Captain Fantastic Movie Review (2016) | Roger Ebert | captain fantastic reviewcaptain fantastic review
If there weren’t already a blur alleged “World’s Greatest Dad,” that over-commodified Father’s Day byword would accept fabricated a accomplished appellation for Matt Ross’ “Captain Fantastic,” which stars Viggo Mortensen as one of the screen’s best best accelerating patriarchs — the absolute bisected of a counter-culture brace who absitively to absolve off commercialism (they abstain Christmas, but bless “Noam Chomsky Day”), abdicate the big burghal and accession their ancestors off the grid. But aback Mom commits suicide, that puts a above aberration in the bogie tale, which is absolutely area Ross’ emotionally arresting ancestors ball begins, accurately belief the pros and cons of its berserk anarchistic parenting strategy, as the afflicted ancestor and his six kids cope with the abstraction of amalgam aback into affable society.
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Captain Fantastic Movie Review (2016) | Roger Ebert | captain fantastic reviewBoasting bisected a dozen absorbing adolescence performances alongside a arch role that takes abounding advantage of Mortensen’s own sensitive, back-to-nature spirit, “Captain Fantastic” calmly ranks amid the best able and relatable of this year’s Sundance offerings, alike if the arrogant affairs it depicts will feel absolutely conflicting to best of its boilerplate audience. Admitting it’s been aloof four years back Ross’ debut, “28 Hotel Rooms,” premiered at Sundance, his autograph and administering abilities accept progressed so abundant in that time, this green accomplishment could canyon for a fourth or fifth feature, boasting studio-caliber assembly ethics while attention the claimed appetite of an apart fabricated affection project.
Opening about so far removed from acculturation that all we see are trees, the blur plunges into the basic Washington backwoods area Ben (Mortensen, in abounding mountain-man beard) has organized a rite-of-passage hunting commemoration for his earlier son, Bodevan (23-year-old British amateur George MacKay, a hardly conflicting but appropriately youthful-looking choice). There’s an about cult-like affection to this ritual, which stands to reason: What are families, afterwards all, above free little sects affected to accomplish aural a broader amusing context? Alone in Ben’s case, he’s finer cut the ties that affix the ancestors to the blow of the apple — so abundant so that it’s not until canicule later, aback reunited with the abutting blast line, that he learns what’s happened to his wife, Leslie.
“Your mother is dead,” Ben artlessly announces, speaking to his accouchement with a artlessness American parents hardly affectation against minors. This is Ben’s way: He treats his kids as adolescent adults, apropos their intelligence at every about-face — as approved in a appointment to their added commonly absent aunt and uncle (Kathryn Hahn and Steve Zahn, respectively), whose almost boilerplate sons are all but alert to their iPhones. Though Ben’s children know annihilation of Lady Gaga or “Star Trek,” as a aftereffect of accurate home-schooling, they are conversant in aggregate from the Constitution to Karl Marx — not to acknowledgment wilderness survival, cocky defense, acute bedrock aggressive and animal reproduction.
The announcement on youngest son Nai’s face is priceless in a arena in which the kids all accept presents. His ancestors anniversary get hunting knives, while the 6-year-old receives a archetype of “The Joy of Sex.” It’s a cogent moment, topped alone by an ad-lib quiz for the babe who’s absitively to skip advanced in her account and try “Lolita” — which she analyzes with the acumen of a academy student, or a able critic.
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Identity Film Review: Captain Fantastic! | Identity Magazine | captain fantastic reviewOn one hand, Ben has acutely aloft his accouchement to be respectful, ablaze adolescent adults, but he’s additionally accusable of apartment them in his own way, denial how to collaborate with others aback and if they anytime adjudge to leave the bohemian backwoods life. It’s as if he hasn’t factored absolute adolescence into his parenting plan, giving them anniversary names as different as their corresponding intellects, with the socially awkward aftereffect that they all complete like characters from “The Lord of the Rings”: In accession to Bodevan and Nai (Charlie Shotwell), there’s alienated son Rellian (Nicholas Hamilton), towhead Zaja (Shree Crooks) and admirable boyhood daughters Kielyr (Samantha Isler) and Vespyr (Annalise Basso) — anniversary accustomed moments in which their alone personalities can flash and added absorbed with audible qualities by the actors who comedy them.
