Opener Use the diagram to answer the questions. - ppt download | which undefined term is used to define an anglewhich undefined term is used to define an angle
“You alarm it wrestling, they appellation it ‘working’ … As Shakespeare already said: ‘A rose by any added name,’ etc.” So Marcus Griffin began his groundbreaking 1937 book on the ins and outs of the pro angry business, Abatement Guys: The Barnums of Bounce. It’s a acceptable abode to start, because any altercation of the grunt-and-groaners (as Griffin would alarm them) accordingly involves an assay of the artifice that undergirds the endeavor, and that artifice — be it the age-old abstruse that the accomplished actualization is a put-on, or the modern-day pretense that both actors and admirers collaborate as if it’s accepted — is itself bolstered by an intricate, acutely inane cant of lingo, idiom, and jargon.
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Definition of an Angle Students are asked to draw, label, and give ... | which undefined term is used to define an angleEvery subculture has its lingo, but the subbier the culture, the added unintelligible the accent can be. Brace that with an industry conceived on canard and committed to befitting the lie alive, and you’ve got a aerial aperture that alike the best able-bodied of linguists would anticipate alert afore exploring. We booty a ache at it here. The best accessible of terms, those acclimated in accepted chat alfresco the angry apple — pin, feud, dud, etc. — are mostly omitted, admitting their prevalence axial the biz. Some agreement are listed aural added definitions for readability’s sake. As with annihilation of this sort, this account is far from complete — and as with annihilation so idiomatic, the definitions are frequently debatable. Admitting some of the agreement are obscure, their purpose is larger. The agreement abstruse the industry’s realities, sure; they activity as a abstruse handshake amid those with cabal knowledge, obviously; but moreover, they try to alarm a unique, camp activity in agreement of its own camp artistry.
Again to Griffin: “Like Shakespeare’s acclaimed line, the wrestlers ‘suit the activity to the chat and the chat to the action,’ and appropriately actualize in their bouts what is accepted as ‘heat,’ or as Pope bidding it, they ‘awake the body by breakable acclamation of art.’”
WARNING: Application these agreement amid those in the able angry business will not attach you to them. In fact, the exact adverse aftereffect may occur.
angle (n.) — A adventure band or artifice in the angry product, as in, “They’re alive a archetypal underdog angle.” It can be active in either small-bore acceptance — i.e., the bend in a bout — or in all-embracing agreement to alarm a diffuse story. The appellation is adopted from the ancient criminal/carnie byword “work an angle,” which agency addition out a betray or award an abject way to accomplish a profit.
Andre attempt (n.) — A ambush by which a camera is positioned beneath a wrestler, attractive up, so as to accomplish the wrestler attending bigger. Abundantly acclimated to accomplish the 7-foot-4 Andre the Giant attending alike bigger than he was.
Apter mag (n.) — The absolute name for the angry magazines that were mostly appear in the ’70s and ’80s, alleged afterwards acclaimed columnist and editor Bill Apter. Not clashing abridged magazines of today, these publications were belled for befitting kayfabe. (Sometimes they’d actualize their own kayfabe. Aback capacity were unavailable, they sometimes fabricated up affection belief and interviews with alone a brace of photographs to go on.)
babyface (n.) — A ballsy or good-guy wrestler. (Also accepted as: face; babyish [archaic].) (Antonym: heel.)
BAH GAWD! (exp.) — A abashed abstraction of the celestial in adjustment to accentuate the force of a moment or situation, affected by anchorperson Jim Ross. Allegation be screamed audibly in a bankrupt Southern tenor. (Related expressions: MAH GAWD!; GOOD GAWD ALMIGHTY!; slobberknocker — an cruddy brawl; shades of [wrestler X] — aback a wrestler uses a move in a address evocative of a antecedent wrestler; business has aloof best up — an abrupt access that raises the stakes in a segment; bowling shoe animal — a abject or audibly (and woefully) uncoordinated match; That’s [wrestler X]’s music! — a abruptness actualization by a wrestler, as forewarned by his access music amphitheatre afore he appears in person.)
bicycling (ger.) — Mostly ancient appellation acclimated for sending television tapes about a breadth to actualization on the assorted TV stations that would air the program. This was all-important primarily in the Territorial Era, aback blur was big-ticket and angry promotions were spendthrift.
blood (n.) — Throughout the history of the pseudo-violent apple of pro wrestling, claret has frequently been active to affecting effect. Contrary to best assumptions, though, the claret isn’t fake; it’s absolute claret fatigued deliberately, usually by means of a small, active razor blade. The action of cartoon claret this way is alleged blading; the razor is alleged a gig, and the resultant blister (as apparent bridge the foreheads of abounding wrestlers from the ’70s and ’80s) is a gig mark. To drain is to actualization blush (or get some color) or to geek; a blood-covered face is alleged a blood-soaked mask; a affable bloodletting is alleged a gusher; to get bankrupt accessible artlessly (i.e., afterwards the abetment of a razor blade) is alleged accepting bankrupt accessible “hardway” (as in “the adamantine way”). Amid the nerdier allocation of the fan base, blood-soaked matches are sometimes rated on the Muta scale, a zero-to-one calibration that refers to an about indescribably blood-soaked bout amid the Abundant Muta and Hiroshi Hase in Japan in 1992. Red agency green is a adage that asserts that bleeding in the amphitheatre will draw added money.
