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For best hit songs, the catchiest bit, the allotment that takes up abode in your aboveboard case and won’t let go, is the chorus. But there exists a appropriate breed of accident whose stickiest bit is appropriate at the start—some agreeable balladry that leads off the clue and somehow eclipses the refrain. Indeed, it ability as able-bodied be the refrain—it’s so quotable, so infectious, it defines the song. I would hardly charge to admonish you of the antecedent of best of these lyrics, all of which are aperture curve to Billboard Hot 100 No. 1 hits aback the ’70s:

“Jeremiah was a bullfrog.”“Some bodies alarm me the amplitude cowboy.”“Memories ablaze the corners of my mind.”“We don’t charge no education.”“I accept that accouchement are our future.”“Aruba, Jamaica, ooh, I wanna booty ya.”“It’s been seven hours and 15 days.”“I like big butts, and I cannot lie.”“You say, I alone apprehend what I appetite to.”“Goodbye, Norma Jeane [England’s rose].”“Go, shawty—it’s your birthday.”“To the left, to the left—everything you own in a box to the left.”“Apple Bottom jeans, boots with the fur.”“First things first, I’m the realest.”

To the aloft list, let’s now add the cogent band “Raindrops—drop top.” That koanlike lyric is the opener to “Bad and Boujee” by Migos, the latest No. 1 on Billboard’s flagship chart. Like abounding of the chart-toppers above, from “The Joker” to “In Da Club,” the choir of “B&B”—“My allegation is bad and boujee” (boujee actuality an carefully un-bourgeois spelling of bourgie)—is itself fiendishly catchy. That choir is additionally weirdly well-timed, aloof canicule afore our country’s best über-boujee president-elect anytime stands for the adjuration of office. (The song’s amusing spoken-word countdown alike sounds like an inadvertant rip on Trump: “You know, so, we ain’t absolutely never had no old money—we got a accomplished lotta new money, though. Heh.”) But the “Raindrops—drop top” band is aloof so angrily percussive, it has taken the internet by storm (sorry), assuming up in array of bootleg videos, antic tweets, amusing media threads, and added ephemera.

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Migos are a Lawrenceville, Georgia–bred trio; on a contempo adventure of Donald Glover’s TV alternation Atlanta they alleged themselves “the ’Migos,” and Glover included the “the” aback thanking the accumulation during an accepting accent for his appearance at aftermost week’s Golden Globes. The three ’Migos are all related: Quavo, built-in Quavious Marshall; his nephew Takeoff, built-in Kirshnik Ball; and his accessory Offset, built-in Kiari Cephus. Produced by Atlanta-based hitmaker Metro Boomin, “Bad and Boujee” acreage at No. 1 anon on the heels of Rae Sremmurd’s accident “Black Beatles,” authoritative it the additional beeline ATL-based hip-hop clue to ride the aback of a meme to No. 1. Add to these two surprise, meme-driven hits aftermost spring’s chart-topper “Panda” by Brooklyn rapper Desiigner, and we accept the adequacy of a austere pop trend: superviral rap, benumbed abrupt bursts of brotherhood and alive to the top of the charts. (Housekeeping note: While this Slate alternation was on aperture over the holidays, the “Black Beatles” run at No. 1 was briefly interrupted, during the apathetic anniversary aloof afterwards Christmas, by the Weeknd’s “Starboy” featuring Daft Punk. Your apprehensive chart-watcher abjure the absent hit.)

Fortified by a arced bedfellow ballad from Philly rapper Lil Uzi Vert, “Bad and Boujee” is Migos’ better pop hit by far. Prior to this, the aggregation had never gotten added on the Hot 100 than No. 69, with their 2014 distinct “Fight Night.” (Even on Billboard’s R&B/Hip-Hop Airplay list, Migos accept mostly landed alfresco the top 10; “Fight Night” managed No. 6.) The leash acid their mantralike appearance early, arch off in 2013 with the broadly acclaimed distinct “Versace” (No. 99 pop, No. 15 R&B/HH Airplay), a three-minute clue on which Quavo says the titular appearance designer’s name added than 100 times. “Bad and Boujee” dials aback Migos’ affection for alliteration a tad, but Metro Boomin’s clue is still hypnotic, alternate by a aphotic piano assessment and a alternating allurement synth line. The distinct alone in October and kicked about for a few weeks afore the anniversary season, aback the song’s aperture band began infecting rap admirers beyond the country—and about the world:

Unlike “Black Beatles”—which spent seven weeks on top of the Hot 100 fueled by the Mannequin Challenge, a meme not absolutely accompanying to the agreeable of Rae Sremmurd’s song—“Bad and Boujee” has, in effect, become its own meme. In the ambience of the song, “Raindrops—drop top” is meant to set a scene: a aggregation anchored in a glassy convertible, putting up the roof to accumulate out the rain and hotbox the car. But on amusing media over the holidays, it’s become an advantageous pick-me-up—just audition that aperture piano “DONNGGGG!” and Offset’s “You apperceive …” provides affirmed amusement in around any alien context.

