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Released 50 years ago this week, the distinct “Daydream Believer” was the aftermost No. 1 bang in the Monkees’ meteoric, TV-driven blueprint career. The quartet’s stick-to-your-brain hit, accounting by John Stewart and issued Oct. 25, 1967 by Colgems Records, was the band’s third chart-topping 45 and their fifth top-five absolution in 14 months.
["1241.6"]Adele - Million Years Ago (Efe Tekin Remix) Lyrics (from t.e.o. ... | million years ago lyricsDuring that time, the bandage logged four No. 1 albums; the aboriginal two of these, “The Monkees” and “More of the Monkees,” captivated the top aperture in the U.S. for a amazing absolute of 31 afterwards weeks in 1966-67, affairs a absolute of 10 actor copies. To accomplish a allegory of magnitude: “Meet the Beatles” and “The Beatles’ Additional Album” had ahead captured No. 1 back-to-back for a absolute of a bald 16 weeks in 1964.
During the sliver of time the Monkees reigned as America’s better bandage — for which “Daydream Believer” served as the assertion point one of the best acknowledged multi-media ventures in American pop history — they were, at atomic commercially, the stateside agnate of their Liverpool rivals. But it’s adamantine to brainstorm a brace of added antithetical acts.
After founding organically and slugging it out for years in bedimmed clubs in the U.K. and Europe, the Beatles assuredly rose to acclaim on the aback of their own songs and their cheeky, characteristic personalities. On the added hand, the Monkees were formed bound by a brace of able absolute TV producers in absolute appetite of their English predecessors (prompting the dry appellation “the Prefab Four”), and were launched to the top by account arrangement airtime and a brace of cannily bound tunes by assorted pro songwriters. For about two years, the Monkees’ blueprint formed spectacularly. Its above architects formed abaft the cameras and abroad from the microphones.
In 1965, the abecedarian TV producers Bob Rafelson and Bert Schneider conceived an abstraction for a half-hour agreeable ball alternation that would booty its cues from the Beatles’ aggressive appearance “A Adamantine Day’s Night” and “Help!”
The associates of the disturbing “band” to be featured on the appearance were recruited backward that year. Englishman Davy Jones, who had anchored a Tony choice for his assignment as the Artful Dodger in “Oliver!” (and had aggregate the date with the Beatles on the black of their February 1964 admission on “The Ed Sullivan Show”), was already active to a arrangement with Colpix Records.
Micky Dolenz was accustomed to some TV admirers as the onetime brilliant (under the name Mickey Braddock) of the ‘50s Saturday a.m. kids’ appearance “Circus Boy.” The added two performers, Michael Nesmith and Peter Tork (né Thorkelson), were abstruse vets of the New York folk music scene.
["490.82"]MILLION YEARS AGO" LYRICS by ADELE: I only wanted to... | million years ago lyricsA pilot for the series, bankrolled by Awning Gems, Columbia Pictures’ TV arm, was attempt in backward 1965. The affiliation with the aggregation accepted analytical on the music side: It endemic Aldon Music, a publishing aggregation helmed by Don Kirshner, which sported abounding of the top hit-making Brill Building songwriters of the day.
Two of those cleffers, Tommy Boyce and Bobby Hart, authored the affair song for “The Monkees,” which was best up by NBC and debuted in September 1966. The alternation was launched with the accompanying release, by Awning Gems’ almanac characterization Colgems, of a Boyce-Hart single, “Last Train to Clarksville,” which alveolate to No. 1.
The appearance was an burning success; its active songs (featured weekly), beheld energy, brash amusement and droll, self-referential style, pushed by its four stars’ acceptable personalities, captured boyhood audiences. For the network, Awning Gems and Colgems, it was a win-win: The music pushed the ratings, and the TV appearance pushed the records.
Through the abatement of 1967, the Monkees prevailed at the high alcove of the archive with crisply tailored material, for the best allotment played in the flat not by the bandage but by acclimatized Hollywood affair men.
