Van Morrison - Who Drove The Red Sports Car - YouTube | van morrison who drove the red sports carvan morrison who drove the red sports car
The WBCN staff, about 1978. / photograph abode of the david bieber archives
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45cat - Van Morrison - Spanish Rose / Who Drove The Red Sports Car ... | van morrison who drove the red sports carIs it accessible that WBCN, the greatest bedrock ’n’ cycle radio base in American history, died bristles years ago this month? Like the bigger bedrock bands, it began as an underground revolution, then—in a brume of sex- and drug-fueled mayhem— adapted radio, went mainstream, enjoyed doubtful banking prosperity, and was ultimately baffled by that success, as its accumulated masters foisted aloft the Bedrock of Boston a alternation of edicts so acrimonious that it concluded up as arid and pre-programmed as the AM-radio dinosaurs it had so creatively displaced.
But alike afterwards its run, ’BCN won’t go away. Aftermost fall, above music administrator Carter Alan appear a history of the station, Radio Chargeless Boston: The Rise and Abatement of WBCN (Northeastern University Press), and a documentary blur is in the works. There isn’t a architecture yet, but Boston archivist David Bieber—who, as a alum student, profiled the beginning WBCN for this annual in 1970, and after formed at the station—has busy key artifacts to the Verb Hotel, a bazaar auberge aperture this ages abutting aperture to WBCN’s above studios.
The base had absurd roots as a classical music aperture (its alarm belletrist continuing for “Boston Concert Network”), but on the Ides of March, 1968, disc jockey Joe Rogers accursed the aboriginal bedrock salvo—Cream’s “I Feel Free.” From that moment, ’BCN became one of a scattering of FM radio stations gluttonous to supplant AM’s supremacy with freeform programming that captured the clinking complete of the counterculture. Emerging acts like Led Zeppelin and the Who segued into jazz, classical, and consciousness-expanding complete montages.
Innovations at ’BCN—like the mix of music, talk, and amusement that Charles Laquidara brought to his morning appearance The Big Mattress—were anon replicated beyond the country. So was its sound: Now-famous megagroups, from Aerosmith and the Clash to the Ramones and U2, all begin aboriginal abutment on 104.1.
During the station’s heyday, its DJs, the music scene, and admirers were all acutely interconnected. Callers to the WBCN Listener Line got admonition on aggregate from new bands to how to survive a bad biologic trip. Jocks weren’t shy about accepting political, either, blubbering about Vietnam and apartheid, and sometimes acceptable account themselves. Every night, these aforementioned jocks rode in vans bashed with the ’BCN logo, beeline to the town’s hottest gigs to accost packs of fans. Aboriginal jocks included J. J. Jackson, who after became one of the aboriginal MTV VJs, and Peter Wolf, the approaching baton of the J. Geils Band.
The base survived and prospered through ancestors in animosity of agitated turnover, not to acknowledgment a 1979 bang by its DJs and staff. At ’BCN’s peak, its top DJ raked in added than a actor bucks a year. But in 1996, the new Telecommunications Act spawned a abrupt civic alliance of the radio industry, and that’s aback things for ’BCN went south. There were added conspiring factors, too: The alt-rock architecture was souring. Syndicated shock amateur Howard Stern angry mornings into all-talk radio. And the Internet’s aboriginal evisceration of the music industry accomplished off what was left. On August 11, 2009—following a weeklong adieu from abounding of the station’s accomplished contributors—WBCN died to the strains of Pink Floyd’s “Shine On You Crazy Diamond.”
On this, the five-year ceremony of ’BCN’s demise, we tracked bottomward key players from those advantageous days—disc jockeys, account reporters, producers, and programmers—to get a behind-the-scenes attending at our fair city, aback aback Boston sat at the epicenter of sex, drugs, and bedrock ’n’ roll.
PETER WOLF At WBCN: DJ, 1968–’69Since then: Lead diva for the J. Geils Band; abandoned artist; bedrock ’n’ cycle legend.
The adolescent who put it together, WBCN architect Ray Riepen, who was sleeping on my couch, asked me to buy into the station. I anticipate it was $10,000. I didn’t accept $10. So he said, “Why don’t you aloof appear in and brawl your music?” So on the aboriginal night, I was the additional DJ. I took the late-night shift, from 12 to 7 in the morning. I got to account bodies like Howlin’ Wolf, Muddy Waters, Rod Stewart, Ronny Wood, Smokey Robinson. Van Morrison would appear by a lot.
