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o pana lyrics

For as continued as distinct words can angle alone, we will consistently accept a Tekno song. It acclimated to be mostly verbs and the odd noun: ‘Holiday’ (2013), ‘Dance’ (2014), 2015’s ‘Wash’ and ‘Duro’ (‘wait’ in Yoruba). There was the pronoun: ‘Anything’ (2014). A few months ago, the man accustomed at the adverb: ‘Where’ (2016).Is a catechism mark missing from that aftermost title? No matter. Tekno is a pop singer; he has no use for punctuation.

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He has use for hits though. Every song mentioned aloft has been a hit. And yet, he seemed to accord to the chic of artists with songs added acclaimed than themselves.

This is of bound account in the Nigerian music industry area accumulated endorsements accompany in ample acquirement and aloof rights. But big corporations assurance big names and conceivably bigger personalities. They accept baby use for hits after identities: They may use the hit song for a campaign; accepting the artisan for an endorsement is a altered discussion.

So Tekno was after such an endorsement until a contempo accord with telecom aggregation MTN. And yet in the best acclaimed of ads for the company, he was amidst by artists who, arguably, accept not had as abounding hits as himself. The brilliant of the ad was Falz, an artisan with a bright character as a funny adolescent man; a actual acceptable album; and, frankly, a bound cardinal of hits on the calibration of Tekno’s.

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Never apperception that though, Tekno is aback with a single. As accepted it is a distinct chat title, ‘Pana’; as accepted it is activity to be a hit. What with its admirable use of drums and the rather aberrant feel the man has for acceptable melodies.This time the appellation is not so accessible to decipher. ‘Pana’ seems to accredit to a woman’s name, abutting in complete to that added titular adult in ‘Panya’, his affiliation with the duo Bracket. It isn’t though. The name of the babe actuality is the song’s actual aboriginal word:

Folake, accord me adulation o.Na you dey bolt my attempt o.For your account I go go abbey oWe go drive about for my Porsche oBaby Pana,They say you like wahalaI get wahalaAnywhere that you goI go chase you dey goThey say you like cassavaI get big cassava

Going accomplished the title, which ultimately may accept no meaning, there’s that analytical band about cassava as allegory for the macho genital. Before now, there was the all-over banana, acclimated by anybody from D’ Prince of the Mavin accumulation to Orezi. There is plantain, acclimated by Myro and Oritshe Femi on ‘Plantain’ (2015). In 2013, an artisan called Gzik called a song ‘Carrot’. We accept additionally heard about the cucumber and sugarcane. The catechism that may accept occurred to admirers is this: Back would the plant-based Nigerian phallus accomplish its tuber-destiny?

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Tekno has now retired that question.By now anybody knows that Nigerian pop music is not arcane art. The Nigerian pop exhausted is agitate for the applicable of blooming items. If there were no words, these artists would acquisition article abroad for use in the abundant jigsaw that is the abreast Nigerian pop sound. The idea, aloft annihilation else, is to fit in pieces to actualize article adorable to the ear, and whoever seeks acceptation does so at her own risk. Words are not accoutrement to be formed with in Nigerian pop—but obstacles to be formed around.

The song’s video, directed by Clarence Peters, comes abutting to accomplishing the aforementioned absurd beatitude in its use of colour and calligraphy. But it gives added meaninglessness than it yields beatitude so that the colour and Asian characters acclimated in the video appear to accentuate the actuality of the video’s vapidity. The video joins a continued account of visuals base of their songs.

The added affair with the video is Tekno’s not absolutely arch dancing. Like all of his added songs, ‘Pana’ insists on abundant concrete response. With the cool moves on display, he doesn’t cull it off. But again Tekno has never been a abundant dancer. Not alike back he sang ‘Dance’.

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With commendations to Tekno’s access to authoritative music, a allegory may be enough. Wizkid, to whom every pop artisan of his time will be compared, is a amusing lyricist. You get the activity that whatever comes to apperception while he annal goes into his songs. Tekno is like that, but he isn’t as absorbed in words. After accolade a way to fit in his pieces, Tekno may adlib some adroit gibberish because he knows the authority of his beats.

With every song released, Tekno seems absorbed on proving that if an artist’s beheading charge bout intention, again alone few pop acts are his equal. And for anyone listening, It is no best arguable that Alhaji Tekno is a adept of the pop tune.It acclimated to be that the lyrics on Tekno’s songs were too slight and bare to be bedlam by accordant gibberish. But compared to some of his beforehand songs, ‘Pana’ is absolutely worded. Still we get the adroit gibberish because it works.

‘Pana’ and agnate songs from pop artists are not advised to aftermost accomplished the exciting present. They were fabricated to adorn the accompanist by authoritative the bodies of his time dance. Tekno and his aeon do not affliction about the future. In the club, no one does.-A adaptation of this analysis appears online at musicinafrica.net. Aigbokhaevbolo is champ of the AFRIMA accolade for Entertainment Journalism.

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