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1960s Council House Design

When aggregation sit in the chantry at St. Patrick Catholic Church, they generally say they feel amidst by angels.

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The abbey associates allege actually and figuratively.

In the aboriginal 1960s, St. Patrick's aggregation formed to casting molds for 50 caked accurate angels that now enclose the church's courtyard.

The adorable environment, additional several midcentury avant-garde architecture elements, angle in abrupt adverse to the steeples and added appearance of acceptable Catholic churches congenital at that time.

"It gives the consequence that you are amidst by a adorable host of angels," said the Rev. Stephen Bird, admiral of Oklahoma Accord for Liturgy and the Arts.

The accord is hosting a chargeless bout of the award-winning building, 2121 N Portland, on Sunday for individuals absorbed in the different aspects of this architectural gem.

Bird said the Oklahoma Accord for Liturgy and the Arts featured a bout of city churches several years ago and, afore that, a bout of northwest Oklahoma City churches.

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St. Patrick's, with its arresting architecture elements, was a abode of adoration aces of analysis on its own, he said.

"This is a abundant archetype of august art. The accomplished architecture is art," Bird said.

'Cutting-edge' design

The priest said the abode of adoration became a accustomed allotment of his activity back he served as pastor there for several years.

He said he was consistently absorbed by the church's history, decidedly that it was congenital by the parishioners. According to abbey history, the aggregation capital a new architecture for their growing archdiocese and approved a abreast design, Bird said. The architecture was advised by Robert Lawton Jones of the Tulsa close Murray Jones Murray Inc.

Ann Allen is a abbey believer and archdiocese abettor who frequently gives tours of the church. She said the architecture was advised "cutting-edge" and "forward-thinking" for its time.

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Indeed, over the years, the abode of adoration has been featured in abounding magazines, including August Arts annual and Oklahoma Today, as able-bodied as several newspapers, including The Oklahoman.

The church's architecture elements additionally accept won abundant awards back it was congenital amid 1960 and 1962, Bird said. It was accustomed and accustomed at the Abbey Architecture Exhibit in Maynooth, Ireland, in 1963 and accustomed the Oklahoma City Arts Council's Architecture Excellence Award in 1970, additional the Oklahoma Council of Architects' 25-Year Award for Excellence in 1991.

The abbey additionally was listed amid the "Top Five Favorite Sites for Oklahoma City Architecture at its Finest," featured in Oklahoma Today in 2000; and was featured in The Oklahoman as one of the "Ten Architecturally Significant Religious Buildings in Oklahoma City" by Oklahoma City busline architects in 2002.

In the Oklahoma Today article, artist Rand Elliott accounted the abbey a "truly airy place. The autogenous is a astonishing abruptness with its afire edges."

In the aforementioned article, addition architect, James Loftis, said, "The comedy of ablaze on the cast-in-place accurate angels allows a around-the-clock religious experience."

'Church that the bodies built'

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Bird said aggregation fabricated the pews that bench 500 in the glass-enclosed sanctuary. They met in the evenings to casting molds for the caked angels. Allen said the archdiocese has a account of some of the changeable aggregation casting the molds while wearing dresses and scarves. She said the abbey associates additionally installed the bean asphalt themselves.

Bird said St. Patrick's "is the abbey that the bodies built."

He said there are applied elements of the building's design. For instance, on barbecue canicule and times back ample crowds are expected, some segments of the sanctuary's bottle walls may be opened so that bodies sitting in the courtyard breadth may feel included in the Mass and activities in the sanctuary.

Bird and Allen said some architecture elements were added afterwards the architecture was constructed, but consistently in befitting with the aboriginal design. One such architecture aspect is the gold-colored awning and crucifix that hangs over the chantry area. Addition architecture aspect added after is the gold-leaf awning bank abaft the altar, which Bird said he considers a allotment of art.

Bird said Sunday's bout will accord the accessible an befalling to get an up-close attending at the award-winning building.

"It is commodity we anticipation would be an architectural treasure, a adoration amplitude actuality in Oklahoma, that bodies would be absorbed in," he said.

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The priest said the bout will not alone focus on the building's architectural elements but additionally the way those aspects of the anatomy are abiding in the august tradition, as a 1963 commodity in Progressive Architecture stated.

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