Even academy radio stations were not actually like WBCN. You didn’t accept addition arena Hank Williams again Muddy Waters again Van Morrison again Velvet Underground, in 15 minutes. I would accept paid to do it. I didn’t get paid to do it, but it was that affectionate of important acquaintance for me.
CHARLES LAQUIDARAAt WBCN: DJ, 1968–’96, host of The Big Mattress.Since then: DJ at WZLX; inducted into the Massachusetts Broadcasters Hall of Fame in 2009; retired and active in Maui, currently animate on an adventures blue-blooded Daze in the Life.
A agglomeration of us were sitting around, possibly experimenting with drugs. We were cerebration how abundant it would be to accept a radio station. At the time, they were all Top 40. They would brawl the aforementioned songs over and over. We thought, Wouldn’t it be abundant to accept a radio base area they played Benny Goodman, “Sing Sing Sing,” from 1938, maybe mix that with the Carmina Burana, and again mix that with Jimi Hendrix and the Stones, and again appear aback with a folk song?
I didn’t allocution fast, and I wasn’t aciculate at all. My character, an adapt ego alleged Duane Glasscock, had a abundant Boston accent. And he busted up all the time! Bodies actually accompanying to that. Especially actuality in Boston, bodies admired that. It was like I was one of them. We didn’t anticipate of our admirers as actuality fans. Best of my admirers knew added about the music than I did. They were actually my peers.
Duane Glasscock went on the air one Saturday and complained about the ratings—that’s how radio stations got their money, if they got aerial ratings from Arbitron, which was based in Maryland. A actually acceptable appraisement in Boston at the time was a 3- or a 4-point average. Duane got 13. Duane went on the air and complained, “All these fat bodies bottomward in Maryland, they’re active about in their Cadillacs, smoker cigars, and these guys adjudge what radio stations get all the money from the sponsors. They gave Mark Parenteau a 3, and they gave Charles Laquidara, that old guy, like a 3.6. Are you badinage me? Everybody, accelerate a bag of bits to Arbitron.” Duane gave out the exact address, every break, for four hours. Arbitron got a lot of accoutrements of shit. They still gave us acceptable ratings the abutting time.
The afterward Monday, my boss, Klee Dobra, alleged me in. He said, “Charles Laquidara is a professional. Charles deserves every bit of account he gets in the radio community. But Duane Glasscock is a fucking idiot. Duane Glasscock is fired. Do you accept me?” I said, “Klee, you can’t blaze Duane. He’s got a 13, the accomplished appraisement anytime in the history of ratings. All the blow of us accept got 4s and 5s.” And he looks up at me. “Are you arena with a abounding deck? You’re acting like Duane and you are abstracted people.” And I said, “But you aloof accursed Duane! And you kept me!” Anyway, he concluded up battlefront Duane, but in beneath than three weeks he concluded up bringing him back.
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Van Morrison - Who Drove the Red Sports Car - YouTube | van morrison who drove the red sports carI abdicate radio in ’76 because it was accepting in the way of my cocaine habit. Aback I came aback in ’78, I didn’t appetite to appear back, because I still capital to abide actuality able to do cocaine. Luckily I’m still alive.
I bethink one night, Paul Ahern, a almanac promoter, and I were sitting in his car, maybe smoker a fatty, and he said, “Charles, I appetite you to apprehend something. I’m cerebration about retiring, and aloof managing this accumulation and aggravating to get them activity on tour.” He puts this cassette in. I said, “Paul, the guy singing with the aerial falsetto articulation sounds like he’s Mark Farner, a Grand Funk Railroad wannabe.” The song was “More Than a Feeling” from the bandage Boston.
There was a time aback you could apprehend ’BCN after a radio. Literally. You could alpha in burghal Boston and airing to Cambridge, to Harvard Square. Amid the cars arena ’BCN, with their accessible windows in the summertime, and all the dormitories, apartments, and houses, you could apprehend ’BCN from one end of the burghal to the other.
SAM KOPPERAt WBCN: Program director, morning DJ, 1968–’71; alive music advertisement ambassador and weekend DJ, 1975–’91.Since then: Program director, DJ of WBCN Chargeless Anatomy Bedrock on wbcn.com and 100.7HD3.
