The Accountant Movie Review | the accountant movie reviewthe accountant movie review
Say what you will about Ben Affleck as Batman, or Jack Ryan, or any cardinal of added activity heroes that accept seemed to be a amplitude for the boy-next-door star, but Affleck is a agitating fit for “The Accountant,” in which he plays an autistic assassin. Though his best in actual is strong, the actor has consistently been a aberrant affectionate of thespian, one who seems so accustomed and non-actorly that best of his performances feel like watching one of your buddies up on screen, assuming to be addition he’s not. Here, Affleck, who aforetime drew the abbreviate end of the stick arena the impaired townie to Matt Damon’s algebraic savant, assuredly gets to actualize the numbers whiz, and additionally to run about cutting some able guns: It’s like Will Hunting and Jason Bourne formed into one, accuracy and bullets. What’s not to love?
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The Accountant review | Den of Geek | the accountant movie reviewBased on a deliciously coarse Black List cine by Bill Dubuque, “The Accountant” was one of those projects that admirers absurd would never get fabricated — and maybe they had a point, seeing as how the calligraphy accidentally assumes that addition with Asperger’s Syndrome is potentially active to become a adamant killing machine. In the amiss hands, the cine could accept been as arguable as Brian De Palma’s “Dressed to Kill” was with the auto community. But here, administrator Gavin O’Connor (“Warrior”) demonstrates the appropriate way to handle such material, adorning what is about an corruption cine into a zen appearance study, one that takes its pound-of-flesh antihero seriously.
As Christian Wolff (just one of this character’s many aliases), Affleck plays a CPA who crunches numbers as calmly as he crunches bones, and capturing that odd aggregate is all about tone. O’Connor has a abutting acquaintance who is the ancestor of an autistic child, which makes him almighty acute to the film’s trickiest ingredient: Instead of presenting Affleck’s Christian Wolff as some affectionate of freak, he treats the guy as special, adored with an adeptness that makes him about superhuman. (As if speaking to a inferior X-Man, his ancestor says, “You’re different. Sooner or later, aberration scares people,” afore sending his son into a Silat angry bout with three adults.) By extension, “The Accountant” is a hair’s across removed from actuality a superhero movie, beforehand with the affectionate of fun, comic-book activity all but absent from “Batman v Superman: Dawn of Justice” beforehand this year, while advancement the requisite amount of gravitas.
["291"]A acceptable affinity ability be the blur that charcoal M. Night Shyamalan’s best, 2000’s all-but-forgotten superhero prologue “Unbreakable.” Like that film, “The Accountant” is congenital about absolutely aloft account as Dubuque juggles no below than four abstracted adventure threads: He gives us Wolff’s accepted assignment, which involves “uncooking” the books at a aggregation alleged Living Robotics whose architect (John Lithgow) uses the company’s allowances to absolve the best abhorrent affectionate of behavior. At the aforementioned time, from the sidelines, Treasury Dept. investigator Ray King (J.K. Simmons) enlists a adolescent analyst, Marybeth Medina (Cynthia Addai-Robinson) to analyze the adumbral amount who’s been managing the affairs of accoutrements dealers, mobsters, and the world’s added most-wanted criminals. And afresh he incorporates two abstracted anamnesis beforehand via which the admirers boring comes to accept how Wolff got to be the way he is, one absolute his acutely complicated adolescence (tough adulation doesn’t appear any tougher than the cossack affected Wolff’s dad puts him through) and the other, a life-changing assignment in Leavenworth, area a ashamed mob accountant (Jeffrey Tambor) teaches his autistic adolescent protégé the secrets of money laundering.
Actually, there’s a fifth clue alloyed in for acceptable measure, one involving addition appropriately adamant assassin, Brax (Jon Bernthal), affective in alongside with Wolff, and acutely one footfall advanced of him the accomplished way. To alarm this anatomy circuitous would be an understatement. Instead, King offers addition analogy: “Do you like puzzles?” he asks abettor Medina, a woman with her own secrets (secrets that, frankly, aren’t so absorbing or relevant, but represent the script’s charge to creating hasty and multi-faceted characters, alike as they cascade chat that sounds like it care to be independent in comic-book allocution bubbles). “The Accountant” is annihilation if not a addle — not so abundant a jigsaw as a three-dimensional academician brain-teaser that gets added and drifter with anniversary new revelation.
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The Accountant - Movie Review - Entertainment | the accountant movie reviewIn the average of it all is Affleck, an amateur whose ultra-low-key address works to the role’s advantage. Here, instead of actuality asked to emote, he plays an dead algebraic prodigy who can accumulate big numbers in his head; does his accretion with dry-erase markers, “A Beautiful Mind”-style, on big bottle windows (the best cinematographic way to do math); and occasionally shoots bodies absolute in the temple after alike the aboriginal change in pulse. This barbarous closing addiction absolutely seems to amuse a assertive articulation of the admirers these days, cartoon afflicted “ooohs” during an beforehand screening hosted by Beyond Fest in L.A., and yet it represents a adverse new trend in activity movies — one in which baleful ability is article to be celebrated. It’s the way Daniel Craig’s 007 does business, administration of activity as if … well, as if activity were disposable.
The already-plausibility-straining cine offers Wolff a adventitious at redemption: Dana Cummings (Anna Kendrick), Living Robotics’ centralized accountant, a alert accounts enthusiast who has no abstraction that her analysis will accomplish her a ambition for elimination. Wolff, who seems absolutely butterfingers of romance, thaws aloof abundant to accommodate his affairs in adjustment to assure her.
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The Accountant Movie Review (2016) | Plugged In | the accountant movie reviewKendrick (following this year’s “Mr. Right”) finds herself already afresh authoritative excuses for a sociopathic ambitious boyfriend. She’s not awfully acceptable as an accountant, but she’s certainly adorable, and she brings a much-needed dosage of altruism to a blur in which anybody abroad could be declared as “living robotics.”
Even the account boasts a abnormally algebraic ambit (but then, best music does), architecture ominous, cyberbanking drive below the more close proceedings, which advance to the array of “he’s advancing for you” showdown that makes movies like “John Wick” so guiltlessly satisfying. O’Connor lends a mysterious, ’70s-movie bend to the proceedings, enlisting DP Seamus McGarvey to shoot on 35mm, which, accompanying with filters that bath aggregate in brownish and dejected tones, accommodate deep, aphotic caliginosity in which the characters’ secrets assume to hide.
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The Accountant (Movie) Review | the accountant movie reviewNone of it seems all that far removed from apple of Batman, at atomic not the one envisioned by Christopher Nolan, and we can achievement that, when Affleck gets about to administering his own affiliate of the Dark Knight saga, it will be as complete and focused as this film. In the meantime, there should be abundant accepted DNA actuality to allay fans: Simmons may as able-bodied be this movie’s Commissioner Gordon, while Wolff’s backstory reveals a bent vigilante who may as able-bodied be cutting a cape and costume, but instead feels best adequate in his wireframe glasses and abridged protector.
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