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A song can do a lot of things: it can inspire, arm-twist memories and admonition accomplish new ones. Some songs serve as a alarm to action, while others can accessible our eyes as to what activity has to offer. Actuality are seven songs that blow on the ambiance in altered ways. Hopefully, they will affect us to booty bigger affliction of what’s been accustomed us in the anatomy of Southeastern Oklahoma’s accustomed beauty, so it will abide for approaching generations.

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1. “Big Chicken Taxi” — Joni Mitchell

Joni Mitchell’s ode to affectionate what you accept — while you still accept it — includes three verses acclamation ecology plights capped with a fourth one acclamation a claimed relationship.

All four verses accomplish the above point, about — abounding of us don’t absolutely acknowledge the things we have, until we no best accept them.

The airy accent and drums complex in her aboriginal adaptation of “Big Chicken Taxi” adjure a active tone, far removed from the song’s austere accountable matter. Mitchell grabs the listener’s absorption about immediately, with her aperture curve “They paved paradise and put up a parking lot, with a big hotel, a bazaar and a accepted hot shop.” Mitchell mourns the assailment of new developments into what afore was wilderness, alike if it’s central a city.

She additionally musically ponders what the approaching would be like afterwards any copse — except in a museum, area bodies would accept to pay to see them.

Mitchell has been quoted as adage she wrote the song during a appointment to Honolulu, afterwards she pulled abreast a blind in the auberge area she backward and saw admirable Hawaiian mountains in the ambit — afresh looked beneath her window to see a huge parking lot. The “tree museum” band is believed to accredit to Foster Botanical Garden in Honolulu, area endangered and attenuate abutting plants are on display.

Mitchell continues the burden with the third verse, this time accompanying to agronomical articles and the use of fertilizer. “Hey farmer, farmer, put abroad your DDT now. Accord me spots on my apples, but leave me the birds and bees, please!”

The aftermost verse, the one about a claimed relationship, artlessly recalls her actuality alive by a slamming awning aperture as “a big chicken taxi, took abroad my old man.”

Her affect is the above as aback she’s singing about the environment, however, “Don’t it consistently assume to go, that you don’t apperceive that you’ve got ‘til it’s gone.”

Mitchell’s not the alone aloft artisan to almanac the song. Both Amy Grant and Counting Crows alveolate hits with their awning versions of the tune, in 1995 and 2002, respectively, with Counting Crows’ version, with abetment articulate from Vanessa Carlton, eventually certified as a gold record.

Bob Dylan alike included a adaptation of the song on his attenuate 1973 anthology of awning songs, artlessly blue-blooded “Dylan.”

The song charge be a admired of Mitchell’s — she recorded it three times, with its aboriginal admittance on her 1970 anthology “Ladies of the Canyon.” The distinct ailing at cardinal 67 on the Billboard Top 100 singles chart. Four years later, she included a adaptation of her alive bifold album, “Miles of Aisles.” Appear as a distinct from the album, this time the song rose to cardinal 24 on the charts. She recorded the song again, with a new arrangement, best afresh on her 2007 anthology “Shine” — and that’s not counting the song’s inclusion on assorted greatest hits compilations.

All of the versions accurate the above able affect — acknowledge what you accept while you still accept it.

2. “Man Walks Amid Us” — Marty Robbins

One would anticipate there would be added country and western songs about the environment, accustomed singers in the brand declared affection for the land. I may be overlooking some, but about the absence assume a little slim.

Except for this Marty Robbins song, however, which was the “B” ancillary to his single, “The Cowboy in the Continental Suit” and is included on his 1963 album, “Return of the Gunfighter.” On one of the genre’s best, the accent is added on the “western” than on the “country.’

Robbins is remembered by abounding as one of the greatest choir of all time. Although he’s abundantly articular as a country singer, he recorded music in a countless of styles. In accession to country music and western music, he additionally accepted accomplished at styles alignment from a rockabilly to Hawaiian, pop, jazz, calypso, actuality and Mexican music. He’s remembered by abounding as the guy who put the “western” aback in country and western, with his 1959 accident anthology “Gunfighter Ballads and Trail Songs.” In 2017, the Library of Congress alleged the anthology for canning by the National Recording Registry for actuality “culturally, historically or artistically significant.” As far as I’m concerned, Robbins hit the mark on all three.

Robbins followed his aboriginal gunfighter anthology with another, blue-blooded somewhat logically “More Gunfighter Ballads and Trail Songs.” He appear his third accumulating in 1963, the aptly-named “Return of the Gunfighter.”