In the aboriginal days, anniversary about-face was a DJ with a mike and three turntables and some cartridges, interacting with the admirers on the phone. We could allocution about anything: sports, weather, politics, sex. We could allocution about all aspects of activity forth with the music. Jukebox stations are not radio; they are jukeboxes.
Rhapsody and Pandora and Spotify aren’t activity to go away, but they are jukeboxes. They are not radio, because there is not a animal actuality there. Bodies don’t accept to technology; they accept to content. Bodies are accident absorption in radio, I’m talking twentysomethings, because there’s annihilation acute there. The jocks now are consistently affairs you something. It’s aloof connected marketing, and not abundant soul. The abstraction of aloof listening, not actuality absent by images, is an art of its own. The abstraction of the radio, and crafting it, and actuality a actuality on the added end, that will never die.
BILL LICHTENSTEINAt WBCN: Newscaster and announcer, 1970–’78.Since then: President of Lichtenstein Artistic Media; administrator of The American Revolution, a accessible documentary on the aboriginal canicule of WBCN.
WBCN came forth in Boston at a time aback about every aspect of cultural, social, and political activity was alteration badly in this country—the circle of the women’s movement, the gay and lesbian rights movement, basal rights, what it meant to be an American. At the time, it was adamantine to acquisition what was activity on. In that way, WBCN was the Facebook of its era. Not aloof because it played radically altered music, which it did, or that it had a socially or politically acquainted newsroom, which it did. The base served as a affectionate of aqueduct amid the base and its listeners. It was never a one-way experience.
The Listener Line had positioned itself about as the Google of its time. If you bare a ride, we’ll affix you. If you were demography some bad acerbic and bare somebody to allocution you down, alarm us. If there was a battle with police, bodies could alarm and say, “I was there and this is what happened.” There was an adjacency to it.
One of the things that it pioneered is a appearance of production, those awful edited montages: Nixon with music and comedy. As a adolescent person, that mix of political brawl and bedrock ’n’ cycle was actual able to me. There’s a absolute birth to Jon Stewart. ’BCN was arguably the best aboveboard account antecedent in Boston, in the aforementioned way that Jon Stewart is arguably the best aboveboard announcer on TV.
In that final week, CBS said to the staff, “Do annihilation you want. We don’t care. Brawl annihilation you want, say what you want. Aloof don’t lose us the license.” Suddenly for a week, it was amazing radio. They played taped interviews with Springsteen, the Clash, an account with Tim Leary. It was like the old ’BCN, and it was appreciably adventurous radio.
OEDIPUSAt WBCN: DJ and affairs director, 1977–2004.Since then: Director of the Oedipus Foundation. The Oedipus Project (oedipus1.com) champions new, alternative, and beginning music.
We were advantageous that we were allotment of not alone a Boston institution, but additionally a cultural mecca. We were as important as the Boston Globe and the Boston Red Sox. Everybody listened to WBCN. Yes, in the years that followed, we had competition. But still, it was consistently WBCN. Anybody listened to WBCN, until it started to abatement apart.
We reflected the ability of the city. I like to anticipate we fabricated the burghal and the bodies alert to it, we added their lives. We not alone entertained them, we additionally accomplished them—whether it was the Vietnam War, Nelson Mandela, apartheid, inequality, women’s rights, the activity movement. WBCN was added than artlessly an brawl vehicle. We aloft millions of dollars for charity.
When I took over as affairs director, we were accepting our ass kicked by WCOZ, “Kickass Bedrock ’n’ Roll.” We bare to about-face it around, and we were able to about-face it around. There was aloof a acceptance that we could do it. What was abundant about that period, in the ’80s, was they let me affairs the radio station. The aggregation let me booty chances. I bethink the owners cogent me, “You’re gonna accomplish mistakes, and you’re gonna apprentice from your mistakes. But we like you because you’re able and you’re not abashed to booty chances.” Who says that today? I was the aesthetic administrator of a 24-hour opera of the mind. Twenty-four/seven, we were autograph scripts, we had a agreeable backdrop, we had music going. But we were additionally out in public. We had to dress, we had to accomplish appearances, we had to interview.
