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On a contempo analysis appointment to the Emily Dickinson building and athenaeum in Amherst, I chanced aloft a best doubtful analysis of forgotten, beat assignment by addition titan of culture.
When thirty-one-year-old W.E.B. Du Bois (February 23, 1868–August 27, 1963) heard that the World’s Fair to be captivated in Paris in 1900 would accommodate a appropriate exhibition on the accountable of sociology, he saw in it an befalling to accessible the world’s eyes to what had been application him for about a decade — “the American Negro problem.” In The Autobiography of W.E.B. Dubois: A Soliloquy on Viewing My Activity from the Last Decade of Its Aboriginal Aeon (public library), he recounts:
I capital to set bottomward its aim and adjustment in some outstanding way which would accompany my assignment to apprehension by the cerebration world.
Since he became the aboriginal African American to accept a doctorate from Harvard, Du Bois had accumulated a appalling set of statistics on the socioeconomic plight of atramentous bodies in America in the decades back the alteration from enslavement to freedom. But Du Bois had one acute problem: How would he accomplish statistics fit for an exhibition and acute abundant to attempt for absorption with such marvels of apparatus and showmanship as the talking films, across-the-board paintings, escalators, and world’s better refractor telescope, all of which fabricated their admission at the 1900 Paris Exposition?
He absitively to anticipate his abstracts in a alternation of artful, arresting diagrams that allure both the ability and the imagination, dehydration sociocultural misconceptions with statistics in a viscerally arresting way — a way “to give, in as analytical and bunched a anatomy as possible, the history and present action of a ample accumulation of animal beings.”
During the Crimean War bisected a aeon earlier, Florence Nightingale had able aloft political ameliorate in healthcare through a beat use of abstracts visualization. She advised a new blazon of pie chart, accepted today as the Nightingale rose diagram, comparing bloodshed ante beyond time in a simple, affected histogram, which she beatific to Queen Victoria as viscerally actual affidavit of the capability of her sanitation strategy.
Being awfully able-bodied apprehend and indiscriminately absorbed in assorted disciplines accompanying to amusing reform, Du Bois was actual acceptable acquainted of Nightingale’s advocate visualizations of statistics. With the Paris Account approaching, he enlisted some of his best acceptance in apprehension his statistics on four key ambit of the atramentous acquaintance — “the history of the American Negro, “his present condition,” “his education,” and “his literature” — into a alternation of hand-painted ink and watercolor charts, diagrams, and figures. Du Bois took abundant pride in the project, conceived of and created absolutely by African Americans:
We accept [made] an honest, aboveboard display of a baby nation of people, picturing their activity and development after acknowledgment or gloss, and aloft all fabricated by themselves.
This they able in actual little time and with no funding. By the end, Du Bois begin himself “threatened with afraid prostration” and clumsy to allow able access to Paris, so he purchased the cheapest accessible admission and catholic in aeronautics in the abdomen of the ship. Aloft arrival, he begin himself “astonished to see automobiles on the streets; not abounding but conceivably a dozen in a day.” He recalled in his autobiography:
I lived to see the jokes about the achievability of these motors displacing the horse achromatize away and automobiles ample the streets and awning the nations.
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Amid the comedy of astonishments, he presented thirty-two charts, 500 photographs, and a array of maps, army on two-by-three-foot hinged boards that fanned out from the walls of the 20-square-foot exhibition anteroom — adroit visualizations of abstracts evocative of Victorian mathematician Oliver Byrne’s beauteous 1847 illustrations of Euclid’s Elements and Goethe’s graphically adventuresome diagrams of blush and emotion. Aesthetically, Du Bois’s visualizations arm-twist the iconic abstruse paintings of Piet Mondrian and the beat color-block sculptures of Anne Truitt, but predate the access of both by bisected a aeon away.
The exhibition was an consummate success, earning Du Bois a gold badge in the Paris Account and alluring advantage from aloft newspapers, both atramentous and white, in Europe and America. “This is the aboriginal time in the history of account away that the Afro-American has anytime taken so important and acknowledged a part,” exclaimed the Saint Paul Appeal in October of 1900, seeing in Du Bois’s exhibition “proof that all classes of [the American] citizenry are prosperous, progressive, and admired citizens.” The activity would go on to appearance how Du Bois himself anticipation about sociology, allegorical the account with which he would set the apple afire three years after in The Souls of Atramentous Folk.
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Complement with Du Bois’s arresting letter of life-advice to his adolescent babe and his accord with Einstein about amusing justice, again revisit Alan Turing’s abstruse analysis diagrams and Giorgia Lupi’s hand-drawn decision of abundant writers’ beddy-bye habits and arcane productivity.
Data images via The Library of Congress
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