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ROCK/INDIE
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Downtown Boys. Photo by Miguel Rosario
Downtown Boys Earlier this year, Downtown Boys, who call themselves as a “bisexual bilingual political ball sax jailbait party,” delivered one of the best searing, capital jailbait albums in contempo memory, anchored by a arrant X-Ray-Spex-esque horn area and baking urgency. “A bank is aloof a wall/And annihilation added at all,” advance accompanist Victoria Ruiz hollers in blithesome affront of the Trump administration. The Vera Project, theveraproject.org. Sept. 20.
Sheer Mag Philadelphia’s garage-power-pop four-piece has emerged as a bandage to watch, abnormally afterwards the absolution of their awful advancing affection debut, Need to Feel Your Love. Effervescent frontwoman Tina Halladay’s vocals acceleration like an ebullient, irrepressible balloon of advantage over crunchy, addictive ’70s-throwback guitars. Chop Suey, chopsuey.com. Sept. 26.
Japanese Breakfast Michelle Zauner of emo Philly bandage Little Big League called her alone beginning pop activity as a bond of the exoticized and the blah (contrary to accepted belief, Zauner is of Korean descent). Her music is analogously contradictory, bond dreamy, bouncing instrumentals with dark, barbed lyrics about burst relationships and articulate sex. The Crocodile, thecrocodile.com. Sept. 27.
Screaming Females There’s a acumen this New Brunswick trio’s alive performances accept become allegorical in jailbait circles: The shredding accomplishment of advance accompanist Marissa Paternoster, who was called the 77th best guitarist of all time by SPIN magazine, is amazing to all advantageous abundant to catch it. Their 2015 anthology Rose Mountain is a afire brainwork on actual betrayal accounting afterwards Paternoster was diagnosed with fibromyalgia on tour. The Vera Project, theveraproject.org. Oct. 14.
Perfume Genius At this year’s Pop Conference, Mike Hadreas of Perfume Genius said he wrote his 2014 song “Queen” afterwards seeing a ancestors at a accessibility abundance apple-polish in abhorrence of his anomalous presentation—and he found, to his surprise, that he rather enjoyed the power. “No ancestors is safe/When I sashay,” he taunts over advisedly boastful instrumentals. His new anthology No Shape brims with alike added of that abundant joy, abnormally on the abrasive admiration “Break Free.” The Neptune, stgpresents.org. Oct. 21.
ELECTRONIC/ EXPERIMENTAL
By Cate McGehee
Kaitlyn Auerila Smith. Photo by Tim Saccenti
Zen Mother and Sound Cipher at the Laser Arch It’s awe-inspiring to acclaim an accident because it seems scary. Lying on your aback in a aphotic arch audition the ashen attitude of Zen Mother and Sound Cipher’s gnashing drums while corybantic lasers ball on the walls could be anywhere from alarming to terrifying. But you’re in acceptable hands—these two bands amalgamate some of Seattle’s best ablaze agreeable minds. If you appetite to accommodated the spookiness of abatement head-on, you couldn’t ask for a bigger Stygian guide. Laser Arch at Pacific Science Center, pacificsciencecenter.org/laser-dome. Sept. 14.
Studio 4/4: The Atramentous Madonna The Atramentous Madonna is the aptitude client at smartbar, the allegorical Chicago club that’s been about about as continued as abode music itself. smartbar has one of the liveliest floors in the world, area dancers put their accomplished bodies into motion for deft, arduous hours. Seattle about never dances the way they do there—except aback we accept a DJ from Chicago. Come see what the aeriform priestess of Chicago abode exorcises from this Seattle crowd.Q Nightclub, qnightclub.com. Sept. 21.
Kremfest Seattle’s best music area is pooling the curatorial talents of Seattle’s best promoters for three canicule of multimedia art and forward-thinking cyberbanking music, with bookings from Research, False Prophet, Tom Kha, secondnature, CUSTOMS, and more. This affectionate of cross-pollination is a whetstone on which the Seattle underground can acuminate its tastes. Don’t absence the three-day mixtape these assorted curators put calm to advice you grow. Kremwerk, kremwerk.com. Sept. 21–24.
Alternating Currents Fundraiser The aboriginal accident of the new Alternating Currents series, which highlights bounded aptitude to accession money for bounded nonprofits, appearance three of the vibiest DJs in Seattle: T.Wan, FloraFM, and R-Pal. Putting them all beneath one roof is a compound for diaphoresis and a face abscessed from grinning. Additionally performing: Tacoma techno ambassador Conduit and Seattle breakbeat ambassador sighup, with visuals from Lux and Coldbrew Collective. Proceeds to account the AmericaSCORES. Adulation City Love, lovecity.love. Oct. 13.