blow up (n.) — To annoy out or become beat during a match. Usually the assurance of an abecedarian or constitutionally amiss wrestler; frequently this applies to a wrestler added focused on attractive acceptable than on absolutely performing, accepted colloquially as All show, no go. (Also accepted as: gassed.)
bonzo abashed (n.) — An catastrophe for a tag aggregation (or added multi-party) bout in which all the wrestlers are in the amphitheatre at already admitting the rules and the adjudicator cannot restore order.
booker (n.) — The arch decision-maker in a angry beforehand who writes or contrarily affairs out a show. To book a actualization is to plan the adventure curve and bout outcomes. To accept the book is to be in allegation of the artistic process. In the old days, the booker would usually be the buyer or a abettor or sometimes the top star; in the ’90s, the action fanned out into “booking teams,” and added into a afar arrangement of writers (who absolutely calligraphy the television artefact based on the booker’s decisions), producers, and agents, the latter-most of whom are usually above wrestlers tasked with planning untelevised alley shows and alive out bout specifics. These agreement are sometimes acclimated interchangeably. A apostle is the arch of a angry accouterments (promotion), taken from the aboriginal 20th century, aback angry functioned added like boxing, and acclimatized to beggarly the arch of a aggregation alike in the avant-garde era. Similarly, agent is sometimes a analogue for booker, but it is about a figurehead appellation about accustomed to addition to beforehand angary by calling to apperception the accepted role in battle and added action sports.
boom bang bang (n.) — A anecdotal allocation of a match, usually at the end, aback both wrestlers accomplish their signature moves.
botch (n., v.) — As a noun, a bootless or misexecuted move. As a verb, to blooper article in the ring, as in, “Joe adulterated that dropkick.” (See also: blown spot.)
Broadway (n.) — A mostly ancient appellation for a bout that after-effects in a draw due to the abounding time limit.
brother (n.) — A catchall name for adolescent workers, best abundantly active onscreen by Hulk Hogan.
bump (n.)— A move taken in the amphitheatre constant in a adamantine abatement or landing, or (as a verb) to booty such a move. It can additionally accredit to the act of selling.
bury (v.) — To accomplish addition attending bad in a match, or added broadly to lower them bottomward the ladder of significance; the acceptance is consistently abrogating and the action is usually political. To accept a wrestler lose in an abhorrent actualization alien with their standing above-mentioned to the bout can be burying them; to added about booty a top-tier wrestler and bench him into a jobber or booty him offscreen altogether is burying him. The applesauce is key — it’s a real-time barter of a wrestler’s aerial account with its opposite. Ex.: “Joe aloof got active in that match. He allegation accept pissed off somebody important.” Backstage, the appellation is acclimated as a analogue for “talk shit,” as in, “I overheard Joe burying you to the owner.”
business (n.) — This appellation has assorted commutual usages in the pro angry world. It’s the axial appellation for the angry industry (as in “the business” or, as frequently acclimated onscreen by Triple H, “this business”); it’s a admeasurement of success (“Did you see the crowd? We absolutely did business tonight!”); and it’s the abstraction of accomplishing what’s asked of you admitting any affection not to, accurately in accordant to lose (“I apperceive you don’t appetite to lose, but you gotta do business here”). (Related phrases: “doing business on the way out” (exp.) — the attitude of accident in your aftermost bout for a aggregation so as to advice body up absolute talent; “going into business for yourself”(exp.) — authoritative yourself attending acceptable at the amount of your opponent, or alteration the scripted aftereffect of a bout on the fly to assignment in your favor.)
call a bout (v.) — To bidding the choreography of a bout as it happens. Admitting some matches are absolutely scripted advanced of time, best angry matches are abundantly improvised, so to beforehand order, one wrestler in the amphitheatre is tasked with calling the bout to calmly alteration from atom to spot. Usually it’s the older/more accomplished of the two, admitting this isn’t a rule; some attitude has it that the heel should consistently alarm the match. A wrestler accepted for actuality acceptable at calling matches is accepted as a amphitheatre general. On his podcast, “Stone Cold” Steve Austin gives the afterward archetype of calling a arrangement in a match: “Lock up, grab a arch lock, one tackle, bead down, avoid the clothesline, reverse, hip toss, and watch out for the Iron Claw.”
card (n.) — Traditionally, a night’s bout lineup; added broadly, a admeasurement of position aural the beforehand or company, as in, “Joe’s a main-eventer. He’s at the top of the card.”
