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Today, Phantogram released their new single, “You Don’t Get Me Aerial Anymore.” The song, which premiered today on Zane Lowe's Beats 1 Radio, follows the band’s 2015 collaborative anthology with Big Boi as Big Grams. Listen to it below. It comes advanced of a afresh announced tour and their new album, blue-blooded Three, Phantogram’s aboriginal back 2014’s Voices. Three is out September 16 via Republic Records. “It’s a lot added fucking boombastic and heavy,” Sarah Barthel said over the buzz in an account with Pitchfork. “I anticipate the record, to us, is about heartbreak. We’ve affectionate of had a boxy year, so a lot of afflatus and drive came from our own experiences.”
["388"]Phantogram Explains The Meaning Behind Their New Song "You Don't ... | you don t get me high anymore lyricsLast week, Pitchfork batten with Barthel and her bandmate, Josh Carter, as they were cutting the video for the clue at the Salton Sea, a drought-afflicted acrid basin in Southern California. The aroma of death, they said, was in the air. “This is a atom to vacation if you anytime accept some time,” Barthel deadpanned, as they took in a angle of alone dreams and adulteration fish. Carter antiseptic that the lake’s condition was “really tragic,” adding, “It’s actual pretty, it aloof smells like poop.” Directed by Grant Singer (the Weeknd, Future, Skrillex), the video for “You Don’t Get Me Aerial Anymore” will be “pretty aphotic and abstract,” he said.
That all apparel the ambience of the accessible album. Barthel and Carter revealed they formed with added collaborators, including hitmaking admixture the-Dream and Tricky Stewart (Rihanna, Beyoncé) as able-bodied as Ricky Reed. But additionally looming ample over their autograph action was death: of David Bowie, of Prince, and of a admired one nearer to their lives.
Pitchfork: I bethink you singing years ago on [2010 LP Eyelid Movies’] “Mouthful of Diamonds” that “you’re accepting aerial on your own supply,” and now your new distinct is “You Don’t Get Me Aerial Anymore.” What’s the afflatus for this song?
Josh Carter: “You Don’t Get Me Aerial Anymore” is kind of about this activity of aggregate actuality bombastic and annihilation actuality acceptable enough. Metaphorically, it’s about addiction. It’s additionally about assertive things that we see in culture, pop culture, and alike music that we acquisition redundant, that we’ve consistently affectionate of absent abroad from as a group.
Sarah Barthel: Yeah, it additionally curtains into this abstraction of absent to feel something. Basically, absent to feel article able and accomplishing whatever it takes to feel it again, because you apperceive it feels acceptable and you absence it.
Can you acquaint me a little bit added about what’s activity on musically on the track?
Carter: Musically it’s a new progression of Phantogram, of what we do. It’s blue and it’s dark.
["465.6"]Lyrics] Three Days Grace - You Don't Get Me High Anymore - YouTube | you don t get me high anymore lyricsBarthel: It’s sample-heavy. The lyrics are dark. The melodies are emotional, and it aloof makes you wanna move. We started the idea—again, the way we consistently do is with one of Josh’s beats. I affective it from him and added some awe-inspiring shit, and from there we confused it into the studio, area we absitively to coact with some added people. It angry out to be a absolutely alarming affair and we’re absolutely appreciative of it and absolutely pumped for anybody to apprehend it.
Who did you collaborate with in the studio?
Carter: Before, I anticipate we were array of indie—almost purist in a sense, or a little bit bossy in the day. But over time, alive with bodies like the Flaming Lips and Big Boi and Miley and A-Trak and the Antlers and altered accompany got us absolutely inspired—the angle that you can apprentice a lot from all those bodies and accretion inspiration. So we went to Atlanta for a anniversary and fucked about with the-Dream and Tricky Stewart, and Ricky Reed. It’s acceptable to accretion new perspective.
Wait, so were those guys all on this single?
Carter: No they weren’t, not on this distinct but—
Barthel: For the almanac in general. It was absolutely cool: We begin out that the-Dream and Tricky Stewart were huge admirers of us. We were like, “No, really. Those guys? Really?” And they were like, “Come bottomward and we’ll aloof fuck about for a anniversary and we’ll see what happens.” Acutely I was afraid to accommodated them but they aloof capital to—I don’t know—experience and agreement with us and see what we were all about. It was a absolutely air-conditioned acquirements experience.
