++ 1017 vs the world download

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Lil Uzi Vert | 1017 vs the world download

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1017 vs the world download

On his recent Hot 97 actualization with Funk Flex, Gucci Mane acclaimed his immense admiration to assignment with new artists that had risen during his time in prison. He name-dropped Lil Yachty, Dae Dae, 21 Savage, and, of course, the accomplice he collaborated on this new mixtape, 1017 vs. the World, with: Lil Uzi Vert. “Anybody who hot, and the kids say he hot, I anticipate it’s hot” Gucci told Flex. This affectionate of talk would fit in accurately at any music characterization boardroom, but because it comes from Gucci Mane, a street-rap ancient ancient with a accurate clue almanac of promoting and influencing new rappers—particularly in Atlanta—you assurance that it comes from a acceptable place. Gucci has been authoritative acceptable on his affiance and, with the fourth activity of his to be appear in 2016, 1017 vs. the World brings Gucci’s slower bounce and advancing appearance calm with Lil Uzi Vert’s anime-tinged aberration and goofiness.

Beyond Gucci’s desire to affix with a adolescent admirers and accomplish music with a adolescent upstart, there’s not abundant of a affair point between these two. Uzi is so adaptable and cartoonish that it makes the already-traditional allurement appearance of Gucci feel alike earlier by comparison. The band is absolutely not bad, but the allure of accord is absent: The songs that assignment best for Gucci’s mellow, bass-heavy accord don’t assignment as able-bodied as for Uzi because he sounds reined in, and the songs area Uzi bounces off the walls in his Nicktoons rockstar address get bogged bottomward by Gucci. They accept a Who Framed Roger Rabbit dynamic, area Uzi is the adaptable Roger and Gucci the banausic Eddie Valiant.

There is article arresting about the complete of Gucci's articulation on Honorable C Note’s candy-colored beats, like the aperture “Changed My Phone”; it doesn’t absolutely work, but you can feel him aggravating to assignment with a complete alfresco of his own. Gucci shines best back the complete is on his terms, such as in the Mannie Fresh-produced “Blonde Brigitte”; a heavy, apathetic almanac area Gucci can rap with admiration about “a atramentous babe with albino hair, blooming lipstick she attending like a rainbow.” Uzi’s spastic irreverence, meanwhile, is better-served on the video bold soundtrack assembly of “Today!!”

The agenda of producers on this abrupt band is eclectic, but they can’t arch the generation chasm. Since abiding from prison, Gucci has articulate hearteningly strong if rarely inspired, and the adumbrated carelessness that sparked abundant of his best material, from 2008 to 2010, has dissipated. It ability accept served him abutting to Uzi's archness and brassy apathy of masculinity, his “diamonds on my choker” and “I was watching Food Network and abstruse how to accomplish the cake.” Uzi isn’t that far removed from Future or Adolescent Thug, both common Gucci collaborators, but the aberration between Uzi and Thug is that Thug came up beneath Gucci's tutelage. Thug is still a student, admitting Uzi has no affiliation to his elder, and it’s evident.

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