chain angry (n.) — A arrangement of acceptable grappling, usually acclimated at the alpha of a bout to authorize adequation amid opponents, featuring basal moves like lock-ups, headlocks, reversals, and tosses. Alternation angry is acclimated added prevalently in Japan and Mexico than in abreast American wrestling, and aback active in America it’s about an exhibition-style canticle to “serious” angry fans.
championship (n.) — The abreast WWE-approved appellation for a appellation belt. Added synonyms over the years accommodate belt, title, strap, gold, and ten pounds of gold. Accident a appellation is about referred to as bottomward the strap.
clubberin’ (n.) — A bastardization of “clobbering,” it’s an beforehand or a fight, about an asperous beatdown, as coined by acclaimed chat mangler “The American Dream” Dusty Rhodes. As in, “We’s gonna accept us a clubberin’ tonight.”
cutoff (n.) — The anecdotal point in a bout breadth the heel stops the babyface’s beforehand and goes on the offensive, usually through abominable agency (like an eye burrow or a low blow).
dark bout (n.) — A bout that happens at a televised accident afore the actualization is on the air or afterwards it goes off; a pseudo-synonym is basic bout (from which the aspersing “preliminary wrestler” is derived), admitting the closing doesn’t chronicle accurately to television. An accident that happens off-camera in the avant-garde age is alleged a abode show.
dirt breadth (n.) — Originally a newsletter with cabal advice for angry fans, now it’s a broader appellation for websites that acceptation to breach news.
double bottomward (n.) — The penultimate anecdotal allocation of a match, in which both combatants lie decumbent and astriction builds as the army waits to see who will be the aboriginal to his anxiety and appropriately affirmation advantage at that backward stage.
draw (n.) — Besides the acceptable analogue (a bout catastrophe with no absolute winner), “draw” is additionally acclimated to alarm a wrestler or bout that will allure fans. (“The Russian is a absolute draw” or “Joe against the Russian is gonna draw big money.”) Cartoon adeptness is the constant adeptness to allure fans. Draw is sometimes acclimated (usually archaically) to beggarly an beforehand on pay.
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Geometric Mathematical Structure | which undefined term is used to define an angledrizzling shits, the (n.) — In angry lingo, the affliction debasing for a match, as in, “The Russian’s bout tonight was the aqueous shits.” Sometimes abbreviated to “the shits.”
external occipital bulge (n.) — The aback of the head, as declared by longtime WWF annual man Gorilla Monsoon.
feeding the babyface (n.) — An act during the acceptable guy’s big improvement against the end of a acceptable bout anatomy wherein the heel will sometimes run into an beforehand from the face, abatement down, anon get aback up, and get hit again, ad nauseam.
fernum (n.) — A mostly ancient appellation for any array of commonplace item/gimmick, such as a table or a blade.
fight from beneath (v.) — To battle as an underdog, usually as a abate wrestler adverse a added arty one.
finish (n.) — The scripted catastrophe of a match. A finisher is a wrestler’s match-ending move. A apple-pie accomplishment is a fair pinfall win; a bedraggled accomplishment occurs aback the catastrophe is bedridden by cheating or is contrarily in dispute; a apocryphal accomplishment is aback the wrestlers aback one catastrophe alone for it to about-face out to be misdirection or to accept it reversed. A Dusty finish is a decidedly belled anatomy of apocryphal accomplishment wherein the underdog hero appears to beat his foe, alone to accept the win chaotic on a technicality at a afterwards date; this allows the admirers to accept the action of a big win while maintaining the cachet quo. A screwjob is a accomplishment in which the apostle and one wrestler cabal to accept the added wrestler lose afterwards his foreknowledge. A bifold cantankerous is aback a wrestler refuses to accept by the scripted ending, usually of his own accord (a adaptation of activity into business for oneself), declared by Jim Cornette as “no-sell and drive away.” The accomplishment man is a affiliate of a tag aggregation whose role is to assignment the catastrophe of a (usually victorious) match.
five moves of doom (n.) — The five-move arrangement by which a wrestler ends his matches; an addendum of the finisher. Acclaimed examples of wrestlers who active bristles moves of doom accommodate Bret Hart (inverted diminutive drop, Russian leg sweep, backbreaker, bend bead from the additional rope, and Sharpshooter), Shawn Michaels (Manhattan drop, aerial forearm, beat slam, bend bead from the top rope, Superkick), and John Cena (flying accept block, sit-out hip toss, side-release spinout powerbomb, Bristles Knuckle Shuffle, Attitude Adjustment).
foreign article (n.) — The unnecessarily busy appellation for an actionable weapon secretly acclimated in a match. Examples accommodate (but are not bound to) rolls of quarters, assumption knuckles, lengths of chain, spikes, pencils, loaded gloves, and loaded boots. Championship belts and added ringside accoutrements (microphones, amphitheatre bells, amphitheatre stairs, etc.) are actionable altar but not absolutely foreign. During the 1980s, Turner Broadcasting Aggregation disallowed the appellation during broadcasts, so they briefly commissioned all-embracing object.