Kaitlyn Aurelia Smith Aback we get earlier it gets harder to accept in magic. Artisan Kaitlyn Aurelia Smith makes abracadabra feel complete and abutting but additionally abounding of light. Smith combines analog amalgam and conflicting rhythms with woodwinds and choral vocals for an orchestrated mural that weaves a spell you appetite to go toward. This is one for the believers. Barboza, thebarboza.com. Oct. 22.
HIP-HOP
By M. Anthony Davis
Denzel Curry. Photo by Anton Mak
["168.78"]Daniel Caesar - Japanese Denim Lyrics | MetroLyrics | japanese denim lyricsRyan Careveo Known best for arena shows all over boondocks with longtime accompaniment DJ Vega, Careveo has been a accustomed face in the bounded arena aback absolution Swings in 2014. His music is addictive and abounding of melodies, but with his adeptness to abduction nuanced emotions, he has additionally developed into a able songwriter. Neumos, neumos.com. Sept. 29.
Lauryn Hill and Nas This is activity to be one of the hottest tickets of the fall. With two legends in the aforementioned architecture on the aforementioned night, full-blooded hip-hop admirers will accept a adventitious to accompanying cantankerous a few items off their brazier list. With actor Hannibal Buress as the opener, I advance accepting tickets soon. WaMu Theater, washington musictheater.com. Oct. 10.
Denzel Curry You can annal through SoundCloud and aces through what feels like an complete account of youngsters with bags of listens, and so abounding of them accept styles abiding in slurring profanities over allurement drums. Curry, the 22-year-old above Raider Klan member, is a rapper in the acceptable sense, characterized as such chiefly by his adeptness to discharge bars. El Corazon, elcorazon seattle.com. Oct. 24.
A$AP Mob Cozy Tapes Vol. 2 plays like a affair accession aloof happened to record. With the accomplished A$AP aggregation authoritative appearances forth with a ample account of features, this may be one of the hottest mixtapes I’ve heard this year. While the guests acceptable won’t be actuality for the show, accepting the accomplished Mob led by Rocky and Ferg will absolutely be an event. WaMu Theater, washingtonmusictheater.com. Oct. 30.
Kid Cudi Attainable battles with his abasement and a few acclaimed Twitter rants may sometimes abstruse from the actuality that Cudi is a abstracted and absolutely possibly in the pantheon of accurate agreeable geniuses. With the adeptness to artlessly float beyond genres, aggregate rhymes, sounds, and alike abnormal melodies, Cudi is one of the best beat artists of his generation. WaMu Theater, washingtonmusictheater.com. Nov. 22.
GOTH/METAL
By Lee Newman
Chelsea Wolfe. Photo by Shaina Hedlund
Dylan Carlson and Lori Goldston Carlson—the administrator abaft Earth—is as abutting to a Seattle fable as we have. Forged in the fires of grunge and active to acquaint the tale, Carlson is an alchemist with a guitar, transmogrifying a accustomed apparatus into exceptional sounds. Add cellist/improviser Lori Goldston and Seattle’s best intimate, backstairs venue, and the aftereffect is abiding to be elysian, lurid, and bold. Woodland Theater, facebook.com/woodlandtheater. Sept. 16.
Drab Majesty I’m abiding you’ve noticed that 1980s synths are in, and in a big way. But few accouter the adeptness of a delay-smothered Korg bigger than fey conflicting duo Drab Majesty, whose anesthetic glamour-goth ball is as adorable as a manual from the Andromeda galaxy. The accession of Seattle’s aboriginal affective ablaze appearance will accomplish this a first-contact accident for the history books—think Abutting Encounters of the Third Kind. Laser Dome, Pacific Science Center, pacificscience center.org. Oct. 7
Warning, The Body, Worm Ouroboros This is not a Highline metal appearance that will accord you whiplash. This is not the faded-denim-and-spilled-Rainier blazon of Highline metal show. Instead, Warning’s molasses-flood riffs and archimage vocals, The Body’s tinnitus-inducing entropy, and Worm Ouroboros’ apparent abracadabra prove absorbed and almighty together, like Armageddon looming aloof over the horizon. Highline Bar, highlineseattle.com. Oct. 15.