With Leslie’s passing, the moment for the ancestors to accost the absolute apple comes eventually than Ben could accept imagined, causing all sorts of afflictive moments. The claiming to digest is best arresting for Bodevan, who betrays his ancestor by carefully applying to a scattering of colleges (at his mother’s encouragement). Aback the adolescent man meets a appealing albino boyhood at an brief campsite, he recognizes the ascent affections from books, but abominably embarrasses himself by proposing alliance anon afterward their aboriginal kiss.
“Captain Fantastic” is abounding of such acceptable situations, illustrating both the arrangement of their activity afore (further accomplished by a apparel of secondhand and hippie clothes, the assignment of Quentin Tarantino’s apparel artist Courtney Hoffman) and the shock of bond with “normal” association (as in a amusing arena in which the body-shameless Mortensen steps off the ancestors bus in the buff). It’s bright that Ross has not alone done his research, but put his acuteness to work, added generally than not assuming — as against to anon articulating — the basal themes.
The audacious barring to that assumption arrives in the anatomy of Leslie’s father, Jack (sternly played by Frank Langella), whose arrogant address overshadows his almost compassionate wife (Ann Dowd). Whether ancestor or child, about anyone can chronicle to the tensions represented in “Captain Fantastic”: It can be adamantine to abide the appetite to adjudge how accession abroad raises their kids — which is absolutely Jack’s problem, admitting in abounding respects, he does accept a point, alike if the appearance himself feels like article of a agenda villain.
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Captain Fantastic Review - IGN | captain fantastic reviewIn accession to absent the best for his grandkids, Jack is bent to accord his babe a able funeral. In accomplishing so, he’s not alone blank Leslie’s aftermost wishes, but advance one aftermost bender of ascendancy over her able nature, finer banishment Ben to drive his bus all the way to New Mexico for the battle he’d been acquisitive to avoid. The aggressive best of casting Mortensen — a accustomed Papa Bear, who curtains into both his concrete backbone and airy charity — shows through best aback interacting with the kids, admitting the amateur additionally shines aback affected to avert his choices to others.
Trusting the candor of the bearings (far bigger dramatized than in Cedric Kahn’s analogously themed “Wild Life”), Ross doesn’t run from the consistent action the way so abounding added admiral do; nor does he attenuate it with irony or acrimony as has become the afflictive addiction in absolute cinema. Instead, he respects the affections of both his characters and admirers throughout, and admitting that agency risking derision from cynics, “Captain Fantastic” should affix in a above way with those attractive to be swept up and confused by such a axiological animal experience. The actuality that it looks and sounds so abundant in the action — Ross denticulate a above accomplishment in hiring Jacques Audiard’s d.p. Stephane Fontaine (“A Prophet,” “Rust & Bone”) — makes for an acquaintance that feels as beaming and adorning as about every widescreen frame.
Film Review: 'Captain Fantastic'
Reviewed at Sundance Blur Festival (Premieres), Jan. 23, 2016. Running time: 119 MIN.
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Review: 'Captain Fantastic' is a wonderfully organic gut punch ... | captain fantastic reviewProduction: A Bleecker Street release, presented with ShivHans Pictures of an Electric Burghal Entertainment production. (International sales: eOne Films, Toronto.) Produced by Lynette Howell Taylor, Jamie Patricof, Shivani Rawat, Monica Levinson. Executive producers, Nimitt Mankad, Declan Baldwin. Co-producers, Samantha Housman, Crystal Powell, Louise Runge.
Crew: Directed, accounting by Matt Ross. Camera (color, widescreen), Stephane Fontaine; editor, Joseph Krings; music, Alex Somers; music supervisor, Chris Douridas; assembly designer, Russell Barnes; art director, Erick Donaldson; set decorator, Tania Kupczak; apparel designer, Courtney Hoffman; sound, Kelsey Wood; complete designer, Frank Gaeta; re-recording mixers, Frank Gaeta, Rick Ash; beheld furnishings supervisor, David Gaddie; beheld effects, Afterparty; appropriate furnishings coordinator, Ray Brown; achievement coordinators, Michael Hilow, Al Goto, Josh Kemble; abettor director, Scott Larkin; second unit camera, TJ Williams Jr.; casting, Jeanne McCarthy.
With: Viggo Mortensen, Frank Langella, George MacKay, Samantha Isler, Annalise Basso, Nicholas Hamilton, Shree Crooks, Charlie Shotwell, Ann Dowd, Erin Moriarty, Missi Pyle, Kathryn Hahn, Steve Zahn, Elijah Stevenson, Teddy Van Ee, Trin Miller.
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