chainsmokers closer lyrics
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["1241.6"]Full Lyrics) Closer The Chainsmokers Featuring Halsey Album ... | chainsmokers closer lyricsFor the aboriginal 10 seconds, the song sounds like it’s architecture to article monumental: ample piano chords, across-the-board synth washes, and a abscess answer like you’re bottomward in a all-inclusive ravine. And then, at 0:11 … click. It all switches off like a lamp—a finger-snap and a acquiescent “Hey,” as the melody downshifts to two-finger keyboard notes. In a near-murmur, the accompanist offers confessional lyrics in therapy-speak: “I was accomplishing aloof accomplished afore I met you/ I alcohol too much, and that’s an issue/ But I’m OK.” There is no “drop”—the clap acme of club-rattling cyberbanking ball music—and there never will be one.
The electronic-dance music duo who alarm themselves the Chainsmokers accept done article alike added bro-tastic than bottomward the bass. You’ve aloof been punk’d.
“Closer,” the new No. 1 song on Billboard’s Hot 100, opens with this agreeable head-fake. It’s evocative of the Chainsmokers’ absolute career to date, which reads as one continued con. The New York–based duo of Andrew Taggart and Alex Pall—smirky DJ-producers who bankrupt beneath than three years ago with the crass, sexist change hit “#Selfie” and afterwards fabricated asses of themselves on American Idol—are now not alone one of top 40 radio’s best constant purveyors of mass-appeal adapted pop, they accept adapt themselves as credibly emo electro-bros. (One of “Closer’s” verses cites absolute emo-punk bandBlink-182.) Either these bodies accept baldheaded hidden base as songwriters aloof this year, or they are gaslighting us with a archetype of animal feeling. Probably both.
Assisting the bodies in their affecting accomplishment is featured accompanist Halsey, who duets on the clue with Taggart, the Chainsmokers’ primary songwriter. Her admiring articulate deepens “Closer’s” absorption ambiance. Alike in a year area it seems every added hit is oddly wistful, “Closer” stands out for its accent of small-scale affliction command large.
["388"]The Chainsmokers Closer Lyrics APK Download - Free Music | chainsmokers closer lyricsThe song’s protagonists are a guy and gal four years out from a brief romance, now re-encountering anniversary added in a auberge bar. (Better that than a auberge lobby, which as we all apperceive leads to moral turpitude.) This is a hit song in 2016, so of advance the brace are acquisitive for a bathed hookup—each sings, “I can’t stop/ No, I can’t stop,” and by the choir they’re in the “backseat of your Rover … Bit[ing] that boom on your shoulder.” But it’s the song’s asides that blush in the aboveboard blue of the romance: “I apperceive you can’t afford” the above Range Rover, the accompanist notes, abacus that they should booty their coupling to “the mattress that you stole/ From your acquaintance aback in Boulder.” With these capacity the diva manages to both dress bottomward the admirer and acquiescently anamnesis their earlier, ramen-for-dinner–era romance. The choir assuredly builds to a piercing, atrocious mantra: “We ain’t never accepting older/ No, we ain’t never accepting older.” In essence, this cannily timed song—dropped in backward July and topping the archive in backward August, in time for aback to academy and the moment aback America’s Danny Zukos anamnesis their Sandy Olssons—is Don Henley’s “The Boys of Summer” for the age of Snapchat.
The cannily-timed song is “The Boys of Summer” for the age of Snapchat.
Timing aside, it’s fair to ask how a agreeable Polaroid this minimalist—seriously, those synths on the verses complete like the preset on a 1982 Casio keyboard—scaled the archive so fast. Conceivably Halsey is the X-factor? The accompanist built-in Ashley Nicolette Frangipane in New Jersey in 1994 has been positioned as a ascent brilliant for some time now. Afterwards accession tens of bags of YouTube followers as a jailbait and signing to dance-music characterization Astralwerks at age 18, Halsey has steadily congenital her pop contour over the aftermost year: bottomward a strong-selling anthology backward aftermost summer, earning admiring reviews for her Lorde-meets–Lana Del Rey bookish pop, and cartoon fizz for her base awning of Justin Bieber’s “Love Yourself.” (She sang it uncensored, with the chat songwriter Ed Sheeran absolutely meant for “love” intact.) But to date, Halsey hasn’t been a big hitmaker. Her alone Hot 100 hit as a advance artist, “New Americana,” ailing at No. 60 in January, and above-mentioned to “Closer,” Halsey’s sole actualization in the Top 40 was as a featured accompanist on her pal Bieber’s accessory hit “The Feeling” (which topped out at No. 31 aftermost December).
So while it’s appetizing to accord abundant of the acclaim for the Chainsmokers’ aboriginal chart-topper to its adorable featured singer, the actuality is they are currently a bigger name than she is. Their advance as hitmakers has been rapid: “Closer” is the EDM duo’s third beeline Top 10 distinct this year, anniversary hit bigger than the last. “Roses,” a No. 6 hit in February, was followed by “Don’t Let Me Down,” which ailing at No. 3 in July. So almighty is the Chainsmokers’ cast at this point that aback “Closer” alone in backward July, it was accustomed as an insta-smash, debuting on the Hot 100 all the way up at No. 9 and zipping to No. 6 and again No. 1 in aloof three weeks. For two of those three weeks, it’s been America’s acknowledged agenda song; aftermost week, on on-demand audio casework like Spotify, “Closer” ousted Drake’s “One Dance” afterwards about four months as the most-played song; and this week, “Closer” took over as the most-streamed song, period, beyond all online casework including YouTube. Radio, consistently backward to the party, is communicable up—Billboard letters that “Closer’s” airplay admirers was up added than 40 percent aftermost week. All that for a bashful carol about a brace accepting a blatant alliance sex in a aged SUV.
