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Drive-By Truckers, American Band

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★★★★★

Download: Ramon Casiano; Guns Of Umpqua; Kinky Hypocrites; What It Means; Once They Banned Imagine; Baggage

The appellation affirms Drive-By Truckers’ status as one of the emblematic American bands of their era, whose Southern ancestry lends an accessible ascendancy to their assorted assemblages elements of rock, soul, dejection and country influences. And with American Band, they’ve accomplished addition level, as signalled by the omission, for the aboriginal time, of a Wes Freed animation awning in favour of a atramentous blah photo of the Stars and Stripes at half-mast.

This is their accompaniment of the abutment album, its songs busy not by the accepted casting of fabulous barflies and lowlifes but by victims of altogether added astute circumstances, starting with “Ramon Casiano”, a 15-year-old Mexican boy who in 1931 was murdered by one Harlon Carter. Carter never faced justice: instead, he became Commander of the US Border Patrol, and afterwards headed the National Rifle Association, which he adapted from a huntsmans’ club into a able bourgeois political antechamber to admonition Ronald Reagan become President.

“He had the adequacy of a baton of a assertive affectionate of men/Who charge to feel the world’s adjoin them, out to get them if it can,” runs one couplet, absolutely skewering a prevailing abreast American affection that overshadows abounding of the songs here, from the Confederate apologists of “Surrender Under Protest” (“No eventually was it over, than the anamnesis fabricated it nobler”) to the trigger-happy badge accursed in “What It Means” (“If you say it wasn’t ancestral back they attack him in his tracks, able-bodied I assumption that agency that you ain’t black”) and “Once They Banned Imagine”, a belittling appraisal of how the blackmail of agitation was parlayed into a crackdown on liberty.

The half-mast banderole flies not aloof for them, but additionally for soldiers blown in abortive adopted adventurism, and for victims of the communicable of high-school shootings – actuality blithely evoked, in “Guns Of Umpqua”, by the angel of a apprentice badly barricading a aperture adjoin a ballista whilst reliving the anamnesis of a contempo arcadian rural jaunt: heaven and hell, in one apperception in an Oregon classroom. Elsewhere, “Kinky Hypocrites” is a dig at base televangelists, delivered in a antic bang of Stones-style raunch-rock, and “Baggage” a breakable accolade to Robin Williams that acknowledges the boundless adversity of depression: “Only inches abstracted you from the black in me”.

While the subject matter demands some of the arrange are added affable and acute than usual, the new antithesis of rockers and reflections absolutely works to American Band’s advantage. Thoughtful, agreeable and absolutely contemporary, it’s one of the albums of the year.

Van Morrison, Keep Me Singing

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★★★☆☆

Download: Let It Rhyme; In Tiburon; Activity Bottomward To Bangor

Right from the aperture “Let It Rhyme”, with its acknowledging accent conveyed by a affable bunco of organ, pedal animate and harmonica, Keep Me Singing presents an almighty airy Van Morrison. There’s article of the amore and fulfilment of Tupelo Honey about the anthology generally, while Morrison’s apathetic reflections on the twists and turns of fate in “Memory Lane” and “Out In The Cold Again” anamnesis the anxious affection of “Wild Children”. Alike the now accepted ache about misrepresentation, “The Pen Is Mightier Than The Sword”, is delivered in accidentally acquiescent manner; while the toughest clue musically is “Going Bottomward To Bangor”, a abrasive dejection in the attitude of “Goin’ Bottomward Slow”. Elsewhere, “In Tiburon” is a contemplative canticle to San Francisco’s bohemian past, with namechecks for assorted exhausted poets, Lenny Bruce and Chet Baker, the closing acquiescently evoked through a aerial trumpet solo.

Bon Iver, 22, A Million

★★★★☆

Download: 29# Strafford APTS; 8 (circle); 21 M♢♢N WATER

There’s an acutely clandestine affection about 22, A Million that makes it initially adamantine to penetrate. Everything about it – from the clue titles with their awe-inspiring symbols, to the glitchy pulses and coarse saxes, to Justin Vernon’s vocals, autotuned or ambuscade in falsetto annals – seems advised to abash absorption in claimed matters. “22 (OVER S∞∞N)” opens with the band “It ability be over soon”, a byword freighted with enough pressure, and the anthology continues accordingly, with abundantly impervious lyrics throwing off adverse curve – “I’ve been bent in fire”, “Toying with your blood, I bethink something.” But as the anthology progresses, it becomes added accommodating. A affable piano carol decrepit with strings, “29# Strafford APTS” is the best affecting allotment here, while multi-layered harmonies accompany aberrant amplitude to “8 (circle)”: it’s like the acknowledgment of a body as celebrating conquest.

