THE ELECTION OF 1800" LYRICS by LIN-MANUEL MIRANDA: The election ... | the election of 1800 lyricsthe election of 1800 lyrics
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Bruce Springsteen debuted a song alleged “Forward and Away We Go” for President Obama’s re-election attack on Thursday. Although addictive in patches, the song is absurd to ascend the charts, because Springsteen ran out of words that beat with “Obama.” Has a presidential attack song anytime been a accepted hit?
Not recently. Acceptance rankings don’t abide for best of the aureate age of attack jingles, but a few songs angle out as apparent accident hits. Robert Paine wrote “Jefferson and Liberty” for the Virginian’s 1800 achievement over John Adams. (Paine had accounting the Adams affair song “Adams and Liberty” for the antecedent election, proving he could about-face allegiances if not song titles.) “Jefferson and Liberty” bent on anon and remained the party’s actionable canticle alike afterwards Jefferson larboard office. American fiddlers still comedy the tune today. (When bare of the lyrics, it’s added authentic to accredit to the song as “The Gobby-O,” which is the English tune on which “Jefferson and Liberty” was based, but few Americans do so.) Another political archetypal was the 1884 anti-Grover Cleveland song “Ma Ma, Where’s My Pa?” During Cleveland’s available canicule in Buffalo, N.Y., hiss lover delivered an adulterine child. Although she had been sleeping with several altered men, Cleveland agreed to pay adolescent support, and it after became a political scandal. The song imagines a child, adversity from a bee sting, plaintively inquiring into his father’s whereabouts. His mother responds, “Up in the White House, darling.”
We alive in analogously angular times for political songwriters. Presidential attack strategists now abundantly abandon aboriginal anthem-writing in favor of absolute accepted music. Bill Clinton advantaged Fleetwood Mac’s “Don’t Stop.” John McCain went for ABBA’s “Take a Chance on Me.” During the 2000 campaign, George W. Bush cycled through Tom Petty’s “I Won’t Back Down,” John Mellencamp’s “R.O.C.K. in the U.S.A.,” and “Brand New Day” by Sting, as anniversary artist accepted that the applicant stop application his song. Attack songs are now so unimportant that Hilary Clinton’s admiral let her supporters accept one. (They went with “You and I,” by Celine Dion.)
Obama has aggressive at atomic two songs—the new Springsteen cardinal and will.i.am’s semi-original 2008 song “Yes We Can,” which accomplished viral video acceptance if not bartering success—making him article of a bequest in this regard. Before the acceleration of accumulation media, every attack had at atomic one chime that supporters could comedy and sing. Andrew Jackson, the ur-populist of American presidential campaigns, acclimated “The Hunters of Kentucky,” a song that acclaimed Old Hickory’s aggressive victories. Supporters of John C. Fremont broadcast a flyer abounding of songs in 1856, including one whose lyrics formed an acrostic of the candidate’s name. There were added than 50 songs praising Abraham Lincoln during the 1860 campaign, such as “Lincoln and Liberty.” (Nineteenth-century political lyricists aloof couldn’t abide that appellation construction.) William Howard Taft’s attack arrive voters to “Get on the Raft with Taft,” a appropriate best accustomed the 27th president’s heft. Franklin Roosevelt additionally offered a abyssal affair during the 1932 attack with “Row, Row, Row with Roosevelt.” (The choir was advised to advise Americans how to accent the aboriginal affricate of FDR’s aftermost name.) The aftermost absolutely notable aboriginal presidential attack song came in 1952, back Irving Berlin bound “I Like Ike” for Dwight Eisenhower, although jingles limped forth for a few added acclamation cycles.
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