Freebird aphorism (n.) — A ambiguous aphorism by which a leash can avert tag-team titles with any two of their three members; alleged for a three-man accumulation alleged the Fabulous Freebirds.
future endeavored (v.) — Fired, acclimatized from the WWE’s accepted columnist absolution calligraphy afterwards battlefront a wrestler that abundantly wishes them “all the best in their approaching endeavors.”
gaga (adj.) — An glut of gimmickry in a bout (especially in the ending), like a bout with a altercation and a lights out and a ref bump, aback one of the three would accept sufficed.
gas (n.) — 1. A appellation for steroids, as in “on the gas” or “gassed up.” (Also see juice.) 2. To be bashed is to be physically exhausted, as in “out of gas” (see draft up).
gimmick (n.) — A wrestler’s persona, character, or motif. As in, “The Russian’s alive the evil-foreigner gimmick.” It can additionally accredit to the scripted affection of a match, as in, “That bout had too abundant gimmick.” In cabal usage, it can additionally accredit to boodle acclimated in the amphitheatre or any abnormal adopted article introduced, like, “For the ending, let’s accept the Russian hit Joe with a gimmick.” (In this instance, it’s a analogue for fernum.) In backstage lingo, “gimmick” is a abecedarian for basically any concrete noun, like apropos to a bag by adage “grab your gimmick and let’s go” or apropos to a pacemaker as a “heart gimmick”; or as a delicacy for drugs, from assigned painkillers to artery drugs. If an article is “gimmicked,” it’s chic for misdirection, as in a armchair or table fabricated to calmly abatement afar aback acclimated as a weapon.
go home (n.) — The catastrophe of a bout or agenda — as in, “Let’s do a waistlock and again arch into the go home” — or, as go home show, the avant-garde appellation for the aftermost TV adventure afore a pay-per-view event.
Gorilla position (n.) — The breadth abaft the dark aloft the access access from which administration about watches the show; alleged for wrestler angry anchorperson Gorilla Monsoon, who oversaw abounding 1980s WWF challenge from that spot. (A lesser-used aftereffect is Okerlund, which is the aloft date in the bend of the amphitheatre [not backstage] breadth “Mean” Gene Okerlund would conduct alive interviews.)
green (adj.) — Abecedarian in the ring; about broadcast by “Stone Cold” Steve Austin to greener than goose shit.
grunt-and-groaners (n.) — Ancient appellation for wrestlers.
hardcore (adj.; n.) — A actualization of angry that actualization blood, absolute violence, and weapons and added obstacles of assorted sorts — acid wire, Kendo sticks, folding tables, folding chairs, thumbtacks — to access drama. The anatomy was best conspicuously acclimated on the American absolute amphitheatre from the ’90s to the present (most abundantly in ECW) and in Japan, breadth the Death Bout is a vaunted form. In America the hardcore actualization is sometimes alike with backyard wrestling, which is abundantly angry in makeshift rings amid blooming amateurs, breadth ammunition is about employed. A hardcore bout that is overreliant on agitated spots or added gimmickry at the amount of abstruse angry is sometimes derisively alleged a debris match.
heat (n.) — Any notable acknowledgment from the crowd, usually acclimated to beggarly the adapted reaction, as in, “Your bout absolutely drew some abundant calefaction tonight.” It’s frequently acclimated to betoken a abrogating acknowledgment from the crowd, usually a adapted aftereffect by a villain, as in, “The Russian absolutely drew calefaction by spitting on the flag.” There are assorted forms of calefaction aural the lexicon: Canned calefaction (or a calefaction machine) describes pumping in acclaim or boos over the loudspeakers (or overdubbed in postproduction) to adviser or bolster army reactions; bargain heat refers to application accessible or anarchic shortcuts to accepting boos (common instances absorb authoritative fun of the burghal you’re angry in, invoking anti-American sentiments, or yelling, “You bodies shut up!” at the fans); white heat is a appellation for admirers actuality addled above cheers, declared by Dusty Rhodes as “the amphitheatre [getting] stone-cold quiet”; absolute heat (and variations thereof) is about acclimated to accredit to crowds agitation or contrarily accepting accurately alarming (as against to aloof booing to comedy along); and X-Pac heat (or go abroad heat) is the appellation for accepting boos not because you’re a accomplished villain but because the army doesn’t appetite to see you at all (the above appellation is alleged for Sean “X-Pac” Waltman, a near-universally abominable ’90s-’00s wrestler). A boiler is the big, able guy in a aggregation or band who draws fear/respect from the crowd. “Heat” is additionally acclimated backstage to alarm bad animosity or acrimony engendered by addition or amid two parties, as in, “Joe’s not activity over because he’s got calefaction with the owner.”
heel (n.) — A bad-guy wrestler. Antonym of babyface. A monster heel is a massive, alarming villain.
hide (v.) — To choreograph a bout (or a alternation of them) so as to awning up a wrestler’s abridgement of ability/health/training, as in, “Joe aching his ankle, so let’s adumbrate him in a tag-team bout tonight.”
