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(Right) Tasneem Zakaria Mehta, managing trustee of the Dr Bhau Daji Lad Mumbai City Museum; (Left) Mehta’s active board has presents from friends, awards she’s accustomed and a assortment of things she loves. A mashrabiyya awning separates the board from the active area. Works by several artists—including Jitish Kallat (from his aboriginal exhibition), Archana Hande, Binode Behari Mukherjee, BV Suresh, and Anandjit Ray—are on the bank abaft the desk.
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Comfortable Modern Design Sofa,American Furniture Egypt - Buy ... | Sofa Home Furniture EgyptNavigating the ample sea-facing accommodation of Tasneem Zakaria Mehta — the managing trustee of the Dr Bhau Daji Lad Mumbai City Museum—is a bit of an chance sport, abnormally if you’re a addle-brain like me.
Before you’ve taken two accomplish in, you’ve apparently got besmeared fingerprints on a Gulammohammed Sheikh; absolved into an aged arbor table with about 5,000 pieces of handcrafted brass; and sat on an admirable mirror-work beanbag salvaged from gatthriwalis (travelling bolt saleswomen).
“You don’t get things like this anymore; I charge to attending afterwards them added carefully,” she says, as I agilely extricate it from beneath me. She insists I sit comfortably, though. Despite all break to the contrary, this is not a museum, or an art gallery; it’s the building director’s home and she wears the art like additional skin.
Perched on the eastern abut of Colaba, the accommodation circuitous across Mehta lives feels like a Bombay from continued ago. To the left, Sagar Upvan (popularly accepted as the BPT garden) extends a blooming limb into the sea—cutting off the band of afterimage to noisy, active Gateway of India. The Arabian Sea rolls abroad boundlessly from her windows appear Mandwa and Alibag, burst alone by Oyster Rock, a little adherent island endemic by the Navy, like a amiable Alcatraz.
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Sofa | Sofa Home Furniture Egypt“The appearance itself is like a allotment of art. You can see the ablaze consistently changing. At dusk, all the fishing boats berth here; and it’s about like Diwali,” says Mehta. We’re in her favourite bend of the house, an amid sit-out across with floor-to-ceiling windows attractive out at the fabulous view, lined with bookshelves and an astronomic desk—the affectionate of allowance you’d acquisition not in Mumbai, but in a Ruskin Bond book.
The house, too, feels like a bequest to a absent era. In a time of Nordic minimalism, the accommodation is subversively, acquiescently awash with tchotchkes and curios, sculptures and figurines, books and paintings. There’s not a stick of hand-carved, board appliance after an affected discharge of books on it; there’s not a distinct bare wall.
“My ancestor was in the government, so we lived in this admirable colonial bungalow on Carmichael Road (now ML Dahanukar Marg) for about 15 years, and this abode has a affectionate of resonance with [the one I grew up in]. Sometimes, I anticipate I’d like to accept a actual avant-garde home, because I’m actual absorbed in the abreast and modern. But what’s comfortable, what’s accustomed is the copse and the old board attic and I anticipate that’s why I adulation this home so much,” elaborates Tasneem Zakaria Mehta.
But Mehta’s angry adulation for the avant-garde and contemporary—she’s absolutely amenable for transforming the aged Bhau Daji Lad Building into a activating advertise for Indian art today—finds announcement on every bank in her home. A active Gulammohammed Sheikh has pride of abode in the sitting room, a Sudhir Patwardhan hangs in the sit-out, Jitish Kallats, Gieve Patels and artists of the Kochi-Muziris Biennale jostle for amplitude on added walls.
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Côté Maison Furniture - Egypt - Home | Facebook | Sofa Home Furniture EgyptThis brought her to an absorbing conundrum, says Tasneem Zakaria Mehta. “How do you aggregate aback you apperceive everybody in the art apple and everybody is a abeyant friend?” She absitively to about-face her focus to one accurate affair about 10 years ago, specifically, Indian women artists. Her antechamber is now a altar to feminism, with able artworks by Chitra Ganesh, Reena Saini Kallat and Dhruvi Acharya. “It’s a able feminist account aback you access the house,” she laughs.
It’s overwhelming, the arduous aggregate of art in Tasneem Zakaria Mehta’s abode — absurd to booty in in one sitting or alike five; but every allotment has resonance in her life. There are echoes of her babe in a Nicola Durvasula artwork, reflections of her comminute attention efforts with INTACH in Meera Devidayal’s prints, and a painting of Raziya Sultana by Heeral Trivedi finds affix to a book about the warrior angel accounting by Mehta’s father, Rafiq Zakaria.
What doesn’t appear with an artist’s name absorbed marks added milestones from the activity of Tasneem Zakaria Mehta — replica Louis XVI chairs from Christie’s London, from the time they lived there; verdigris-patinated scrollwork lamps from their two years in Egypt; atramentous Chinese nesting tables and Burmese figurines; Krishna statues by a adept artisan from Orissa…It’s an art lover’s utopia and every allowance company’s nightmare.
Still added artworks sit arranged abroad aloft cupboards, ample in her daughter’s room, and their added abode in New Delhi, cat-and-mouse their about-face on the walls. It’s conceivably a accumulating that no building or arcade could attempt with in the country for its arduous breadth, but added importantly, it’s a active account of Indian art today, and a blink into the apperception of its arch historian and curator.
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