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Green cipher in Japanese-inspired symbols trails bottomward a computer awning like agenda rain. It tells those who can apprehend it what's accident in The Matrix, a basic reality.

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Production and abstraction artist Simon Whiteley.

Simon Whiteley, architect of The Matrix code, attributes the architecture to his wife, who's from Japan.

"I like to acquaint everybody that The Matrix's cipher is fabricated out of Japanese sushi recipes," says Whiteley, a assembly artist from England who's now based at the Animal Logic action and visual-effects flat in Sydney. He scanned the characters from his wife's Japanese cookbooks. "Without that code, there is no Matrix."

Whiteley brought his accurate attention to his latest project, "The Lego Ninjago Movie," concept-designing its Japan-inspired Lego apple and the mechs that riff off skyscraper-tall metal gun machines in "Pacific Rim." The third in "The Lego Movie" authorization is now out in theaters worldwide.

"The barrio you see in Ninjago are two or three times as aerial as Jackie Chan," Whiteley tells me. As in he congenital Ninjago in flat out of hundreds of bags of artery that accomplished as aerial as a small, real-life city. And by artery I beggarly artery from Billund, Denmark, area Lego is made. Whitelely flew there to aggregate them. That's precision.

"Simon is an abundantly detail-orientated assembly designer," says Ingrid Johnston, Animal Logic's arch of production. "At times you can acquisition yourself accepting crazy conversations [with him] about why things charge to be a assertive way."

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Talking to Whiteley by buzz about Lego, we bound get aberrate delving through the accession of cine gems alloyed in alongside "The Matrix," "The Matrix Reloaded" and "The Matrix Revolutions"on Whiteley's IMDb page.

Whiteley's alpha in blur pivoted on actuality in the appropriate abode at the appropriate time. In the mid '80s, instead of computers, assembly methods included painting on glass, authoritative matte paintings and application hot-metal book for credits on big bedding of agenda that were filmed and displayed on screen. At his academy in Birmingham, Whiteley addled luck with a babysitter who ran the cartoon administration at the BBC. Whiteley accustomed his aureate ticket.

Here, he recounts some of the career highlights that followed.

"The owl movie" (that's "Legends of the Guardians") as Whiteley affectionately refers to it, nudged him into the circles of Zack Snyder, who afresh directed "Batman v Superman: Dawn of Justice." Snyder's run up to the 3D action included "300," which spurred an anarchistic technique.

"He got his stuntmen from '300' to dress up in owl apparel with owl claws and agenda wings to action all the fights," Whiteley says. "It was hilarious."

This archetypal of Yoda, a allegorical Jedi Master, was acclimated in Star Wars Episodes V and VI.

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Whiteley has watched the change of adolescence staples like Harry Potter and Star Wars. He saw the appearance of the agenda age, from the aboriginal Star Wars films aback aggregate was congenital as models, to the addition of computers.

"Now we're starting to see a affectionate of pushback," he says with a adumbration of affection. "The best designs are the ones area models are fabricated and CG is acclimated carefully."

Whiteley has rubbed amateur with his allotment of big-name celebrities -- he overcame actuality starstruck to accept a beam with John Travolta and Nick Nolte while on a Apple War II address in LA for 1998's "The Thin Red Line." Yet he speaks best affectionately of an alternation with non-human characters from Harry Potter.

"We got to see the owls from Harry Potter, which was fantastic," he says. "We got to see Hedwig." He took his ancestors to a Warner Bros. owl altar abreast Cornwall and filmed and photographed the owls for two accomplished weeks, architecture motion abduction footage.

Harry Potter, he addendum for the record, doesn't use abundant CG. "If they can use a absolute owl," he says, "they'll use one."

Production designers at Animal Logic, a agenda flat in Sydney, congenital the Japan-inspired burghal of Ninjago with bags of Lego pieces.

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What differentiates "Lego Ninjago" from the aboriginal two Lego movies is apple amplification alfresco the digital. "Instead of actuality in a basement like in the aboriginal movie, it was as if your adolescent had gone out into the aback garden," Whiteley says. "So we alien miniature plants, grass, rocks and ... congenital those in 3D."

Whiteley acclimated a Lego-specific computer affairs for designing models alleged LDD, Lego Agenda Designer, and you (and added kids) can download it off the web here. Every distinct brick in Billund's library is accessible in the program, a apparatus Whitelely and the added Lego designers broke for all three movies.

"We could accessible people's eyes to a new look," Whiteley says. "That's the funnest allotment of my job, designing article for a administrator and again either seeing it physically congenital or congenital in CG."

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