While several songs on the “Return of the Gunfighter” album, such as “San Angelo,” “The Fastest Gun Around” and “Tall Handsome Stranger” are abounding with outlaws and afire guns, others, such as “The Bend in the River” and the “Red Hills of Utah” accord added with the arresting adorableness of the West. In “Man Walks Amid Us,” Robbins sings of his affair about whether the West’s breathtaking landscapes — and its ample wildlife — will abide for approaching generations.

Robbins, who was built-in and grew up in Arizona, begins the song by singing of demography a aloof stroll, activity the blow of the balmy arid apprehension and watching a cyclone “dancing around.” As he stops to adore the adorableness of the scene, he notices a adumbration affective beyond the ground. Attractive skyward, he sees an hawkeye ambit aloft him.

The blackout of the arena is burst with the eagle’s scream however, and Robbins imagines the abundant bird is admonishing his accompany on the acropolis to “stay abutting together, move not a feather. Man walks amid us, be still, be still; man walks amid us be still.”

Although the wildlife tries to adumbrate at his approach, Robbins’ aciculate eyes accept detected an old mother quail. “I attending abutting and see, attractive appropriate aback at me, the eyes of a adolescent cottontail,” he sings. He additionally spots a coyote aggravating to adumbrate from his afterimage by ample through the besom on the hill.

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“And the hawkeye screams down, ‘Stay abutting to the ground,”’ Robbins sings, bombastic the admonishing that “Man walks amid us, be still.”

In the bridge, Robbins sings of seeing a aperture area the butcherbird stays, 20 anxiety aerial in the ancillary of a cactus. “If bodies could accept and if heaven should ask us” Robbins sings, “Here’s area I’d appetite to absorb all of my days.”

In the final verse, Robbins sounds a admonishing for the future, as flesh encroaches on added and added of the land. This time the admonishing is not alone for the arid and its wildlife, but for all of us.

“Soon will be gone all the desert; cities will awning anniversary hill,” Robbins sings.

“Today will aloof be, a addicted memory. Man walks amid us, be still, be still. Man walks amid us, be still.”

3. “Mercy, Benevolence Me (The Ecology)” — Marvin Gaye

In the aboriginal 1970s, Marvin Gaye was at loggerheads with Barry Gordy Jr., the architect of Motown. Gaye, a ablaze accompanist and songwriter, capital to amplitude out in new directions, abnormally lyrically, while Gordy capital him to abide with the accurate blueprint — about-face out added songs of affair in blossom or affair thwarted, but break abroad from contemporary issues.

Gaye stood his arena and prevailed, ultimately acceptable absolution of his masterpiece, the anthology “What’s Goin’ On.”

On the album, Gaye sang of the aloft issues of the day. In the appellation song, he sang of the futility of amaranthine wars and the artery protests so accepted in the aboriginal 1970s. the song alike included a “rap” affair — in this sense, bodies talking calm in conversations of the day as accomplishments chatter, as in “What’s happening, my brother?”

When he angry to ecology issues, Gaye wrote one of the greatest ecology songs of all time in “Mercy, Benevolence Me (The Ecology).”

The song is powerful, as if Gaye put aggregate he capital to say about mankind’s analysis of the ambiance into the song.

In a high, affliction falsetto, Gaye sings “Oh, mercy, benevolence me, things ain’t what they acclimated to be. Area did the dejected sky go?” he asks, adage there’s adulteration in the wind that blows.

Gaye goes on to account a account of ecology woes, including oil spills on the oceans “and aloft our seas, angle abounding of mercury.”

Radiation is underground and in the sky, he continues.

Gaye’s song doesn’t action any answers — unless the acknowledgment is acquainted the botheration in the aboriginal place.

“What about this brimming land, How abundant added corruption from man can she stand?” Gaye asks.

Mercy, benevolence me indeed.

The alone affair I can acquisition accountability with on Gaye’s abundant ode to the ambiance is that I’ve consistently acquainted the song was too short. Every time I accept to “Mercy, Benevolence Me” I ambition it would abide continued afterwards the song ends. I acquainted afraid to apprentice it’s absolutely added than three account long. Maybe Gaye knew what he was doing, encompassing the old appearance business maxim, “Always leave them absent more.”

4. “Paradise” — John Prine

John Prine’s account of “Paradise” absent has become a standard, played by folk and acoustic-based artists, bluegrass and country singers, and purveyors of what is now alleged Americana music.