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Van Morrison – Who Drove the Red Sports Car? Lyrics | Genius Lyrics | van morrison who drove the red sports carWe’d go out and adhere out with the bands. Usually, we’d be activity to see bands that cipher capital to see, aback they were brand-new. Bodies balloon that there was a time aback the Badge were aboriginal and they played the Rat, in Kenmore Square. I bethink aback I aboriginal played “Roxanne” on the air, bodies anticipation it was the end of the world. Bodies were going, “This sucks! This guy can’t sing! He’s singing about a prostitute!” The Ramones, they brawl them at football amateur now. There was a time aback we aboriginal played them, it was like, “Oh my God! This is awful! This is noise!” As affairs director, I fabricated abiding we consistently had at atomic one bounded bandage in rotation. Aback I say local, I don’t beggarly Aerosmith, I don’t beggarly the Cars, I beggarly local. That played the clubs. So these bands, because we anticipation they were good, could be heard abutting to the Clash, or could be heard abutting to Fleetwood Mac. They would be heard abutting to the abundant bands of the time. The Del Fuegos is a absolute example, or O Positive, or the Blackjacks. There were so abounding of them, and there was consistently at atomic one in rotation, if not more.
Radio’s fate was closed in 1996 aback they active the Telecommunications Act. That dead radio. Suddenly, you can own assorted stations in one market. You can own assorted stations beyond the country. And aback I say multiple, I beggarly hundreds, if not a thousand, stations. So that finer destroyed radio. It was aloof a bulk of time afore it became centrally controlled and they could put all of these cost-cutting measures into effect. And already you ascendancy everything, you don’t allegation to be creative, you don’t allegation to be dynamic, you don’t allegation to accord with a agglomeration of awe-inspiring characters. Suddenly all of my decisions were vetted. I wasn’t accustomed to run the radio base the way I capital to. Aback these new bodies came in from New York, they aloof didn’t get it. They weren’t allotment of this culture, and they weren’t allotment of this affectionate of radio culture. They were aloof business guys who alone looked at numbers. They started analytic decisions we made, because all they cared about was ratings and dollars.
MATT SIEGELAt WBCN: DJ, 1977–’79.Since then: Host of Matty in the Morning on Kiss 108.
I had abhorrent aftertaste in music. I was alone there for a abbreviate time. I was there at the end of the heyday in some ways. I was a kid then. Their acceptability was amazing beyond the county. They were aloof a agglomeration of crazy hippies. That aloof doesn’t abide anymore.
Charles Laquidara was the bigger brilliant of them all. Aback in the day, Charles was actually my mentor. He took me beneath his wing. That, for me, was the best affair about animate at WBCN: He took a affection to me. He was 10 to 12 years earlier than I. I was like his kid brother. He anticipation I was good. He gave me aplomb to acquisition my own style. He reminds me, every time I see him, that I’d be boilerplate after him. At Kiss, for an absolute decade in the ’80s, I was up adjoin Charles. I was aggressive adjoin him. It was a affable rivalry, but it was actually a rivalry.
I can trace my success to ’BCN. I don’t apperceive how I would accept developed abnormally had I not had the ’BCN experience.
DAVID BIEBERAt WBCN: Creative casework director, 1978–’94. Since then: Director of appropriate projects for the Phoenix Media/Communications Group; administrator of the David Bieber Archives.
We did absurd events. I bethink we were accomplishing this advance for the Cars. Elektra Annal said, “Hey, why don’t we accord abroad a car?” Okay: That’s easy, that’s ordinary. So we said, How about the car we accord away, it’s abeyant from a crane angry into the Strawberries Annal on Memorial Drive and blind over the Charles River? Mark Parenteau was up in the car, accomplishing a alive broadcast. It was apparently not OSHA-sanctioned. We consistently approved for an aspect of amusement and drama.
I don’t appetite to say it was ceaseless partying. There was an aspect of partying, yes. Partying in the 1980s was altered than partying in the 2000s. But there was a albatross and a mission to get the job done.
There was a aeon in the mid- to astern ’80s aback ’BCN was consistently the cardinal one base in Boston. Already you ability cardinal one, already you ability that bewitched bread-and-butter success, already you ability X cardinal of millions of dollars in billing, area do you go? You can’t go backward. You accept to be beyond your success. And aback you exhausted your success, that leads to excess.
PAUL “TANK” SFERRUZZAAt WBCN: Listener Line operator, van driver, producer, sports reporter, 1978–’95.Since then: Sports anchorman for WATD and WBCN Chargeless Anatomy Rock, now retired.
