Waqas Khwaja is one of Pakistan’s arch English accent poets. He is additionally accepted for his accomplished translations of Urdu and Punjabi balladry which were appear in Modern Balladry from Pakistan, a 2010 accumulating he co-edited with Iftikhar Arif. Themes of clearing run through his beforehand collections, Mariam’s Complaining and No One Waits For The Train.
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The closing is the aboriginal feature book of balladry about the Partition accounting by a Pakistani in English language. His new collection, Hold Your Breath, challenges the political address of ageism and abandon appear migrants and bodies of colour which has acquired advantage in the United States — area he lives and teaches (though he continues to accepted his built-in city, Lahore).
Hold Your Animation is committed to Eric Garner, an African-American captivated in an actionable chokehold by a policeman in Staten Island, New York in 2014. He can be heard in a video of his access adage “I can’t breathe” 11 times afore he died. His killing led to accessible clamor and his words became the appellation of a song and the ambulatory cry of the ‘Black Lives Matter’ movement. Khwaja writes that Garner’s aftermost words abide for him “the best almighty metaphor/for our age”.
The actual aftermost composition in the collection, a breath, a word, makes repetitive use of Garner’s byword in the additional bisected to amazing effect.
The composition continues in English for addition seven couplets, capturing bond and active histories of denial and accident area “my body’s grime” becomes a allegory for aphotic skin. On the abutting page, the narrator reveals a second, active accent which marks him out as the “the Other”. Here, the composition break abroad into Urdu. Interjected with Garner’s words in English, Urdu phrases actualize an amazing and abnormal bout de force.
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Khwaja’s accurate and able use of Urdu phrases additionally emerges in some added balladry such as I was built-in an Enemy which looks at the conflicts created by an apprenticeship in English and able by a colonial legacy. He writes of growing up account English books, “Not alive yet of chase or color, caste, chic or creed/Not compassionate yet differences in belief/Oblivious to gender”.
He learns to adore and analyze with English authors, his English agents and their language. He begins to acquisition himself an conflicting in his own land. He becomes acquainted gradually of ‘differences’ and anon learns that no amount how adamantine he tries to obey ‘their’ laws and customs, “I was not the appropriate color, the appropriate race/Not from the appropriate society/Not the appropriate society”. He is the aberrant Caliban, “Forever conspiring, always decumbent to treachery/Forever advancing to accomplish an atrocity”.
The appellation poem, Hold Your Breath, is addressed to the clairvoyant in the additional actuality — you. The words of the appellation become both allegorical and accurate in this complaining for the aphotic age in which we live. The age is embodied in images of night that few achievement to alive through in adjustment to see a new dawn.
The accumulating includes several balladry which circumduct about anamnesis and a faculty of loss. I dream of my ancestor enshrines images of the poet’s backward father, a arresting advocate in Lahore, and recalls his own years of alive as an amateur lawyer. Triptych recalls claimed associations with the landscapes.
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The aboriginal two balladry in the area about anamnesis and accident acquaint of the poet’s attraction with the sea and the hills, respectively. The third is a adulation song for the burghal area he grew up and which he admired for its adorableness and its imperfections.
Other cogent balladry accommodate Going Back. It describes the poet’s impressions of his appointment to Pakistan afterwards a continued absence: “No, it does not feel like home/All is accustomed as before/Nothing seems to accept changed.” Everywhere there is dust, bending leaves, bodies queuing for water, electricity failures, the complete of generators whirring, a chaotic and base political structure.
He goes on to address of the United States area he finds himself bent in a accompaniment of limbo. Here “the action is all about fuel”, not water; annihilative chemicals are actuality caked into the Earth, the affluent backpack on with their blowhard lives with impunity, with the acceptance that their fears are legitimate, and the poor are larboard to bulwark for themselves.
Khwaja’s balladry additionally claiming today’s politicised use of acceptance as a antecedent of conflict. In Primer, he achieves a faculty of accord and accord through a able about-face of belletrist in angelic names begin beyond cultures, languages and faiths which accord announcement to creation, linkages and etymology.
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The composition traverses four pages, accumulation names angelic to Islam, Judaism, Christianity, Buddhism and Hinduism.
His anniversary of aberration and accord in assortment continues in Today I am a Muslim weaver. He uses irony and humour in I am abashed of Muslims to animadversion on ignorance, ageism and ageism which are accepted amid the followers of all religions, alike amid those who do not attach to any faith.
The composition culminates with deserts, mountains and rivers amusement at bodies and their foibles and insanity. Khwaja’s innovative, acerb political assignment sets out to abate the perceived barriers of aberration and “otherness” in today’s globalised world. He bridges the linguistic and cultural divides by experimenting with words and sounds in balladry such as Piya torey nain which is accounting in admiration to Ustad Amanat Ali Khan and Ustad Fateh Ali Khan, two classical musicians from Lahore.
The poem, which cascades beyond the page, plays with Urdu and English words and music and leads up to the textual announcement of acceptable subcontinental agreeable notes, the sargam. Its culminating curve begin: “gamapa, gamapa, gamapadasa, gamapadasa/mapadenada, mapadenada” and abide on to “tananaderderdeen tananadererynaan”.
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Throughout Hold Your Breath, Khwaja continues to expands his artistic horizons by such analysis with both the accent and the anatomy of his poems. In that he additionally expands the border of Pakistan’s English literature.
This was originally appear in the Herald's August 2017 issue. To apprehend added subscribe to the Herald in print.
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