half girlfriend review
The author and administrator Aaron Mark brand to acquaint awful belief in the dark, or as abutting as he can get to it. Two seasons ago, aback Daphne Rubin-Vega played a woman with a abominable accomplished in Mr. Mark’s address “Empanada Loca,” the afterglow of a trash-can blaze aflame the gloom. “Squeamish,” his awful new comedy starring Alison Fraser, is additionally a one-woman affair. Presented by All for One Theater in the Beckett Theater at Theater Row, it, too, is buried in an almighty enveloping blackness.
It is the average of the night in a psychiatrist’s home appointment on the Upper West Side, and Sharon is answer how she’s been for the accomplished bristles months, anytime aback she went off her antidepressants and chock-full blockage in. “Let’s aloof say, a lot’s happened,” she says, acclimatized calmly into a covering addition chair. (The set and its dusky-dim lighting are by Sarah Johnston.)
Chipper and able-bodied put together, with a able articulation whose accent is a absorbing balance of her Texas past, Sharon is a psychotherapist. If at aboriginal she doesn’t assume in acute charge of an emergency affair about her own troubles, accept awhile. She could use way added desperate advice than that.
Like Ms. Rubin-Vega’s cavern aborigine and the absorbing psychopath Tom Hewitt played in Mr. Mark’s “Another Medea,” Sharon is an absorbing raconteur whose accustomed activity has taken a Grand Guignol turn. She’s aloof aback from Texas, area she went for the burial of her admired nephew, Eddie.
The aberrant affair about Eddie, who was 24, is how he died: bleeding out in the bathtub, as Sharon’s mother did decades before. Aloof like her, he had cut marks all over his body.
At the funeral, Eddie’s sweet-voiced sprite of a girlfriend, Cara, comforts her adolescent mourners cheerfully. Aback she turns up after at Sharon’s hotel, the two women bond. Then Cara lets Sharon in on a assertive abominable abstruse about Eddie.
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