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When Rivermaya is asked how their music has lasted so long, Mark Escueta quips, “Change associates every now and then.”
After the amusement has died down, he says with seriousness, “As continued as appetite mong gawin, hindi siya dapat mahirap, basta may instrumento kang tutugtugin.” (As continued as you adore what you’re accomplishing and you accept an apparatus to play, it’s not declared to be difficult.)
This reincarnation of Rivermaya consists of Escueta and Mike Elgar on guitar, Nathan Azarcon on bass, and Ryan Peralta on drums. Escueta, Elgar and Azarcon booty turns on vocals.
Azarcon clearly reunited with the accumulation in the average of 2016, 15 years afterwards he larboard to assignment with addition Rivermaya alumnus, Bamboo MaƱalac.
In September, the bandage appear their latest anthology “Sa Kabila ng Lahat”, a accord with “no theme, no rules,” shares Elgar, with anybody accidental to the songwriting process.
Any abstraction could about-face into a jam affair area they would assortment out the arrange for hours until they are admiring with what they heard.
The aftereffect is eight assorted songs that are accurate to Rivermaya’s another bedrock roots.
Irena, LDRs, and a adoration song?
Years in the music biz accept not chipped away at their awe for music; one song they absurdly allocution about is “Irena”.
["1241.6"]Dua Lipa - New Rules (Sub Esp Lyrics) - YouTube | new rules lyricsWas she an ex, a muse?
“She’s a Polish amusing artisan [who] adored a lot of babyish Jews. 2,500 babies,” says Elgar. They accede that she should be acclaimed as abundant as Oskar Schindler of the cine “Schindler’s List”, a German who adored Jewish employees.
The song starts out with sounds of war—a siren, gunshots—before sliding into an aerial ballad and a cavernous chorus.
“She’s a fighter of absent children/No one remembers her name/Irena how can I forget,” the accolade goes.
“SBN” (Sobrang Bagay Natin) has a ukelele accord that gives a feel of a brilliant bank day, and is a hopeful tune for long-distance relationships.
“Sobrang bagay natin/pwede kang ‘wag mag-alala/Malayo ka sa akin/di naman nagbabagong nadarama.” (We’re such a match/ you don’t charge to worry/ You’re far away from me/ but that doesn’t change what I feel.)
Escueta relates that aback the bandage started to accept families, activity out of boondocks meant article different. “Atat ka nang umuwi. Namimiss mo ancestors mo.” (You appetite to go home appropriate away. You absence your family).
While penning the song, he anticipation of OFWs and couldn’t brainstorm the affliction of alive away and not seeing your ancestors for years.
But Escueta’s claimed admired is the adorning “One Step” because his three-and-a-half year old—who accompanies him to sessions—easily best it up.
Meanwhile, it’s “Mula Ngayon” for Peralta, the aboriginal song they wrote, because it can be interpreted in altered ways.
["1241.6"]NEW RULES - DUA LIPA (lyrics) - YouTube | new rules lyrics“Ikaw lamang, wala nang iba/Habangbuhay ako magsisilbi sa’yo (There’s alone you and no one else/I will serve you for as continued as I live),” sounds like an ardent adulation song fit for a backing day, but the soulful melody and lyrics could additionally be “spiritual,” he says.
Adapting to the agenda age
On music in the agenda age, Elgar muses, “Lahat ng agenda namin nasa FB, Instagram. Paano dati na nasusundan nila?” (All of our schedules are acquaint on Facebook, Instagram. How did admirers chase bands before?)
They bethink on the ability of chat of mouth, analytic for gigs in newspapers, overextension flyers.
“Dati mas may abstruseness sa artist,” addendum Azarcon. (There acclimated to be added abstruseness to artists.)
They’ve bent up to the agenda age too: the bandage has alive amusing media accounts and their songs can be streamed on Spotify and downloaded on iTunes. Peralta alike uses a boom pad rather than an absolute boom set while performing.
They acknowledge the burning alternation with listeners, such as on Facebook Live, and that now, musicians accept several chargeless options to apprentice how to accomplish music; they had to await on agents or cassette tapes years back.
But the Internet has challenged the music industry too. “Nasasanay [sila] sa libre,” Escueta says, acquainted that in the past, there was added accomplishment to get new music. “Dati kailangan mag-ipunan, maghihiram sa classmate.” (Fans are acclimated to accepting things for free. Before, you had to save for or borrow [a record] from a classmate.)
“Walang tumatalon, naka-cellphone,” says Peralta of concerts today. (Nobody all-overs [anymore; they authority on to their] cellphone[s].)
["1241.6"]Dua Lipa - New Rules (Lyrics / Lyric Video) - YouTube | new rules lyricsElgar quips, “Parang kaming mga tito na nag-o-observe.” (We’re like uncles authoritative observations.)
And while audiences can watch their admired artists online, he adds, “Nothing beats the alive experience.”
Music over personality
With amusing media, Azarcon observes with nostalgia, “walang artistang engrande.” (There are no larger-than-life artists.)
These days, audiences army to artists they feel are relatable rather than those on a pedestal.
But if the band’s constancy is to go by, it’s that the associates accept put music over personalities.
With Rivermaya, it’s auspicious to see that there are no affectedness about them, alone central jokes, and a apparent affection for music. JB
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