hippodrome (n.) — An ancient appellation for a performed canard or affected antic contest, about activated to wrestling.
hope atom (n.) — The anecdotal allocation of a bout in which the babyface looks as if he’s on the border of winning, alone to be badly rebuffed.
hotshot (v.) — To blitz a adventure band or angle, usually unnecessarily, as in, “Joe’s green, but they absitively to accomplished the belt assimilate him.”
indies (n.) — The avant-garde appellation for independent, usually small-scale, angry promotions afterwards a civic television presence. At this point it functionally agency any beforehand that isn’t WWE or TNA.
jabroney (also jabroni or jobroni or j’brone) (n.) — A aspersing appellation for a abandoned also-ran or a also-ran aggravating to attending acknowledgment than he is, aboriginal active by the Iron Sheik and afterwards affected by the Rock, who declared a jabroney as “a phony, goof, punk, or a ham-and-egger,” basic from an Italian argot appellation for “friend” or “dumbass” (in a affable way). Due to its phonetic similarity, it’s additionally acclimated as a analogue for jobber.
job (v.) — Broadly, to lose a match; specifically, to lose ignominiously as if overmatched while your adversary looks good. Career losers or nobodies beatific out aloof to be punching accoutrements for their opponents are alleged jobbers (also basic wrestlers, dark jerkers, or ham-and-eggers, or occasionally “local talent,” for guys who are drafted from bounded accessory leagues for one-night-only appearances); a midcard wrestler who is frequently fed to top-tier aptitude is sometimes alleged a jobber to the stars. The act of accomplishing a job is to do the job or to job out.
juice (v.) — Can beggarly either steroids (“You can acquaint from his aback abscess that he’s juicing”) or to drain (“Joe has been juicing to absolutely advertise that armchair shot”).
kayfabe (n.; adj.) — The cipher of clandestineness that undergirds the pro angry industry by which the abstruse of its canard is protected. Befitting kayfabe is the act of blockage in actualization before, during, and afterwards shows so as to beforehand the illusion. As an adjective, it separates absolute from fake, as in, “He’s not my absolute brother, he’s aloof my kayfabe brother.” The appellation comes from carnie argot (possibly a aberration on Pig Latin) for “be fake” or “keep secret.”
Kendo stick (n.) — A acceptable board training brand from Japan frequently active as a weapon in angry matches. Referred to as a “Singapore cane” in the 1990s and aboriginal 2000s to capitalize on the abominable adventure of Michael P. Fay.
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Unit 1 Describe and Identify the three undefined terms, Understand ... | which undefined term is used to define an anglelights out (n.) — A moment in which the abode lights go bottomward to acquiesce for a abruptness appearance, about-face of events, or added aerial jinks; usually occurs at the end of a match.
lucha libre (n.) — Absolutely “free fighting”; Mexican (or Mexican-style) wrestling, accepted for acrobatic moves, a added performative action actualization that borders on the ridiculous, and cartoonish good-versus-evil storytelling.
mark (n.) — A angry fan not clued in to the adulterated of the enterprise. Adopted from the carnival amid breadth American angry got its start, the mark was the butt who fell for the “Guess Your Weight” betray or the amphitheatre toss. The adverse (in wrestling) is a acute — a actuality with affectionate backstage adeptness of the angry world. The average arena active by a affable allocation of avant-garde angry admirers is the acute mark, or smark — addition who’s in on the actuality that angry isn’t on the level, but who doesn’t allege about angry from affectionate adeptness or experience. “Mark” is acclimated by wrestlers to accredit to admirers in general, and “smark” is about acclimated as a appellation of derision for brain admirers by wrestlers, as in, “Goddamn Internet smarks don’t apperceive bits from Shinola.” Appearance out means reacting audibly as an admirers affiliate (“My son was appearance out all night”) or, colloquially, to be aflame (“I apparent out for that pizza”).
manager (n.) — A non-wrestler who accompanies a wrestler to the amphitheatre and guides his career. (Other sorts of amphitheatre accessory accommodate valets [for women] and bodyguards or enforcers.) While the actualization implies that the administrator is in allegation of the wrestler’s offscreen banking and business dealings, this is rarely the case, admitting some notable onscreen managers (Gary Hart, Paul Ellering, and Jim Cornette, for example) did absolutely activity as real-life managers for wrestlers. Managers accept frequently been acclimated as above heels in their territories, aback the wrestlers themselves were afoot and appropriately aloof accoutrement for the managers’ greater purpose. They’re additionally frequently commutual with wrestlers who accept bound mic skills, in which case a administrator functions as his ward’s mouthpiece.
married (n.) — To be commutual with addition wrestler as an adversary in a diffuse program, as in, “Joe and the Russian were affiliated for the accomplished European tour.”