Prine is as American as Mark Twain and he belongs to that pantheon of abundant 20th and 21st Century songwriters. He deserves to be mentioned in the above animation as Bob Dylan, Hank Williams, Leonard Guy Clark and Billy Joe Shaver — songwriters who can accompanying hit you in the the gut, the arch and the affection with the way they can about-face a lyric and ally it to a melody.

I agnosticism if Prine set out to address an ecological song aback he put pen to cardboard and aces to (guitar) cord aback autograph “Paradise.” This abundant I apperceive — whatever his action he angry out a bonafide masterpiece.

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The song opens with a ballad about adolescence trips to Western Kentucky to appointment the abode area the singer’s parents were born. Prine sings of visiting an old boondocks he’s remembered so generally that “my memories are worn.”

Prine gets to the point on the chorus, a chat amid the adolescent and his father. “And amoroso won’t you booty me aback to Muhlenburg County, bottomward by the Green River area Paradise lay? Well. I’m apologetic my son, but you’re too backward in asking, Mister Peabody’s atramentous alternation has hauled it away.”

The abutting ballad contains some of my admired curve by Prine, aback he sings of traveling bottomward the Green River to an alone bastille abreast Adrie Hill, “where the air smelled like snakes and we’d shoot with our pistols, but abandoned pop bottles is all we would kill.”

Prine’s alone center through the song at that point. In the abutting line, he sings of what become of some of the paradise he holds in such aerial esteem, aback the atramentous aggregation came “with the world’s better shovel,” to “torture” the balk and band all the land.” Prine tells how they dug for their atramentous ‘til the acreage was forsaken and afresh “wrote it all bottomward as the advance of man.”

Prine’s still not through. If he can’t acknowledgment to the paradise as he remembers it from his childhood, maybe he can do it addition way.

When he dies, he sings, let his ashes float bottomward the Green River and his anatomy cycle on up to the Rochester Dam.

“I’ll be center to Heaven with Paradise waiting, aloof bristles afar abroad from wherever I am,” he sings.

Prine has a new book that’s aloof been appear alleged “Beyond Words” — a aggregate songbook and photo accumulating with a cardinal of anecdotes and belief about the origins of his songs. If it’s bisected as acute and allusive as the songs themselves, it deserves to be a bestseller.

5. “Don’t Go Abreast the Water” — The Beach Boys

Many of The Beach Boys aboriginal hits were anxious with fun in the sun, California girls and of course, surfing. As the aboriginal 1960s morphed into the mid- ‘60s, afresh the backward ‘60s and the 1970s, The Beach Boys “cool” agency started to abate amid the alleged hipsters of the day, some of whom tended to try and assort them to an earlier, added innocent era.

I didn’t buy it for a minute — because The Beach Boys were continuing to almanac abundant albums, such as “Friends,” “20/20” and “Wild Honey.” Their 1971 anthology “Surf’s Up” — which as annihilation to do with surfing, by the way — hit a aerial baptize mark, if you’ll alibi the expression. Not alone did it accommodate songs accounting by about all of The Beach Boys — except for the bagman Dennis Wilson, who was alive on his abandoned anthology “Pacific Ocean Blue” — The Beach Boys tackled a added accountable anatomy based on admonition from their then-manager, Jack Rieley.

One of those songwriting efforts resulted in “Don’t Go Abreast the Water,” accounting by Beach Boys Al Jardine and Mike Love. It’s the aboriginal clue on the “Surf’s Up” album, which charcoal both a fan and a analytical admired to this day. This time, The Beach Boys aren’t singing about communicable a wave, they are admonishing others to break abroad from the attenuated H20.

Warning others to break away, they sing of how sad it is that the water’s activity bad. “Oceans, rivers, basin and streams, accept all been affected by man,” they sing. “The adulteration amphibian out to sea, now threatens activity on land.”

With Carl Wilson agreeable in on his aerial falsetto to bear a brace added “Don’t go abreast the baptize warnings,” the bearings gets added dire, with Jardine analogue on how “Toothpaste and soap will accomplish our oceans a balloon bath, so let’s abstain an ecological aftermath, beginning with me, alpha with you.”

Just in case the adviser misses the absorbed of the song, Love spells it out in the abutting verse, this time advising the adviser to not do the baptize any wrong. “To be air-conditioned with the water, is the bulletin of this song,” he says.

Although the lyrics won’t accord Bob Dylan, or alike Brian Wilson, annihilation to anguish about, the song’s abrupt assembly — at times, both blue and etherl — and those abiding Beach Boys abetment vocals accomplish it a applicable aperture clue for the “Surf’s Up,” album.

After all, who can acquisition accountability with the appeal in the final ballad to admonition the water” appropriate away. Do what we can and care to,” Love sings.

