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T-PAIN at Gramercy Theater (Oct. 24, 7 p.m.). A decade ago, at the acme of T-Pain’s fame, the abstraction of an acoustic appearance would accept articulate like a bite line: The artist best carefully articular with the aesthetic use of the vocal-processing software AutoTune, assuming after its assistance? Who would appetite to apprehend that? The acknowledgment is absolutely a few people, as approved by a actual accepted online blow of T-Pain assuming at NPR’s offices in 2014. This month, the accompanist is afterward through on that appeal with an acoustic bout of comfortable venues, including this Tuesday night show.

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800-745-3000, thegramercytheatre.com

WOLF PARADE at Brooklyn Steel (Oct. 21, 8 p.m.). “All right, let’s fight, let’s acerbity adjoin the night,” Spencer Krug of Wolf Parade sings on “Lazarus Online,” the aperture clue on “Cry Cry Cry,” his band’s aboriginal anthology in seven years. It’s an apt adage for the group, whose angry prog-rock songs — by Mr. Krug and Wolf Parade’s added singer-songwriter, Dan Boeckner — generally acquisition ability in adamant determination. With abutment from the supercharged pop-punk act Charly Bliss.bowerypresents.com/brooklyn-steel

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SIMON VOZICK-LEVINSON

CITA RODRÍGUEZ Y SU ORQUESTA at the Hostos Center for the Arts and Culture (Oct. 21, 7:30 p.m.). Cita Rodríguez boasts a balmy and antic voice, and prowls the date with a faculty of acceptable command. A New Yorker of Puerto Rican descent, she sings of adulation and heritage, generally in the adventurous bolero style. At this concert, Ms. Rodríguez pays accolade to her father, Pete Rodríguez, accepted as El Conde, a brilliant diva who sang in the 1960s with the affecting bandleader Johnny Pacheco afore acceptable a founding affiliate of the Fania All-Stars and eventually embarking on a abandoned career.718-518-4455, hostos.cuny.edu/culturearts

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BOBBY SANABRIA MULTIVERSE BIG BAND: ‘SALSA MEETS JAZZ FOR PUERTO RICO’ at Le Poisson Rouge (Oct. 23, 7:30 p.m.). Mr. Sanabria, a New York percussionist, is a adept practitioner and a admired historian of Afro-Latin drumming. In this account concert, his Multiverse Big Band is abutting by a spilling account of all-star guests: Paquito D’Rivera, David Amram, Brenda Feliciano, Felipe Luciano, Jimmy Owens, Larry Harlow and others. Proceeds will account the Applesauce Foundation of America’s efforts to abetment musicians in charge in Puerto Rico.212-505- 3474, lpr.com

ANGELICA SANCHEZ at Bar Lunático (Oct. 23, 8:30 p.m.). Ms. Sanchez, a pianist, improvises with brittle delivery and able-bodied command. Her chords, both close and concise, account chargeless improvisations that reflect Ms. Sanchez’s accurate absorption to anecdotal clarity. This year she appear a able leash album, “Float the Edge,” abounding of acute ability and alive interplay. She’s abutting actuality by the bassist from that record, Michael Formanek, and the bagman Reggie Nicholson.718-513-0339, barlunatico.com

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YOSVANY TERRY AND BAPTISTE TROTIGNON at Applesauce Standard (Oct. 26-29, 7:30 and 9:30 p.m.). Mr. Terry, a able and baking alto saxophonist acclamation from Cuba, afresh partnered with Mr. Trotignon, a French pianist of bouncing sensitivity. The aftereffect was “Ancestral Memories,” an agreeable album, out this year, that explores the African banishment through the lens of French colonial incursion. Mellifluous and buoyant, these tunes ball with a well-plotted grace. Mr. Terry and Mr. Trotignon present that music here, abutting by the bassist Yunior Terry (Yosvany’s brother) and the bagman Clarence Penn.212-576-2232, jazzstandard.com

TOWN HALL ENSEMBLE at Town Hall (Oct. 22, 3 p.m.). Over its 96-year history, the Town Hall has apparent added than its allotment of celebrated moments. Built by a women’s rights organization, it has hosted contest of abundant aesthetic appetite and political consequence, generally both at once. The anew formed Town Hall Ensemble’s repertoire refers aback to above presentations from throughout that acclaimed history. This admission appearance will accommodate tunes aboriginal performed there in 1947 by Dizzy Gillespie and Chano Pozo; a allotment articulate by the Jewish cantor Moishe Oysher at an anti-Nazi fund-raiser in 1944; and music from Coretta Scott King’s Freedom Concerts in the 1960s. Led by the trumpeter Steven Bernstein, the alternating ensemble appears actuality in a star-studded, 14-piece iteration, and will be abutting by a slate of appropriate guests.212-997-6661, thetownhall.org

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LARRY WILLIS AND THE HEAVY BLUE BAND at Smoke (Oct. 20-22; 7, 9 and 10:30 p.m.). A active pianist with a affable but animating touch, Mr. Willis has followed a ambagious career path: He accompanied Jackie McLean, Dizzy Gillespie and Cannonball Adderley; played for seven years in the bedrock admixture accumulation Blood Sweat & Tears; and formed in the seminal Latin applesauce Fort Apache Band. In 1990, he appear a able anthology alleged “Heavy Blue,” spotlighting his own ear-catching postbop compositions. Actuality he reprises that appellation with a altered quintet, featuring Jeremy Pelt on trumpet, Joe Ford on saxophone, David Williams on bass and Victor Lewis on drums.212-864-6662, smokejazz.com

GIOVANNI RUSSONELLO

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