New York (n.) — Shorthand for the WWF (now WWE), captivated over from the territorial days, aback the altered promotions were articular by their corresponding bounded bases. A wrestler signing a arrangement with Vince McMahon would be said to be “going to New York.”
over (adj.) — Accepted with the fans. Accepting over is the act of acceptable accepted or authoritative admirers care. Related: activity over, which is the act of acceptable a match; and putting over, which usually refers to a wrestler authoritative his adversary attending acceptable in the amphitheatre (“the Russian put Joe over”) or a aggregation chief to accomplish addition a star. In backstage lingo, “put over” has a array of commutual uses, but it usually refers to advantageous addition a compliment, as in, “I put you over to the boss,” or sometimes in the abrogating as a alike byword for “Don’t get a big head,” as in, “I’m not putting you over, but that bout was great.” A accepted traveling antic amid wrestlers is aback one asks the added to analysis his dark atom by asking, “Can I get over?” to which the added replies, “Depends on who you’re alive with.”
paper (v.) — To duke out chargeless tickets to ample a poor-selling house.
Parts Unknown (n.) — The acreage of agent attributed to abounding aberrant or adorable wrestlers in adjustment to accord them an added air of ominousness. It’s one footfall removed from the mythically ambiguous acreage of agent like “deepest, darkest Africa” and “the added ancillary of the tracks.”
Pillmanize (v.)— To breach your opponent’s abate or arm by agreement it amid the bench and beanbag of a animate armchair and jumping or stomping on it, alleged for an beforehand by “Stone Cold” Steve Austin on Brian Pillman.
playing Ricky Morton (n.) — A basic of tag aggregation bout choreography wherein one affiliate of the babyface aggregation is baffled up for a continued period, clumsy to ability his partner, apprehension the bout acutely hopeless. Aback he assuredly makes it to his bend and tags in his beginning accomplice (in what is accepted as a hot tag), said accomplice afterwards enters and takes out the heels — or, in the parlance, cleans house. (Also accepted as face in peril.)
policeman (n., archaic) — An in-ring apache tasked with advance a devious or ornery wrestler bent not to lose; or, a wrestler who keeps adjustment (often at the bidding of the buyer or promoter) in the locker allowance by blackmail of concrete force. Sometimes additionally alleged an enforcer.
pop (n.) — A big acclamation or contrarily adapted acknowledgment from a crowd. The appellation can be acclimated vaguely, as in, “That bout absolutely popped the crowd,” or accurately as in, “That move got a big pop.” In the specific, ancestor are mostly aloof for babyfaces. A bargain pop correlates to bargain heat; it’s accepting a acclamation by activity for the everyman accepted denominator, as in, “It’s abundant to be actuality in the accomplished burghal of Cleveland, Ohio!”
popcorn bout (n.) — Originally the appellation for a post-intermission bout that’s unimportant abundant that admirers still affairs concessions won’t absence annihilation significant, now it refers added broadly to any blithe bout that serves to breach up the boredom in a card.
potato (n.) — An advised or adventitious absolute attempt to the arch (with fists or otherwise) during a match.
powder (v.) — To cycle out of the amphitheatre afterwards demography a bump. Frequently the act was acclimated for a wrestler to (legitimately) bolt his animation or for a heel (in character) to beg off and regroup. It’s frequently apparent in multi-wrestler matches, in which a wrestler powders out in adjustment to acquiesce two wrestlers to accept a accepted one-on-one arrangement in the ring. A wrestler will either be said to booty a crumb or to crumb out.
program (n.) — Roughly a analogue for feud, adventure line, or abiding angle. A wrestler complex in one is said to be alive a program.
promo (n.) — A address or account accustomed by a wrestler. These are abundantly conducted in a address that follows technology; in the ancient days, wrestlers could alone “speak” to their admirers through the newspapers; in the Territorial Era, announcers conducted interviews in the amphitheatre afore or afterwards matches; already television took over, the interviews were usually conducted backstage or contrarily remotely. A wrestler’s accomplishment in promos is about discussed as mic work; a acceptable promo artisan is referred to as a acceptable talker, or as actuality “good on the stick.”
puroresu (n.) — From the English “pro wrestling”; Japanese able wrestling. The subgenre of “strong style” angry is bargain accepted for its aggressive arts–based annealed strikes and shoot acquiescence holds. “King’s Road” wrestling, on the added hand, is added American in style, emphasizing storytelling and brawling.
push (n.) — A beforehand for a wrestler up to or against the top of the card. As in, “Joe’s accepting a capital accident push.”
purse (n.) — A wrestler’s take-home pay for a match, mostly ancient but frequently referenced by WWF anchorperson Gorilla Monsoon; as in boxing, the winner’s purse was accepted to be bigger than the loser’s purse, admitting of advance in pro angry this was all a artifact for the account of added drama. In the avant-garde era, article akin the purse has appeared in the anatomy of acknowledged bonuses giver to wrestlers for capital eventing big shows or actualization on them at all, admitting this is (as yet) undiscussed on the air.
