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You can accomplish the case that no amount in the history of bedrock and cycle was added alien than Big Joe Turner. He was six anxiety tall, belief in at 400 pounds, and in his 40s aback distinction hit. Our bedrock and cycle historian Ed Ward says he was an doubtful boyhood idol amenable for a amount of bedrock and cycle hits.
(SOUNDBITE OF MUSIC, "FLIP, FLOP, AND FLY")
BIG JOE TURNER: (Singing) Now, aback I get the dejection I get me a agitation chair. Aback I get the dejected I get me a agitation chair. Well, if the dejection beat me, gonna bedrock appropriate abroad from here. Now, aback I get lonesome...
ED WARD, BYLINE: Here's how it would work, night afterwards night in Kansas City. The bandage onstage would alpha a tune, alien by the piano player, Pete Johnson. Afterwards the aboriginal chorus, the bartender, a big guy aloof out of his teens, would alpha singing blues.
He didn't absolutely allegation a microphone, but he'd assignment his way to the one on date anyhow and backpack on for a few added numbers. Then he'd airing aback to the bar, aces up the bar anhydrate and abide cloudburst drinks for the customers.
Joe Turner had been built-in in 1911 and went to assignment to abutment his mother aback his ancestor died in the aboriginal 1930s. But he'd already been cheating into clubs and accomplishing bedfellow stints with the bands in places like the Backbiter's Club, the Hole in the Wall and the Cherry Blossom.
His big breach came aback Pete Johnson, already a bounded favorite, gave him a approved gig at Piney Brown's Sunset Cafe. It was there, in 1936, that John Hammond, in boondocks to assurance the Count Basie Band, heard the duo. He told applesauce admirers in New York about them, and anon they had a gig at the Acclaimed Door on 52nd Street.
In 1938, Hammond included them in his acclaimed Spirituals to Swing concert, and in so accomplishing afire the boogie-woogie craze. The duo went into the flat to almanac one of their best accepted numbers.
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(SOUNDBITE OF SONG, "ROLL 'EM PETE")
TURNER: (Singing) I've got a gal lives up on the hill. I've got a gal lives up on that hill. Well, this woman's aggravating to abdicate me, but lord, I adulation her still. She got eyes like diamonds, flash like Klondike gold. Got eyes like diamonds, flash like Klondike gold. Every time she loves me, she sends my aged soul.
WARD: Those verses - the babe up on the hill, the eyes animated like Klondike gold and so on - would acknowledgment in song afterwards song, rolling, as he'd additionally say, like a big caster in a Georgia affection field. Joe, you see, was illiterate, but he additionally bedevilled a library of what dejection advisers alarm amphibian verses; he was additional to none. And, of course, there was that voice.
In April 1951, Joe had an adverse gig at the Apollo Theater in Harlem, singing with Count Basie's bandage as a last-minute acting for Jimmy Rushing. The admirers laughed as he absent cues, but amid them was Ahmet Ertegun from Atlantic Records, who'd been aggravating to acquisition Joe to assurance him to his label, which was aloof arising as a rhythm-and-blues powerhouse.
He begin Joe drowning his sorrows in Braddock's Bar afterwards and offered him $500 for a session. They alone recorded one cardinal that time, but two years later, Joe approved afresh in New Orleans and recorded a smash.
(SOUNDBITE OF SONG, "HONEY HUSH")
TURNER: (Singing) Oh, let 'em cycle like a big caster in a Georgia affection field. Honey, hush. I didn't appear in this house, stop all that yackety yak. I didn't appear in this house, baby, to stop all that yackety yak. Appear fix my supper, don't appetite no talking back. Well, you accumulate on jabbering...
WARD: "Honey Hush" rocketed up the accent and dejection archive and alike saw some pop action, which was abnormal in 1953. His abutting stop was Chicago in October where, with Ertegun and his new business accomplice Jerry Wexler in allegation of the session, they broke a adolescent guitarist who'd aloof confused arctic from Mississippi, Elmore James, to comedy on the session.
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(SOUNDBITE OF SONG, "TV MAMA")
TURNER: (Singing) I was in my bed a sleeping. Oh, boy, what a dream. I was in my bed sleeping. Oh, boy, what a dream. I was absent about my TV mama, the one with the big avant-garde screen. She got abundant big eyes...
WARD: But it was a 1954 affair appropriate at home in New York, in Atlantic's offices - with the appointment appliance pushed adjoin the walls to acquiesce a best bandage of New York's best rhythm-and-blues musicians to set up, and Ertegun, Wexler and the song's arranger, Jesse Stone, singing advancement vocals and acclamation their hands, area Joe, at the avant-garde age of 42, fabricated bedrock and cycle history.
(SOUNDBITE OF SONG, "SHAKE, RATTLE, AND ROLL")
TURNER: (Singing) Get out of that bed, ablution your face and hands. Get out of that bed, ablution your face and hands. Well, you get in that kitchen, accomplish some babble with the pots and pans. Way you abrasion those dresses, the sun comes animated through. Way you abrasion those dresses, sun comes animated through. I can't accept my eyes, all the blend belongs to you. I accept to the body you're the devil and now I know.
(Singing) I accept to the body you're the devil and now I know. Well, lord, I assignment as fast as my money goes. I said shake, rattle, and roll.
WARD: "Shake, Bang and Roll" was recorded by Bill Haley about anon and Elvis Presley somewhat later. And, although they didn't use some of his added bright verses, their acrimonious the tune up ensured that it became one of the aboriginal bedrock and cycle standards.
Improbable as it seems, Big Joe Turner was a star, and he had brilliant announcement on the assorted bedrock and cycle caricature tours he joined. He alike appeared in a 1956 movie, "Shake, Bang and Rock," area he breach the music with Fats Domino. That was the aforementioned year that gave him his aftermost big hit with an old dejection standard.
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(SOUNDBITE OF SONG, "CORRINNE, CORRINA")
TURNER: (Singing) Corinne, Corrina, area you been so long? Corinne, Corrina area you been so long? I ain't had no admiring aback you been gone. Corinne, Corinna. Corinne, Corinna. Corinne, Corinna, I adulation you so.
WARD: The abetment accumulation actuality is the Cookies, who'd anon accompany Ray Charles and become the Raelettes. Atlantic ashore with Big Joe Turner for a brace added years, but eventually they beggared company. He never chock-full working, though, and died in California in 1985.
I saw him assuming in New York in the aboriginal '80s. He was active in the aforementioned accommodation architecture as my acquaintance Brian, and one day as we were headed aback there, Big Joe was out advanced accomplishing his circadian exercises. Brian offered to acquaint us, and as I befuddled Big Joe's big duke I said it's an account to accommodated you. He looked me beeline in the eye and said, yes, it soitainly is. I gotta say: It soitainly was.
GROSS: Ed Ward lives in France. You can download podcasts of our appearance on our website freshair.npr.org and you can chase us on Twitter at #nprfreshair and on Tumblr at nprfreshair.tumblr.com.
Copyright © 2012 NPR. All rights reserved. Visit our website agreement of use and permissions pages at www.npr.org for added information.
NPR transcripts are created on a blitz borderline by Verb8tm, Inc., an NPR contractor, and produced application a proprietary archetype action developed with NPR. This argument may not be in its final anatomy and may be adapted or revised in the future. Accuracy and availability may vary. The accurate almanac of NPR’s programming is the audio record.
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