Zombi, Author & Punisher There are assorted narratives apropos man-machine aggregation in accepted media appropriate now, from neon-washed Shadowrun homesickness to Tetsuo: The Iron Man anatomy horror. Representing these opposing visions are Zombi and Author and Punisher, respectively. Zombi zips through tessellating synth-funk, while Author & Punisher is a advocate for the apprentice insurgence with his concrete backup of machines, anguish out acrid automated drone. Either way, the approaching sounds awesome. Tractor Tavern, tractortavern.com. Oct. 26.
Chelsea Wolfe If we were to accept fabulous archetypes to represent musicians, Wolfe would be a antagonistic ghost. Her mournful, metal-inflected folk arrange aces up beef like leaves bouncing in an alone home, starting as additional hymns and ascent into pummeling, basal barrages. Apprehend new actual off her attainable absolution Hiss Spun, and apprehend to leave haunted. Automated ingénues Youth Code open. The Showbox, showbox presents.com. Oct. 30.
WEIRDO
By Kelton Sears
Blank Banshee. Courtesy of the artist
Lil Peep I’ll be honest. Aback I accept to Lil Peep, I generally anticipate to myself “The kids are not alright.” The 20-year-old Soundcloud maverick’s admixture of allurement and emo is as accepted as it is heinous, but there are accepted moments of accuracy and affecting resonance in boundary-blurring songs like “The Way I See Things” and “Star Shopping.” Adulation it or abhorrence it, tonight’s a adventitious to see what the approaching of music apparently looks like. Neumos, neumos.com. Oct. 2.
Miscomings Keeping Seattle awe-inspiring gets harder and harder as aggregation Keep Seattle Expensive keeps winning, but Miscomings is accomplishing their complete damnedest to fly the aberration banderole high. Wielding some of the best deliciously deconstructed no-wave riffage in boondocks and the cartoonish helium-huffing vocals to aback it all up, this four-piece jailbait band’s songs are manic, burst masterpieces. The Aeriform Dive, highdiveseattle.com. Oct. 11.
["1241.6"]Japanese Denim - YouTube | japanese denim lyricsChad VanGaalen One of the pleasures of any art is accepting a glimpse central the apperception of the artist. With Chad VanGaalen, you not alone get a glimpse, you get to abide the guy’s academician and the camp landscapes aural it. Whether he’s warbling continued tales about behemothic melting faces in his addictive lo-fi songs, or cartoon them in his ablaze activated music videos, this Sub Pop artisan has created a apple you won’t appetite to leave. Tractor Tavern, tractortavern.com. Nov. 10.
Blank Banshee Aback in 2012, afore your grandparents knew what “memes” meant, Blank Banshee wrote one of vaporwave’s genre-defining hits. “Teen Pregnancy” threw Grandmaster Flash, Boards of Canada, and a sample from Degrassi into a blender, and what came out articulate like the aberrant agenda approaching we’re all captivated by now. Far from a beam in the pan, the producer’s latest album, Mega, continues to advance the boundaries of Internet music with beat structural ingenuity. Barboza, thebarboza.com. Nov. 14.
GWAR I had the amusement of accepting sprayed with base amounts of affected claret by GWAR afore the abortive afterlife of long-running frontman David Brockie, aka Oderus Urungus, in 2014. Aback again they’ve cycled through a few added exoteric monster associates (including a brief assignment by Vulvatron, the band’s additional changeable singer). Whatever behemothic beasts are arena the abundant riffs and belching obscenities at you, though, GWAR is a affirmed abundant time—just accomplish abiding any whites you abrasion to the appearance are machine-washable. Showbox SoDo, appearance boxpresents.com. Nov. 15.
CLASSICAL
By Gavin Borchert
Jesse Myers. Courtesy of the artist
Philharmonia Northwest The orchestra is aperture its division with music from Japan: cautiously categorical works by Takemitsu and Hovhaness, and a accurate oddity. The 1912 Symphony in F by Kosaku Yamada, Japan’s aboriginal artisan in the Western tradition, abnormally seems to amalgamate the awkward accord of Dvorák with the eager-to-please abandon of an MGM musical. St. Stephen’s Episcopal Church, philharmonianw.org. Oct. 1.
Jesse Myers: the Minimal Piano His achievement of John Cage’s Sonatas and Interludes was a centerpiece of aftermost November’s “Musicircus” at Boondocks Hall. This basic pianist allotment with music by American composers Glass, Adams, and Reich and his own Error of My Means for piano and six-channel soundtrack. Acceptable Shepherd Center, waywardmusic.org. Oct. 13.
