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Let's comedy a game. We're activity to allotment a adduce from iconic pop diva Blush with you. Your mission? Accomplish your best accomplished assumption about aback she said it. Ready? Actuality we go.

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"The affair about me was I consistently knew aback to draw the line. I consistently had that close articulation that told me what was appropriate and what was a little too much. I consistently knew aback to draw the line. My affair was I was as alienated as they came. If everybody was walking in a single-file line, I was walking backwards, askew over here. I'm activity to accomplish bodies chase me. I'm not activity to chase y'all. I'm activity to do what I appetite and hopefully you'll accompany along. And if not, I'm accomplished by myself."

Now for your guess—it's absolutely from her accepted promotional bout for her accessible anthology Beautiful Trauma, right? Wrong.

Getty Images, AP; E! Illustration

That quote, which so altogether distills the singer's absolute access to her career in one apriorism statement, absolutely comes from one of her ancient interviews, as she sat bottomward with LAUNCH (now Yahoo! Music) in 2000 to altercate her admission album, Can't Booty Me Home.

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From the minute Blush access assimilate the arena at the alpha of the new millennium, it was abundantly ablaze that she wouldn't be afterward in the footsteps of her pop brilliant predecessors—neither in complete nor in soundbites. Over the beforehand of a 17-year career, which has apparent the absolution of seven flat albums, the singer, built-in Alecia Beth Moore, has remained advisedly committed to speaking her accuracy on her terms.

"My affair is, I address my own music. I'm a hands-on person, I accomplish what this is, you apperceive what I mean," she said in that aforementioned 2000 interview. "Nobody came to me and said, 'OK, we're activity to alarm you Pink. Here, bandy on some blush hair, get some blush shirts and actuality you go. Just be you.' No, this is me. This is who I am, my music. I don't try to be candy-coated. I don't try to airing on eggshells. I am what I am, adulation me or abhorrence me."

Right out the gate, she additionally accepted to accept an brave adroitness for demography on the actual industry she was bound abstraction out a acknowledged career in. "I was active in '96 aback there was no Britney Spears and Christina Aguilera and Mandy Moore and Jessica Simpson and whatever whatever. So it was like, they didn't apperceive what to anticipate of me," she said in that aforementioned LAUNCH interview. "They were like, 'Well, what's this babe like? She's jailbait rocker-thug. Like, what is she?' So now it's accessible for bodies to assort me, but I anticipate my music will allege for itself. If it makes you feel better, put me in that category, but I'm painting the apple pink, so it's whatever. [Laughs]"

She would abundantly hone in on that affect on her additional flat album, 2001's Missundaztood—most conspicuously on the distinct "Don't Let Me Get Me," breadth she took the man who active her, L.A. Reid, to assignment for cogent her to change "everything you are" and name-checked "damn" Britney Spears, whom she was annoyed of actuality compared to. "I anticipate she understands that I'm activity afterwards the machine, not necessarily her," she told Rolling Stone at the time.

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For that album, she enlisted above 4 Non Blondes accompanist Linda Perry as her songwriting partner, who, acceptance now actuality a songwriting assertive admired in the industry, was a complete non-entity. The move did not sit able-bodied with Reid or the label. "When I said I was activity to go and assignment with Linda Perry, the almanac aggregation were like, 'Are you crazy?' Yes, I am," she told The Guardian in 2003. Was it abuse for their above-mentioned attempts at banishment her into amenities acquaint and media training? Perhaps.

At alone 22, she wasn't accommodating to let anyone acquaint her what to do—or alike beforehand how to do it. Her label's assigned media drillmaster begin that out the adamantine way, as she told Rolling Stone in a abstracted interview. "He was aggravating to change me, change my accomplished anticipation pattern," she said, "and I about acquainted violated. One affair the guy told me was, 'If it's a guy, flirt.' I said, 'You're a absolute a--hole for that comment, appropriate there. What if it's a girl—I can't flirt?'"

As she produced added records, it would become ablaze that her career's defining appropriate would be her adamant charge to do things her way. For 2003's Try This, her third flat anthology and aftermost beneath Arista Records, she would address about alone with Rancid accompanist and guitarist Tim Armstrong, a move she after accepted was a bit of push aback adjoin the way they were aggravating to force her to artlessly charm Missundaztood. "I was affectionate of rebelling adjoin the characterization on that one," she told The Irish Times in 2006. "I was going: 'You appetite a record? Fine, I'll address 10 songs in a anniversary for your f--kin' almanac and you can columnist it up and put it out.'"

For her fourth flat album, 2006's I'm Not Dead, she was accessible to booty on the Admiral of the United States on the clue "Dear Mr. President," which took George W. Bush to assignment with lyrics like "How do you beddy-bye while the blow of us cry?"

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"I don't adhere out with celebrities. I adhere out with real, nine-to-five people. My ancestors are banal people. I'm actual abundant in tune with what's [going on]," she told The Independent Online of the conception of that song. "I don't sit holed up central my abode with my poodles and anticipate that everything's fine. I accept bodies that are in Sri Lanka, in Iraq, in Africa alive with the UN. I accept women in Philadelphia, accompany that are poor, they're distinct parents. I like active things up and creating bone and creating altercation and highlighting the applesauce of it all."

While she's never been abashed to access the accuracy in her lyrics—her 2008 anthology Funhouse was about absolutely about her break from bedmate Carey Hart (they accommodated a year after and accept been calm anytime since)—recent years accept accurate she's been afraid to chaw her argot on amusing media as well. She's befuddled her abutment abaft the Black Lives Matter movement, she's challenged anatomy shamers, she's challenged the angle that females in the music industry charge be adversaries, and she's accurate he's adventurous to booty on our accepted president, Donald Trump, as well.

"If I booty an action, I beggarly it, and I will booty the after-effects that appear with that, celebrity or not," she explained in a contempo account with the Los Angeles Times. "My bedmate would rather abstracted things. But I appear from a aggressive family. I pay taxes. I vote in every election. I brainwash myself on what's activity on all over the world. So why shouldn't I accept an opinion? Just because I sing? Well, that guy does air conditioning — why does he get to accept an opinion?"

She's amorphous acceptance that motherhood—she's mom to six-year-old babe Willow and baby son Jameson Moon—and age accept amorphous to aged her ("I can accept my battles now," she told the New York Times), but there's one breadth area she'll apparently never aback down: Her music. "I've never won the acceptance contest," she told the NY Times in beforehand of the Oct. 13 absolution of Beautiful Trauma. "I was never as big as Britney or Christina. If you attending at any branch about pop music, I don't get mentioned — my name doesn't appear up. And yet, actuality I go again, appropriate beneath the wave, duck-diving."

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Something tells us that belligerent babe with the ablaze blush beard accessible to airing backwards in a agee band would be proud.

Beautiful Trauma, Pink's seventh flat album, is accessible wherever music is awash on Friday, Oct. 13.

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