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Ozuna is on the border of all-around superstardom

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The Dominican-Puerto Rican hitmaker is one of the best agitative players in reggaeton’s poppy revival.

When I airing into Ozuna’s allowance at the W Auberge in Times Square, the ascent reggaeton star, dressed in a striped T-shirt and white jeans, is on the buzz acclimation habichuela con dulce, a candied coconut-cinnamon amusement usually eaten at Easter in the Dominican Republic. “Let me get the bigger one,” the 25-year-old says in Spanish. It isn’t Holy Week, it’s August in New York, but there’s still acumen for all-powerful rejoicing: the artist’s admission album, Odisea, which translates to “odyssey,” was clearly appear that morning, and had already climbed its way to the No. 1 atom of Apple Music’s and iTunes’ Latin charts. “This is a blessing,” Ozuna says later, back we sit bottomward for a babble on the auberge room’s tan sofa. “I feel great.”

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Ozuna was built-in in a lower-income adjacency in San Juan, Puerto Rico, to a Dominican ancestor and a Puerto Rican mother, and he’s heavily afflicted by both islands. Heartbreaking lyrics that could calmly be commutual with the breakable guitar curve of bachata, additionally accepted as the Dominican blues, are instead crooned over the trap-infused reggaeton beats accepted in the streets of La Borikén. “This is what the bodies like,” he tells me, confident-sounding. And he would know: alike afore Odisea dropped, he already had eight singles on Billboard’s Hot Latin Songs blueprint concurrently, a accomplishment alone surpassed by old-time megastars like Juan Gabriel and Joan Sebastian. “I anticipate Latin music is in the best moment, and it’s activity to abide growing and escalating.”

Ozuna tells me his admired artists are salsero Frankie Ruiz, reggaetonero Daddy Yankee, and bachatero Romeo Santos. Like Ruiz, who in the ’80s and ’90s traded the hard-driving, instrument-centered sounds of salsa dura for the affected lyrics-laden salsa romantica, Ozuna swaps the generally blowing curve of reggaeton and allurement en español for love-note poetry, usually directed at exes who bankrupt his heart. “Tengo tu foto, pa’ volverme loco/ Pensando en ti, solamente en ti/ Mi corazón roto” (“I accept your photo, to drive me crazy/ Thinking of you, alone you/ My burst heart”), he sings on the choir of “Tu Foto,” a candy-sweet earworm.

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As the agreeable descendent of these aristocratic Latin singers, Ozuna seems abutting in band to booty the head — and he’s been advancing for the acme for best of his life. “I consistently knew that I’d be big,” Ozuna says, a design Rolex watch bright on his larboard wrist. Back in 2004, back he was 12 years old and activity by his bearing name, Juan Carlos Ozuna Rosado, he absitively he capital to sing. “It’s in my claret to assignment in music,” he tells me. His ancestor — who was murdered in Puerto Rico back Ozuna was 3 years old, an accident he mentions briefly on “Odisea,” the aboriginal clue on the anthology — was a advancement ballerina for reggaeton founding ancestor Vico C.

In chase of a activity alfresco of the abjection and drug-trafficking that answerable the barrios of la isla del encanto, Ozuna went to break with ancestors in Washington Heights, Manhattan. But on St. Nicholas Ave. and W. 189 St., area he backward with family, he witnessed added of the aforementioned abandon and destitution. This time, the adamantine knocks aggressive him to booty his affection seriously. Afterwards three years in the Rotten Manzana, he alternate to Puerto Rico, bent to use whatever money he could acquire from music to accommodate a bigger activity for himself and, later, his adolescence friend-turned-wife and their two children. “I anticipate that was my best university,” he says of his time in Upper Manhattan.

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Today, the acquaint he’s abstruse are adventures to sing about. On Odisea, Ozuna delivers tunes for admirers to perreo off their affection pangs. With “Se Preparó,” he provides an canticle for every babe who’s accessible to about-face up at the club afterwards auctioning a abhorrent ex. “Cumpleaños,” featuring reggaeton avant-garde Nicky Jam, is a song about a acceptable altogether fuck. And on “Bebé,” Ozuna gets Anuel AA, arguably one of the best bawdy traperos, to bald his soul. Veterans like Zion y Lennox and De La Ghetto additionally came through with rhymes and vocals, anniversary co-sign a mini-testament to Ozuna’s affiance and potential.

In the aforementioned way that abounding of these featured artists helped popularize reggaeton in the early-’00s, Ozuna is without-a-doubt one of the best agitative players in the genre’s poppy revival. Whether singing or rapping, his soft, adorable articulation seems to aloof cook over the brand mix of abreast Latin sounds. The aggregate appeals to admirers of capricious ages, hyping up the Gen Z crowd, while accompanying reminding millennials of active menea-filled abode parties.

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At the hotel, Ozuna chomps on minibar adhering bears. He’s cat-and-mouse for his habichuela con dulce to access and watching a few Instagram videos of admirers singing their admired Odisea songs. “From Puerto Rico to the world,” he says, laughing, array of aporetic that his dreams are advance appropriate afore his eyes.

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