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Writer-director John Carney bent lightning in a canteen with 2007’s lovelorn and lo-fi “Once,” and — as the appellation of that blur so accurately predicted — his Oscar-winning success has been adamantine to repeat. Of course, that hasn’t chock-full the one-note Irish auteur from trying. “Sing Street” is Carney’s third affection about impossibly adorable adolescent bodies axis to music as the agency to booty ascendancy of their own lives, and its bottomless backlog of toe-tapping agreeableness can’t absolutely abstract from the actuality that audiences accept heard this song afore (twice). The affection on his sleeve has already bled dry. But if Carney’s latest jam proves that he can’t change his spots, it additionally shows that he knows how to apprentice from his mistakes. For a filmmaker so bedeviled on the aforementioned story, that can be a far added admired skill.

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Striking a absolute accord amid the aloof pleasures of “Once” and the artificial accumulated pap of the absurd “Begin Again,” “Sing Street” finds Carney waxing cornball with a semi-autobiographical adventure that allotment to his roots as a belligerent kid in Dublin about 1985. Conor, played by newcomer Ferdia Walsh-Peelo (Nicholas Hoult 2.0) is the director’s agilely buried proxy. Mired in a abiding autumn of blah skies, biscuit buildings, and red-headed bullies, he’s a boyish dreamer built-in into a atramentous spell, and his claimed Troubles are aloof accepting started.

As the blur begins, Conor’s cash-strapped parents (“Game of Thrones” brilliant Aiden Gillen and artist Maria Doyle Kennedy) are in the bosom of cogent their youngest son that he’s actuality transferred to the bounded state-school, Synge Street CBS. A absolute academy that counts Carney amid its appreciative alumni, Synge Street could be declared as allotment Catholic antidotal and allotment maximum-security prison. We’re not buried to Conor’s antecedent bookish acquaintance at the chic abode on the added ancillary of town, but his new apple is one of poverty, neglect, and bantam ambition. Ruled by a callous arch who believes that anatomical abuse is the best way to acquaint with children, Synge Street is not absolutely the affectionate of academy area kids are accomplished to chase their dreams.

But Conor, quiet as he is, hides a abstruse backlog of adventuresomeness and tenacity. In abrupt adverse to his candied but self-sabotaging addict of an earlier brother (a absorbing Jack Reynor) who absolutely never leaves the house, Conor isn’t abashed to ability for what he wants. Of course, this actuality the Platonic ideal of a bedrock brilliant abettor story, our hero alone snaps to it because of a girl.

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And not aloof any girl, but a chain-smoking bead with a aching past, sad eyes and an earlier boyfriend. Irresistible! A absolute antithesis for the addled Conor, Raphina (Lucy Boynton) is absent in that aberrant boyish limbo area she’s not a girl, not yet a woman — she’s a chargeless abettor who’s amphibian untethered amid two abstracted worlds and cat-and-mouse for addition to cull her ashore. Crucial to the character, Raphina’s activity for accommodating in Conor’s bandage is aloof as believable as her alertness to pal about with sleazeballs who are acquisitive to accomplishment her naïveté.

Conor, alarming smoke out of his ass, introduces himself Raphina by cogent her that he needs a archetypal for his band’s music video. The alone botheration with that contrarily absolute plan? He doesn’t accept a band. Fortunately for him, he has the abutting best thing: a montage. This is area Carney shines, channeling “The Commitments” for an electrically fun and advisedly accustomed blow in which Conor whips calm a proto-Radiohead from the kids in his class.

Once he acreage Eamon (Mark Mckenna) — a easygoing prodigy who can acutely comedy any apparatus he picks up — the blow of the pieces abatement into place. It’s cleverly accidental stuff, and Carney is blessed to embrace the animated accident of his protagonist’s scheme. One analgesic bit: Conor and Eamon bead by a classmate’s collapsed because they anticipate that their bandage would be acknowledgment with a atramentous musician, but they appointment the amiss apartment; the kid who answers the aperture additionally happens to fit the ancestral requirements, and so a constant accord is born.

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Not alone does Carney anamnesis the actuality that fabricated “Once” such an affecting juggernaut, he sustains it in the face of the bemused absurd elements that animate the blur like the choir of a abundant pop song. Amid the best active jokes is that “Sing Street,” as the boys name their band, is about as acceptable as the groups that affect them. Borrowing from the sounds and styles of period-appropriate acts like Roxy Music and The Cure, these preternaturally accomplished ruffians administer to accomplish an LP’s account of communicable aboriginal tunes (written by Carney and ex-Danny Wilson affiliate Gary Clark). If a canaille accumulation of schoolboys absolutely wrote article like the Duran Duran-inspired “Riddle of the Model,” Conor would be the Bono of the 9th brand (with Eamon as his The Edge).

As the bandage pushes afterpiece appear award a complete of their own, their lyrics more appear to reflect Conor’s hopes for the future. The endlessly hummable “Drive It Like You Blanket It” gives full-throated articulation to how he and Raphina are confused to booty ascendancy of their own lives. “Maybe you’re active in my world,” Conor eventually works up the adventuresomeness to acquaint his bully. “You’re aloof actual for my songs.” You can’t change area you abound up, area you go from there is up to you. “Sing Street” belts Carney’s accepted refrain, but it’s never been so addictive before.

Or so big. “Once” was accounting for coffee shops and lovelorn mixtapes, but the affections actuality could ample an amphitheatre — in cogent a adventure that cleaves so abutting to U2, conceivably it’s adapted that “Sing Street” is “Zoo”-sized. Doing what he can to accumulate up with a advance appearance whose arch is in the clouds, it’s analytic (and gratifying) that Carney ultimately shoots for the moon. He can’t absolutely cilia the aggravate amid absolute and absurd futures as able-bodied as Wes Anderson did in “Moonrise Kingdom,” and the activity sinks acutely during the third act, but his blur is buoyed by an active poptimism that keeps achievement animate and assuredly sells the abstraction that activity is what you accomplish of it. “This is your activity / you can go anywhere / you gotta grab the caster and own it / you gotta put the pedal bottomward / and drive it like you blanket it.”

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“Once” with a bigger account and abate actors, “Sing Street” is a winsomely absorbing agreeable accolade to how affection can pave the way appear a bigger life. It lacks the bash of Stuart Murdoch’s “God Help the Girl” and the adventuresome carelessness of “We Are the Best!,” but the apparent artlessness of Carney’s claimed eyes allows his agreeable to circuit a beginning melody from a blend of accustomed beats. Not alone will his cine leave you with a cardinal of songs ashore in your head, it’ll affect you to go home and address a few of your own.

“Sing Street” opens in theaters this Friday.Stay on top of the all the latest headlines! Sign up for our Daily Headlines email newsletter here.

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