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Toronzo Cannon has added activity afore 5 a.m. than some bodies can aggregation all day.

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"Hey now, you OK? You gonna be air-conditioned today?" he asks one accessory at a Chicago bus garage. "How you doin'?" he asks another. "These guys appropriate actuality owe me money, so booty a account of all of them," he jokes.

Cannon, 49, has been a Chicago Transit Authority bus disciplinarian for 24 years. He's additionally a dejection artist whose career is on the upswing, and his abreast tirelessness is alive in his favor.

Cannon drives 10-hour accouterment Monday through Thursday, again jets off on weekends to comedy the Chicago dejection beyond the country and about the world. He spends his vacation time arena back-to-back all-embracing dates.

The adverse of aimless by the Eiffel Tower and council a bus through the streets of Chicago isn't absent on Cannon. Yet his day job keeps him grounded, provides his ancestors with bloom allowance and yields active actual for songs.

The Eiffel Tower was "right bottomward the artery for the best part, and now I'm on the West Side of Chicago accepting accursed out by some adult that's abbreviate a quarter," he said.

"I'm a bus driver, so I biking through several tax brackets. You know, I see from the atomic of the poor to the richest of the rich."

"The Chicago Way," Cannon's latest anthology and his aboriginal on acclaimed dejection characterization Alligator Records, chronicles the animal belief that disentangle on both jobs.

A few hours afterwards he gets off work, Cannon will go from bus disciplinarian to bluesman, swapping his CTA hat for a active chapeau as he takes us to some of the dejection clubs he came up in.

Raw and rhythmic, dejection music was developed by African-Americans in the post-Civil War South, with an accent on vocals that acquaint the belief of accustomed people, usually of men, women and the ups and downs amid them.

Starting during Apple War I and spurred by abuse and bread-and-butter hardship, millions of Southern blacks headed for cities in the North as allotment of the Great Migration. The music catholic with them, and Chicago eventually became the epicenter of burghal blues.

The abandoned acoustic dejection of the South gave way to bandage music featuring electric instruments and drums afterwards Apple War II, creating a grittier, added advancing sound.

Muddy Waters, Howlin' Wolf, Little Walter and Jimmy Reed put Chicago dejection on the map in that era, and by the 1960s the music had acquired a common audience.

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"When dejection got to Chicago, it got dirty. It got bedraggled from the electricity of the city," Cannon said. "As you get to the big burghal area aggregate is fast, aggregate is moving, aggregate is loud, that does article to you," Cannon said.

"Chicago dejection is not accomplishments music. You know, you charge to be heard, you charge to be looked at. You've got article to say."

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At 88, "Bar Room Preacher" Jimmy Johnson has witnessed his allotment of Chicago's electric burghal living.

As this night's amateur at city South Loop club Buddy Guy's Legends, Johnson puts his gospel-tinged articulation to the blues' axial theme:

Learn to adulation me or leave me. Either one you wanna do Learn to adulation me or leave me. Either one you wanna do Because aberrant things are happening. Article aberrant ability appear to you

Johnson belts out these lyrics at the glossiest club on our two-night dejection hop, a atom opened in 1989 by Chicago dejection fable Buddy Guy.

The ample club's walls are dotted with photos, instruments and added mementos of the acclaimed and advancing artists who've played its stage.

"Buddy Guy's is the arch dejection club in Chicago," said Cannon. "You get a agglomeration of civic acts to appear through. He's like the man now, back it comes to the blues."

Guy, 80, is generally spotted at the bar and sometimes accomplish in to comedy a few songs back he's not on the road. He plays a alternation of academic dates at his club ceremony January.

READ: In aegis of actuality a tourist

About 10 account from city on Chicago's Abreast Northwest Side, Rosa's Lounge in Logan Square has a cozier adjacency feel. Best of the performers are from Chicago, although bands from all over the apple appear through.

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Late dejection greats David Honeyboy Edwards, Pinetop Perkins and Homesick James all played Rosa's.

On a contempo Friday evening, Chicago dejection guitarist Melvin Taylor's ablaze arena had assemblage affective to the music. One absolutely active ballerina launched himself beyond the attic in a alternation of riveting, whole-body spasms.

This is a affable club area black lights, Christmas ornaments, larger-than-life photos of dejection giants and blatant ceremony decorations actualize the affectionate of deep, layered history that's alone added by camp self-expression and admirers whose ages amount at atomic a half-century.

And Rosa's Lounge is a ancestors affair. Artist and buyer Tony Mangiullo accustomed in Chicago from Milan in 1978 to comedy the blues, and he opened Rosa's in 1984.

"The adventure goes Tony, the owner, admired the dejection so abundant that he came to Chicago and didn't leave, didn't appetite to leave. He's from Italy. And he congenital the club and he called it afterwards his mother," said Cannon.

Mama Rosa was absolutely the catalyst for the club.

"Mama said it was not abundant for Mama to see me comedy drums. ... She said, 'You appetite to be here, you accept to do a business,'" Mangiullo said.

Mama acutely knows what's best for ancestors of dejection fans, too.

READ: 5 of Chicago's coolest neighborhoods

A sliver of a club, B.L.U.E.S. on Halsted on the North Side of Chicago in Lincoln Park is continued on atmosphere, acknowledgment to its absolutely basic artful and bound abode that leave little ambit amid assemblage and musicians.

It's one of the aboriginal clubs Cannon played. "They put me on on a Thursday, I bethink it. And I've been arena there for years. It's a abate club, added intimate," he said.

Like abounding hometown musicians who've accomplished added audiences, Cannon now plays best of his gigs on the road, but he still plays Chicago clubs about bristles times a year.

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B.L.U.E.S., which opened in 1979, books primarily Chicago musicians, from ancient statesmen like Eddie Shaw and Jimmy Johnson to adolescent artists who are still accepting accustomed on the club circuit.

Tonight, clubgoers are perched on the absurd vinyl barstools, assimilation up bluesman Jimmy Burns' soulful tunes.

Burns additionally affably ceded the date to Cannon and Mike Wheeler, who popped over from a gig beyond the artery at Kingston Mines to comedy a few songs with his friend.

The two clubs on Halsted Artery accept a affable rivalry. Kingston Mines is larger, with two stages and meal service. B.L.U.E.S. keeps its alms to dejection and booze.

Wheeler, 56, and Cannon, 49, are amid the bounded artists architecture on traditions anesthetized bottomward from longtime bluesmen like Burns, 74.

And by and large, they're accomplishing it the Chicago way.

"I anticipate the Chicago way means, you know, alive adamantine and affectionate of application what you got to get what you want," said Cannon.

"There's assertive things that you do in activity to let bodies apperceive that you're here, and my way of absolution bodies apperceive that I'm actuality is my blues."

Buddy Guy's Legends: Awning accuse are $10 or $20, depending on the night, and shows that alpha afterwards 8 p.m. are 21 and over. Seats are aboriginal come, aboriginal served. The club serves Louisiana-style Cajun and body aliment at cafeteria and in the evening.700 S. Wabash, Chicago 60605, http://buddyguy.com/

Rosa's Lounge: Awning accuse ambit from $7 to $20. Reserved basement is available. The club doesn't usually serve food, although accouterment is accessible for appropriate events. Assemblage can additionally accompany aliment or adjustment for delivery.3420 W. Armitage Ave., Chicago 60647, http://rosaslounge.com/

B.L.U.E.S. on Halsted: Covers ambit from $5 to $10. 21 and up. On Sunday nights the awning at B.L.U.E.S. gets guests into Kingston Mines and carnality versa.2519 N. Halsted St., Chicago 60618, http://www.chicagobluesbar.com/

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