["1862.4"]The Chainsmokers ft. Halsey - Closer (Lyrics) - YouTube | chainsmokers closer lyricsFrazer Harrison/Getty Images for Coachella
Perhaps “Closer” came in like a close storm because it followed the Chainsmokers’ patented template. All three of their 2016 smashes accept acutely showcased a arrant changeable vocalist. “Roses” was absolutely called afterwards its singer, Philadelphia-based Elizabeth “Rozes” Mencel; and “Don’t Let Me Down” showcased Pittsburgh jailbait Grace Martine Tandon, who goes by the appellation Daya. Anniversary of these Chainsmokers hits was apparent by lovelorn lyrics (“Take me aback to a time aback alone we knew,” sighed Rozes; “Now there's cipher by my side,” moaned Daya) and echoey, bone-shaking sonics. In fact, the Chainsmokers accept consistently relied on adventurous changeable singers—dating aback to the quippy “#Selfie,” which was rapped in a Valley Girl–esque sprechgesang by diva Alexis Campisi—but their 2016 hits accept acid the blueprint to a drama-diva kernel. In these dance-floor arias, a woman’s attendance is essential; but Taggart and Pall accept fabricated the specific changeable choir ultimately interchangeable.
Halsey has by far the accomplished contour of any of the Chainsmokers’ collaborators to date, and she’s a added characteristic diva than Rozes or Daya. But I doubtable that what absolutely set “Closer” afar and fabricated it a blueprint juggernaut was the actuality that it’s a true, acceptable duet. (As the Singles Jukebox’s Crystal Leww notes, absolute duets are attenuate in EDM.) Remarkably, this is the aboriginal Chainsmokers clue on which Andrew Taggart sings. It’s as if, accepting accounting the song (with co-writers Shaun Frank and Frederic Kennett) as a he-said-she-said tête-à-tête, Taggart accomplished he wouldn’t be able to sit this one out. Given that he fabricated his name abaft the boards and not in advanced of a mic, Taggart’s articulation is bashful and underwhelming (not clashing DJ and froggy accompanist Calvin Harris or, from an beforehand era, trumpeter-turned-improbable-singer Herb Alpert). But Taggart’s vocals clothing the low-grade affection of the clue and set the accent upfront.
Halsey doesn’t alike appearance up until the song is added than one-third over, demography the additional ballad as a digest and acknowledgment to Taggart’s: “You attending as acceptable as the day I met you,” she confesses. “I balloon aloof why I larboard you—I was insane.” If the song’s all-embracing affection is “Boys of Summer,” its anatomy is adopted added anon from an alike bigger ’80s hit, “Don’t You Want Me”: the Animal League’s summer 1982 chart-topper that tells the adventure of a man (Phil Oakey) who fabricated a cocktail waitress both his adherent and a star, with an burning acknowledgment from that adult (Susan Ann Sulley) that she’d accept done aloof accomplished afterwards him. (In that case, they met in not a auberge bar but a cocktail bar.) “I still adulation you—but now I anticipate it’s time I alive my activity on my own,” Sulley sang on that hit, anticipating both Halsey’s abandoned adventurous homesickness and the bathrobe bottomward of her broke-ass above lover. He-vs.-she duets like this may not be a accepted formula, but as both the Animal League’s and the Chainsmokers’ respective, synth-powered No. 1 hits prove, they affix with the public, which loves a acceptable story-song.
["1241.6"]Why "Closer" Is The Best Song To Hit The Charts In Years | chainsmokers closer lyricsAfter all of their Hot 100 smashes, you ability anticipate the Chainsmokers would accept alone a accident anthology to match. But to date, they accept yet to absolution a feature LP. That either agency the duo are too active adequate the aerial activity as advantageous party-starters or, added plausibly, they are creatures of ball and DJ culture, wherein the single, not the album, is the thing. As we access the aback bisected of the 2010s, one has to curiosity at the animation and adulthood of EDM, which has authentic the centermost of pop music since, arguably, the backward aughts—taking flight with Daft Punk’s 2006 alive improvement and entrenching in 2008–09 with the acceleration of frontline singers like Adult Gaga. This agency EDM has, as a centrist pop force, outlasted the almost five-to-seven-year zeitgeist moments of two antecedent genres: disco (prematurely declared asleep in 1980) and new-wave synthpop (toppled by beard metal and diva-pop about 1986). As a business, at least, EDM has itself afresh been put on activity support, abnormally afterwards the anniversary and Vegas-rave circuits began to implode.
“Closer” isn’t aloof an chant for the end of the night but, perhaps, the end of an era.
That’s what makes “Closer” so of the moment. It’s an cyberbanking ball song to which you can’t absolutely ball or hardly alike bob your head—EDM fabricated for amazement and crooning, not accepting rocked. Ball music has for decades acclaimed the chillout track, the slower-tempo cut congenital for the wee hours as the club is shutting down. But from its acting lyrics to its affable pulse, “Closer” isn’t aloof an chant for the end of the night but, perhaps, the end of an era. It mourns the access of time, the ultimate comedown: We are anytime accepting older.
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