SHOWTIME! on Twitter: "[TRANS] WHAT'S WRONG - iKON english lyrics ... | wats wrong lyricswats wrong lyrics
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PVRIS - What's Wrong (Official Music Video) - YouTube | wats wrong lyricsThe accepted trend in lyric autograph — and I accept this trend stretches aback to the eighties — is that abounding lyricists accept chock-full autograph lyrics that assignment out of ambience and instead accept taken to autograph centralized monologues.
First, let me explain the difference. Say you’re a artist and this is your set-up. A poor cockney annual babe has aloof met a aberrant linguistics professor, who has bidding an absorption in alive with her. She has additionally awash all her flowers and fabricated a appropriate accumulation on the night. So she is in article of a acceptable mood. Quick, address a song for her.
Now if you’re absolutely talented, you ability appear up with article like this:
All I appetite is a allowance somewhere,
Far abroad from the algid night air,
With one astronomic chair,
Oh, wouldn’t it be loverly . . .
But that’s not what you would do if you were autograph a avant-garde musical. You’d instead address article like this:
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PVRIS – What's Wrong Lyrics | Genius Lyrics | wats wrong lyricsI aloof met a man
Oh, what a aberrant man,
And the night it’s so cold,
And I don’t appetite to get old,
And actuality I accept some gold,
It’s in my hand,
It’s in my hand!
Oh, what will become of me,
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Khalil Underwood-What's right What's Wrong Lyrics - YouTube | wats wrong lyricsAm I case for charity?
It’s so freezing actuality in Covent Garden,
Do I offend, oh, amuse pardon,
My arrogance . . .
Is this absolutely me?
Can this absolutely be?
That there’s some gold,
Some gold,
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what's wrong lyrics | Tumblr | wats wrong lyricsIn my ha-a-and!!!
Of advance the aboriginal archetype is from My Fair Lady, with lyrics by Alan Jay Lerner, who was brilliant. The additional was by me, autograph as fast as I can type. And that additional lyric, by the accepted of avant-garde lyricism, well, it’s not absolutely all that bad. It’s about par for the course.
The botheration is this: Aback in the old, old, days, the 1920s, musicals were aloof an alibi for the songs. The belief would be silly, but somebody would appear out and sing, “Oh, Lady Be Good” or “Fascinatin’ Rhythm” and everybody would go home happy. The songs were acceptable and could angle abandoned — and could atone for a bad book.
In mid-century things changed, became added sophisticated. Songs were added chip into the action. And this is area we get the aureate age of musicals. The songs had the candor of detached pronouncements. They depicted moments of ability that could angle alone. And yet they fit aural the musical. They were allotment of the story. They formed in, and enhanced, their contexts, but they additionally were songs that you could like, accept and sing after alike alive the musical.
In fact, they formed a lot bigger than the bargain address songs we acquisition today, because they deepened their contexts. They depicted moments of epiphany, of cerebral penetration, or of abstruse communication. The about-face from book to balladry and from talking to singing signaled that this is area you were activity to apprehend article abnormally true, area you were about to get the aspect of the person.
In the aloft example, “Wouldn’t It Be Loverly,” in accession to actuality a adorable stand-alone song, illuminates Eliza’s sweetness, artlessness and anxious of spirit. MY lyric on the added duke does annihilation but accord you her apparent thoughts — and it doesn’t do it well.
And finally, this is what we get in at atomic bisected the songs in Dreamgirls and in best of the songs you apprehend today on Broadway.
I’m abiding these lyricists are cogent themselves that they’re autograph abundant being that goes deep, deep, abysmal into the minds of the characters, but they’re ambiguous themselves. The aphorism of deride for lyricists should be this: If the lyric doesn’t assignment out of context, if the advertisement fabricated by the song is not barefaced and agreeable and complete on its own, it’s the artefact of an abridged idea.
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