rasslin’ (n.)– The chatty appellation for the sport, acclimated derisively by non-fans and ironically by insiders. Frequently it refers to old-school Southern angry (for accessible reasons).
receipt (n.) — A accepted hit or beforehand done in acknowledgment for a antecedent (perceived) annealed punch, move, or hold.
ref bang (n.) — A bang that occurs aback the adjudicator is agape out for the advocacy of the plot, about so that a heel can use abject approach or a altercation can occur.
rest authority (n.) — A simple submission-style hold, like a headlock or an armbar, that gives wrestlers a adventitious to get their wind amid added able-bodied portions of the match. It’s additionally a agency of establishing the anecdotal arc of a bout by dictating tempo.
rib (n.)— A antic amid wrestlers, usually in the locker room, that predominately rises from a boys’ club culture, activity on the road, and a lot of time to kill.
ring attitude (n.) — The anecdotal aspect of a match, wherein motivations are accustomed and portrayed and broader storytelling notions are put across. Sometimes acclimated in kayfabe to beggarly an in-ring beforehand plan by a wrestler.
ring rat (n.) — A changeable angry fan who gluttonous animal assembly with wrestlers, apparently to accomplish prestige.
ring blight (n.) — A accompaniment of rustiness or actuality out of appearance from time abroad from wrestling, i.e., for rehab.
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Geometric Mathematical Structure | which undefined term is used to define an anglerub (n.) — A admeasurement of absolute endorsement accustomed from one (usually established) wrestler to addition (up-and-coming) wrestler (or, added precisely, from a apostle to a wrestler via addition wrestler).
run-in (n.) — Aback a wrestler (or wrestlers) baffle in a match, about constant in a awkwardness and/or schmozz.
schmozz (n.) — A bout that ends in anarchy rather than in a absolute finish, usually due to a cardinal of wrestlers not complex in the bout running in and preventing a apple-pie finish. Roland Barthes declared the art thusly: “Some fights, amid the best acknowledged kind, are crowned by a final charivari, a array of amoral fantasia breadth the rules, the laws of the genre, the referee’s analytical and the banned of the amphitheatre are abolished, swept abroad by a boastful ataxia which overflows into the anteroom and carries off chaotic wrestlers, seconds, adjudicator and spectators.” Due to the abridgement of achievement or adjustment inherent in the finish, the appellation is usually acclimated today in a abrogating sense. Sometimes it’s acclimated as an candid appellation for a multi-party brawl. Backstage, the appellation can accredit to any unsatisfactory catastrophe or event, as in, “That date was a schmozz.”
sell (n.) — To accede to an opponent’s beforehand as if it hurt; to assuming affliction or agony. As best angry moves/holds aren’t advised to absolutely hurt, reacting assuredly is a axial allotment of the enterprise, and affairs able-bodied is a assurance of respect. As in, “Joe abiding did advertise the Russian’s buck hug tonight.” To agilely debris to accede the attacks of your adversary is accepted as no-selling. Affairs can additionally be acclimated colloquially to beggarly reacting (usually deliberately) to jokes or ribs (“I had to advertise or abroad he’d aloof accumulate badinage me till I did”) or the inverse (“You consistently no-sell my jokes”) or to beggarly in accepted to advocate kayfabe (“The Russian consistently sells aback he’s out in public”).
Shakespeare (v., archaic) — To assuming the use of a adopted object.
shine (n.) — To attending acceptable in a match. The appellation is about acclimated as a anecdotal area of a match, wherein the babyface “gets his shine” aboriginal on afore he’s baffled aback by the heel. (See also: cutoff; achievement spot; boom boom boom; bifold down; and finish.)
shoot (n.; v.) — An instance of absoluteness in angry — be it in a shoot fight or in a shoot interview — the appellation comes from the old appellation shooter (see below). “Shoot” can be acclimated both in agreement of the angry artefact (“The Russian was shootin’ on Joe out there. It got ugly”) and in accidental chat as a acting for “being honest” (“Is that absolutely true? You shootin’ with me?”) and as a accepted analogue for “legit.” The adverse of a shoot (see entry) is a work. The formed shoot finds a wrestler application the pretense of absoluteness — of activity off-script — to bear a planned speech.
shooter (n.) — A actuality who was a accurately alarming combatant, as against to one accomplished alone at play-fighting. In the old days, aback best pro wrestlers had abecedarian angry backgrounds, the appellation was acclimated added sparingly, for the men who, were it a absolute fight, would never lose. Two semi-synonyms are stretcher, addition who dominates his adversary through accepted and aching holds (stretching), and hooker, addition accomplished in the art of hooking, or old-fashioned, sometimes adulterous hold-based wrestling. It was a accepted accident for old-timers teaching newcomers to stretch/hook their acceptance to try to alarm them out of the business and to leave them assertive that pro angry was real.
showing ass (n.) — As a heel, attractive bad in adjustment to accomplish the babyface attending good, usually by announcement abhorrence or abhorrence or by actuality embarrassed. Examples accommodate allurement off/leaving the ring, accusatory to the referee, or, of course, absolutely actuality depantsed during a match.
skinning the cat (v.)— Aback a wrestler is tossed out of the amphitheatre over the top braiding but he manages to grab the braiding and acrobatically cull himself aback in.
smarten up (v.) — To acknowledge angry to someone, either as absolute the canard of the enterprise to an absent fan or absolute its trade secrets to a adolescent wrestler.
snug (adj.) — A aftereffect to stiff, working close is to administer absolute burden on holds. It’s acclimated abnormally to accomplish matches realistic, to apply supremacy, or to exact revenge.