The base went on bang in 1979 because the new owners, Hemisphere Broadcasting, came in. Aback that happened, loyal staffers set up a bandage of bodies to try to get authority of advertisers, to get authority of musicians, to ask them to cull their support. The WBCN Bang Alliance was set up in a abode aloof bottomward the artery from Boston College. We got musicians to ask the base to stop arena the music, and the advertisers aloof absolved away. I was put in allegation of accepting that up and running.
When the bang was over, Charles bare addition to be his brain. I was one of Charles’s claimed producers—coordinating Mishegas, the prizes, the contestants, the wake-up calls. That’s how we begin Billy West, from The Ren & Stimpy Appearance and Futurama. He alleged up absent to be a contestant. We bare addition who could do Bugs Bunny. Billy alleged up accomplishing bacon frying. Eddie Gorodetsky, who went on to do The Big Bang Theory and Two and a Half Men, he was our arch writer. It was a bang for me. I was aloof a kid who went to aerial academy to be a baker. I had never been to academy for anything.
The music meant article to the DJ, and to the moment in which it was actuality played. That does not abide anymore. Now it’s aloof the brawl list, and you brawl it aback it’s time. But then, if it was affectionate of abandoned out, you could brawl “Riders on the Storm” by the Doors. Now it’s aloof the luck of the draw.
CARTER ALANAt WBCN: DJ and music director, 1979–’98.Since then: Assistant affairs administrator and midday DJ, WZLX.
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♫♫ VAN MORRISON "Who Drove The Red Sports Car" Top Album! NIP | eBay | van morrison who drove the red sports carThe allegory that WBCN started at the Boston Tea Party, which has been the accustomed article for 40 years, isn’t true. This is what happened: WBCN started on Newbury Street, 171 Newbury Street. They had a flat upstairs, that’s area the classical music base was, and that’s area it started. Aback then, ’BCN was a full-service radio station. You went in there, you got your tires checked, they done your windshield, put the gas in, and you didn’t alike accept to get out of your car. But now radio is added of a specialized thing. You go to a base for a specific acumen and it’s aloof the way things accept gone.
We would all brawl a constant bulk of new music, and again there were times every hour aback you could go to the alien library, which was 30,000 albums. You could brawl anything. We had a filigree that we taped in advanced of the albums, and everybody had their own blush pen. So if today’s October 15, you’d put “10 carve 15,” and again depending on what hour you played it, if it was the aboriginal hour, you put a little askew X up in the upper-left corner. We all had our colors. Oedipus was orange. Parenteau was red. I was turquoise. The abutting amateur on would be like, “Hey, I’m activity to play—oh, man. Parenteau played that at 4. So I’ll wait.” If a assertive amateur was arena a almanac we admired all of the time, our acknowledgment was to put it in the REO Speedwagon area so he couldn’t acquisition it.
WBCN was a top base in the country. It was additionally a groundbreaking station. The morning-show architecture with Charles, The Big Mattress, every base uses that abstraction now—a “morning zoo” area you’ve got a brace of hosts, you’ve got sidekicks. The accomplished abstraction of it actuality a apology of a Top 40 affair with humor, but agitating amusement that fabricated you think. Aback he started accomplishing it, cipher was accomplishing that. In a lot of ways, what Howard Stern does actually grew from what Charles did. Howard Stern went to BU alert to Charles. Charles Laquidara is fearless. He would do all kinds of stuff. There was the time he got dosed on mescaline from bistro abstemious matzo brawl soup and went on-air. I’ve heard that adventure six times, and it’s told abnormally anniversary time. That’s why I say it’s a fable. It happened!
There were all the artists—Springsteen, Led Zeppelin, U2—that the base bankrupt and afflicted lives. There was the Bedrock ’n’ Cycle Rumble. Some bands weren’t as big, like the Psychedelic Furs, but they were important. Booty the Clash. Oedipus was one of the aboriginal to brawl the Clash. Because the base got complex in giving these bands a college profile, bodies could see them in clubs. Now the clubs are authoritative some added money, so they accumulate booking the bands. Now bands don’t accept a additional job—they can actually survive on arena in the band. Now they can actually allow to put out a center appropriate absolute almanac which gets noticed by the above label, and now they get active by the above characterization and become stars. Also, aback in 1981, bodies didn’t accept base vans active about and activity to events. ’BCN did that.
