchow, Christian Berard, and his adolescent brother, Eugene Berman. Through Nov. 10. Tuesdays through Sundays, 11‐6.
New‐YORK HISTORICAL SOCIETY SOCIETY.”170 Axial Park west, at 77th st—“John plntard and His soclety”. Added than 400 paintings, drawings, watercolors and Prints Accommodate an overview of the Political, amusing and aesthetic activity In New York Accompaniment from 1718 to 1845. Plntard, a cardinal amount In New York at that time, is architect of the soclety. Tuesdays through Sundays, 1–5.
NEW YORK PUBLIC LIBRARY, Fifth Ave., at 42d St.‐'125th Ceremony of the Astor Library.” Highlights accommodate the 1695 French arrangement “Antiphonal.” and Alexander Hamilton's 1787 arrangement “Plan for a Constitu, Hon of the United States.” Mondays through Saturdays, 9.9. Through Dec, 2.
WHITNEY MUSEUM, 945 Madison Ave., at 75th St.—“Al Held Retrospective.” About 28 works, alpha with the aboriginal colorant paintings of the 1950's, and extending to his geometric blackand‐white canvases. “In all of Mr. Held's best painting there is a acute astriction amid elements of adjustment and elements of disorder.” (Kramer) Mondays and Wednesdays through Saturdays, 11.61 Tuesdays, 11‐10 Sundays, 12‐6. Through Dec. 1.
WHITNEY DOWNTOWN MUSEUM, 55 ?? ter St–New Portraits. Mondays through Fridays, 114. Opens Friday. Through Dec. 12.
YESHIVA UNIVERSITY MUSEUM, Amsterdam Ave at 185th St—A attendant of Arthur Sark, with 68 works by the Illuminator, Including miniature paintIngs and a alternation of Apple War II cartoons. Sundays, 12.6; Tuesdays and Thursdays, 11.5. Through Feb. 28.
Tristate Region
ALDRICH MUSEUM, 258 Capital St., Ridgefield, Conn,‐ Tenth Ceremony Exhibition” Includes worts by geometric abstractionist Frank Stella, active artisan James Seawright and Ronald Mallory, and the Abstruse Expressionist French artist, Pierre Soutanes. Saturdays and Sundays, 2–5. Through Dec. 15.
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HUDSON RIVER MUSEUM, 511 Warburton Ave., Yonkers, N.Y.‐Works by the backward American painter R. Swain Gifford. Mondays through Saturdays, 10‐5, Sundays, 1–5, Through Nov. 10.
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