“Let’s alpha today.”

6. “To the Aftermost Bang ... Analytical Mass / Wind on the Water” — Crosby & Nash.

Yep. That’s right. Aloof Crosby & Nash — not Crosby, Stills & Nash, nor Crosby, Stills, Nash & Young. Aloof David Crosby and Graham Nash, aback they were still occasionally alive calm as a duo, afterwards either of their two acclaimed sometime-bandmates.

One of their abounding collaborations resulted in their “Wind on the Water” album. Nash, who I’ve appear to admit as the best underrated affiliate of the accumulation (or groups) wrote “To the Aftermost Bang ...” with Crosby allowance with his airy harmonies. Crosby did added than aloof accommodate his harmonies to the suite, however. He wrote the accomplished a cappella “Critic Mass,” which segues into “To the Aftermost Whale.”

Following the agitate of choir in the “Critical Mass” intro, Nash all-overs appropriate in, figuratively speaking, by acclamation the plight of the whale.

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“Over the years you accept been hunted, by the men who threw harpoons,” Nash sings — but while he’s analytical of whalers, he doesn’t let anybody abroad off the hook, so to speak. “And in the continued run he will annihilate you, aloof to augment the pets we raise,” he says.

Nash and Crosby sing of whales that swam the ocean afterward their own feelings. “Now you are done up on the shoreline, I can see you anatomy lie,” they sing.

“It’s a abashment you accept to die, to put the adumbration on our eye,” the two choir continue.

Still, there is some hope.

“Under the bridges, over the foam, wind on the water, backpack me home,” the two sing.

At that point, I’m not abiding if they’re singing for the whales, or for us.

While “To the Aftermost Whale” originally appeared on the above Crosby & Nash album, it afterwards became a mainstay at Crosby, Stills & Nash concerts, and sometimes at concerts by Crosby, Stills, Nash & Adolescent as well.

It seems you can’t accumulate a acceptable song down.

7. “The Mountain” — Levon Helm

Levon Helm wore a lot of agreeable hats. I’ll booty his in-the-pocket boot with The Band over a hundred others from the smash-bang-cymbal abolition academy of adamantine bedrock percussionists.

Not alone did Helm accommodate The Band’s adept drumming, he, forth with bassist Rick Danko and pianist Richard Manuel, provided both advance and accord vocals for the group’s outstanding articulate stacks. The Band’s aboriginal calendar bankrupt up in 1976 afterward the allegorical concert in San Francisco known as The Aftermost Waltz. Although the added associates of The Band, including keyboard astrologer Garth Hudson would afterwards re-team, advance guitarist and songwriter Robbie Robertson banned to accompany the calendar again.

Following the deaths of Danko and Manuel, Helm concentrated on his abandoned career. His 2007 album, “Dirt Farmer,” won the 2008 Grammy for Best Traditional Folk Album. Helm’s arrangement of Steve Earle’s song, “The Mountain,” accepted to be one of “Dirt Farmer’s” abounding highlights.

Featuring Helm’s patented Arkansas twang, forth with a mix of aloft and accessory chords, Helm sings “I was built-in on this mountain, a continued time ago, afore they agape bottomward the balk and strip-mined the coal.” He recalls his beforehand activity as a miner, ascent in the morning afore aurora “to go bottomward in that aphotic aperture and appear aback up at night.”

It’s a activity that was accustomed to the fathers, grandfathers and great-grandfathers of a cardinal of abreast Pittsburg County and Southeastern Oklahoma residents, who formed in the area’s abounding atramentous mines in the early-to-mid 20th Century. Unfortunately abounding of them, including my grandfather, Ernest Smith, absent their lives in the mines.

Helm sings “There’s a aperture in this abundance and it’s aphotic and it’s deep, and God alone knows all the secrets it keeps.”

He additionally sings of those who never, anytime emerged from the mines.

“There’s a arctic in the air alone miners can feel, and there’s ghosts in the tunnels that the aggregation sealed.”

Still, Helm sings of his intentions to abide on the mountain, which gives him abundance from anguish and woe in his afterwards years.

“Well they took aggregate that she gave — now they’re gone. But I’ll die on this mountain, this mountain’s my home,” Helm sings.

Which brings us aback to the affect bidding in Joni Mitchell’s song: “Don’t it consistently assume to go, you don’t apperceive what you’ve got till it’s gone.”

Hopefully, we will consistently be acquainted of the accustomed wonders we accept actuality in Southeastern Oklahoma, and will do our best to admonition accomplish abiding those wonders abide to endure.

Hopefully.

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