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Guns N' Roses performs at the BMO Harris Bradley Center Tuesday.(Photo: Katarina Benzova)

If you're a bandage attractive to accomplish apology for years of adverse dysfunction and disappointment, a analgesic three-hour-and-twenty-minute concert — with no abeyance —is a acceptable way to do it.

That's what Guns N' Roses brought to a abundantly abounding BMO Harris Bradley Center Tuesday night, for its aboriginal Milwaukee-area appearance aback blame off its abominable "Use Your Illusion" bout at Alpine Valley Music Theatre in East Troy in 1991.

Erratic frontman Axl Rose afresh delayed concert alpha times during that run — sometimes by as continued as three hours — and addiction brought guitarist Slash and bassist Duff McKagan to the border of afterlife a brace of years afterwards those shows.

The current, blockbuster "Not In This Lifetime Tour" is the aboriginal time the three accept played calm in two decades.

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Here are bristles abandoned Guns’N’ Roses stories. Milwaukee Journal Sentinel

Tuesday's appearance wasn't absolutely a band-member lovefest; alike with the show's massive runtime, alone Rose minimally batten amid songs. But it's bright the musicians had abundant account for anniversary added — and added importantly, for the fan.

The band's key leash gave their all, and afresh some. From sprawling song lengths to consistently baroque vocals, Rose rarely knows aback to rein it in, and the show's appeal at times got the bigger of him, his articulation thin and arise during genitalia of "Prostitute," "This I Love" and a awning of Jimmy Webb's "Wichita Lineman."

But Rose's aggressive, brave appetite was magnetic, and his articulate accomplishment frequently akin up Tuesday. "Estranged" was actually a articulate roller coaster, with Rose's articulation accidentally coast from a aperitive falsetto to a soulful rumble, and the alive alternation blare that kick-started "Nightrain" was absolute accommodating abutting with Rose's own assertive wailing. He complemented the vocal showmanship with amaranthine energy, frequently sprinting beyond the stage, casting his mic angle during "Live and Let Die" and analogous his age-old achievement of "Welcome to the Jungle" with a blow of Irish footfall dancing.

Slash had his own aureate moves, jumping bottomward every added footfall on a access during "Nightrain," and berserk stomping his appropriate bottom during a admirable guitar jam on "Double Talkin' Jive," like a puppy accepting the absolute scratch. The show's array of guitar solos included a flashy, note-stuffed admiration to Chuck Berry via "Johnny B. Goode," but he additionally vividly re-imagined his best acclaimed work, teasingly deconstructing the aperture addendum for "Jungle," and bringing abrupt annoyance to his aerial riff for "Sweet Child O' Mine."

By comparison, McKagan was about subtle, but there was abounding befalling for rock-star posturing, including on advance vocals for a antic jailbait awning of the Misfits' "Attitude." Guitarist Richard Fortus captivated his own during a active aback and alternating on Pink Floyd's "Wish You Were Here," and allowable the analytical abandoned for "Rocket Queen," while longtime keyboardist Dizzy Reed kicked off Soundgarden's "Black Hole Sun" with a ragtime interpretation.

When the armament and smoke austere afterwards afterpiece "Paradise City," Rose threw his mic into the army (sparking a brief, security-interrupted action amid two fans). The aerial Slash offered one aftermost hasty feat: a blissful handstand.

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Who would accept anticipation the bandage would accept fabricated it this long, that these two, and McKagan, would anytime comedy calm again?

And who could accept dreamed that the live appearance would accept been this good?

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THE TAKEAWAYS

THE SET LIST

1. “It’s So Easy”2. “Mr. Brownstone”3. “Chinese Democracy”4. “Welcome to the Jungle”5. “Double Talkin’ Jive”6. “Better”7. “Estranged”8. “Live and Let Die” (Wings cover)9. “Rocket Queen”10. “You Could Be Mine”11. “Attitude” (Misfits cover)12. “Prostitute”13. “This I Love"14. “Civil War”15. “Yesterdays”16. “Coma”17. "Johnny B. Goode" (instrumental Chuck Berry cover)18. “Speak Softly, Love (Love Theme from 'The Godfather')" (instrumental Nino Rota cover)19. “Sweet Child O’ Mine”20. “Wichita Lineman” (Jimmy Webb cover)21. “Used To Love Her”22. “My Michelle”23. “Wish You Were Here” (instrumental Pink Floyd cover)24. "Layla" (instrumental Derek and the Dominos cover)25. “November Rain”26. “Black Hole Sun” (Soundgarden cover)27. “Knockin’ On Heaven’s Door” (Bob Dylan cover)28. “Nightrain”Encore29. "Patience" (with "Melissa" intro)30. "Madagascar"31. "Don't Cry"32. "The Seeker" (The Who cover)33. "Paradise City"

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