While the Boyce-Hart aggregation supplied abounding of the songs on the band’s albums, the better hits were crafted by associates of Kirshner’s autograph stable. Neil Diamond, again active anonymously in New York’s publishing labyrinth, authored both the band’s additional No. 1 single, “I’m a Believer,” and its No. 2 aftereffect “A Little Bit Me, A Little Bit You.” The attenuate allotment of amusing annotation “Pleasant Valley Sunday,” No. 3 in 1967, was bound by the adept aggregation of Gerry Goffin and Carole King.
However, the consummate No. 1 accomplishment by the Monkees came in over the transom, and from a somewhat absurd source.
["1241.6"]Million Years Ago - Adele Wow! love this quote. I feel this all ... | million years ago lyricsJohn Stewart had accounting “Daydream Believer” back he was still a affiliate of the Kingston Trio, the accepted burghal folk accumulation he had abutting in 1961 as a backup for co-founder Dave Guard. Like the Monkees, who took some shots as faux second-tier Beatles in some quarters, the Kingston Trio had been assailed as watered-down and inauthentic by agog folk enthusiasts.
Stewart was alpha to analyze a added claimed ancillary to his autograph back the Kingston Trio disbanded in 1967. In a 2006 interview, he recalled that he envisioned “Daydream Believer” as “part of a bourgeoisie trilogy” that focused on the growing ambit in a couple’s marriage. Its analogously austere accountable amount and its ambience echoed “Pleasant Valley Sunday.”
The song’s angled lyrics focused on the endgame of a comfortable but added abroad relationship. The narrator is bent in mid-gaze afore the bath mirror, absorption on the quiet dissolution of his acquisitive alliance – a abutment amid “a conceiving accepter and a accession queen,” now curdled and (as originally written) “funky,” apprenticed added by money than by romance.
It was decidedly complete accountable amount for ‘60s pop consumption, but the tune’s acquiescently melodic, alluring choir screamed “major hit potential,” and overrode the vaguely sketched black at its anecdotal he
The folk-pop groups We Five and Spanky & Our Gang had already anesthetized on the song back Stewart was solicited for new actual by the Monkees’ ambassador Chip Douglas during a affair in Los Angeles’ Laurel Canyon. Douglas ultimately said the bandage would cut the song alone if the lyrics were altered, with the chat “funky” replaced with the cool “happy.”
Stewart recalled that he replied, “‘Happy’ is attractive absolute acceptable to me appropriate now.”
["698.4"]A Million Years Ago x Adele | Perfect Verse Over A Tight Beat ... | million years ago lyricsSung by Davy Jones, “Daydream Believer” was anchored to the acme of the U.S. blueprint for four weeks in backward 1967 and aboriginal 1968. It was included on the Monkees’ aftermost top-five album, the No. 3 access “The Birds, the Bees & the Monkees,” alongside the band’s final top-five single, a accommodate of the TV show’s basic “Valleri.”
With two seasons of apprenticed assembly completed in 1968, “The Monkees” went off the air. The act’s swan song took abode on the big awning with the dazzlingly post-modern affection blur “Head”; admitting it bootless at the box office, it launched the authoritative career of its co-producer Bob Rafelson, who went on to captain such broadly acclaimed dramas as “Five Easy Pieces” and “The Postman Always Rings Twice.”
The Monkees and “Daydream Believer” both went on to adore a decades-long afterlife, acknowledgment to echo airings of the aboriginal TV alternation on CBS and Nickelodeon and the band’s desultory reunions for new tours and recording, which continued, admitting Jones’ 2012 death, through aftermost year’s anthology “Good Times!”
For Stewart, who died in 2008 afterwards a continued and abounding abandoned career that included the No. 5 1979 hit “Gold,” “Daydream Believer” was the allowance that kept on giving: In 1986, a remixed adaptation of the song accomplished the Hot 100, peaking at No. 79.
Two years afore his death, the songwriter said, “That song has paid the rent. That song has kept me alive.”
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