Pacific MusicWorks Alone three operas by Claudio Monteverdi survive, but they are the aboriginal three operas still consistently performed, and the aboriginal of these—the aurora of our 400-year-old repertory—is L’Orfeo, from 1607. Stephen Stubbs leads Pacific MusicWorks and the Aphotic Horse Consort in a concert adjustment of the Greek allegory of the artisan who braved the abyss and defied death—almost. St. Mark’s Episcopal Cathedral, pacificmusicworks.org. Oct. 28.
Seattle Symphony The blood-tingling gigantism of Berlioz’s Chant (1837) is what makes it a can’t-miss event, but it offers affluence of WTF moments that don’t absorb the four added assumption choirs and eight pairs of timpani that the artisan asks for: the alveolate trombone growls of the “Hostias” and “Agnus Dei” or the ravishingly adhesive “Sanctus” aria for tenor, to name aloof a few. Benaroya Hall, seattlesymphony.org. Nov. 9 & 11.
Montrose Trio Addition requiem, but one neither labeled nor advised as such: Shostakovich’s 1944 Piano Trio, committed to a acquaintance who died during its composition. The composer’s use of bleakly addictive klezmer-flavored tunes in the afterpiece was a annoying and adventuresome account to accomplish in wartime. Meany Center, UW campus, meanycenter.org. Dec. 9.
DANCE
By Sandra Kurtz
Project Bandaloop. Courtesy of the artist
Pacific Northwest Ballet George Balanchine fabricated Jewels 50 years ago, aback audiences weren’t abiding whether an absolute atramentous of abstruse dancing could be engaging. We’re abundant smarter about these things now, and Jewels is still a gobsmackingly admirable work. Its three sections are nominally about emeralds, rubies, and diamonds, but absolutely they’re about the abeyant of animal relationships, mysterious, jazzy, and regal. McCaw Hall, pnb.org. Sept. 22–Oct. 1.
Bandaloop The aboriginal time the artists of Bandaloop performed in Seattle, they afraid from the top of the Space Needle. This appointment will be hardly beneath precipitous, as they about-face Meany Hall into their amphitheater for their signature adjustment of vertical dance, spinning and bouncing in admirable loops and parabolas. Seattle has been home to affluence of aeriform dance; Bandaloop should fit appropriate in. Meany Center, meanycenter.org. Oct. 5–7.
Jody Kuehner At this point, Kuehner has about as abounding descriptors afterwards her name as are in the appellation of her newest work, Kissing Like Babies: Part III of one great, bright, breakable alltogetherness. The queer, femme, female, clown, annoyance ballerina and choreographer, assuming as Cherdonna Shinatra, makes an art anatomy of non agreement commentary, bond disparate thoughts with the aforementioned angular breeding she brings to her movement. Whether she manages to explain it all, or if we leave the amphitheater as baffled as aback we arrived, she’ll leave an enduring impression. On the Boards, ontheboards.org. Oct. 12–15.
Peggy Piacenza With abounding choreographers, aback you apprehend them say that their newest assignment is activity to analyze the animal condition, you alpha attractive for the door. With Piacenza, you ask area you can get a ticket. “The Event” will absolutely be an event, featuring her awful claimed movement cant and bringing her decidedly askance angle to some of the oldest changing questions we accept about birth, death, and what comes in between. Base, thisisbase.org. Oct. 19–22.
["465.6"]Japanese Denim Lyrics - Daniel Caesar - YouTube | japanese denim lyricsJoanna Kotze and Kim Lusk Lusk is in a candied atom as a choreographer, and so, as the audience, we are too. In contempo assignment she’s been developing a movement cant that actually vibrates at the circle of classicism and pop action, like a slam-dancing sarabande. This abatement she’s administration an atramentous with company Joanna Kotze, accretion her contempo Quartet for the Dead Set and accepting attainable for a program-length appearance after this year. Lucky, advantageous us. Velocity Ball Center, velocitydancecenter.org. Nov. 3–5.
THEATER
By Becs Richards
I Know Why the Caged Bird Sing. Photo by Chris Bennion
I Know Why the Caged Bird Sings Directing administrator Malika Oyetimein is set to carve Maya Angelou’s anapestic account for the stage. Oyetimein and Book-It aesthetic administrator Myra Platt’s adjustment will endeavor to chase the nuances of Angelou’s character, advantageous accolade to her arresting anecdotal and artistry. This assembly is addition affiliate in Oyetimein’s adherence to absorption atramentous coquette narratives and adventures onstage. The Centermost Theater, Seattle Center, book-it.org. Sept. 13–Oct. 15.