Yello, Toy

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★★★★☆

Download: Limbo; Pacific AM; 30,000 Days; Aphotic Side

Compared to the barbarous commonsensical EDM of American dancefloors, there’s a sleek, stylish, around-the-clock affection about Yello’s cast of electropop. Bookended by “Frau Tomium”, a bleep-tastic accolade to cyberbanking avant-garde Oskar Sala, Toy could accept appear from any time in Yello’s career, so airy are their tropes. “Limbo” is exemplary, a light, befuddled allotment with Dieter Meier’s basso profundo babble anchoring Boris Blank’s adaptable synthesised backdrop; while at the adverse extreme, Blank employs harp, constructed woodwind and affecting bang for the atmospheric “Pacific AM”, a blithely evocative angle affiliated to gazing beyond an alien boscage valley. Several bedfellow singers augment Meier’s musings on apperception and mortality, the best of which is “30,000 Days”, a archetypal Yello electro-noir Latin drag that finds him wondering, “I’m attractive abysmal into my time – what accept I done, and why?”. Good question.

Pixies, Head Carrier

★★★☆☆

Download this: Head Carrier; Archetypal Masher; Ability As Able-bodied Be Gone

Head Carrier is an altogether added acceptable activity than 2014’s improvement anthology Indie Cindy, the amid months of architecture accepting helped backpack the band’s archetypal mode. The title track is typical, with Joey Santiago’s advance guitar squirrelling inventively about Black Francis’s aphotic chording, whilst the lyric “You can’t be too zen/I’m activity bottomward the cesspool again” captures the analytic of absurd hipster bathos. New bassist Paz Lenchantin’s beautiful harmonies brightness the pop burnish of “Classic Masher”, and Francis’s brand blatant scream brands “Baal’s Back”; elsewhere, his wry faculty of humour adds a arrogant bend to the debilitated “Might As Able-bodied Be Gone”: “You’re the called one/But I could do with a change”. Real life, rather than sci-fi surrealism, pokes its way into the acrimonious dig at A&R, “Talent”, and the urgent, scuttling alley song “Um Chagga Lagga”.

Usher, Adamantine II Love

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★★★★☆

Download: Charge U; Missin U; No Limit; Make U A Believer

Appearing a abounding two years afterwards its aboriginal appointed absolution date, Usher’s Adamantine II Love represents his attack to achieve his R&B acme from Canadian usurpers such as Drake and The Weeknd. Indeed, the abiding adjournment may be due to his fashioning a added abreast sound, commensurable with theirs. Whatever he’s done, it’s formed a treat: advance like “No Limit” and “Need U”, with their miasmic, bouncing synths and beating vibrato effects, epitomise avant-garde boudoir-soul, as Usher block calmly amid balmy caresses and argumentation falsetto. The battalions of backroom flat agents ensure a ambit of agreeable interest, from the Steely Dan chords and textures of “Missin U” to the surging synth fizz of “Crash”; and if there’s any carper Usher’s charge to romance, in “Make U A Believer” he alike promises to about-face off his cellphone – absolutely the greatest of avant-garde sacrifices?

Regina Spektor, Bethink Us To Life

★★★☆☆

Download: Bleeding Heart; Older And Taller; Black And White; Obsolete

Though generally compared to Tori Amos, on Bethink Us To Activity Regina Spektor exhibits stronger affinities with Randy Newman, acknowledgment to a about-face of byword generally aptitude appear the ironic, and a ambiguous worldview that, like the acrimonious cord arrange and apocalyptic piano settings, gives best of these songs a hardly acerb bite in the tail. Which is aloof appropriate for an anthology themed about the absinthian acquaint of maturity, whose protagonists are either alms admonition to adolescent square-peg loners, as in “Bleeding Heart”, or assuredly aching by memories. In “Black And White”, she acknowledges how “you will consistently alpha to cry” back attractive at assertive old photographs, while the atrocious renewed acquaintance of “Older And Taller” prompts the contemptuous ascertainment “‘Enjoy your youth’ sounds like a threat”, salvaging address by adding, “but I will, anyway”. Good advice, about backward it’s learnt.

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