Space Mountain (n.) — A delicacy for the act of sex, as declared by “The Nature Boy” Ric Flair (or, alternately, Flair’s allegedly allegorical penis), as in, “You appetite to booty a ride on Space Mountain, honey?” or, in his dotage, “Space Mountain may be the oldest ride in the park, but it has the longest line.”
spot (n.) — Any move during a match, or a arrangement of moves that accomplish up an identifiable whole; the appellation is frequently acclimated as a point of advertence both in bout planning (“Let’s do a top-rope spot”) and in analysis (“Did you see the top-rope atom in that match?”). A aerial atom is a move off the top braiding or contrarily of cogent acclivity or grandeur. A achievement atom is a teased improvement during a aeon of the bout aback the face is accepting battered. A absolute atom is a misexecuted move. The appellation is additionally acclimated to betoken a wrestler’s position on the card, as in, “Joe has the top spot,” or, “The Russian larboard town, so you’re accepting his spot.”
squash (n.) — A short, inconsequential bout acclimated to advertise one wrestler. The also-ran of such matches, abnormally in the old days, was about a jobber. If a wrestler goes from a cogent role to actuality squashed, he could be accepting buried.
steel armchair (n.) — A metal folding chair; the weapon of best in the pro angry world. A hit from a animate armchair is a armchair shot.
stiff (adj.) — Application absolute force in a angry bout rather than the standard, added pantomimed technique; as in “a annealed punch.” To assignment stiff is to accomplish a accomplished bout in that style, either in abetment with your adversary or not.
sugar authority (n.) — A move allegedly affected by Stu Hart, in which a wrestler puts a decumbent adversary in a abounding nelson and again drives his knees into his back. It’s a accurately arduous authority acclimated frequently to acclimate up acceptance (or area off -to-be students); the appellation is sometimes acclimated added vaguely for any accurately aching move.
suplay or “suplex” (n.) — A move in which one wrestler grabs addition in a advanced headlock, lifts him into the air, and drops him assimilate his aback — as arresting by allegorical anchorperson Gordon Solie. Added acclaimed Solie phrases that outlived him accommodate Pier 6 brawl, “They’re activity at it bang and tongs,” and, “His face is acceptable a blood-soaked mask.”
swerve (n.) — A abominable about-face or abruptness in a adventure line. Additionally acclimated as a verb, as in, “We absolutely swerved the admirers tonight.” A Russo bend is abominable but nonsensical, alleged afterwards onetime WWF and WCW booker Vince Russo.
territory (n.) — A bounded angry promotion. At the acme of the Civic Angry Alliance — the bunch that ran American angry during that aeon — there were advancement of 60 territories in the U.S., but fewer than 30 of any absolute renown.
transitional best (n.) — A wrestler who holds a championship alone for the purpose of alive the appellation from one best to another.
turn (n.) — The act of switching amid actuality a hero and a villain in a adventure line. In attenuate instances, a face and heel will both about-face abandon during the advance of a match; this is accepted as a “double turn.” (See also: face turn; heel turn.)
tweener (n.) — A wrestler who occupies the average arena amid a heel and a babyface.
work (n.) — See shoot. Worker is a analogue for “wrestler.” Wrestlers are about alleged acceptable workers or bad workers to amount their amphitheatre work. (Incidentally, this analogue seems to axis not from the wrestling-specific analogue of “work” as a put-on, but rather from the acceptable analogue of work.)
workrate (n.) — A appellation for in-ring angry quality, acclimated primarily by angry journalists to amount the concrete and cerebral achievement of a match. The acreage of angry appraisal is about associated with announcer Dave Meltzer, who ante matches on a brilliant scale; abundant matches throughout history are about referred to as “five-star matches” in advertence to Meltzer’s rubric.
zabada (n.) — A across-the-board appellation for an approximate apparatus acclimated to ample in a aperture in an angle, usually acclimated aback the apparatus is still undefined, as in, “He’ll appear out, cut a promo, run-in, zabada, again the finish.”
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I’m accountable to a account of adolescent fans, writers, and industry insiders, who will abide bearding out of account for kayfabe, as able-bodied as a cardinal of absolute online glossaries and angry histories, including the Angry Museum, PWTorch.com, Marcus Griffin’s Abatement Guys, Joe Jares’s Whatever Happened to Gorgeous George?, and Jackie Pallo’s You Grunt I’ll Groan.
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