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Not all of this social-media LOLzing counts for the Hot 100—just the versions of the meme that use the aboriginal recording and wind up on YouTube. But Billboard letters affluence of those: “B&B” racked up 19.3 actor YouTube streams during the chart’s tracking week, and that was afore Donald Glover alleged it “like … the best song ever” at the Globes. (Any fallout from Glover’s shoutout—including his added pronouncements about the song’s party-starting and amative qualities—won’t accept any blueprint appulse until the abutting Hot 100.) Unsurprisingly on a hit like this, the streaming-and-memeing accessible is out way advanced of the music-biz gatekeepers—in the anniversary it topped the big chart, “B&B’s” radio admirers was a bashful 20 million, and it hasn’t alike fabricated Billboard’s Radio Songs blueprint yet. (Of course, “Black Beatles” and “Panda” additionally both started about alone as alive hits afore eventually acceptable top 10 airplay hits.) “B&B” additionally isn’t a awfully huge seller—it has yet to top the Agenda Songs chart, and alike in its boastful anniversary on the Hot 100, the song’s agenda downloads are alone 76,000, one of the everyman account sales totals for a No. 1 hit in the agenda era.

We should apparently get acclimated to this pattern. With the casual exception, alive is activity to drive best No. 1 hits from actuality on out. That’s acceptable account for hip-hop fans, as I predicted a half-decade ago and re-emphasized in aftermost month’s Slate Music Club. At the acme of 2010s club-pop, it was not alone adamantine to account what would acknowledge atramentous music’s position on the pop archive but additionally difficult to brainstorm that acerbic street-driven allurement hits would arise to dominate. Go advanced and comedy “Panda,” “Black Beatles,” and “Bad and Boujee” aback to back—that’s a lot of minor-key synth stabs and arced wordplay. As rap No. 1s go, these aren’t absolutely affair advance like “Whistle” or rap-lite hybrids like “See You Again.” Interestingly, Billboard claims the back-to-back success of “Beatles” and “Boujee” represents the aboriginal alternating rap No. 1’s aback a brace of T.I. advance from the abatement of 2008, “Whatever You Like” and “Live Your Life”—but alike those smashes by an Atlanta superstar had added pop crossover broiled into them than “Beatles” and “Boujee” do. (As a blueprint phenomenon, I’d say the Sremmurd–Migos blueprint bond is afterpiece to 2006’s alternating No. 1’s “Laffy Taffy” and “Grillz,” or 2004’s “Slow Motion” and “Lean Back.”)

The blueprint that brought artery rap aback to the top of the ancestor is simple: Hip-hop dominates streaming, and alive now dominates the music business. It’s a accessible admonition that often, abstruse accouterment are what change the appearance of our art. On the added hand, what all of these contempo allurement smashes accept in accepted is that they’re striver’s anthems, allotment of a continued attitude in hip-hop. “Panda” was about appetent a adorned ride; “Black Beatles” is about adulatory for cross-cultural stardom. As for “Bad and Boujee,” as accessible as it is to focus on its aperture line, the blow of the song, an ode to dating a college chic of avaricious yuppie, is about ascent to a college socioeconomic status: “We came from nothin' to somethin’, n---a.” These aspirations to the acceptable activity assume to be address bake-apple for Migos: In accession to their chart-topping hit they, like Desiigner, afresh active with G.O.O.D. Music, the label-cum–management aggregation run by Kanye West, a man who places a exceptional on avaricious striving.

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It’s a accessible admonition that often, abstruse accouterment are what change the appearance of our art.

Whatever high-tech accident brought about rap’s alarm beat aback to the top of the pops, we arise to accept accustomed at an arising pop affair that’s according genitalia corruption and yearning. Which makes a affectionate of faculty as we attempt into a new American era. As we activate to agitation how art will acknowledge to the approaching crisis that is President Trump, our hit array is already on the move. Later this week, Inauguration Day may abridgement for name-brand music—deservedly—but whether there are raindrops or ablaze sun in Washington, you can assumption what the soundtrack to that day’s tweet-stream will be.

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