’BCN was artistic and acknowledged for a continued time. It got a little harder as time went on. Putting Howard Stern on the air was actually a acceptable accommodation financially, but it brought our defenses bottomward actually a bit. It led us to all of the added decisions. I’m not a absolute fan of what he did or what he does. But you’ve got to accept he’s artistic and managed to accomplish it successful. Suddenly, you accept two allocution shows on in the morning and afternoon drive, so what is ’BCN? Is it a allocution station? Is it a music station? The Patriots on the weekend: Is it a football station? Already Oedipus left, the base was affectionate of in a chargeless fall. There were adventurous attempts to accompany things aback on track, but it was asperous at that point.
If you go to the ’BCN accumulator lockers, aggregate is in there. All the annal are still in there, a lot of the old reel-to-reel machines, a lot of the old tapes and commercials and their reel-to-reel boxes. WBCN was consistently in a accompaniment of abiding brokenness. That was allotment of its charm. There wasn’t bitterness; there was aloof anguish at the end.
LISA TRAXLERAt WBCN: DJ, 1984–’90.Since then: DJ at WZLX and KISS; editor in arch at Citysearch; business administrator at Ticketmaster Online.
The women at WBCN, we had to carve out a abode for ourselves. It was not aloof your talent—you had to be able to adhere with the boys and you had to booty a assertive cardinal of chastening that the boys didn’t accept to. It was harder to do, but additionally a amazing bulk of fun to be the rose amid the thorns. I had been at a cardinal of added radio stations afore WBCN. You’ve apparent the cine About Famous. The kid comes into the station. I was like that kid. I was the attenuate DJ from about else. ’BCN was already its own entity, its own country, its own reality. There was a actual able faculty of history actuality fabricated at the time.
I’m actually absolute of WBCN’s legacy. Its bequest was in the artists it helped break. The Police, the Sex Pistols, the Ramones, and the Clash. After that cornerstone, you would not accept the administration that music took. You accept a apple with aloof the Eagles. Can you brainstorm a apple with aloof the Eagles? The absolute agreeable mural of America, and maybe the absolute world, would accept been different.
WBCN wasn’t aloof the jocks and engineers and sales and abutment staff. You were ’BCN. It was a club for everyone. We were the big aperture for it. It was about everybody. We’re all on a mattress together. That’s the base by extension. Let’s bead a pumpkin, let’s bead some cash, let’s bead some acid.I consistently anticipation it would accept been acceptable to put a recording accessory on the base intercom. That told the adventure of what the base was actually like. If anyone had annihilation to say, it went on the intercom. So abounding of the best belief would get me or somebody abroad in trouble, which is apparently why they’re abundant stories.
ADAM “ADAM 12” CHAPMANAt WBCN: DJ, 2003–’09.Since then: DJ at WFNX and Boston.com’s RadioBDC.
I listened to ’BCN aback I was little, because that’s what my parents listened to. I can bethink sitting in the aback of my parents’ Plymouth Valiant. It was a Sunday night, Oedipus was hosting Nocturnal Emissions, and he played “Never Say Never” by Romeo Void. I bethink audition the lyrics, “I ability like you bigger if we slept together,” and I bethink not alive what it meant. But I bethink my parents alteration the station.
I was the aftermost full-time DJ that Oedipus hired. I’ve become the de facto agent for the final era. We all ambition we could accept been about in the ’70s and ’80s. Oh, the belief you heard. You heard the belief of the brotherhood that they had aback then. The abandon that they had.
In bounce of ’05 we confused from Boylston Artery to Brighton. Boylston Artery still had the old-school spirit. Afterwards the move to Brighton, the amplitude was different. They put us in the basement in a architecture with ’ZLX and Oldies, and again Mix 98.5 confused in there. It acquainted added like a bank. We were abutting aperture to an Acura dealership. It didn’t accept that air-conditioned radio vibe. The old Boylston Artery studios were all exhausted up. Aback we confused out, they were demography all the old annal out of the cabinets in the studios. There was coke balance on the records, and marijuana stems in the back.
’BCN was allotment of the bolt of Boston. If you grew up in the Boston metro, ’BCN was allotment of your activity in some way, shape, or form. WBCN was a cultural abnormality through its music, events, and personalities—it affiliated Boston. It gave bodies credibility of adequation with one another. I still can’t go to an accident after at atomic one actuality advertence WBCN.
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