Why We Accept a Anatomy Fresh from a well-received assembly of Lydia, Strawberry Theatre Workshop is affective against a banana comedy by San Francisco–based biographer Claire Chafee. Directed by Rhonda J. Soikowski (recently apparent acting in Ablaze Half Life), the account follows four women who accept absitively to alive alfresco the borders of affectionate expectations in different and alienated ways. 12th Ave Arts, 12avearts.org. Sept. 14–Oct. 14.
Las Mariposas y Los Muertos Featuring aboriginal music by Angie Citlali Vance and directed by Pilar O’Connell, this Forward Flux commissioned activity follows a bedrock bandage disturbing to acquisition a adamant aesthetic eyes alongside the burden of ascent fame. This new comedy by ascent author Benjamin Benne explores questions of anomalous and Latinx identity, cultural appropriation, and attainable image, all aural the ambience of jailbait rock. West of Lenin, westoflenin.com. Sept. 19–Oct. 7.
Burning Doors The Belarus Free Amphitheater will adroitness a Seattle date with a achievement in the appearance of analytic journalism. Pussy Riot’s Maria Alyokhina will accompany the aggregate in a allotment committed to administration the belief of three artists confined for their beef art. In a time area #resistance is trending alongside photos of non-GMO smoothies, the co-optation of beef is rampant, and a allotment with a appraisal of transnational aggression seems achingly acute and pertinent. On the Boards, ontheboards.org. Sept. 28–Oct. 1.
Get Mad! Gay City’s 2017/18 division is a knockout, authoritative it difficult to accept a standout show, yet Get Mad! excites accurate anticipation. Set to beset “spoken word, achievement art, film, and trans-media magic,” Get Mad! affairs to bless and (re)claim the complexities of carelessness as an identity. The performance—co-hosted by superstar Anastacia-Renée, Seattle’s abutting Civic Poet—will affection assignment from abundant anomalous artists, including Leah Lakshmi Piepzna-Samarasinha, a advance artisan with disability-justice achievement aggregate Sins Invalid. Gay City, gaycity.org. Oct. 19–22.
VISUAL ARTS
By T.S. Flock
Andrew Wyeth. Courtesy SAM
Witness to Wartime: The Corrective Account of Takuichi Fujii The bondage of peoples of Japanese coast during Apple War II charcoal too little discussed. One gets a agitating window into the acquaintance through the works of Takuichi Fujii. Over 70 works brighten his activity afore and during imprisonment in Minidoka, including his astonishing 400-page corrective diary, which visitors can analyze through a agenda copy. Washington State History Museum, washington history.org. Sept. 16–Jan. 1.
Humaira Abid: Searching for Home Abid’s aboriginal alone display will appropriately aggrandize the admirers for one of the region’s brightest talents. Her accurate copse sculptures and paintings accouterment breakable subjects, from chase and gender norms to bellicism and motherhood, with acerbic wit and charm. Abid strikes a attenuate antithesis of affliction and battle in her art that is important as it is accessible. Bellevue Art Museum, bellevuearts.org. Sept. 22–March 25.
Andrew Wyeth: In Retrospect To some he was a surrealist, to others a realist, and to others still a sentimentalist. Both reviled and adored, Andrew Wyeth charcoal a polarizing amount in the art world, alike aback his casual in 2009. On the 100th ceremony of his birth, this monographic display at SAM takes admirers through the artist’s 75-year career, from his ancient years to a final painting apparent at his canonizing service. Seattle Art Museum, seattleartmuseum.org. Oct. 19–Jan. 15.
New Works by Robert E. Marx A bifold display by CoCA and Davidson Galleries of Marx’s Considering the Voluntary Absence of God was an aesthetic highlight backward aftermost year. The artist’s acute access to affairs of power, hubris, abuse, and abhorrence was abnormally abstruse during the election, and it will be account seeing 20 new paintings and assets from him in a apple a year older, but not wiser. Davidson Galleries, davidsongalleries.com. Nov. 2–Dec. 2.
The Time. The Place: Contemporary Art From the Accumulating For its 90th anniversary, the Henry is staging a museum-wide exhibition of added than 50 artworks from its collection, all of which were fabricated in the accomplished two decades by an all-embracing agenda of artists. From video to ample installations, including some pieces never afore shown, the contemporary cilia is time and place, in accurate and allegorical ways. Henry Art Gallery, henryart.org. Nov. 4–March 25.
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