Josh, you were talking about how you acclimated to be “snobby,” the indie mindset or whatever. But you’ve gotten to this point area you’re accomplishing all this absolutely big stuff. How do you feel about actuality binding pop stars, for abridgement of a bigger term, and what do you anticipate helped get you guys there?
["713.92"]NEW POST: Phantogram – "You Don't Get Me High Anymore" | Indie ... | you don t get me high anymore lyricsCarter: I feel like we’ve absolutely developed organically, in the appropriate way as a band. We toured on Eyelid Movies for three years beeline and we absolutely approved to do aggregate the appropriate way. I anticipate that’s how we’ve gotten to area we are now as a band. We’ve aloof toured, we’ve acid our ability as performers and musicians, and we accumulate growing. Really, I anticipate that’s the acumen why we’re at area we’re at now, mentally and artistically.
Barthel: It affectionate of happened as accustomed as you could possibly appetite it. You can consistently accumulate that administration and break indie, and break snobby, and we absolutely were. We were like, “No one’s activity to apprehend our songs until they are absolutely finished, done, like not alike our manager.” It was like, ”No one has a say, it doesn’t matter, it comes from us completely, amuse leave.” We were like that for a absolutely continued time and we admired it because that’s a absolutely absurd feeling, but I anticipate that we aloof capital to grow, and we capital to get our music out to added people. And I anticipate that was why we took the administration that we did afterwards assuredly architecture yourself up as organically as accessible until the abutting step.
Carter: Phantogram will consistently be Sarah Barthel and Josh Carter. We’ll consistently be the producers, the writers, the attempt callers in what we do. But back you attending at a lot of abundant music that’s put out over the years—Iggy Pop put out some abundant annal that David Bowie produced. The Beatles arguably wouldn't be the Beatles afterwards George Martin, and we aloof abstruse that it’s accept to aloof accretion acumen from added people.
What added can you acquaint me about what to apprehend from Three?
Barthel: Well, it’s basically a accustomed progression from our aftermost record, aloof like Voices was from Eyelid Movies. It’s a lot added fucking boombastic and heavy. I anticipate the record, to us, is about heartbreak. We’ve affectionate of had a boxy year, so a lot of afflatus and drive came from our own experiences.
Carter: There’s a lot of abundant accountable amount on the album.
Not to ask you to bethink this, but is there annihilation added specific you can say about some of the claimed actuality that informs the album?
["601.4"]Phantogram – You Don't Get Me High Anymore Lyrics – Song Lyrics | you don t get me high anymore lyricsBarthel: My sister anesthetized abroad during the action of the record, of suicide.
I'm sorry.
Barthel: And also Josh is best accompany with her as well, so it hit actual abutting to home, obviously, for the both of us. But that motivated us. We affectionate of capital to put some stronger afflatus of Bowie in there and Prince, as well. Affectionate of a crazy fucking year for all of our heroes to pass. It’s a whirlwind, affectionate of crazy, but attractive on the ablaze side, it fabricated a abundant record, I guess.
Is there annihilation added you can say about how Bowie and Prince casual afflicted your anima during the anthology autograph process?
Carter: It was aloof actual surreal and strange, back Bowie anesthetized away. Becky, Sarah’s sister, anesthetized abroad a brace canicule after. A lot of the alternating affair in the music is all of our heroes are casual away. The abstraction that all of our heroes are gone—of anybody and aggregate actuality destroyed about us and we’re still standing, and we’re still blame on, and we’re still affective forward. That’s additionally a lot of action for us to accumulate activity and activity and going, and that’s I anticipate the capital affair abaft the album.
Did you guys ability an answer? A way to accomplish things fun the way that they acclimated to be?
Barthel: Oh, yeah. Josh and I are luckily activity through this together. So we get to affectionate of bethink and accomplish anniversary added smile, but we can additionally cry on anniversary other’s shoulders, too. It’s the best way to get through it all. And we accept so abundant fun obviously—we’re goofin’ off all of the time. All of the songs are, as consistently Phantogram is—it’s affectionate of like our therapy. We absolution our adventures and anguish and beatitude into our songs. So it’s been actual abrasive as well.
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